Partitions Numériques de Childhood pour Guitare

Childhood

Songs of Childhood, Bk. 1, Vol. 1 - Progressive Variations for Guitar

Songs of Childhood, Bk. 1, Vol. 1 - Progressive Variations for Guitar
Guitare

Solo Guitar - Level 1 - Digital Download SKU: A0.752754 Composed by Kevin Love. 20t…(+)

Solo Guitar - Level 1 - Digital Download SKU: A0.752754 Composed by Kevin Love. 20th Century,Instructional. Individual part. 13 pages. Kevin Edward Love #23909. Published by Kevin Edward Love (A0.752754). As a teacher, I have found that students thrive on the familiar. Here is a way to capitalize on that enthusiasm by using well-known tunes to gradually introduce typical guitar techniques and textures in a progressive way. Songs of Childhood, Book 1, contains similar treatment of five melodies: Twinkle, Twinkle, Little Star, Old MacDonald, FrÃ¨re Jacques, Ode to Joy and This Old Man Vol. 1 contains the Themes and Var. 1 - 4 Vol. 2 contains Var. 5 - 9.
$8.95 8.35 € #Guitare #Kevin Love #Songs of Childhood, Bk. 1, Vol. 1 - Progressive Variations for Guitar #Kevin Edward Love #SheetMusicPlus

#Songs of Childhood, Bk. 1, Vol. 1 - Progressive Variations for Guitar

Songs of Childhood, Bk. 1, Vol. 2 - Progressive Variations for Guitar

Songs of Childhood, Bk. 1, Vol. 2 - Progressive Variations for Guitar
Guitare

Solo Guitar - Level 2 - Digital Download SKU: A0.752751 Composed by Kevin Love. 20t…(+)

Solo Guitar - Level 2 - Digital Download SKU: A0.752751 Composed by Kevin Love. 20th Century,Instructional. Individual part. 20 pages. Kevin Edward Love #23913. Published by Kevin Edward Love (A0.752751). As a teacher, I have found that students thrive on the familiar. Here is a way to capitalize on that enthusiasm by using well-known tunes to gradually introduce typical guitar techniques and textures in a progressive way. Songs of Childhood, Book 1, contains similar treatment of five melodies: Twinkle, Twinkle, Little Star, Old MacDonald, FrÃ¨re Jacques, Ode to Joy and This Old Man Vol. 1 contains the Themes and Var. 1 - 4 Vol. 2 contains Var. 5 - 9.
$12.50 11.66 € #Guitare #Kevin Love #Songs of Childhood, Bk. 1, Vol. 2 - Progressive Variations for Guitar #Kevin Edward Love #SheetMusicPlus

#Songs of Childhood, Bk. 1, Vol. 2 - Progressive Variations for Guitar

Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est nÃ© Ã Douala en juillet 1929, dans une grande famille oÃ¹ son pÃ¨re, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunitÃ© d'aller Ã l'Ã©cole. Admirant son frÃ¨re aÃ®nÃ©, Marcel Eyidi Bebey, il s'est Ã©duquÃ©, s'est distinguÃ©, et a finalement reÃ§u une bourse pour passer son baccalaurÃ©at en France.Nous approchions de la fin des annÃ©es 1950 lorsqu'il est arrivÃ© Ã La Rochelle. Plus que jamais, dans cette France oÃ¹ les Africains Ã©taient regardÃ©s avec curiositÃ©, condescendance ou dÃ©dain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalaurÃ©at, puis s'est installÃ© Ã Paris oÃ¹ il a commencÃ© des Ã©tudes d'anglais Ã la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son mÃ©tier en France et aux Ã?tats-Unis.AprÃ¨s avoir travaillÃ© quelques annÃ©es comme reporter, il a Ã©tÃ© embauchÃ© en 1961 en tant que fonctionnaire international au DÃ©partement de l'information de l'UNESCO.ParallÃ¨lement, Francis a toujours Ã©tÃ© attirÃ© par la crÃ©ation musicale. Son activitÃ© diurne trÃ¨s sÃ©rieuse ne l'empÃªchait pas de frÃ©quenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique Ã la mode Ã cette Ã©poque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait Ã de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scÃ¨ne et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en Ã©coutant les cantates et les oratorios de Bach ou Handel que son pÃ¨re chantait au temple. Il s'est passionnÃ© pour la guitare, impressionnÃ© par les maÃ®tres espagnols et sud-amÃ©ricains, et a dÃ©cidÃ© d'apprendre Ã jouer de l'instrument lui-mÃªme.Il a commencÃ© Ã composer des piÃ¨ces pour guitare, mÃªlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivÃ© le directeur du Centre culturel amÃ©ricain (alors situÃ© dans le quartier de Saint-Germain Ã Paris), qui lui a offert l'opportunitÃ© de se produire devant un public. Francis y a donnÃ© son premier rÃ©cital de guitare (1963) devant un public hypnotisÃ©. Son premier album solo est sorti peu de temps aprÃ¨s.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le dÃ©crivait la presse, sont sortis. Il a Ã©galement Ã©crit des livres, au point que sa carriÃ¨re artistique est devenue difficile Ã concilier avec sa carriÃ¨re de fonctionnaire. En 1974, mÃªme s'il Ã©tait devenu le directeur gÃ©nÃ©ral chargÃ© de la musique Ã l'UNESCO, il a fait le saut audacieux et a dÃ©missionnÃ© de cette prestigieuse institution pour se consacrer aux trois activitÃ©s qui l'intÃ©ressaient : la musique, la littÃ©rature et le journalisme.Il a explorÃ© le patrimoine musical traditionnel du continent africain, notamment Ã travers le piano Ã pouce sanza et la musique polyphonique des pygmÃ©es d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en franÃ§ais !Le succÃ¨s a suivi. Francis Bebey a parcouru le monde : de la France au BrÃ©sil, du Cameroun Ã la SuÃ¨de, de l'Allemagne aux CaraÃ¯bes, ou du Maroc au Japon... la liste des pays oÃ¹ il a Ã©tÃ© invitÃ© Ã se produire, Ã donner des confÃ©rences ou Ã rencontrer des lecteurs est trÃ¨s longue. En plus de la reconnaissance publique, il bÃ©nÃ©ficiait de la reconnaissance de ses collÃ¨gues musiciens, tels que le guitariste John Williams ou le VÃ©nÃ©zuÃ©lien Antonio Lauro, qui l'ont invitÃ© Ã faire partie du jury d'un concours de guitare classique Ã Caracas.Sa vie Ã©tait le voyage d'un pionnier africain, un homme enracinÃ© dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalitÃ© continue de rÃ©sonner dans le monde entier depuis son dÃ©cÃ¨s Ã la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

Interrupted Dance (He Who Sings is Not Always Happy)
Guitare

Solo Guitar - Level 4 - Digital Download SKU: A0.1291077 Composed by Rocco Di Pietr…(+)

Solo Guitar - Level 4 - Digital Download SKU: A0.1291077 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. Rocco Di Pietro #881769. Published by Rocco Di Pietro (A0.1291077). âInterrupted Danceâ was written for the Guitarist Larry Marotta who I have worked with for many years.I felt comfortable giving Larry the difficult tasks of going back and forth between a simple childhood tunewith variations Mozart would have approved of.I contrasted that with daunting extended techniques from the old Avant -Garde.I did not want to get rid of any technique which would still be useful to me frommy old love of Modernism, but I wanted to use that as part of my current practiceof letting the past in, which has moved away from 1966.The dance was inspired by a little sculpture a friend of mine gave to me, which depicts abooby -trapped playground. It shows a little swing set surrounded by thorns anddaggers. There is a little teddy, who wants to ride the swing but never does,because he sees the bucket of blood.The little swing set is represented by the childhood tune in its various transformations.The work is simply dedicated to that friend. The work contains two endings.The guitarist traveling teddy navigates the playground in triumph in the first endingand individuates and rejects the playground in the second ending.Returning to the practice of life in maturity.RDP.
$12.00 11.2 € #Guitare #Rocco Di Pietro #Interrupted Dance #Rocco Di Pietro #SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwoâoleâs Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind.Â The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.

Classical Guitar "Hymns From Childhood"

#Classical Guitar "Hymns From Childhood"

Old Kind Fairy Tale
Guitare

Solo Guitar - Level 2 - Digital Download SKU: A0.963881 Composed by Oleg Gorbunov. …(+)

Solo Guitar - Level 2 - Digital Download SKU: A0.963881 Composed by Oleg Gorbunov. 20th Century,Contemporary,New Age. Individual part. 2 pages. Oleg Gorbunov #6518525. Published by Oleg Gorbunov (A0.963881). Old kind fairy tale straight out from childhood! Just a beautiful guitar ballad in neoclassic style.
$1.99 1.86 € #Guitare #Oleg Gorbunov #Old Kind Fairy Tale #Oleg Gorbunov #SheetMusicPlus

Angry Birds Theme
Guitare

Guitar - Level 4 - Digital Download SKU: A0.1189301 Composed by Ari Pulkkinen. Arra…(+)

Guitar - Level 4 - Digital Download SKU: A0.1189301 Composed by Ari Pulkkinen. Arranged by Joseph DÃ¡vila. Classical,Film/TV,March,Pop,Video Game. 10 pages. JaGlo Music #788929. Published by JaGlo Music (A0.1189301). Guitar Quartet. Some say that the Angry Birds theme song is the soundtrack of their childhood. This amazing transcription for 4 guitars has been carefully and accurately arranged and will remind listeners of the fun they had playing the game and watching the movie. It is challenging and exciting to play and is suited for a mix of advanced and intermediate-level guitarists.
$12.00 11.2 € #Guitare #Ari Pulkkinen #Joseph DÃ¡vila #Angry Birds Theme #JaGlo Music #SheetMusicPlus

Yang
Guitare

Solo Guitar - Level 4 - Digital Download SKU: A0.1267632 Composed by Bah Eilat Omar…(+)

Solo Guitar - Level 4 - Digital Download SKU: A0.1267632 Composed by Bah Eilat Omar. Arranged by Salomon Abiassi. Classical,Contemporary. Individual part. 3 pages. Salomon Abiassi #860173. Published by Salomon Abiassi (A0.1267632). Yang was composed by Bah Eilat Omar, who is Salomon's childhood friend from school during his time growing up in Togo. After ceasing musical activities for 10 years, while on travel in China, Omar reestablished contact with Salomon, who then reignited his desire to get back into music. In Omar's own words, the message behind âYangâ is as follows: We have within us the power to overcome any adversity. No matter its ferocity, the storm always eventually calms down..
$9.00 8.4 € #Guitare #Bah Eilat Omar #Salomon Abiassi #Yang #Salomon Abiassi #SheetMusicPlus

Twinkle, Twinkle Little Star - Progressive Variations for Guitar
Guitare

Solo Guitar - Level 1 - Digital Download SKU: A0.752766 Composed by Kevin Love. 20t…(+)

Solo Guitar - Level 1 - Digital Download SKU: A0.752766 Composed by Kevin Love. 20th Century,Instructional. Individual part. 10 pages. Kevin Edward Love #24591. Published by Kevin Edward Love (A0.752766). As a teacher, I have found that students thrive on the familiar. Here is a way to capitalize on that enthusiasm by using well-known tunes to gradually introduce typical guitar techniques and textures in a progressive way. Songs of Childhood, Book 1, contains similar treatment of five melodies: Vol. 1 - Themes and Var. 1 - 4; Vol. 2 - Var. 5 - 9.
$5.95 5.55 € #Guitare #Kevin Love #Vol. 2 - Var. 5 - 9.
#Twinkle, Twinkle Little Star - Progressive Variations for Guitar #Kevin Edward Love #SheetMusicPlus

Professor Burble's first invention (mp3)
Guitare

Guitar - Level 4 - Digital Download SKU: A0.1284428 By AndrÃ¡s CsÃ¡ki. By David War…(+)

Guitar - Level 4 - Digital Download SKU: A0.1284428 By AndrÃ¡s CsÃ¡ki. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 181. David Warin Solomons #875600. Published by David Warin Solomons (A0.1284428). A mad professor I invented during my childhood has been given fictional responsibility for some of my more outside the box compositions. I called him Professor Burble; he was probably inspired by TV cartoons in the 1960s....Â The first Invention was for guitar solo.It is performed here by AndrÃ¡s CsÃ¡ki guitar.
$6.00 5.6 € #Guitare #AndrÃ¡s CsÃ¡ki #Professor Burble's first invention #David Warin Solomons #SheetMusicPlus

This Old Man - Progressive Variations for Guitar
Guitare

Solo Guitar - Level 1 - Digital Download SKU: A0.752759 Composed by Kevin Love. Con…(+)

Solo Guitar - Level 1 - Digital Download SKU: A0.752759 Composed by Kevin Love. Contemporary,Instructional. Individual part. 6 pages. Kevin Edward Love #23921. Published by Kevin Edward Love (A0.752759). As a teacher, I have found that students thrive on the familiar. Here is a way to capitalize on that enthusiasm by using well-known tunes to gradually introduce typical guitar techniques and textures in a progressive way. Songs of Childhood, Book 1, contains similar treatment of five melodies: Vol. 1 - Themes and Var. 1 - 4; Vol. 2 - Var. 5 - 9.
$3.95 3.69 € #Guitare #Kevin Love #Vol. 2 - Var. 5 - 9.
#This Old Man - Progressive Variations for Guitar #Kevin Edward Love #SheetMusicPlus