The music from the movie, Forrest Gump, is absolutely wonderful, and the Forrest Gump Suite does very well as a flute choir arrangement. This piece includes the Feather Theme, You Can't Sit Here, and You're No Different.

This arrangement is written for 2 altos, 2 basses, contra-alto in G, and contrabass flutes. The contra-alto is not as well-known an instrument, but it is used in larger choirs. This part is optional. Also, there is an optional cello part that doubles the contrabass part. This part can be substituted by any C instrument in a similar range, such as a bassoon.

This is a great piece for all occasions!

Duration: 5.5 minutes

Pentatonix is one of my favorite acapella groups, and I am thrilled to be able to write an arrangement of this piece for flute choir. This piece is sweet and relaxing, and is simple enough for a choir with intermediate skills. There is a lot of syncopation, so counting is key, but it is repetitive and intuitive. This is great newer Christmas tune that I hope you will love to play.

This arrangement is for Low Flute Choir - 3 altos, 2 basses and 1 contra bass.

Super Mario Bros was a super popular Nintendo game, but I think the song was even more so. Back in the 80's, game music was written to attract attention to the game itself, rather than enhance the player's experience during the game. It was more or less, just a catchy tune. However, when Koji Kondo wrote the music to Super Mario Bros, he created it as an active part of the game. This idea would help change game music forever.

I feel as if I don't need to give any comments on how to play this piece, but I will say that in the interest of not inundating the sheet music with dots everywhere, this song should be played staccato throughout the piece unless otherwise noted.

This piece has a lot of syncopation, but it is repetitive, so musicians with intermediate skills should be able to play this piece.

Scored for Eb, 4 Bb, alto, and bass clarinets.

Duration: 2.5 minutes

Of all fun songs, this one is at the top of the list! Walt Disney's 1950 animated movie, Cinderella is a classic movie with classic songs. This song was also used in the remake movie in 2015.

Play this piece light and bouncy, and not too fast. It is set at the typical "march" tempo.

This arrangement is simple enough for musicians with intermediate skill. The upright bass part is optional, and can be substituted by any C instrument in a similar range, like a cello or bassoon.

This is a great closer for your recitals, and will have your audience going home happy.

Scored for 4 C flutes, alto, bass, contrabass, and optional upright string bass.

Duration: 1.25 minutes

Super Mario Bros was a super popular Nintendo game, but I think the song was even more so. Back in the 80's, game music was written to attract attention to the game itself, rather than enhance the player's experience during the game. It was more or less, just a catchy tune. However, when Koji Kondo wrote the music to Super Mario Bros, he created it as an active part of the game. This idea would help change game music forever.

I feel as if I don't need to give any comments on how to play this piece, but I will say that in the interest of not inundating the sheet music with dots everywhere, this song should be played staccato throughout the piece unless otherwise noted.

This piece has a lot of syncopation, but it is repetitive, so musicians with intermediate skills should be able to play this piece.

Scored for piccolo, 4 C, alto, and bass flutes.

Duration: 2.5 minutes

This piece is a lot of fun and will take your audience through a walk through classic cartoon memory lane with the following theme songs:

* This is It! (Bugs Bunny Overture)
* The Flintstones
* The Jetsons
* The Simpsons
* The Pink Panther
* Animaniacs
* Merrie Melodies

Scored for 4 Bb, alto, bass, and contrabass clarinets. There is an optional Eb clarinet part that can be played in lieu of or in addition to the 1st Bb part.

There are also a couple of percussion parts included in parts 3 and 4. Part 3 is a vocal high-hat, which is done by saying "tss". Part 4 involves finger snaps. These parts are done during the theme of The Pink Panther.

This piece is a great opening, closing, or encore selection for your group and it is geared towards musicians with intermediate skill.

Duration: 4 minutes

Super Mario Bros was a super popular Nintendo game, but I think the song was even more so. Back in the 80's, game music was written to attract attention to the game itself, rather than enhance the player's experience during the game. It was more or less, just a catchy tune. However, when Koji Kondo wrote the music to Super Mario Bros, he created it as an active part of the game. This idea would help change game music forever.

I feel as if I don't need to give any comments on how to play this piece, but I will say that in the interest of not inundating the sheet music with dots everywhere, this song should be played staccato throughout the piece unless otherwise noted.

This piece has a lot of syncopation, but it is repetitive, so musicians with intermediate skills should be able to play this piece.

Scored for soprano, 3 altos, 2 tenors, and baritone saxophone.

Duration: 2.5 minutes

The theme song from Halloween ranks as one of the creepiest movie theme songs ever. It was first composed in 1978, and is still creeping people out just as strong as ever. Critics have grumbled about it being too simple, but that's what makes this piece so memorable.

Set at a time signature of 5/4 throughout, this arrangement is scored for 2 C flutes, alto, and bass. Each of these 4 parts have 2 part divisis at one point or other. Optional contrabass and cello parts are also included.

It goes without saying that this piece should be played in a cold and mechanical manner. It definitely isn't a "pretty" piece. The lower instruments should be strong, while the upper instruments tip toe on top. If you would like to add a little more interest to the piece, an egg shaker could be played at every beat.

This will give your audience the heebie jeebies.

This piece is simple enough for musicians with intermediate skill.

Duration: 2.25 minutes

Recently, I was asked to write an arrangement for choir of the fantastic track Heavenly Father by Bon Iver. The performance he gave at the Sydney Opera House in 2016 as part of Vivid Live, featuring The Staves, was so breathtaking that I immediately agreed to transcribe and arrange the song.

An earthy arrangement that features a soloist and some extra special choral effects, this tune is full of emotions and reaches an amazing climax that will wow your audience. Featured in the movie Wish I Was Hereby acclaimed director Zach Braff and scored for SATB Choir and soloist.

If there's one piece of music you purchase for choir this year, make it this one!

Live performance

The performance Bon Iver delivered at the Sydney Opera House really took this song to a new level, giving it such emotion and power that takes your breath away. Utilising subtle body percussion and some exquisite voices, this video is a must watch if you wish to recreate the song at the highest level.

https://www.youtube.com/watch?v=vAoADCSpD-8

Alan Silvestri is one of my favorite movie composers. He composes mainly for the film industry, and wrote fantastic scores for movies like Forrest Gump, Back to the Future, and Night at the Museum, to name a few.

This piece comes from the movie, Cast Away. The movie didn't have much music in it, which was intended to create a feeling of isolation. Needless to say, when music was played during a scene, it made a big impact. Silvestri won a Grammy Award for his music score in this movie.

This arrangement of the theme song is written for 2 altos, 3 basses, contra-alto in G, and contrabass flutes. The Bass 3 part is optional if you have a contra-alto in G. The optional cello part is to provide extra support to the contrabass, if needed.

This piece is very soothing and meditative. I hope your choir and your audience will enjoy it.

This Christmas song is one of the classics. Every time I hear it, I picture the characters from "Peanuts" skating on the ice. This piece has great jazz chords and it helps bring calm to a sometimes hectic time of year. It's a great piece to add to your Christmas program!

This arrangement is for low flute choir - Altos, Basses, and Contra bass.

One of the most recognized and performed Christmas songs is Greensleeves. This arrangement for clarinet choir is taken from Chip Davis' arrangement for the group that he founded called Mannheim Steamroller. As with almost all of my arrangements, there are differences in this piece that I adapted to my liking, but the overall feel is intact.

Scored for soprano, 2 altos, tenor, baritone, and bass saxophones.

This is a timeless piece that I hope you and your audience will love.

Duration: 3.5 minutes

Mozart wrote this Serenade for wind ensemble. Adagio is the 3rd movement, which features the oboe, clarinet, and basset horn as alternating soloists throughout the movement.

The beginning of this movement was played in the movie, Amadeus, which is where I heard it for the first time. After years of having this on my "to arrange" list, I can finally tick it off.

This arrangement for clarinet choir has the melody parts in Clarinets 1, 2 and 3. These can be played as solos, or not. The contrabass part is optional.

This would be a great piece for any occasion.

The song Africawas written and recorded by the American rock band Toto, appearing on theiralbum entitled Toto IV. Their music video depicts the band in a library,performing and showcasing various aspects of African culture. According to songwriterDavid Paich, the song is about a man?s love for the continent of Africa.

Thisarrangement for clarinet choir includes parts for E-flat clarinet, B-flatclarinets 1, 2, and 3, E-flat alto clarinet, bass clarinet, and contrabassclarinet. Alternate B-flat parts also exist for both E-flat and alto clarinet. Asthe rhythms appear to be tricky at first glance, listening to the original songand learning the lyrics should make playing the piece much easier.

The Fiddler on the Roof has a great opening number. This arrangement is for clarinet choir - Eb, 3 Bb, alto, bass, and contrabass. All parts except the bass and contrabass have some areas with 2 part divisi.

The melody gets passed around with all parts except the contrabass.

This would be a fun piece to add to your concerts!and#65279;

CATION! This arrangement was made by pain and gain! This is the most EXACT transcription of this song. All choir parts very close to original recording, but adopted for SATB choir. I tried to

convey the atmosphere of song very accurate, note-to-note, also I add some interesting parts in strings. Part with Brian's solo was taken from The Queen Symphony by Tolga Kashif.

A solid gold classic, by John Denver, for flute choir.

This setting of George Bernard's Classic Hymn, "Old Rugged Cross," for Clarinet quartet/choir takes a completely new approach harmonically in this arrangement. While the famous melody in the 1st clarinet has a few added embellishments, the rest of the ensemble joins with tighter jazz-influenced harmony.

A reflective approach to this piece of music would be extremely rewarding in a worship setting when used either as an offertory or as a lead-in to a music set. While none of the individual parts are particularly challenging, it will still be an exercise in balanced small ensemble playing.

One of the most recognized and performed Christmas songs is Greensleeves. This arrangement for clarinet choir is taken from Chip Davis' arrangement for the group that he founded called Mannheim Steamroller. As with almost all of my arrangements, there are differences in this piece that I adapted to my liking, but the overall feel is intact.

Scored for 3 Bb, alto, bass, and contrabass clarinets. There is an optional Eb part that can be played in addition to or in lieu of the 1st Bb part.

This is a timeless piece that I hope you and your audience will love.

Upbeat 80s Classic from Matthew Wilder.

A relatively easy SATB/piano arrangement by Martin Jones who leads two large community choirs, Ashton Sings and the Broughton Community Choir, and has a wealth of experience writing and arranging for them.

The arrangement follows the original song closely and will bring a smile to choirs and audiences alike!

It is suitable for community choirs, or for choirs who would like to sing an authentic sounding arrangement that is rewarding but not too involved.