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Chorale and Aria on O Perfect Love
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Chorale and Aria on O Perfect Love (Downloadable)
Orgue
Organ - Medium - Digital Download SKU: MQ.10-455-07E Composed by Michael Burkhardt.…
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Organ - Medium - Digital Download SKU: MQ.10-455-07E Composed by Michael Burkhardt. Arranged by Michael Burkhardt. Building Dedication, Church Anniversary, Marriage, 21st Century, Benediction/Sending, Gathering/Processional, Music, Praise/Thanksgiving. 3 pages. MorningStar Music Publishers - Digital Sheet Music #10-455-07E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-455-07E).
$5.00
4.59 €
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Orgue
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Michael Burkhardt
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Michael Burkhardt
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Chorale and Aria on O Perfect Love
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.43 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Ubi Caritas (ì°¸ì‚¬ëž‘ì´ ìžˆëŠ” ê³³ì—)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1217616 By Karl Kan…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1217616 By Karl Kang. By Karl Kang. Arranged by Karl Kang. A Cappella,Christian,Contemporary,Sacred,Traditional. Octavo. 6 pages. Karl kang #814172. Published by karl kang (A0.1217616). Karl Kang, a prominent Catholic composer from Korea, is known for his beautiful compositions such as 'Ave Verum', 'Ave Maria', and 'The Lord Bless You and Keep You'. His latest work, 'Ubi Caritas', is a stunning a cappella chorus set to the lyrics of the Responsories, which begin with Ubi cáritas et amor, Deus ibi est. and are traditionally sung during the foot washing ceremony on Holy Thursday. This lyrical and heartwarming piece is perfect for use in choir concerts, music classes, and as a repertoire of praise songs.Ubi cáritas et amor, Deus ibi est.Congregávit nos in unum Christi amor.Exsultémus et in ipso iucundémur.Timeámus et amémus Deum vivum.Et ex corde diligámus nos sincéro.Ubi cáritas et amor, Deus ibi est.Simul ergo cum in unum congregámur:Ne nos mente dividámur, caveámus.Cessent iúrgia malÃgna, cessent lites.Et in médio nostri sit Christus Deus.Ubi cáritas et amor, Deus ibi est.Simul quoque cum beátis videámusGloriánter vultum tuum, Christe Deus:Gáudium, quod est imménsum atque probum.Sæcula per infinÃta sæculórum. Amen.Where charity and love are, God is there.Christ's love has gathered us into one.Let us rejoice and be pleased in Him.Let us fear, and let us love the living God.And may we love each other with a sincere heart.Where charity and love are, God is there.As we are gathered into one body,Beware, lest we be divided in mind.Let evil impulses stop, let controversy cease,And may Christ our God be in our midst.Where charity and love are, God is there.And may we with the saints also,See Thy face in glory, O Christ our God:The joy that is immense and good,Unto the ages through infinite ages. Amen.
$4.99
4.58 €
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Chorale SATB
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Karl Kang
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Karl Kang
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Ubi Caritas
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karl kang
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SheetMusicPlus
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