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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chorale and Prelude in G for organ - CS091
Piano & claviers
Orgue
7
Piano seul
1
Guitares
Voix
Chorale SATB
3
Vents
Quatuor de Saxophones: 4 saxophones
2
Cuivres
Ensemble de Trombones
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2
Trio à Cordes: violon, alto, violoncelle
1
Orchestre & Percussions
Orchestre
1
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Chorale and Prelude in G for organ - CS091
Partitions à imprimer
18 partitions trouvées
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1
Baroque Wedding Music for String Trio, vol. 2
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Nicholas Palmer
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The contents are:
1
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Baroque Wedding Music for Stri
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Nicholas D Palmer
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.782834 Arranged by Nicholas Palmer. Concert,Standards,Wedding. Score and parts. 75 pa...
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.782834 Arranged by Nicholas Palmer. Concert,Standards,Wedding. Score and parts. 75 pages. Nicholas D Palmer #6130093. Published by Nicholas D Palmer (A0.782834). This second volume contains works from the Baroque era suitable for weddings and other occasions, that are less likely to be in standard collections, with a couple of exceptions. The contents are:1. Wachet auf, ruft uns die Stimme (J.S. Bach)2. Liebster Jesu, wir sind hier (J.S. Bach) - this is a beautiful organ chorale prelude that translated well into a trio.3. Pastorale (J.S. Bach) - An arrangement of a particularly lovely movement of the organ piece Pastorale in F).4. Bouree (G.F. Handel) - a lively piece from Watermusic.5. The Peace (G.F. Handel) - a lovely movement from the Fireworks suite.6. Concerto in G for Violin (Antonio Vivaldi) - a flashy violin part across three movements makes for a festive set.7. Fughetta (Dietrich Buxtehude) - originally for organ, a lively gigue fugue.8. Trio (Francois Dandrieu) - a disciplined, lively imitative piece from the organ repertoire of this French master.9. Aria in F (Henry Purcell) - a short, vigorous piece by this early English Baroque composer.10. Saraband with Division (Henry Purcell) - a slower piece, reminiscent of Byrd's Pavan, that can be paired with #9.
$20.00
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach : Orgelbüchlei
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534471 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95
Hymn Preludes for Holy Communion
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Various, Lynn L
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Lynn L
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Hymn Preludes for Holy Communi
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Lynn L. Petersen
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1110104 Composed by Various, Lynn L. Petersen. Arranged by Lynn L. Petersen. Christian,Praise & Worship,Religious,Sacred. Scor...
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Organ - Level 3 - SKU: A0.1110104 Composed by Various, Lynn L. Petersen. Arranged by Lynn L. Petersen. Christian,Praise & Worship,Religious,Sacred. Score. 26 pages. Lynn L. Petersen #712436. Published by Lynn L. Petersen (A0.1110104). Three Communion hymns are arranged for organ in chorale prelude style, with phrases of the hymn tune soloed out. The tunes are DU LEBENSBROT HERR JESU CHRIST (G Major), FARLEY CASTLE (C Major), and JESUS CHRISTUS UNSER HEILAND (F Major). Two settings are provided for each hymn tune, in a variety of styles and textures, with simple registration. Setting 1 is for manuals only and Setting 2 is for manuals plus pedal. Each setting is 3-4 pages long, written on two or three staves, and suitable for a two-manual organ.Each set is also available separately:DU LEBENSBROT HERR JESU CHRISTFARLEY CASTLEJESUS CHRISTUS UNSER HEILAND
$15.99
Eight Shorter Preludes on English Hymns (for manuals only)
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Orgue
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INTERMÉDIAIRE
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Brian Joyce
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Eight Shorter Preludes on Engl
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Brian Joyce
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SheetMusicPlus
Organ - Level 3 - SKU: A0.836716 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 12 pages. Brian Joyce #4966351. Published by Brian Joyce...
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Organ - Level 3 - SKU: A0.836716 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 12 pages. Brian Joyce #4966351. Published by Brian Joyce (A0.836716). For many years I have enjoyed playing the simpler manualiter chorale preludes of Zachau and J. G. Walter in the old Peters edition many organists will be familiar with. Then there are the delightful little preludes of Ernst Pepping which I first heard as a teenager in a recording by E. Power Biggs. I had something of a cross between these two influences in mind for this new set of English preludes. There are some finger-twisting moments here and there, but by and large these manuals-only pieces are meant to be shorter, more direct, and simpler (in concept, if not execution!) than my larger sets of preludes. The hymns dealt with here represent a useful mix of liturgical purposes and include Holy, Holy, Holy!, Come, Thou Almighty King, When Morning Gilds the Skies, Lift Up Your Heads, Ye Mighty Gates, All Things Bright and Beautiful, Beneath the Cross of Jesus, The Church’s One Foundation, and Christ the Lord is Risen Today. As always, sources and timings are included and the score prints in landscape format.
$7.95
Canticles of Mary and Simeon, op. 77
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrian Gagiu
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Canticles of Mary and Simeon,
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1004720 Composed by Adrian Gagiu. 20th Century,Christian,Contemporary. Octavo. 19 pages. Adrian Gagiu #6201665. ...
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Choral Choir (SATB) - Level 4 - SKU: A0.1004720 Composed by Adrian Gagiu. 20th Century,Christian,Contemporary. Octavo. 19 pages. Adrian Gagiu #6201665. Published by Adrian Gagiu (A0.1004720). Contemporary tonal and modal setting in G for SATB chorus and organ of the traditional canticles, based on the ancient tonus peregrinus and two archetypal pentatonic scales. Each of the canticles is treated in various textures, homophonic and polyphonic, with corresponding themes and mirroring sections that are contributing to the unity of the composition, and is framed by a meditative organ prelude, interlude and postlude, respectively.
$7.99
Prelude No. 28
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Orgue
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Musique Sacrée
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Robert G
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Robert G
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Prelude No. 28
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Robert G Farrell
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SheetMusicPlus
Organ - SKU: A0.926394 Composed by Robert G. Farrell. Arranged by Robert G. Farrell. Sacred. Score. 4 pages. Robert G Farrell #1899451. Published by Rob...
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Organ - SKU: A0.926394 Composed by Robert G. Farrell. Arranged by Robert G. Farrell. Sacred. Score. 4 pages. Robert G Farrell #1899451. Published by Robert G Farrell (A0.926394). An organ prelude appropriate for Worship, or recital. It is in the form of a chorale prelude on the hymn, All Creatures of our God and King..
$5.00
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
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Chorale SATB
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor f
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Stephanie Daige
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Steph...
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Choral Choir (Mixed) - Level 5 - SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works. Re-imagined for double reed choir, it is a challenging and fun setting for this fugue. The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for wind and brass quintets. Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99
Chorale Prelude, BWV 659 for 8-part Trombone Ensemble
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Ensemble de Trombones
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Kevin R
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Chorale Prelude, BWV 659 for 8
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.811256 Composed by Johann Sebastian Bach. Arranged by Kevin R. Dombrowski. Baroque,Classical. Score and part...
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Brass Ensemble Trombone - Level 5 - SKU: A0.811256 Composed by Johann Sebastian Bach. Arranged by Kevin R. Dombrowski. Baroque,Classical. Score and parts. 15 pages. Gordon Cherry #6606899. Published by Gordon Cherry (A0.811256). The Great Eighteen Chorale Preludes are a set of chorale preludes for organ that Bach wrote in his last decade of life while living in Leipzig. They are considered the summit of his sacred music for solo Organ.One of these Preludes BWV 659 Nun komm' der Heiden Heiland (Come now, Savior of the heathen) begins with a quiet and simple walking bass followed by a seemingly endless beautiful melody that builds and builds to an earth-shaking climax.Kevin R. Dombowski has exquisitely arranged this work of about 5 minutes in length in C minor (original in G minor) for an 8-part Trombone Ensemble of advanced performers.
$32.50
Bach: Prelude & Fugue in G Minor BWV 558 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Prelude & Fugue in G
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1126013 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1126013 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Classical,Contest,Festival,Wedding. 14 pages. Jmsgu3 #726732. Published by jmsgu3 (A0.1126013). Score: 6 pages. Duration: ca. 3:00.Bach's Prelude and Fugue in G Minor BWV 558 is a work for organ composed by Johann Sebastian Bach in the early 18th century. It is part of his collection of preludes and fugues for organ, the Great Eighteen Chorale Preludes, and is one of the most beloved and often performed of all his works. The prelude is marked by its dramatic and intense character, with an ascending and descending chromatic scale providing a powerful climax. The fugue is marked by its intricate contrapuntal writing and shifts in tonality, as Bach builds up a complex texture of musical lines. Together, the prelude and fugue form a powerful and emotionally charged work, with the prelude providing a stark contrast to the more complex fugue. This work is a testament to Bach's mastery of the organ and the contrapuntal techniques he employed. It is a beloved and timeless masterpiece of the Baroque era.
$32.95
Prelude, Fugue and Chorale for organ, op. 72
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Adrian Gagiu
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Adrian Gagiu
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Prelude, Fugue and Chorale for
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Adrian Gagiu
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1004700 Composed by Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Contemporary. Score. 8 pages. Adrian Gagiu #4631455. ...
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Organ - Level 4 - SKU: A0.1004700 Composed by Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Contemporary. Score. 8 pages. Adrian Gagiu #4631455. Published by Adrian Gagiu (A0.1004700). Prelude, Fugue and Chorale in B minor for organ, op. 72 (2018, revised 2019), is an energetic composition in Neo-Classical/Neo-Baroque style. It starts as a dramatic but brooding Prelude, mostly with Impressionistic, seventh chord harmonies and with allusions at Bach's great Fantasia and Fugue in G minor BWV 542, ending with a very short quotation from Carl Orff's De temporum fine comoedia, which provides also the (bi)tonal structure for this entire composition.
$5.95
Choralvorspiele ... Homage an Busoni-Reger-Bach (2021) for solo piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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Choralvorspiele ... Homage an
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Thomas Oboe Lee
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.869870 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score. 29 pages. Thomas Oboe Lee #6633069. Published by Th...
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Piano Solo - Level 4 - SKU: A0.869870 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score. 29 pages. Thomas Oboe Lee #6633069. Published by Thomas Oboe Lee (A0.869870). I was very taken by Ferruccio Busoni’s transcription of J.S. Bach’s Chorale Preludes for organ. I am not familiar with the original version mainly because I don’t enjoy listening to organ music; except when it is in a jazz context, like Jimmy Smith and Joey DeFrancesco.Using Busoni’s version as a model I re-did all nine of his Bach Chorale Preludes in my fashion and then I realized that I needed three more to make a nice simple dozen. So I looked at Max Reger’s transcriptions of the Bach Chorale Preludes and found three that would fit into my twelve-movement work.I. Andante … Komm, Gott Schöpfer, heiliger GeistII. Adagio … Wachet aufm ruft uns die StimmeIII. Andante … Nun komm’ der Heiden HeilandIV. Presto … Nun freut euch, lieben Christen, g’meinV. Largo … Ich ruf’ zu dir, Herr Jesu ChristVI. Moderato … Herr Gott, nun schleuß den Himmel aufVII. Largo … Durch Adams Fall ist ganz verderbtVIII. Allegro … In dir ist FreudeIX. Adagio … Jesus Christus, unser HeilandX. Moderato … O Mensch, bewein’ dein’ Sünde großXI. Presto … Ach wie nichtig, ach wie flüchtigXII. Largo … Christ lag in TodesbandenEnjoy!!!
$9.99
Brahms: Prelude & Fugue, WoO 10, for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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James M
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Brahms: Prelude & Fugue, W
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1419788 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1419788 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 30 pages. Jmsgu3 #1001211. Published by jmsgu3 (A0.1419788). Brahms's Prelude and Fugue in G minor, WoO 10, is an essential early organ work demonstrating his mastery of counterpoint and the organ as a medium. The Prelude and Fugue were composed in the mid-1850s when Brahms was intensively studying counterpoint and turning to the organ for his contrapuntal skills. The Prelude begins quietly but builds in power and tension. At the same time, the fugue transforms the central theme into a lean, darkly probing juggernaut that accrues tension as it develops. These early organ works frame Brahms's entire oeuvre, as they were composed at the start of his career, while the Eleven Chorale Preludes, Op. 122 was his final work, composed just before and after the death of Clara Schumann. Brahms's organ compositions thus bookend his prolific output, spanned symphonies, concertos, chamber music, choral works, and more. Overall, Brahms's Prelude and Fugue in G minor, WoO 10, is an important early work that showcases his mastery of counterpoint and the organ and is a significant marker in developing his compositional style.
$42.95
Brahms: Prelude & Fugue, WoO 10, for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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James M
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Brahms: Prelude & Fugue, W
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jmsgu3
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1420209 Composed by Johannes...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1420209 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 30 pages. Jmsgu3 #1001614. Published by jmsgu3 (A0.1420209). Brahms's Prelude and Fugue in G minor, WoO 10, is an essential early organ work demonstrating his mastery of counterpoint and the organ as a medium. The Prelude and Fugue were composed in the mid-1850s when Brahms was intensively studying counterpoint and turning to the organ for his contrapuntal skills. The Prelude begins quietly but builds in power and tension. At the same time, the fugue transforms the central theme into a lean, darkly probing juggernaut that accrues tension as it develops. These early organ works frame Brahms's entire oeuvre, as they were composed at the start of his career, while the Eleven Chorale Preludes, Op. 122 was his final work, composed just before and after the death of Clara Schumann. Brahms's organ compositions thus bookend his prolific output, spanned symphonies, concertos, chamber music, choral works, and more. Overall, Brahms's Prelude and Fugue in G minor, WoO 10, is an important early work that showcases his mastery of counterpoint and the organ and is a significant marker in developing his compositional style.
$32.95
Jesu, du mein liebstes Leben
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Orgue
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INTERMÉDIAIRE
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Felicity Mazur-Park
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Jesu, du mein liebstes Leben
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Felicity Mazur-Park
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1250208 Composed by Felicity Mazur-Park. 21st Century,Chamber,Christian,Classical,Sacred. Score. 11 pages. Felicity Mazur-Park...
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Organ - Level 3 - SKU: A0.1250208 Composed by Felicity Mazur-Park. 21st Century,Chamber,Christian,Classical,Sacred. Score. 11 pages. Felicity Mazur-Park #844541. Published by Felicity Mazur-Park (A0.1250208). The chorale prelude begins with the chorale (Jesu, du mein liebstes Leben) harmonized in four-parts. I changed the harmonization, so it differs from J.S. Bach’s chorale setting. My harmonization resists modulating to major keys (B flat major and F major) and instead uses chromatic chords for dramatic effect. This harmonic landscape results in an overall darker mood.  The middle section and heart of the composition features a gigue-like motive which begins in G minor but gradually transitions into chromaticism. At the height of the chromaticism, there are pedal solos interrupted by loud, accented chords in the manuals. As the chromaticism and dissonance build the music moves away from the G tonal center. The return of “G†is delayed until the final statement of the chorale. At the end, the chorale returns combined with the gigue-like motive. The return is dramatic and flamboyant. The chorale prelude finishes with a dramatic pedal solo followed by a subdued penultimate phrase. The loudest registration of the work is reserved for the final phrase.
$5.99
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
BACH Canon # 2: Gott, durch deine Güte / Gottes Sohn ist kommen
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Orgue
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Classique
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Johann Sebastian Bach
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Waldemar Scholtes
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BACH Canon # 2: Gott, durch de
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SCHOLTES EDITIONS
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SheetMusicPlus
Bassoon,Clarinet,Flute,Organ,Trombone,Trumpet - SKU: A0.1404240 Composed by Johann Sebastian Bach. Arranged by Waldemar Scholtes. Baroque,Blues,Christia...
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Bassoon,Clarinet,Flute,Organ,Trombone,Trumpet - SKU: A0.1404240 Composed by Johann Sebastian Bach. Arranged by Waldemar Scholtes. Baroque,Blues,Christian,Christmas,Sacred. 11 pages. SCHOLTES EDITIONS #987350. Published by SCHOLTES EDITIONS (A0.1404240). This canonic chorale prelude is in the Christmas section of Bach’s Orgelbüchlein (Little Organ Book).It has been made more accessible by clarifying the canonic structure: the canon parts are extracted and distributed to selected instruments.The pedal part is now in the manual, making it more accessible for solo keyboard.Score and parts, 11 pages.
$7.99
Unüberwindlich starker Held St. Michael
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Orgue
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Hermann Schroeder
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Unüberwindlich starker He
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Schott Music - Digital
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SheetMusicPlus
Organ - SKU: S9.Q21240 Chorale prelude and chorale setting. Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Schott Music ...
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Organ - SKU: S9.Q21240 Chorale prelude and chorale setting. Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Schott Music - Digital #Q21240. Published by Schott Music - Digital (S9.Q21240). German.The fact that Hermann Schroeder ranks among the most important composers of Catholic church music in the 20th century shows especially in the simple church music form of the choral setting, e. g. in his setting of the sacred song Unüberwindlich starker Held, Sankt Michael. With his own typical archaic tonal language, Schroeder creates an a cappella choral setting (SATB) in which the dignity and the admiration of the heroic deeds of the Archangel Michael find their musical expression in a very compact form. The underlying melody (GL 924) dates from 1623. The author of the text of the Song of Michael is the German hymn writer Friedrich Spee. A very charming choral setting that can be easily mastered by any church choir; its five verses have to be sung alternately by the choir and the congregation. Apart from the a cappella choral setting, the practical congregational edition also contains a chorale prelude and the organ chorale which can, of course, be used as accompaniment for the congregation, but also for the choral setting.
$7.99
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
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Chorale and Prelude in G for organ - CS091
