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Chronology
Flûte traversière
Flute Solo - Level 4 - Digital Download SKU: A0.1197576 By Ornette Coleman. By Orne…
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Flute Solo - Level 4 - Digital Download SKU: A0.1197576 By Ornette Coleman. By Ornette Coleman. Arranged by The Sheet Music Library. 20th Century,Contemporary,Instructional,Jazz. Individual part. 1 pages. The Sheet Music Library #796754. Published by The Sheet Music Library (A0.1197576). Chronology by Ornette ColemanFor FluteMelody & Chord SymbolsLead Sheet Style.
$6.99
6.46 €
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Flûte traversière
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Ornette Coleman
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The Sheet Music Library
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Chronology
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The Sheet Music Library
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SheetMusicPlus
Chronology
Double Bass,Instrumental Solo - Level 5 - Digital Download SKU: A0.825585 By Ornett…
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Double Bass,Instrumental Solo - Level 5 - Digital Download SKU: A0.825585 By Ornette Coleman. By Ornette Coleman. Arranged by The Sheet Music Library. Contemporary,Instructional,Jazz. Individual part. 1 pages. The Sheet Music Library #5197367. Published by The Sheet Music Library (A0.825585). Chronology by Ornette ColemanFor Acoustic BassBass Line & Chord SymbolsLead Sheet Style.
$4.99
4.61 €
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Ornette Coleman
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The Sheet Music Library
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Chronology
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The Sheet Music Library
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SheetMusicPlus
Chronology
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197578 By Ornette Co…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197578 By Ornette Coleman. By Ornette Coleman. Arranged by The Sheet Music Library. 20th Century,Contemporary,Instructional,Jazz. Score. 2 pages. The Sheet Music Library #796756. Published by The Sheet Music Library (A0.1197578). Chronology by Ornette ColemanFor PianoMelody, Bass line & Chord SymbolsLead Sheet Style.
$7.99
7.39 €
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Piano, Voix et Guitare
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Ornette Coleman
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The Sheet Music Library
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Chronology
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The Sheet Music Library
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SheetMusicPlus
Chronology
Saxophone Alto
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.825584 By Ornette Coleman.…
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Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.825584 By Ornette Coleman. By Ornette Coleman. Arranged by The Sheet Music Library. Contemporary,Instructional,Jazz. Individual part. 1 pages. The Sheet Music Library #5197365. Published by The Sheet Music Library (A0.825584). Chronology by Ornette ColemanFor Alto SaxophoneMelody & Chord SymbolsLead Sheet Style.
$4.99
4.61 €
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Saxophone Alto
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Ornette Coleman
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The Sheet Music Library
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Chronology
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The Sheet Music Library
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SheetMusicPlus
Chronology
Saxophone (partie séparée)
Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.1197580 By Ornette Colema…
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Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.1197580 By Ornette Coleman. By Ornette Coleman. Arranged by The Sheet Music Library. 20th Century,Contemporary,Instructional,Jazz. Individual part. 1 pages. The Sheet Music Library #796758. Published by The Sheet Music Library (A0.1197580). Chronology by Ornette ColemanFor Tenor SaxophoneMelody & Chord SymbolsLead Sheet Style.
$6.99
6.46 €
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Saxophone (partie séparée)
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Ornette Coleman
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The Sheet Music Library
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Chronology
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The Sheet Music Library
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SheetMusicPlus
Chronology
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.825716 By Ornette Coleman. By Ornette Coleman. Arranged by Anderson Quevedo. Contemporary,Instructional,Jazz. 10 pages. The Sheet Music Library #6331169. Published by The Sheet Music Library (A0.825716). Chronology by Ornette ColemanFor Saxophone Quartet (SATB)Score & Parts.
$12.99
12.01 €
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Quatuor de Saxophones: 4 saxophones
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Ornette Coleman
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Anderson Quevedo
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Parts.
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Chronology
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The Sheet Music Library
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SheetMusicPlus
Chronology
Hautbois (partie séparée)
Oboe Solo - Level 4 - Digital Download SKU: A0.1197577 By Ornette Coleman. By Ornet…
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Oboe Solo - Level 4 - Digital Download SKU: A0.1197577 By Ornette Coleman. By Ornette Coleman. Arranged by The Sheet Music Library. 20th Century,Contemporary,Instructional,Jazz. Individual part. 1 pages. The Sheet Music Library #796755. Published by The Sheet Music Library (A0.1197577). Chronology by Ornette ColemanFor OboeMelody & Chord SymbolsLead Sheet Style.
$6.99
6.46 €
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Hautbois (partie séparée)
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Ornette Coleman
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The Sheet Music Library
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Chronology
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The Sheet Music Library
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SheetMusicPlus
Fan Tan
String Ensemble Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1414111 By …
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String Ensemble Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1414111 By Jan and Dean. By Don Altfeld, Jan Berry, and Jill Gibson. Arranged by Jan Berry and George Tipton. 20th Century,Classical,Pop,Rock. 10 pages. Fiji Printing #995880. Published by Fiji Printing (A0.1414111). Fan Tan — String Sextet from Carnival of Sound.Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record the original track in 1967. Extracted from the full music score for Fan Tan. This sophisticated string arrangement picks up where Pop Symphony left off in 1965. Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man’s Curve: The Rock ‘n’ Roll Life of Jan Berry (McFarland 2021) and The Jan & Dan Record (McFarland 2016).Fiji Printing #14. Distributed by ArrangeMe and the Hal Leonard Corporation.Perfect for string sections that want to tackle a challenging piece that merges classical music with the burgeoning Psychedelic era of 1967.Full Music Score and Individual Charts:STRINGS: Violin 1-2; Viola 1-2; Cello 1-2.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on Fan Tan, the Carnival of Sound LP,  and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.10 Pages; 10 x 14Learn more about Jan Berry and Jan & Dean: https://jananddean-janberry.com/
$12.99
12.01 €
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Jan and Dean
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Jan Berry and George Tipton
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Fan Tan
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Fiji Printing
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SheetMusicPlus
You Really Know How To Hurt A Guy
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1406759 Composed by Jan Berry, …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1406759 Composed by Jan Berry, Jill Gibson, and Roger Christian. Arranged by Jan Berry. 20th Century,Pop,Rock. 48 pages. Fiji Printing #989513. Published by Fiji Printing (A0.1406759). You Really Know How to Hurt a Guy — Orchestral Arrangement.Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's Pop Symphony album in 1965.Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man's Curve: The Rock 'n' Roll Life of Jan Berry (McFarland 2021) and The Jan & Dean Record (McFarland 2016).Fiji Printing #13. Distributed by ArrangeMe and the Hal Leonard Corporation.Perfect for college, state, and local orchestras who want to tackle this classic track from 1965.Full Music Score and Individual Charts.WOODWINDS: Flute; Oboe; English Horn; Clarinet; Bass Clarinet; Bassoon; Contrabassoon.BRASS: French Horn 1-2; Trumpet 1-3; Trombone.STRINGS: Violin 1-8; Viola 1-2; Cello 1-2; Contrabass.RHYTHM: Timpani; Percussion (Wind Chimes, Vibraphone, Glockenspiel, Marimba, Xylophone, Chimes); Drums; Piano; Celeste; Guitar 1; Guitar 2; Bass.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on the Pop Symphony album and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.40 distinct chords.48 Pages.; 11 x 17.Learn more about Jan Berry and Jan & Dean: https://jananddean-janberry.com/
$49.99
46.21 €
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Orchestre
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Jan Berry, Jill Gibson, and Roger Christian
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Jan Berry
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You Really Know How To Hurt A Guy
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Fiji Printing
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SheetMusicPlus
Violin Concerto in G minor BWV 1056R
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1364204 Composed by Johann …
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1364204 Composed by Johann Sebastian Bach. Arranged by Francisco Holanda. Baroque,Chamber,Classical,Early Music,Easter. 20 pages. Francisco Holanda #948501. Published by Francisco Holanda (A0.1364204). The middle movement is probably from an oboe concerto in F major; is also the sinfonia to the cantata Ich steh mit einem Fuß im Grabe, BWV 156; and closely resembles the opening Andante of a Flute Concerto in G major (TWV 51:G2) by Georg Philipp Telemann in that the soloists play essentially identical notes for the first two-and-a-half measures. Although the chronology cannot be known for certain, Steven Zohn has presented evidence that the Telemann concerto came first, and that Bach intended his movement as an elaboration of his friend Telemann's original.Notes: https://en.wikipedia.org/wiki/Keyboard_concertos_by_Johann_Sebastian_Bach#Concerto_No._5_in_F_minor,_BWV_1056#Bach #BWV1056#BWV1056R.
$1.99
1.84 €
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2 Violons (duo)
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Johann Sebastian Bach
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Francisco Holanda
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Violin Concerto in G minor BWV 1056R
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Francisco Holanda
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.55 €
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Violoncelle, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.55 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
New Girl In School
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1361462 By Jan and Dean. By Bob…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1361462 By Jan and Dean. By Bob Norman, Brian Douglas Wilson, Jan Berry, and Roger Christian. Arranged by Jan Berry. 20th Century,Pop,Rock. 40 pages. Fiji Printing #945917. Published by Fiji Printing (A0.1361462). POP SYMPHONYThe New Girl in School. Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's Pop Symphony album in 1965. Transcribed by Mark A. Moore in association with Jan Berry's estate. Perfect for college, state, and local orchestras who want to tackle this classic '60s hit, re-imagined as an orchestral arrangement.INSTRUMENTATIONWOODWINDS: Flute 1-2; Clarinet 1-2 — 4 parts.BRASS: Trumpet 1-3; French Horn 1-2; Trombone — 6 parts.STRINGS: Violin 1-8 (2 parts); Viola 1-2; Cello 1-2; Contrabass — 7 parts.RHYTHM: Mandolin 1-2; Harpsichord; Drums; Percussion (Concert Tanbourine) — 5 parts.Number of Parts: 22Number of Pages: 40Publication Includes: (1) Illustrated cover page; (2) Introductory text with commentary on the Pop Symphony album and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.
$49.99
46.21 €
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Orchestre
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Jan and Dean
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Jan Berry
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New Girl In School
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Fiji Printing
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SheetMusicPlus
The Little Old Lady (from Pasadena)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1171508 By Jan and Dean. By Don…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1171508 By Jan and Dean. By Don Altfeld, Jan Berry, and Roger Christian. Arranged by Jan Berry and George Tipton. 20th Century,Historic,Pop,Rock. Score and Parts. 41 pages. Fiji Printing #771829. Published by Fiji Printing (A0.1171508). POP SYMPHONY: The Little Old Lady (from Pasadena). Jan Berry and George Tipton's original music score, used by the Wrecking Crew to record Jan & Dean's 'Pop Symphony' album in 1965. Transcribed by Mark A. Moore in association with Jan Berry's estate. Perfect for college, state, and local orchestras who want to tackle this classic '60s hit, re-imagined as a sophisticated Viennese Waltz. Full score and individual charts. WOODWINDS: Flute, Oboe, Clarinet 1 (Clarinet & Flute); Clarinet 2 (Clarinet & Bass Clarinet); BRASS: French Horn 1-2, Trumpet 1-2, Trombone; STRINGS: Harp, Violin 1-8, Viola 1-2, Cello 1-2, Contrabass; RHYTHM: Guitar, Danelectro 6-String Bass Guitar, Drums, Percussion. Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on the 'Pop Symphony' album and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.
$49.99
46.21 €
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Orchestre
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Jan and Dean
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Jan Berry and George Tipton
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The Little Old Lady
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Fiji Printing
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SheetMusicPlus
Anaheim, Azusa Cucamonga Sewing Circle Book Review
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1086612 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1086612 Composed by Don Altfeld, Jan Berry, and Roger Christian. Arranged by Jan Berry. Pop,Rock. Score and parts. 71 pages. Fiji Printing #690816. Published by Fiji Printing (A0.1086612). “The Anaheim, Azusa & Cucamonga Sewing Circle, Book Review and Timing Association.†Jan Berry’s original music score from 1964, used by the Wrecking Crew to record the original Jan & Dean song. Transcribed by Mark A. Moore in association with Jan Berry’s estate. Perfect for high school and college orchestras, concert bands, jazz ensembles, or any combo interested in tackling one of Jan’s best music arrangements. Contents: Studio Recording Arrangement—Oboe, Bassoon, Trumpet, French Horn; Guitar 1-3, Bass 1-2; Glockenspiel, Timpani, Percussion, Drums 1-2; Harpsichord, Piano; Vocals (lead, falsetto, alto, tenor, and bass); Alternate Brass and Woodwind Arrangement (live performances in the '60s)—Alto Sax 1-2, Tenor Sax 1-2, Baritone Sax; Trumpet 1-3, Trombone 1-3. Publication features an illustrated cover page; Introductory text describing the song in context with Jan Berry’s career as a musician, music arranger, record producer, and medical student; Commentary on the various parts in the music score, with insight on Jan’s music production process in the '60s; Song chronology with recording session details; Full music score; Individual charts for each part in the music score; Illustrations, including images from Jan Berry’s music archive.
$49.99
46.21 €
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Ensemble Jazz
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Don Altfeld, Jan Berry, and Roger Christian
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Jan Berry
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Guitar 1-3, Bass 1-2
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Anaheim, Azusa Cucamonga Sewing Circle Book Review
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Fiji Printing
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SheetMusicPlus
Rockin' Little Roadster
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1147719 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1147719 Composed by Don Altfeld and Roger Christian. Arranged by Jan Berry. 20th Century,Pop,Rock. Score and parts. 44 pages. Fiji Printing #747724. Published by Fiji Printing (A0.1147719). Rockin' Little Roadster. Jan Berry's original music score from the 1960s, used by the Wrecking Crew to record the original Jan & Dean song. Transcribed by Mark A. Moore in association with Jan Berry's estate. Full score and individual charts for: Tenor Sax; Trumpet; Flugelhorn; French Horn; Guitar 1-3 (with tablature); Bass (with tablature); and Vocals (lead, falsetto, alto, tenor, and bass). Perfect for high school and college jazz ensembles, or any combo that wants to rock the authentic parts for this album cut from 1964. Publication features an illustrated cover page; Introductory text with commentary on the various parts in the music score, with insight on Jan’s music production process in the '60s; Song chronology with recording session details; Full music score; Individual charts for each part in the music score; Vocal arrangement score; Illustrations, including images from Jan Berry’s music archive.
$49.99
46.21 €
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Ensemble Jazz
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Don Altfeld and Roger Christian
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Jan Berry
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Trumpet
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Rockin' Little Roadster
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Fiji Printing
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SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.47 €
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Saxophone Alto et Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Alto Sax - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Batman
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1093780 By Jan and…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1093780 By Jan and Dean. By Donald Altfeld, Fred Wieder, and Jan Berry. Arranged by Jan Berry. 20th Century,Pop,Rock. Score and parts. 78 pages. Fiji Printing #697863. Published by Fiji Printing (A0.1093780). “Batman.†Jan Berry’s original music score from 1966, used by the Wrecking Crew to record the original Jan & Dean song. Transcribed by Mark A. Moore in association with Jan Berry’s estate. Perfect for high school and college orchestras, concert bands, jazz ensembles, or any combo interested in tackling another one of Jan’s best music arrangements. Contents: Studio Recording Arrangement—Alto Sax, Tenor Sax, Baritone Sax; Trumpet 1-3, French Horn, Trombone 1-3, Tuba; Guitar 1-3, Bass; Timpani, Drums; Piano; Vocals (lead, falsetto, alto, tenor, and bass); Alternate Brass and Woodwind Arrangement (live performances in the '60s)—Alto Sax, Tenor Sax, Baritone Sax; Trumpet 1-3, French Horn, Trombone 1-3, Tuba. Publication features an illustrated cover page; Introductory text describing the song in context with Jan Berry’s career as a musician, music arranger, record producer, and medical student; Commentary on the various parts in the music score, with insight on Jan’s music production process in the '60s; Song chronology with recording session details; Full music score; Individual charts for each part in the music score; Illustrations, including images from Jan Berry’s music archive.
$49.99
46.21 €
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Ensemble Jazz
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Jan and Dean
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Jan Berry
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Batman
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Fiji Printing
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SheetMusicPlus
The Little Old Lady (from Pasadena)
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1287750 By Jan and…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1287750 By Jan and Dean. By Don Altfeld, Jan Berry, and Roger Christian. Arranged by Jan Berry. 20th Century,Pop,Rock. Score and Parts. 78 pages. Fiji Printing #878828. Published by Fiji Printing (A0.1287750). Jan Berry's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's hit single, which reached #3 in the summer of 1964. Transcribed by Mark A. Moore in association with Jan Berry's estate. Perfect for college, state, and local ensembles who want to tackle this classic '60s hit.Studio Recording Arrangement (18 parts): WOODWINDS: Harmonica; Tenor Sax; BRASS: Trumpet, Flugelhorn, French Horn; RHYTHM: Guitar 1-3 (including Danelectro 6-string bass guitar, with standard notation and tablature), Bass 1-2 (Fender electric and upright acoustic, with standard notation and tablature); Drums; Piano; VOCALS: Lead, Falsetto 1-2, Alto, Tenor, and Bass.Alternate Big Band-Style Brass and Woodwind Arrangement (used for live performances in the '60s) (8 parts): WOODWINDS: Tenor Sax 1-2, Baritone Sax; BRASS: Trumpet 1-2, Flugelhorn, Trombone 1-2.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on Jan Berry's arrangement and recording process; (3) Song chronology with recording session details; (4) Full music score and individual charts for original studio backing track; (5) Full music score and individual charts for original vocal arrangement; (6) Full music score and individual charts for alternate brass and woodwind arrangement; and (7) Illustrations, including images from Jan Berry’s music archive.
$49.99
46.21 €
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Ensemble Jazz
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Jan and Dean
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Jan Berry
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The Little Old Lady
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Fiji Printing
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SheetMusicPlus
Jan Zach - Fugue in C Minor
Orgue
Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Men…
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Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99
4.61 €
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Orgue
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early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
Bernard Alt, Kobold, edited by Klaus Stoll
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Double Bass,String Quartet - Digital Download SKU: A0.892506 Compose…
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String Quartet Double Bass,String Quartet - Digital Download SKU: A0.892506 Composed by Bernard Alt. Arranged by Klaus Stoll. Romantic Period. Score and parts. 16 pages. Mesa Music Publishing #5208909. Published by Mesa Music Publishing (A0.892506). Bernard Alt, Kobold, for double bass quartet, edited by Klaus Stoll. Bernard Alt was born in 1903 in Silesia and was violinist in the Berlin Philharmonic from 1928 until his suicide in February 1945. His tenure in Berlin coincided almost exactly with that of Wilhelm Fürtwangler. Beginning in 1932 Alt experimented with the double bass quartet first with an arrangement of Edvard Grieg’s popular melody Kobold, followed by a suite which, when published, became one of the classics of the bass quartet repertoire. In the now 65 year long chronology of the bass quartet, this piece stands as the earliest original music written for the ensemble.
$17.60
16.27 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Bernard Alt
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Klaus Stoll
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Bernard Alt, Kobold, edited by Klaus Stoll
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Mesa Music Publishing
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SheetMusicPlus
O Mgna Res (2019)
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 5 - Digital Download SKU: A0.1286803 Composed by…
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Choral Choir,Choral (SSAA) - Level 5 - Digital Download SKU: A0.1286803 Composed by Colin Eatock. 21st Century,A Cappella,Medieval,Sacred. 18 pages. Colin Eatock Music #877827. Published by Colin Eatock Music (A0.1286803). A cappella SSSAAA sextet; ca. 3 min.The composer writes: Hildegard von Bingen (1098 – 1179) was a woman of many talents: she was an abbess, a philosopher, a scientist, a poet and a composer. An extensive body of her sacred songs was collected in a cycle called the Symphonia armoniae celestium revelationum (The Harmonic Music of Celestial Mysteries). The collection also contains several texts for which Hildegard’s music has been lost, and “O Magna Res†is one of these. “O Magna Res†could be described as a miniature chronology of the Christian spiritual world. It begins with God alone, proceeding to His creation of life, and then to the fall of humanity. As in many of Hildegard’s texts, “O Magna Res†contrasts the Virgin Mary with Eve. Finally, with the birth of Christ (for which the “dawn†is a poetic metaphor) comes the redemption of Woman, and her beneficent influence on the world.
$4.99
4.61 €
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Chorale SSAA
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Colin Eatock
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ca
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O Mgna Res
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Colin Eatock Music
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SheetMusicPlus
Ride The Wild Surf
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1227318 By Jan and Dean. By Bri…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1227318 By Jan and Dean. By Brian Wilson, Jan Berry, and Roger Christian. Arranged by Jan Berry. 20th Century,Film/TV,Pop,Rock. 52 pages. Fiji Printing #823311. Published by Fiji Printing (A0.1227318). Jan Berry's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's hit single in 1964. The song also served as the title track for the Columbia Pictures film Ride the Wild Surf. Transcribed by Mark A. Moore in association with Jan Berry's estate. Perfect for college, state, and local ensembles who want to tackle this classic '60s hitInstrumentation includes: WOODWINDS: Oboe, English Horn; RHYTHM: Guitar 1-3 (including Danelectro 6-string bass guitar, with standard notation and tablature), Bass 1-2 (Fender electric and upright acoustic, with standard notation and tablature); Percussion (suspended cymbal and Hawaiian pu'ili sticks); Drums, Piano; STRINGS: Violin 1-2, Viola, Cello; VOCALS: Lead, Falsetto, Alto, Tenor, Bass.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on Jan Berry's arrangement and recording process; (3) Song chronology with recording session details; (4) Full music score and individual charts for original studio backing track; (5) Full music score and individual charts for original vocal arrangement; and (6) Illustrations, including images from Jan Berry’s music archive.Number of Pages: 52Number of Distinct Chords: 30Note: This arrangement is categorized as Orchestra because no other available category in ArrangeMe accurately reflects the instrumentation.
$49.99
46.21 €
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Orchestre
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Jan and Dean
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Jan Berry
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Ride The Wild Surf
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Fiji Printing
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SheetMusicPlus
Folies of Spain for Guitar Duo
Acoustic Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1443536 Comp…
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Acoustic Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1443536 Composed by Giuseppe Domenico Scarlatti Edited by Keith Terrett. Arranged by Keith Terrett. Classical,Early Music,Historic,Instructional,Multicultural,World. 5 pages. Keith Terrett #1023472. Published by Keith Terrett (A0.1443536). Giuseppe Domenico Scarlatti, also known as Domingo or Doménico Scarlatti (26 October 1685 – 23 July 1757), was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families.Distinctive attributes of his music are:The influence of Iberian (Portuguese and Spanish) folk music. An example is his use of the Phrygian mode and other tonal inflections more or less alien to European art music. Many of his figurations and dissonances are suggestive of the guitar.The influence of the Spanish guitar can be seen in notes being played repeatedly.A formal device where each half of a sonata leads to a pivotal point, which Kirkpatrick termed the crux, and which is sometimes underlined by a pause or fermata. Before the crux, Scarlatti sonatas often contain their main thematic variety, and after the crux, the music makes more use of repetitive figurations as it modulates away from the home key (in the first half) or back to the home key (in the second half).Its tendency to be in the galant style.
$3.00
2.77 €
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Giuseppe Domenico Scarlatti Edited by Keith Terrett
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Keith Terrett
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Folies of Spain for Guitar Duo
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Keith Terrett
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SheetMusicPlus
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