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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
City and Colour
Sheetmusicplus
Non classifié
25
Piano & claviers
Piano seul
6
Piano Facile
2
Piano, Voix et Guitare
1
Orgue
1
Guitares
Guitare notes et tablatures
1
Guitare
1
Voix
Chorale TTBB
1
Vents
Quintette de Saxophone: 5 saxophones
6
Ensemble de Clarinettes
2
Quintette de Flûte : 5 flûtes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Quatuor de Saxophones: 4 saxophones
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte traversière et Piano
1
Saxophone Tenor et Piano
1
+ 3 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Ensemble de Trompettes
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 trompettes
1
Cor et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone et Piano
1
+ 2 instrumentations
Retracter
Cordes
Ensemble de Violons
2
Contrebasse, Piano (duo)
1
Orchestre & Percussions
Orchestre à Cordes
2
Batterie
1
Ensemble de Percussions
1
Ensemble de cuivres
1
Orchestre d'harmonie
1
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Instruments
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COR ANGLAIS
CORNEMUSE
CORNET
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
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PERCU. ORCH…
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PIANO
SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
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OPERA
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Vous avez sélectionné:
City and Colour
SheetMusicPlus
Partitions à imprimer
79 partitions trouvées
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City of Manaus
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Orchestre d'harmonie
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FACILE
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Rohan Miller
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City of Manaus
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Rohan Miller
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1503484 Composed by Rohan Miller. 21st Century,Contest,Festival. 105 pages. Rohan Miller #1078933. Published by Rohan M...
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Concert Band - Level 2 - SKU: A0.1503484 Composed by Rohan Miller. 21st Century,Contest,Festival. 105 pages. Rohan Miller #1078933. Published by Rohan Miller (A0.1503484). 'The City of Manaus' incorporates various musical elements such as multimetre time signatures and vast tambral exploration to represent a chase through the Amazon Jungle. The driving pulse, short note lengths and quick tempo reflect an action-packed chase. This climaxes before a reduction in texture - exploring of the tone colours of the woodwinds, and brass, representative of the birds and pristine environment of the natural world. The tension then grows as the texture thickens before the chase resumes, racing once again through the jungle. The 'City of Manaus' is located deep within the Amazon in Northern Brazil. The actual town was founded in 1693 but the history of colonisation of the area begun in 1499 after the Spanish discovered the mouth of the Amazon River. Being the largest city in the Amazon, Manaus is the centre of life in the region, and the namesake of this piece arises from the way this city seems to be the beacon of humanity in a totally natural landscape. Written for Concert Band, this piece is one which takes the listener on a journey to the depths of the Amazon rainforest to find the 'City of Manaus'. It is suitable for Highschool aged students and professional groups alike and can be performed with flexible instrumentation due to doubling in numerous parts. Grade 2.5-3.
$29.99
20 Favourite Christmas Carols for solo Trombone and Piano
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Trombone et Piano
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FACILE
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Musique Sacrée
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Various
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David McKeown
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20 Favourite Christmas Carols
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.587273 Composed by Various. Arranged by David McKeown. Christian,Christmas,Praise & Worship,Sacred. Score and part. 2...
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Piano,Trombone - Level 2 - SKU: A0.587273 Composed by Various. Arranged by David McKeown. Christian,Christmas,Praise & Worship,Sacred. Score and part. 28 pages. David McKeown #3123379. Published by David McKeown (A0.587273). 20 Favourite Carols for Solo Trombone and Piano is a collection of the best-known Christmas carols arranged simply for solo Trombone in concert pitch bass clef and Piano. The file contains the Trombone part plus the separate Piano score with added chord symbols. If you prefer reading treble clef in Bb then search for the Euphonium version of the music item no. S0.245523 20 Favourite Carols for Solo Trombone and Piano is fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short sample audio and the linked youtube performance are from the Clarinet version of these arrangements.· There are also Duet and Quartet versions available of the same carols, in the same keys, so that no matter what instrument you play they will fit together. · This makes them ideal for building a full and flexible band or ensemble for school, community or church.· The keys chosen are the standard singing keys · These arrangements will provide colourful accompaniment to carol singing anywhere throughout the Christmas period.The carols are in alphabetical order and are as follows· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
20 Favourite Christmas Carols for solo Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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FACILE
#
Musique Sacrée
#
Various
#
David McKeown
#
 
#
20 Favourite Christmas Carols
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David McKeown
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.587272 Composed by Various. Arranged by David McKeown. Christian,Christmas,Praise & Worship,Sacred. Score and ...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.587272 Composed by Various. Arranged by David McKeown. Christian,Christmas,Praise & Worship,Sacred. Score and part. 28 pages. David McKeown #3123377. Published by David McKeown (A0.587272). 20 Favourite Carols for Solo Tenor Saxophone and Piano is a collection of the best-known Christmas carols arranged simply for solo Tenor Saxophone and Piano. The file contains the Tenor Saxophone part plus the separate Piano score with added chord symbols.20 Favourite Carols for Solo Tenor Saxophone and Piano is fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short sample audio and the linked youtube performance are from the Clarinet version of these arrangements.· There are also Duet and Quartet versions available of the same carols, in the same keys, so that no matter what instrument you play they will fit together. · This makes them ideal for building a full and flexible band or ensemble for school, community or church.· The keys chosen are the standard singing keys · These arrangements will provide colourful accompaniment to carol singing anywhere throughout the Christmas period.The carols are in alphabetical order and are as follows· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
Colours of the Corals
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Piano seul
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INTERMÉDIAIRE
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Felicity Atkinson
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Colours of the Corals
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Felicity Anne Atkinson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1005182 Composed by Felicity Atkinson. 20th Century,Contemporary,Standards. Score. 3 pages. Felicity Anne Atkinson #60776...
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Piano Solo - Level 3 - SKU: A0.1005182 Composed by Felicity Atkinson. 20th Century,Contemporary,Standards. Score. 3 pages. Felicity Anne Atkinson #6077655. Published by Felicity Anne Atkinson (A0.1005182). In this piece, you head down under the sea to the colourful coral reef. This piece is easier to play than it sounds and any player will enjoy particularly the colourful semiquaver opening. A great recital piece with romantic elements for an intermediate pianist.
$2.99
Meditation on "Once in Royal David's City", Op. 197 (Organ Solo) by Vidas Pinkevicius
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Orgue
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FACILE
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Musique Sacrée
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Vidas Pinkevicius
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Meditation on "Once in Ro
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1144544 Composed by Vidas Pinkevicius. Christmas,Contemporary,Praise & Worship,Religious,Sacred. Score. 3 pages. Vidas Pinkevi...
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Organ - Level 2 - SKU: A0.1144544 Composed by Vidas Pinkevicius. Christmas,Contemporary,Praise & Worship,Religious,Sacred. Score. 3 pages. Vidas Pinkevicius #744877. Published by Vidas Pinkevicius (A0.1144544). In this meditation on the beloved Christmas Carol Once in Royal David's City (IRBY) the tune is played by the left hand on the soft reed registration. The right hand and pedals play accompaniment figure from colourful arpeggiated chords. The gentle refrain helps to connect phrases of the hymn. This piece will be very effective in liturgical organ playing and recital programs whenever contemplative music is desired.
$4.99
20 Favourite Christmas Carols for solo Tenor Horn in Eb and Piano
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Musique Sacrée
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Various
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David McKeown
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20 Favourite Christmas Carols
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David McKeown
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SheetMusicPlus
E-Flat Tenor Horn,Instrumental Solo,Piano - Level 2 - SKU: A0.587269 Composed by Various. Arranged by David McKeown. Christian,Christmas,Praise & Worshi...
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E-Flat Tenor Horn,Instrumental Solo,Piano - Level 2 - SKU: A0.587269 Composed by Various. Arranged by David McKeown. Christian,Christmas,Praise & Worship,Sacred. Score and individual part. 28 pages. David McKeown #3123363. Published by David McKeown (A0.587269). 20 Favourite Carols for Solo Tenor Horn in Eb and Piano is a collection of the best-known Christmas carols arranged simply for solo Tenor Horn and Piano. The file contains the Tenor Horn part plus the separate Piano score with added chord symbols. 20 Favourite Carols for Solo Tenor Horn in Eb and Piano is fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short sample audio and the linked youtube performance are from the Clarinet version of these arrangements. · There are also Duet and Quartet versions available of the same carols, in the same keys, so that no matter what instrument you play they will fit together. · This makes them ideal for building a full and flexible band or ensemble for school, community or church. · The keys chosen are the standard singing keys · These arrangements will provide colourful accompaniment to carol singing anywhere throughout the Christmas period. The carols are in alphabetical order and are as follows · Away in a Manger · Deck the Halls · Ding Dong Merrily on High · The First Nowell · God Rest ye Merry Gentleman · Good Christian Men Rejoice · Good King Wenceslas · Hark, the Herald Angels Sing · The Holly and the Ivy · I Saw Three Ships · In the Bleak Midwinter · It Came upon a Midnight Clear · O Cone All Ye Faithful · O Come, O Come Emmanuel · O Little Town of Bethlehem · Once in Royal David’s City · Silent Night · We Three Kings · While Shepherds Watched · We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
20 Favourite Christmas Carols for solo Double Bass and Piano
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Contrebasse, Piano (duo)
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FACILE
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Musique Sacrée
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Various
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David McKeown
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20 Favourite Christmas Carols
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David McKeown
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 2 - SKU: A0.587266 Composed by Various. Arranged by David McKeown. Christmas,Praise & Worship,Sacred. Score and pa...
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Double Bass,Piano,String Bass - Level 2 - SKU: A0.587266 Composed by Various. Arranged by David McKeown. Christmas,Praise & Worship,Sacred. Score and part. 28 pages. David McKeown #3123357. Published by David McKeown (A0.587266). 20 Favourite Carols for Solo Double Bass and Piano is a collection of the best-known Christmas carols arranged simply in bass clef for solo Double Bass and Piano. The file contains the Double Bass part plus the separate Piano score with added chord symbols. 20 Favourite Carols for Solo Double Bass and Piano is fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short sample audio and the linked youtube performance are from the Clarinet version of these arrangements. · There are also Duet and Quartet versions available of the same carols, in the same keys, so that no matter what instrument you play they will fit together. · This makes them ideal for building a full and flexible band or ensemble for school, community or church. · The keys chosen are the standard singing keys · These arrangements will provide colourful accompaniment to carol singing anywhere throughout the Christmas period. The carols are in alphabetical order and are as follows · Away in a Manger · Deck the Halls · Ding Dong Merrily on High · The First Nowell · God Rest ye Merry Gentleman · Good Christian Men Rejoice · Good King Wenceslas · Hark, the Herald Angels Sing · The Holly and the Ivy · I Saw Three Ships · In the Bleak Midwinter · It Came upon a Midnight Clear · O Cone All Ye Faithful · O Come, O Come Emmanuel · O Little Town of Bethlehem · Once in Royal David’s City · Silent Night · We Three Kings · While Shepherds Watched · We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
Fastnet Rock
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by J...
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Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99
Die Reise nach Batumi
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Piano seul
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Mulo Francel, Quandro Nuevo
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Die Reise nach Batumi
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Roba Music Verlag
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SheetMusicPlus
Piano - SKU: RX.9783737803298 Sheet music for piano. Composed by Mulo Francel, Quandro Nuevo. Text language: English. World music. 4 pages. Publi...
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Piano - SKU: RX.9783737803298 Sheet music for piano. Composed by Mulo Francel, Quandro Nuevo. Text language: English. World music. 4 pages. Published by Roba Music Verlag (RX.9783737803298). This song is a travelling song written under the impression of several tours through South and East Europe, the Balkans and around the Black Sea. Dedicated to Jason, the hero of the Greek mythology, it has to be played in a hymnic manner. Jason went on a most adventurous journey to the very outermost coast of the Black Sea with this motley entourage - the Argonauts - in order to seize the Golden Fleece, a gigantic golden ram skin. Just about where the Georgian city of Batumi is today. If you would like to know more about it, you may want to read the chapter “Die Reise nach Batumi†(The Journey to Batumi) in our roadbook “Quadro Nuevo: Grand Voyage. To every person who is interested in these old myths, I recommend the books of the author and journalist Michael Kohlmeier, for example his amusing interpretations of the Sagen des Klassischen Altertums (Sagas of the classical antiquity). Just East of Batumi the Caucasus begins, with its colourful mixture of ancient peoples and cultures. I have always been fascinated with musicians who originate from this region. For example the composer Aram Katschaturian or the pianist David Gazarov, with whom I often play concerts. An Eastern groove suits this song well, quite comparable to a fast rumba. I suggest you play the intro (may be extended) and the theme (measures 6 to 39) first. Then you may improvise freely over the AABA-form of the theme. The last solo part is shortened because the B-part leads into a percussion solo. This percussion solo may be omited. After the last complete solo part you can repeat the theme and then play the al fine. For Improvisation: On a separate sheet I am offering some scales to the chords of the song in various transpositions, which is helpful as basic material for improvisations. Some chords (like the very first one) fit several different scales. Decide for yourself which one you prefer. Or maybe even make up your own. Even though these notes may sound right with the chords, one thing always holds true in creative music: There should be no dogmatic wrong or right. Sometimes what seems like a wrong note, could give the progression of the melody its special colour, tension and spice. Sometimes an improvisation with exclusive right notes is correct in music theory, but sounds terribly boring. Besides, every improviser is encouraged to happily help themselves to the chromatics. All of this is only a suggestion. Music becomes exciting and colourful when the basic material is interpreted in an imaginative and creative way!
$6.19
The Girl - Score Only
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Ensemble de Percussions
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FACILE
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City And Colour
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Josh Ball
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The Girl - Score Only
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The BeatCave
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1305692 By City And Colour. By Dallas Green. Arranged by Josh Ball. 21st Century,Pop,Rock,Singer/Songwriter. 1 p...
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Percussion Ensemble - Level 2 - SKU: A0.1305692 By City And Colour. By Dallas Green. Arranged by Josh Ball. 21st Century,Pop,Rock,Singer/Songwriter. 1 pages. The BeatCave #895148. Published by The BeatCave (A0.1305692). Color-coded Top 40 chart for use with Boomwhackers, Xylophones, Keyboards, and all pitched percussion instruments.
$4.99
Northern Blues
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Batterie
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INTERMÉDIAIRE
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Contemporain
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Dallas Green
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Gavyn Holt
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Northern Blues
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Gavyn Holt
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SheetMusicPlus
Drum Set,Drums - Level 3 - SKU: A0.924405 By Dallas Green. By Dallas Green. Arranged by Gavyn Holt. Contemporary. Score. 2 pages. Gavyn Holt #3534547. P...
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Drum Set,Drums - Level 3 - SKU: A0.924405 By Dallas Green. By Dallas Green. Arranged by Gavyn Holt. Contemporary. Score. 2 pages. Gavyn Holt #3534547. Published by Gavyn Holt (A0.924405). Drum Transcription of City and Colour's Northern Blues
$4.99
Audacious Binary Forms for Pianist (one or two pianos)
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Piano seul
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Contemporain
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Paul Copeland
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Audacious Binary Forms for Pia
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Paul Copeland
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SheetMusicPlus
Piano Solo - SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A...
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Piano Solo - SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A0.901081). Audacious Binary Forms for pianist playing one or two pianos, won Australia’s most prestigious piano composition competition the Jean Bogan Prize for Piano Composition 2016. The world premiere was performed by Michael Kieran Harvey. He is considered by many as being one of Australia’s greatest living concert pianists. Michael specializes in performing world premieres of compositions by Australian composers. He is also a prolific composer of avant-garde music. ABSTRACT FROM THE GENERAL DIRECTIONS Audacious Binary Forms for piano is in a fractured binary form. Two types of structures exist; lettered structures, which are experimental structures, and explore the sonorities of the piano, and numbered structures, which are more traditional structures. A structure may be a single page or more than one page. Each page in a structure is to be played sequentially. For example, with structure C, consisting of three pages, C1, C2, C3, each page is played sequentially in numerical order, C1, C2, C3. EXPERIMENTAL STRUCTURESThe structures A, B, C, D, E, F, G, Percussion, CADENZA, and CODA are experimental. TRADITIONAL STRUCTURESThe structures 1, 2, 3, 4, 5, and 6, are traditional. PREPARING THE SCORE FOR PERFORMANCE There are four different options for a performance. MINIMALIST OPTIONThe 13 cards cut from the CUTOUT page are shuffled. Card 4 Rag (1,2) is removed. The 12 cards are placed face down. One card is revealed representing the structure that is to be performed. A member of the audience can be invited to shuffle the cards. STOCHASTIC OPTION An audience member or members can be invited to shuffle all the pages of the score. The resultant random sequence of pages becomes the whole score for the performance. PERFORMER’S OPTIONThe performer prepares the structures according to his musical tastes. All of the experimental structures should be performed. The performer is free to play none, some, or all of the traditional structures. Please note that each structure remains an independent structure and is played sequentially. For example, structure C, consisting of three pages would be played C1, C2, C3 in that order. PERFORMER/COMPOSER OPTIONMonths before the concert the performer can contact me at paulcopeland1@bigpond.com, to discuss the performance, and to work out an ideal performance structure for the work, taking into consideration the venue, expected size of audience, size of auditorium, music program, and if two pianos will be available. IMPORTANT INFORMATION REGARDING SHEET MUSIC SIZE Please note that the score should be printed on separate pages (the notated pages), not back to back. Ideally the score should be printed on A3 pages in colour. However the score can still be printed in grayscale. The sheet music file is approximately 15Mb because the score is in full color. BIOGRAPHICAL INFORMATION Paul Copeland is an award-winning multi-genre composer, graphic artist, programmer, teacher, and author, based in his home city of Melbourne. His compositional styles range from neo-classical, jazz, ragtime, and musical theatre to electronic, avant-garde, post-avant-garde, and experimental music. Born in 1947, Copeland grew up an only child in a musical household. His mother was a talented singer, his father an accomplished amateur pianist, composer of popular music, and internationally renowned travelling telepathist known as Argus The Boy Prophet. Copeland's musical studies commenced at the age of 16 when he began studying piano, and a year later, he enrolled at the Melba Conserv.
$20.00
We Are a Rainbow
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David Kai
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David Kai
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We Are a Rainbow
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David Kai
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SheetMusicPlus
String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105250 By David Kai. By David Kai. Arranged by David Kai. Christian,...
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String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105250 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop. Full Performance. Duration 216. David Kai #708510. Published by David Kai (A0.1105250). This new hymn is especially appropriate for Affirming Ministries. The hymn draws on rainbow and rainbow-coloured imagery in the Bible, and the imagery of light which is composed of rainbow colors. The hymn suggests that Affirming Ministries have a badly needed light which they can proudly share with the world. We Are a Rainbow Words and music by David Kai ©2017 Tune: Slocan (see below) We’re the light of all the world, we are a city on a hill, We’re a candle on a stand proclaiming light, We will not hide our lamp beneath a bushel any more, We will shine a ray of hope that’s burning bright. Chorus: We are a rainbow, sign of covenant and peace, For the flood of tears will finally cease to be, Come shine your rainbow, splash your hues across the sky, Paint the world in colours proud and bold and free. We’re a coat of many colours, sewn from many different threads, Covering all in warmth, in welcome and in grace, God said “Let there be lightâ€, created every varied shade, In the rainbow each of us can find a place. Chorus: We are hope to still believe in tomorrow’s better day, We are peace in a world that’s torn apart, We are joy that will last in all the struggles that we face, We are love that blooms and grows in every heart. Chorus: When we face the storms of life, we will never be alone, For our God will be with us on the way, Hand in hand, side by side, we won’t be frightened* any more, As the mourning night of tears breaks into day. Chorus: *alt: clobbered.
$1.99
We Are a Rainbow (instrumental)
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David Kai
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David Kai
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We Are a Rainbow
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David Kai
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SheetMusicPlus
String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105253 By David Kai. By David Kai. Arranged by David Kai. Christian,...
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String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105253 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop. Accompaniment. Duration 211. David Kai #708513. Published by David Kai (A0.1105253). This is a backing track for soloist, group or congregation. This new hymn is especially appropriate for Affirming Ministries. The hymn draws on rainbow and rainbow-coloured imagery in the Bible, and the imagery of light which is composed of rainbow colors. The hymn suggests that Affirming Ministries have a badly needed light which they can proudly share with the world. We Are a Rainbow Words and music by David Kai ©2017 Tune: Slocan (see below) We’re the light of all the world, we are a city on a hill, We’re a candle on a stand proclaiming light, We will not hide our lamp beneath a bushel any more, We will shine a ray of hope that’s burning bright. Chorus: We are a rainbow, sign of covenant and peace, For the flood of tears will finally cease to be, Come shine your rainbow, splash your hues across the sky, Paint the world in colours proud and bold and free. We’re a coat of many colours, sewn from many different threads, Covering all in warmth, in welcome and in grace, God said “Let there be lightâ€, created every varied shade, In the rainbow each of us can find a place. Chorus: We are hope to still believe in tomorrow’s better day, We are peace in a world that’s torn apart, We are joy that will last in all the struggles that we face, We are love that blooms and grows in every heart. Chorus: When we face the storms of life, we will never be alone, For our God will be with us on the way, Hand in hand, side by side, we won’t be frightened* any more, As the mourning night of tears breaks into day. Chorus: *alt: clobbered.
$1.99
Acuarelas junto al río inmóvil [5 piano pieces]
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Piano seul
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Juan MarÃa Solare
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Acuarelas junto al río
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - SKU: A0.596506 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Standards,World. Score. 10 pages. Juan Maria Solare #336...
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Piano Solo - SKU: A0.596506 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Standards,World. Score. 10 pages. Juan Maria Solare #3363803. Published by Juan Maria Solare (A0.596506). Juan MarÃa Solare: Acuarelas junto al rÃo inmóvil (Watercolours alongside the still river) five nocturnes for piano solo The still river is the River Plate; the novelist Eduardo Mallea (1902-1982) refers to Buenos Aires as the city next to the still river, an allusion to its lack of haste. This cycle of piano pieces is a collection of five short nocturnes. The first four Acuarelas were composed in Buenos Aires between 9th and 12th April 2007, the fifth piece was conceived on 4th May and written down on 6th May 2007. All five pieces have practically the same formal structure. Concerning the musical language or style, I would classify this work under contemporary classical with interferences from modern jazz and new tango (imagine Astor Piazzolla listening to a recording of Thelonious Monk playing preludes of Alexander Scriabin). Single titles and approximate durations I - Bruma matinal (Morning Mist) [1'10] II - Flecha flotante (Floating Arrow) [1'00] III - Vaivén de los juncos (Sawying Reeds) [1'15] IV - Orilla urbana (Urban Shore) [2'00] V - Incandescencia estática (Static Incandescence) [0'45] ISWC (International Standard Musical Work Code): T-802.466.008-1 The Acuarelas were recorded by Juan MarÃa Solare in London on Friday 23rd May 2014. Recorded and Mixed by Eduard Muhaxheri Assistant Engineer: Matteo Dessi Grand piano Wendl & Lung Cover Art: Alban Low Label Janus Music & Sound (Bremen, Germany), JMS-004 More about the piece, also sound examples: http://www.juanmariasolare.com/CD_acuarelas_junto_al_rio_inmovil.html The recording of Acuarelas is on Spotify, Deezer, iTunes, amazon mp3, etc. https://open.spotify.com/album/1kVamUJLLSqbQnFURSpxYAVideo of the fourth piece,Orilla urbana: https://www.youtube.com/watch?v=usiEGpImyco
$4.00
With Every Breath I Take
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Lea DeLaria
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Gail Ford
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With Every Breath I Take
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Gail Ford
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.1139951 By Lea DeLaria. By Cy Coleman and David Zippel. Arranged by Gail Ford. 20th Century,Broadway,Musical/Show....
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French Horn,Piano - Level 4 - SKU: A0.1139951 By Lea DeLaria. By Cy Coleman and David Zippel. Arranged by Gail Ford. 20th Century,Broadway,Musical/Show. Score and part. 4 pages. Gail Ford #740217. Published by Gail Ford (A0.1139951). Cy Coleman seems to have a magic touch, and this ballad from 'City of Angels' just proves it. Haunting colour, ideally suited to the horn's smooth and expressive sound. Great for film themed music evenings, college, school, informal concerts....
$5.99
Wait (Verbs 1)
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Piano seul
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AVANCÉ
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Contemporain
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Kathleen Ryan
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Wait
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by...
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Piano Solo - Level 5 - SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by Indigo Mesa Music LLC (A0.995799). Verbs is a set of 24 impressionistic preludes for piano left hand alone, composed by Kathleen RyanEach prelude evokes the energy and mood of its title verb. Thus, the preludes utilize a wide range of modern styles and harmonic languages.Wait - to be in readiness or expectation. These preludes hark back to earlier antecedents by Debussy, Rachmaninov, Chopin and J S Bach in their variety and appeal, creating an album rich in contrasts. Ryan’s composing style is eclectic, referencing jazz, contemporary classical, traditional classical, and American folk songs and hymns: Play, for example, is a vibrant anthem, redolent of sacred harp singing, while other Preludes are more contemplative, tender and wistful (Forgive, Bloom). Push is energetic and rumbling, suggesting bustling city life, Bounce scampers playfully around the keyboard with jazzy syncopations and colourful harmonies, and Tangle is redolent of some of Prokofiev’s more introspective ‘Visions Fugitives’. The album closes with the meditative Bless. Frances Wilson, The Cross-Eyed PianistVerbs: 24 Preludes for Piano Left Hand is a fascinating collection of pieces composed by Kathleen Ryan. The project originated in 2006 when [Keith] Porter-Snell asked Ryan to create a set of twenty-four piano preludes for left hand only, one in each key. In her search for a unifying theme, Ryan settled on the idea of verbs, one for each prelude, because a verb conveys a distinct quality of energy and motion. ... Ryan’s eclectic composing style contains elements of jazz, contemporary classical, traditional classical, and her own vision that includes making the piano sing. ... It is hard to believe that these preludes are played with only one hand, as they are full, rich, and sound like they move all over the piano keyboard. All of the titles are one-word verbs and the preludes range in duration from 34 seconds to a little more than four minutes. Some are light and playful and some are more complex and dramatic. All are very different from each other and specific to their individual ‘verbs.’ Kathy Parsons, MainlyPiano.com
$5.25
20 Favourite Christmas Carols for Brass Quartet
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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FACILE
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Noël
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Various
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David McKeown
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20 Favourite Christmas Carols
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David McKeown
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SheetMusicPlus
Composed by Various. Arranged by David McKeown. Christian, Sacred, Praise and Worship, General Worship, Christmas. Score, Set of Parts. 61 pages. Published by D...
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Composed by Various. Arranged by David McKeown. Christian, Sacred, Praise and Worship, General Worship, Christmas. Score, Set of Parts. 61 pages. Published by David McKeown (S0.245439). - Score,Set of Parts - Christian,Sacred,Praise and Worship,General Worship,Christmas - David McKeown
20 FavouriteCarols for Brass Quartet is a collection of the best-known Christmas carolsarranged primarily for two Trumpets,one Trombone and one Tuba. The file contains the score plusthe separate parts, including alternative/additional parts 2 and 3 for French Horn in F and Tenor Horn in Eb. 20 Favourite Carols for Brass Quartet is fully compatible with the other Brass, Woodwind andString volumes in the series. Both the short audio sample and the youtube performance are from the Clarinet version of these Quartets. There are also soloand duet versions available of the same carols, in the same keys, so that nomatter what instrument you play they will fit together. This makes them idealfor building a full and flexible band or ensemble for school, community orchurch. The keys chosen arethe standard singing keys Thesearrangements will provide colourful accompaniment to carol singing anywherethroughout the Christmas period. The carols are in alphabetical orderand are as follows Away in a Manger Deck the Halls Ding Dong Merrily on High The First Nowell God Rest ye Merry Gentleman Good Christian Men Rejoice Good King Wenceslas Hark, the Herald Angels Sing The Holly and the Ivy I Saw Three Ships In the Bleak Midwinter It Came upon a Midnight Clear O Cone All Ye Faithful O Come, O Come Emmanuel O Little Town of Bethlehem Once in Royal David?s City Silent Night We Three Kings While Shepherds Watched We Wish you a Merry Christmas
$9.99
20 Favourite Christmas Carols for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Noël
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Various
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David McKeown
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20 Favourite Christmas Carols
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David McKeown
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SheetMusicPlus
Composed by Various. Arranged by David McKeown. Christian, Sacred, Praise and Worship, General Worship, Christmas. Score, Set of Parts. 63 pages. Published by D...
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Composed by Various. Arranged by David McKeown. Christian, Sacred, Praise and Worship, General Worship, Christmas. Score, Set of Parts. 63 pages. Published by David McKeown (S0.245441). - Score,Set of Parts - Christian,Sacred,Praise and Worship,General Worship,Christmas - David McKeown
20 FavouriteCarols for Clarinet Quartet is a collection of the best-knownChristmas carols arranged primarily for four Clarinets. The file contains the score plus the separate parts,including alternative/additional part 3 and 4 for Alto Clarinet in Eb and BassClarinet in Bb. 20 Favourite Carols for Clarinet Quartet is fully compatible with the other Brass, Woodwind andString volumes in the series. There are also soloand duet versions available of the same carols, in the same keys, so that nomatter what instrument you play they will fit together. This makes themideal for building a full and flexible band or ensemble for school, communityor church. The keys chosen arethe standard singing keys Thesearrangements will provide colourful accompaniment to carol singing anywherethroughout the Christmas period. The carols are in alphabetical orderand are as follows Away in a Manger Deck the Halls Ding Dong Merrily on High The First Nowell God Rest ye Merry Gentleman Good Christian Men Rejoice Good King Wenceslas Hark, the Herald Angels Sing The Holly and the Ivy I Saw Three Ships In the Bleak Midwinter It Came upon a Midnight Clear O Cone All Ye Faithful O Come, O Come Emmanuel O Little Town of Bethlehem Once in Royal David?s City Silent Night We Three Kings While Shepherds Watched We Wish you a Merry Christmas
$9.99
20 Favourite Christmas Carols for Trumpet Quartet
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Quatuor de cuivres: 4 trompettes
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FACILE
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Noël
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Various
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David McKeown
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20 Favourite Christmas Carols
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David McKeown
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SheetMusicPlus
Composed by Various. Arranged by David McKeown. Christian, Sacred, Praise and Worship, General Worship, Christmas. Score, Set of Parts. 48 pages. Published by D...
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Composed by Various. Arranged by David McKeown. Christian, Sacred, Praise and Worship, General Worship, Christmas. Score, Set of Parts. 48 pages. Published by David McKeown (S0.245453). - Score,Set of Parts - Christian,Sacred,Praise and Worship,General Worship,Christmas - David McKeown
20 FavouriteCarols for Trumpet Quartet is a collection of the best-knownChristmas carols arranged for fourTrumpets. The file contains thescore plus the separate parts. 20 Favourite Carols for Trumpet Quartet is fully compatible with the other Brass, Woodwind andString volumes in the series. Both the short audio sample and the youtube performance are from the Clarinet version of these Quartets. There are also soloand duet versions available of the same carols, in the same keys, so that nomatter what instrument you play they will fit together. This makes themideal for building a full and flexible band or ensemble for school, communityor church. The keys chosen arethe standard singing keys Thesearrangements will provide colourful accompaniment to carol singing anywherethroughout the Christmas period. The carols are in alphabetical orderand are as follows Away in a Manger Deck the Halls Ding Dong Merrily on High The First Nowell God Rest ye Merry Gentleman Good Christian Men Rejoice Good King Wenceslas Hark, the Herald Angels Sing The Holly and the Ivy I Saw Three Ships In the Bleak Midwinter It Came upon a Midnight Clear O Cone All Ye Faithful O Come, O Come Emmanuel O Little Town of Bethlehem Once in Royal David?s City Silent Night We Three Kings While Shepherds Watched We Wish you a Merry Christmas
$9.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Pe...
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Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
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