'Clarinettissimo' is the ideal addition to and continuation of the standard work 'Die frohliche Klarinette' although it can also be used independently. The two volumes contain a well-balanced collection of classical and entertaining pieces which, together with technical exercises for all keys, provide the foundation of perfect clarinet playing. The joy of playing is increased by numerous duos as well as by swinging and groovy pieces.

YourFavourite Easter Hymns for Clarinet Choir

Arranged by ColinKirkpatrick

Contents:Amazing Grace (trad); And Can it Be? (Sagina); At the Lamb?s High Feast We Sing(Salzburg); Christ the Lord is Risen Again! (W�rtemburg); Crown Him with ManyCrowns (Diademata); Jesus Christ is Risen Today (Easter Hymn); Jesus Lives!(St. Albinus); Love?s Redeeming Work is Done (Savannah); Low in the Grave HeLay (Lowry); There is a Green Hill Far Away (Horsley); Near the Cross (Doane); OSacred Head Now Wounded (Passion Chorale); The Day of Resurrection (Ellacombe);The Strife is O'er, the Battle Won (Victory); Rock of Ages (Toplady); Thine bethe Glory (Maccab�us); This Joyful Eastertide (Easter-tide); To God be theGlory! (Doane); When I Survey the Wondrous Cross (Hamburg); When I Survey theWondrous Cross (Rockingham); Were You There When They Crucified my Lord? (trad);Ye Choirs of New Jerusalem (St. Fulbert).



Thisis an essential collection of twenty-two favourite Easter hymns arranged forclarinet choir or for virtually any combination or number of clarinets. The publicationconsists of full scores for each hymn plus parts for 1st clarinet inB flat, 2nd clarinet in B flat, 3rd clarinet in B flatand bass clarinet in B flat. The 1st clarinet and 3rdclarinets have duplicate parts for E flat clarinet and E flat alto clarinetrespectively. You could of course include alto and tenor saxophones if necessary. There?s a piano part too, so you can also use the arrangements assolos, duets or trios. All the parts are contained in a single 100-page PDFfile. They are intended either as stand-alone pieces that could be used asinterludes in an Easter service, or they could be used to accompany solo,choral or congregational singing. The music has been set in clarinet-friendlykeys and they are compatible with the brass collection of the same name. Thepiano part has been written for with the early intermediate pianist in mind,though some hymns are actually quite easy.

This Queen Classic will bring the house down at your next concert! This wonderful arrangement lasts almost exactly 6 minutes. Cleverly arranged by the clarinetist Genessa West, to create an arrangement for Clarinet Quartet, which while not easy, is still very playable by high intermediate to advanced clarinetists.

This Queen Classic will bring the house down at your next concert! This wonderful arrangement lasts almost exactly 6 minutes. Cleverly arranged by the clarinetist Genessa West, to create an arrangement for 4 Bb Clarinets, which while not easy, is still very playable by high intermediate to advanced clarinetists.

The song Africawas written and recorded by the American rock band Toto, appearing on theiralbum entitled Toto IV. Their music video depicts the band in a library,performing and showcasing various aspects of African culture. According to songwriterDavid Paich, the song is about a man?s love for the continent of Africa.

Thisarrangement for clarinet choir includes parts for E-flat clarinet, B-flatclarinets 1, 2, and 3, E-flat alto clarinet, bass clarinet, and contrabassclarinet. Alternate B-flat parts also exist for both E-flat and alto clarinet. Asthe rhythms appear to be tricky at first glance, listening to the original songand learning the lyrics should make playing the piece much easier.

EASTERCELEBRATION MEDLEY is an arrangement by Gary Lanier for Clarinetand Piano of 2 of our most cherished hymns plus a segment of Handel?sHallelujah Chorus.

Itbegins with CROWN HIM WITH MANY CROWNS followed by CHRIST AROSE (Lowin the grave He lay) then, enters George Frederick Handel sharing aportion of his HALLELUJAH CHORUS. After all this celebrationthereprise begins with CROWN HIM WITH MANY CROWNS with a few Hallelujahshere and there. Whata great way to celebrate Easter (12pages including cover).

Also,a mp3 piano accompaniment is available listed as:

EASTERCELEBRATION MEDLEY(Piano accompaniment for BbClarinet)

Digital Pack includes:

1. Canon For Clarinets - Bb Clarinet 1
2. Canon For Clarinets - Bb Clarinet 2
3. Canon For Clarinets - Bb Clarinet 3
4. Canon For Clarinets - Bb Clarinet 4
5. Canon For Clarinets - Eb Alto Clarinet
6. Canon For Clarinets - Eb Clarinet
7. Canon For Clarinets - Bb Contrabass Clarinet
8. Canon For Clarinets - Score
9. Canon For Clarinets - Bb Bass Clarinet

Clarinet Quartet: 2 B-flat Clarinets, Alto Clarinet or Basset Horn, Bass Clarinet.

This arrangement for advanced players aims to present Edvard Grieg's well-known piano miniature as faithfully as possible for a clarinet quartet. The only simplification I've made is to transpose it up half a step from the original D major. It's a musically satisfying teaching piece that will also delight audiences in a "solos and ensembles" concert, or as music for a wedding. The prominent Alto Clarinet part can alternatively be played on Basset Horn.

ISBN 9781619119932.

This collection of Baroque music is arranged for the intermediate level clarinetist with the piano part being of equal skill level. The music is taken from keyboard, song and chamber music sources and represents quality Baroque styles circa 1625 - 1775. Composers include Johann S. Bach, Jean P. Rameau, Alessandro Scarlatti, G. F. Handel, Domenic Scarlatti, Antonio Vivaldi, C. P. E. Bach, and Johann J. Froberger. This music can be played by clarinetists for church, festival, school and leisure occasions.

This Classic Song by The Beatles, lasting just 3 minutes, surely shows the Fab 4 at their best! This arrangement for Clarinet Quartet (3 Bb Clarinets and bass) does it full justice. Skillfully arranged for the clarinet by Genessa West, who is herself a clarinetist. This piece will bring the house down at literally any kind of performance. Snap it up now!

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.
The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:

Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method
Due to trilingual nature of all editions (German, English, French), they can be used universally.

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.
The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:

Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method
Due to trilingual nature of all editions (German, English, French), they can be used universally.

Clefand Key Studies for Clarinet is intended toprovide a comprehensive grounding in the melodic and harmonic gestures of eachkey center so that ?muscle memory? and automaticity aid in the development ofclef reading and transposition skills. Performers should find themselvesreading transpositions the same way they read treble and bass clefs?with noongoing, intervening calculation; transposing musical gestures, not individualnotes. In addition to over five hundred scales and arpeggios and over two hundredshort technical exercises, Clef and KeyStudies for Clarinet provides a wealth of slow melodic studies aimed atdeveloping tone and intonation. All exercises are placed within the context ofkeys and tonal centers so that the performer develops a vocabulary of musicalstructures that share a common syntax.



Clefand Key Studies for Clarinet isdesigned to be adaptable for a number of pedagogical and professional purposes.Work one key at a time or one key signature (major plus following relativeminor) at a time. Pick and choose which clefs to focus on or ignore the exoticclefs altogether. Use clef studies and transposition drills as warm up tunes.Use the extensive indexing to create personalized practice routines. There aremany ways to apply the drills and exercises in Clef and Key Studies forClarinet to meet each performer?s goals and objectives.

La Feria (The Fair) is a Spanish fiesta! All the sights and sounds of a traditional Spanish street festival.
Paul Lacome wrote mostly operas-bouffes, light comic operas. That same drama and delight comes through in this piece. Originally written for orchestra, there have been many popular arrangements for band. I have arranged it for Clarinet Quartet without losing any of the Spanish tradition or dramatic character of the piece.
The Suite is in 3 sections. The first is entitled Los Toros (The Bulls). The running of the bulls is a tradition of nearly every Spanish fair. This highly energetic and rhythmic section is traditional Spanish fiesta music at its best. The second section is entitled La Reja (loosely-The Gate). This one is in the form of a Serenade. Every fair has a street barred off with a special archway entrance or gate. Inside, tents are set up serving local wine. Strolling street musicians will visit each tent and serenade. This section is scaled back dynamically and also in texture to imitate the solo or duo strolling musician. For the B theme of this section I move the melody to the Clarinet 3 part down low. I like to amuse myself and think of this brief growling melody as a tipsy patron of the tent singing back to the musicians. The street musicians then quickly resume their original song. The final section is entitled La Zarzuela. The Zarzuela is a uniquely Spanish comic opera that is heavy on dance and spoken dialogue. It has much in common with the American vaudeville shows. This section is in the form of a brisk waltz, another high energy rhythmic dance where Clarinet 2 takes the B theme melody.
This piece is of Advanced Intermediate difficulty due to constant movement, articulations, rhythm, and range. Clarinet 1 in particular uses the full range of the instrument.
21 page score, 4 pages @ part, 38 pages total booklet
4:30 minutes
temporary MIDI recording

This quartet has a klezmer feel. It is inspired by the Mel Lazarus comic strip and has a section for each child (Thomas, Marylou, and Francis). The main theme is from the Hebrew melody Prokofiev used in his Overture. The bass clarinet part is intended for an extended bass clarinet but can be done on the shorter one. All voices get interesting parts and audiences have loved it.

Here we have an abridged version of ?Spring? from Vivaldi?s famous ?The Four Seasons? suite, arranged for a clarinet quartet. A little challenging perhaps but instantly recognisable and enjoyable to play. Suitable for intermediate players and above - no fiendishly difficult bits - the main points to watch out for are the tempo changes at bar 28 (where the first clarinet slows the tempo before a slight accelerando) and bars 32 (rall.) and 34 (a new tempo, slightly down on the opening one, is established). These tempo markings are not obligatory and the piece can ebb and flow rubato fashion at these points, if you wish. Also, note the rallentando at the end.In a few places where long sixteenth-note passages occur, breath marks may be needed. These have been deliberately omitted to enable the players to work out what?s best for them.Enjoy yourselves!

George Gershwin's famous 1924 jazz-infused piano concerto arranged and paraphrased for 4 clarinets - 3 Bb Clarinets and 1 Bb Bass Clarinet, also playable by a clarinet choir.
Full score and parts included.
Appropriate for both students and professionals.
Approximate duration: 6.5 minutes

The arrangement also exists for clarinet quintet: https://www.sheetmusicplus.com/title/rhapsody-in-blue-gershwin-for-clarinet-quintet/21141003

Contact at www.robhao.com for queries, score alterations and other requests.