Five selected tunes for Classical Guitar Solo by Tomas Damas (1825-1890).
With Standard guitar notation and Tablature. Eay to Early Intermediate.
With fingering suggestions.
With downloadable mp3 just for audio help.
Pages: Five (5) pages.

Fifty selected National Airs of different Nations for Classical Guitar solo.

Around early intermediate to Intermediate level, while there are a few on easy and advanced intermediate level.
With downloadable mp3 just for audio help. With standard notation and tablature (TAB).
Pages: Fifty (50) pages, 40' min.
1. March by Rossini, 2. Russian Air, 3. Andante by Beethoven, 4. The Last Rose of Summer, 5. French Air, 6. Un Noel ? an old French Air, 7. Le Petit Tambour, 8. Russian Air, 9. Polish National Air, 10. Scotch Air, 11. German Air, 12. Russian Hymn, 13. John Anderson, 14. Tyrolian Air, 15. Danish Air, 16. Cherubini?s Air from Faniska, 17. Polish Hymn, 18. Kelvin Grove, 19. Podolian Air, 20. Fra Tante Angoscie, 21. Au Clair, 22. Dutch Air, 23. Portuguese Hymn, 24. Air by Gelinek, 25. Pyrenese Melody, 26. Polish Air, 27. Scotch Air, 28. Pleyel?s Hymn, 29. Donald ? a Scotch Air, 30. Sicilian Mariner?s Hymn, 31. Auld Lang Syne, 32. German Air, 33. Scots Wha Hae Wi? Wallace Bled, 34. Vive Henri Quatre, 35. Air from the Ballet of Nina, 36. Danish Air, 37. Post Horn Waltz, 38. Old German Air, 39. Air from the Ballet of Alfred the Great, 40. Polish Air Krakoviak, 41. Scotch Air, 42. Swedish Air, 43. Danish Air, 44. Il Pleut, Il Pleut, Bergere, 45. Rule Britannia, 46. C?est L?Amour ? a French Air, 47. Scotch Air, 48. An Alexis, 49. Je suis Lindor, 50. Chanson des Marseillois.

ISBN 9781513459202. 8.75x11.75 inches.

A comprehensive collection of 172 guitar solos for the flatpick or plectrum guitarist. All solos are written in standard notation with accompanying online recordings by the author. The solos include beautiful American, British and Celtic airs and ballads, Celtic dance tunes, lute and early music, popular classical repertoire and contemporary etudes. Includes access to online audio.

ISBN 9781609746599.

This is the first compilation of guitar music specifically composed for right-hand technique that includes the little finger. The 57 compositions include original pieces in the Easy-Intermediate to Intermediate -Advanced levels by renowned guitarist/composers from Europe, North America, South America and the Caribbean. Music by Ernesto Cordero, Carlos Dorado, Jim Ferguson, David Flynn, Gerald Garcia, John Hall, Ricardo Iznaola, James Lentini, John Oliver, Charles Postlewate, Mirko Schrader, Burkhard Buck Wolters and Luis Zea show the advantages of a five-finger technique in the playing of scales, chords, arpeggios, tremolos and harmonics. They also show the advantages of using the little finger for speed, accuracy, strength and balance. All of these compositions are edited and fingered by Postlewate, pioneer in the use of a five-finger technique. This book is a companion to Anthology of Nineteenth Century Guitar Studies for Five Fingers of the Right Hand (MB21153), compiled and fingered by Leonhard Beck and edited by Charles Postlewate. Standard notation only. In English and Spanish.

ISBN 9781610656139.

The guitar's entrance into American culture began in the early 1800s, introduced primarily by visiting and immigrant Spanish guitarists. Many of these newly arrived Spaniards exerted great influence on the guitar's development in 19th century America. The works in this book contain the compositions and arrangements of eight noted 19th century Hispanic American guitarist / composers with an emphasis on their works that reflect Latin themes or rhythms. Rounding out this anthology are dance forms such as the Habanera, Jota, Cachucha, Sevillano, Spanish Mazurka, and other Spanish dance related works along with extended concert pieces such as Theme and Variations, Serenades, Polonaises and a delightful arrangement of The Celebrated Spanish Retreat, a programmatic work with an unusual 'C' tuning and novel harmonic effects crafted to imitate the bugles, horns and drums as heard on the battlefield. The book features twenty-one solos and two duets which range in difficulty from easy to advanced. An extensive and well researched text along with photos and a companion recording by acclaimed guitarist/scholar Douglas Back help to make this a landmark book.

ISBN 9781609744083. Laurindo Almeida (1917-1995) belongs to an elite group of Brazilian/American guitarists, who by composing important works for the guitar reinstated the instrument in his native country as worthy of serious musical study. Stylistically, his compositions synthesize his classical background, Afro-Brazilian rhythms, traditional Brazilian music, and American jazz. This collection presents Almeida's solos preserving the original left and right hand fingerings. The fingering is unique and tells us something about his skills as a professional guitarist. It also reflects the Brazilian school of guitar technique in the 1930's. Written in standard notation only.

ISBN 9781619117372.

Contemporary Guitar Composers of the Americas is a unique collection of 51 solo works representing 17 composers from the American continents. This anthology addresses continental guitar music; music from North, Central and South America. It features many composers who have helped to enrich its repertoire, giving rise to a diverse palette of styles, textures, rhythms, moods and melodies. A worthwhile addition to the library of any classical guitarist.