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26
Ensemble de cuivres
18
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18
Ensemble Jazz
16
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6
Cloches
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Quintette à Vent
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5876
DOCTOR GRADUS AD PARNASSUM from 'Children's Corner Suite' by CLAUDE DEBUSSY. PIANO SOLO
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Impressionistic, Post-Romantic, Recital. 8 pages. Published by Diamond S Music
DOCTOR GRADUS AD PARNASSUM from ‘Children’s Corner Suite’ by CLAUDE DEBUSSY for PIANO SOLO. The Latin phrase gradus ad Parnassum means "steps to Parnassus”. Debussy composed Children's Corner between 1906 and 1908. This piece is actually a rather ingenious study in finger independence with a Twentieth Century vocabulary. In the middle, the pianist slows down and tries his material in other keys for exercise. Debussy's Doctor Gradus Ad Parnassum is of intermediate difficulty and requires experienced fingers. The pianist gets wilder toward the end and finishes the piece with a bang. Debussy told his publisher that the movement should be played "very early in the morning".This edition also includes a short biography of Debussy and some facts about the piece.<br> <br> Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940DOCTOR GRADUS AD PARNASSUM from ‘Children’s Corner Suite’ by CLAUDE DEBUSSY for PIANO SOLO. The Latin phrase gradus ad Parnassum means "steps to Parnassus”. Debussy composed Children's Corner between 1906 and 1908. This piece is actually a rather ingenious study in finger independence with a Twentieth Century vocabulary. In the middle, the pianist slows down and tries his material in other keys for exercise. Debussy's Doctor Gradus Ad Parnassum is of intermediate difficulty and requires experienced fingers. The pianist gets wilder toward the end and finishes the piece with a bang. Debussy told his publisher that the movement should be played "very early in the morning".This edition also includes a short biography of Debussy and some facts about the piece.<br> <br> Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.99
4.56 €
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Piano seul
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Claude Debussy (1862-1918)
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DOCTOR GRADUS AD PARNASSUM from 'Children's Corner Suite' by CLAUDE DEBUSSY. PIANO SOLO
#
Diamond S Music
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SheetMusicPlus
Clair de Lune (Claude Debussy)
2 Guitares (duo)
Guitar Duo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1…
(+)
Guitar Duo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Bisdre Santos. Impressionistic, Repertoire, Classroom, Wedding, Recital. Individual Part, Lead Sheet, Set of Parts. 7 pages. Published by Bisdré Santos
Composed by Claude Debussy (1862-1918). Transcribed by Bisdré Santos from the recording of John Williams and Julian Bream. Impressionistic, Romantic, Post-Romantic, Repertoire, Classroom, Concert.Composed by Claude Debussy (1862-1918). Transcribed by Bisdré Santos from the recording of John Williams and Julian Bream. Impressionistic, Romantic, Post-Romantic, Repertoire, Classroom, Concert.
$5.00
4.57 €
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2 Guitares (duo)
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Claude Debussy (1862-1918)
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Bisdre Santos
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Santos
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Clair de Lune
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Bisdré Santos
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.61 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.61 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Arabesque No. 1 / Claude Debussy
2 Flûtes traversières (duo)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1490848 Composed by Claude De…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1490848 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical,Film/TV,Standards. Score. 4 pages. Japan Duo Notes #1067632. Published by Japan Duo Notes (A0.1490848). Title: Arabesque No. 1 by Claude Debussy – Flute Duet ArrangementDescription:Immerse yourself in the delicate beauty and flowing lines of Claude Debussy’s Arabesque No. 1 with this enchanting flute duet arrangement. Originally composed for piano, Arabesque No. 1 is one of Debussy’s most beloved pieces, known for its lyrical melodies, intricate rhythms, and impressionistic style. This arrangement for two flutes captures the essence of Debussy’s original composition, offering a fresh and captivating performance experience.Key Features:Composer: Claude DebussyArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 4 pagesThis flute duet arrangement of Arabesque No. 1 maintains the elegance and fluidity of Debussy’s original, translating its graceful, winding melodies into a beautiful interplay between two flutes. Ideal for concert performances, recitals, and special occasions, this piece allows flutists to explore the nuanced expressions and impressionistic colors that define Debussy’s music.Why Choose This Arrangement?Authentic Adaptation: Faithfully captures the lyrical and impressionistic qualities of Debussy’s Arabesque No. 1, reimagined for two flutes.Versatile and Expressive: Suitable for a variety of performance settings, including formal recitals, chamber music concerts, and intimate gatherings.Musically Rewarding: Designed for intermediate to advanced flutists, offering both a technical challenge and an opportunity for expressive performance.Enhance your flute repertoire with this beautifully crafted arrangement of Claude Debussy’s Arabesque No. 1. It’s an ideal choice for flutists who appreciate the delicate nuances of impressionistic music and wish to perform a timeless piece with a fresh, harmonious twist.Keywords: Claude Debussy, Arabesque, flute duet, flute sheet music, Debussy arrangements, impressionistic music, flute ensemble, intermediate flute music, advanced flute duet, classical music, concert flute duet, recital music, Debussy piano music.
$5.99
5.48 €
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2 Flûtes traversières (duo)
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Claude Debussy
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Kan Saito / Japan Duo Notes
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Arabesque No. 1 / Claude Debussy
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Japan Duo Notes
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SheetMusicPlus
Golliwogg’s Cakewalk / Claude Debussy
2 Flûtes traversières (duo)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1492124 Composed by Claude De…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1492124 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 20th Century,Children,Classical,Film/TV,Ragtime. Score. 3 pages. Japan Duo Notes #1068797. Published by Japan Duo Notes (A0.1492124). Title: Golliwogg’s Cakewalk by Claude Debussy – Flute Duet ArrangementDescription:Bring a playful, lively charm to your next performance with this flute duet arrangement of Claude Debussy’s Golliwogg’s Cakewalk. Originally part of Debussy’s Children’s Corner suite, this piece is characterized by its syncopated rhythms and lighthearted, dance-like feel inspired by early ragtime music. Perfectly arranged for two flutes, this duet captures the energetic spirit and whimsical melodies that have made Golliwogg’s Cakewalk a beloved favorite.Key Features:Composer: Claude DebussyArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 3 pagesThis arrangement allows two flutists to engage in the playful back-and-forth of Debussy’s original work, showcasing its syncopated rhythms, unexpected harmonies, and dynamic character. Ideal for recitals, concerts, or any performance needing a lively, upbeat classical piece.Why Choose This Arrangement?Lively Ragtime Rhythm: Enjoy the syncopated, dance-like rhythm of Debussy’s Golliwogg’s Cakewalk, now arranged for two flutes.Perfect for Fun Performances: Ideal for concerts, recitals, and informal performances where a light and joyful piece is needed.Intermediate to Advanced Challenge: Provides an engaging and fun challenge for intermediate to advanced flutists, with opportunities to showcase both technical skill and expressive playfulness.Infuse your performance with the upbeat energy of Debussy’s Golliwogg’s Cakewalk. This flute duet arrangement preserves the charm and wit of the original while allowing for a fun, dynamic interplay between both flutists.Keywords: Golliwogg’s Cakewalk, Claude Debussy, flute duet, classical music, ragtime, Children’s Corner, intermediate flute music, advanced flute music, lively flute pieces, concert music, recital music, flute sheet music.
$5.99
5.48 €
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2 Flûtes traversières (duo)
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Claude Debussy
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Kan Saito / Japan Duo Notes
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Golliwogg’s Cakewalk / Claude Debussy
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Japan Duo Notes
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SheetMusicPlus
En Bateau / Claude Debussy
2 Flûtes traversières (duo)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1493298 Composed by Claude De…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1493298 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical. Score. 4 pages. Japan Duo Notes #1069956. Published by Japan Duo Notes (A0.1493298). Title: En Bateau by Claude Debussy – Flute Duet ArrangementDescription:Immerse yourself in the serene beauty of Claude Debussy’s En Bateau with this exquisite flute duet arrangement. Originally part of Debussy’s Petite Suite, En Bateau evokes the gentle motion of a boat gliding over calm waters, showcasing Debussy's mastery of Impressionist music.Key Features:Composer: Claude DebussyArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 4 pagesThis arrangement captures the delicate, flowing melodies and rich harmonic textures of the original piano piece, adapted perfectly for two flutes. The duet allows both players to explore Debussy’s lyrical phrasing and nuanced dynamics, creating a captivating performance experience.Why Choose This Arrangement?Impressionist Masterpiece: Experience Debussy's Impressionist style in a duet format, ideal for flutists who appreciate expressive, atmospheric music.Balanced Parts: Both flute parts share the melodic and harmonic elements, offering a well-balanced and engaging performance for both players.Versatile Performance Piece: Suitable for recitals, concerts, or casual performances, this duet provides a beautiful, reflective moment in any program.Keywords: Debussy En Bateau flute duet, Impressionist flute music, Debussy flute arrangement, intermediate flute duet, classical flute duo, En Bateau sheet music, Debussy Petite Suite flute arrangement, flute chamber music.
$5.99
5.48 €
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2 Flûtes traversières (duo)
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Claude Debussy
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Kan Saito / Japan Duo Notes
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En Bateau / Claude Debussy
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Japan Duo Notes
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SheetMusicPlus
Le Petit Berger / Claude Debussy
2 Flûtes traversières (duo)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1493304 Composed by Claude De…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1493304 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical. Score. 2 pages. Japan Duo Notes #1069962. Published by Japan Duo Notes (A0.1493304). Title: Le Petit Berger by Claude Debussy – Flute Duet ArrangementDescription:Explore the whimsical charm of Claude Debussy’s Le Petit Berger with this delightful flute duet arrangement. Originally part of Debussy's Children's Corner, this piece captures the innocence and playful spirit of a young shepherd, characterized by Debussy's signature Impressionist style.Key Features:Composer: Claude DebussyArrangement: Flute DuetDifficulty Level: IntermediateFormat: Digital Sheet Music PDFPages: Score: 2 pagesThis arrangement translates the light-hearted and imaginative melodies of the original piano piece into a charming duet for two flutes. Both parts offer engaging, expressive lines that allow flutists to bring out the playful character and delicate nuances of Debussy's writing.Why Choose This Arrangement?Impressionist Delight: Perfect for flutists who enjoy exploring the rich textures and colors of Impressionist music.Balanced and Playful: Each flute part complements the other, creating a balanced and interactive musical dialogue.Ideal for Performances: A wonderful addition to recitals, concerts, or educational settings, offering a piece that is both fun to play and pleasing to the audience.Keywords: Debussy Le Petit Berger flute duet, Debussy flute arrangement, flute duet sheet music, intermediate flute music, classical flute duet, Debussy Children's Corner flute, Impressionist flute duet, Debussy flute transcription.
$4.99
4.56 €
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2 Flûtes traversières (duo)
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Claude Debussy
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Kan Saito / Japan Duo Notes
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Le Petit Berger / Claude Debussy
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Japan Duo Notes
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SheetMusicPlus
Arabesque No. 1 from Two Arabesques (Claude Debussy)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1436697 By Claude Debussy. By Clau…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1436697 By Claude Debussy. By Claude Debussy. Arranged by Chris Richter. Classical,Romantic Period. Individual part. 7 pages. Chris Richter #1016837. Published by Chris Richter (A0.1436697). Arabesque No 1 from Two Arabesques (Deux arabesques), L. 66 by Claude Debussy arranged for solo fingerstyle guitar.
$7.99
7.3 €
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Guitare
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Claude Debussy
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Chris Richter
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Arabesque No. 1 from Two Arabesques
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Chris Richter
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SheetMusicPlus
Claude Debussy - Clair de lune (Moonlight) - lead sheet
Instruments en Do
C Instrument - Digital Download SKU: A0.720923 Composed by Claude Debussy. Arranged…
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C Instrument - Digital Download SKU: A0.720923 Composed by Claude Debussy. Arranged by Andre Maaker. 20th Century,Classical,Romantic Period,Wedding. Lead Sheet / Fake Book. 2 pages. SheetMusicHub #329286. Published by SheetMusicHub (A0.720923). This is a lead sheet style (melody, chords, form) notation of Clair de lune (Moonlight) by Claude Debussy. Lead sheet by Andre Maaker. From Wikipedia: Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano. The third movement of Suite bergamasque is Clair de lune, in D♠major. It is written in 9/8 meter and marked andante très expressif. Its title, which means moonlight in French, is taken from Verlaine's poem Clair de lune.
$4.00
3.66 €
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Instruments en Do
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Claude Debussy
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Andre Maaker
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Claude Debussy - Clair de lune
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SheetMusicHub
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SheetMusicPlus
ARABESQUE No.2 (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.790109 Composed by Claude Debussy. …
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Piano Solo - Level 4 - Digital Download SKU: A0.790109 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century. Score. 9 pages. Diamond S Music #3622501. Published by Diamond S Music (A0.790109). ARABESQUE No.2 (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO. This contains ONLY Arabesque No.1. The Two Arabesques, L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. These are a favorite of intermediate and advanced pianist alike. No.1 in E major begins with the familiar impressionistic cascading arpeggios. No. 2 in G major being with lively right hand trills in a style more closely resembles some of Debussy's later works. Arabesques No.1 & No. 2 can also be purchased separately or Both together in the set. Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.50
4.11 €
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Piano seul
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Claude Debussy
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Diamond S Music
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No
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ARABESQUE No.2
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Diamond S Music
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SheetMusicPlus
ARABESQUE No.1 in E Major (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.790108 Composed by Claude Debussy. …
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Piano Solo - Level 4 - Digital Download SKU: A0.790108 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century,Concert. Score. 9 pages. Diamond S Music #3622487. Published by Diamond S Music (A0.790108). ARABESQUE No.1 in E Major (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO. This contains ONLY Arabesque No.1. The Two Arabesques, L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. These are a favorite of intermediate and advanced pianist alike. No.1 in E major begins with the familiar impressionistic cascading arpeggios. No. 2 in G major being with lively right hand trills in a style more closely resembles some of Debussy's later works. Arabesques No.1 & No. 2 can also be purchased separately or Both together in the set. Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.50
4.11 €
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Piano seul
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Claude Debussy
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Diamond S Music
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No
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ARABESQUE No.1 in E Major
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Diamond S Music
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SheetMusicPlus
DEUX ARABESQUES (2 Arabesques) by CLAUDE DEBUSSY for PIANO SOLO
Piano seul
Piano Solo - Digital Download SKU: A0.790107 Composed by Claude Debussy. Arranged b…
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Piano Solo - Digital Download SKU: A0.790107 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century,Concert. Score. 16 pages. Diamond S Music #3622481. Published by Diamond S Music (A0.790107). DEUX ARABESQUES (2 Arabesques) by CLAUDE DEBUSSY for PIANO SOLO. This contains both Arabesque No.1 & No.2 as a set. The Two Arabesques, L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. These are a favorite of intermediate and advanced pianist alike. No.1 in E major begins with the familiar impressionistic cascading arpeggios. No. 2 in G major being with lively right hand trills in a style more closely resembles some of Debussy's later works. Arabesques No.1 & No. 2 can also be purchased separately. Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$8.50
7.77 €
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Piano seul
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Claude Debussy
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Diamond S Music
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No
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DEUX ARABESQUES
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Diamond S Music
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SheetMusicPlus
Clair de Lune by Claude Debussy for 'cello quartet
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.800217 Composed by Claude Debussy. …
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Cello Solo - Level 3 - Digital Download SKU: A0.800217 Composed by Claude Debussy. Arranged by Samantha J Bramley - stringspirational@gmail.com. Romantic Period. Individual part. 9 pages. Samantha Bramley #6009483. Published by Samantha Bramley (A0.800217). ‘Clair de Lune’ by Claude Debussy This is a four ‘cello version of the famous piano solo piece by Claude Debussy. The duration of the arrangement is approximately 5 minutes, making it a nice encore or perfect for inclusion in a varied program. Only the first ‘cello part is written in tenor clef and goes above 4th position (B), making it ideal for a student ensemble of mixed ability. Keep Calm & Play Cello! Note from the arranger: All my arrangements for ‘cello quartet, quintet and sextet are conceived specifically with the range and technical capabilities of the ‘cello in mind – no simple transpositions or re-orchestrations of string quartet scores. They are therefore both easily playable and enjoyable by any intermediate to advanced ‘cello ensemble. Most parts do not go beyond 4th position, making them equally suitable for student, mixed ability groups or ‘cello choirs. A complete score and set of parts is included. Enjoy and feel free to email comments or request for other works to stringspirational@gmail.com or visit my website www.stringspirational.com to find out more.
$12.99
11.88 €
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Violoncelle
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Claude Debussy
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Clair de Lune by Claude Debussy for 'cello quartet
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Samantha Bramley
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SheetMusicPlus
Le Coucou/The Cuckoo (EASY PIANO) Harpsichord Suite No. 3 “Pièces de clavecin” [Louis-Claude Daquin]
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1262527 Composed by Louis-Claude Da…
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Easy Piano - Level 2 - Digital Download SKU: A0.1262527 Composed by Louis-Claude Daquin. Arranged by Darek. Baroque,Classical,Early Music. Score. 1 pages. Darek #855550. Published by Darek (A0.1262527). Le Coucou (The Cuckoo) (EASY PIANO) from Harpsichord Suite No. 3 “Pièces de clavecin†[Louis-Claude Daquin]Simplified arrangement for pianists of Le Coucou (The Cuckoo) from Harpsichord Suite No. 3 “Pièces de clavecin†by Louis-Claude Daquin. Easy version for pianists | Easy piano arrangement. Included: Fingering, Dynamics, Articulations and video Youtube tutorial.Â
$2.00
1.83 €
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Piano Facile
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Louis-Claude Daquin
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Darek
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Le Coucou/The Cuckoo
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Darek
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SheetMusicPlus
Clair de Lune - Claude Debussy - Violin & Cello
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 1 - Digital Download SKU: A0.1460249 Compose…
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Cello,Instrumental Duet,Violin - Level 1 - Digital Download SKU: A0.1460249 Composed by Claude Debussy. Arranged by Catia Lee. Classical,Traditional. 4 pages. Catia Lee #1039178. Published by Catia Lee (A0.1460249). Clair de Lune - Claude Debussy - Violin & Cello.
$5.00
4.57 €
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Violon, Violoncelle (duo)
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Claude Debussy
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Catia Lee
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Cello.
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Clair de Lune - Claude Debussy - Violin & Cello
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Catia Lee
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SheetMusicPlus
Clair de Lune - Claude Debussy - Trumpet & Horn
B-Flat Trumpet,Horn,Instrumental Duet - Level 1 - Digital Download SKU: A0.1460245 …
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B-Flat Trumpet,Horn,Instrumental Duet - Level 1 - Digital Download SKU: A0.1460245 Composed by Claude Debussy. Arranged by Catia Lee. Classical,Traditional. 4 pages. Catia Lee #1039174. Published by Catia Lee (A0.1460245). Clair de Lune - Claude Debussy - Trumpet & Horn.
$5.00
4.57 €
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Claude Debussy
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Catia Lee
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Horn.
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Clair de Lune - Claude Debussy - Trumpet & Horn
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Catia Lee
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SheetMusicPlus
Clair de Lune - Claude Debussy - Violin & Viola
Violon, Alto (duo)
Instrumental Duet,Viola,Violin - Level 1 - Digital Download SKU: A0.1460251 Compose…
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Instrumental Duet,Viola,Violin - Level 1 - Digital Download SKU: A0.1460251 Composed by Claude Debussy. Arranged by Catia Lee. Classical,Traditional. 4 pages. Catia Lee #1039180. Published by Catia Lee (A0.1460251). Clair de Lune - Claude Debussy - Violin & Viola.
$5.00
4.57 €
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Violon, Alto (duo)
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Claude Debussy
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Catia Lee
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Viola.
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Clair de Lune - Claude Debussy - Violin & Viola
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Catia Lee
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SheetMusicPlus
Clair de Lune - Claude Debussy - Flute & Clarinet
Flûte, Clarinette (duo)
B-Flat Clarinet,Flute,Instrumental Duet - Level 1 - Digital Download SKU: A0.1460243
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B-Flat Clarinet,Flute,Instrumental Duet - Level 1 - Digital Download SKU: A0.1460243 Composed by Claude Debussy. Arranged by Catia Lee. Classical,Traditional. 4 pages. Catia Lee #1039172. Published by Catia Lee (A0.1460243). Clair de Lune - Claude Debussy - Flute & Clarinet.
$5.00
4.57 €
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Flûte, Clarinette (duo)
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Claude Debussy
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Catia Lee
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Clarinet.
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Clair de Lune - Claude Debussy - Flute & Clarinet
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Catia Lee
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SheetMusicPlus
Clair de Lune - Claude Debussy - Trumpet and Trombone
Trompette, Trombone (duo)
B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - Digital Download SKU: A0.1460247
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B-Flat Trumpet,Instrumental Duet,Trombone - Level 1 - Digital Download SKU: A0.1460247 Composed by Claude Debussy. Arranged by Catia Lee. Classical,Traditional. 4 pages. Catia Lee #1039176. Published by Catia Lee (A0.1460247). Clair de Lune - Claude Debussy - Trumpet and Trombone.
$5.00
4.57 €
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Trompette, Trombone (duo)
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Claude Debussy
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Catia Lee
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Clair de Lune - Claude Debussy - Trumpet and Trombone
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Catia Lee
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SheetMusicPlus
Clair de Lune - Claude Debussy - Easy piano C
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1454721 Composed by Claude Debussy.…
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Easy Piano - Level 1 - Digital Download SKU: A0.1454721 Composed by Claude Debussy. Arranged by Catia Lee. Classical,Traditional. Score. 2 pages. Catia Lee #1033797. Published by Catia Lee (A0.1454721). Clair de Lune - Claude Debussy - Easy piano C - Play today.
$2.00
1.83 €
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Piano Facile
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Claude Debussy
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Catia Lee
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Clair de Lune - Claude Debussy - Easy piano C
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Catia Lee
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SheetMusicPlus
Clair de Lune - Claude Debussy - Easy piano D
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1454724 Composed by Claude Debussy.…
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Easy Piano - Level 1 - Digital Download SKU: A0.1454724 Composed by Claude Debussy. Arranged by Catia Lee. Classical,Traditional. Score. 2 pages. Catia Lee #1033799. Published by Catia Lee (A0.1454724). Clair de Lune - Claude Debussy - Easy piano D.
$2.00
1.83 €
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Piano Facile
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Claude Debussy
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Catia Lee
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Clair de Lune - Claude Debussy - Easy piano D
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Catia Lee
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SheetMusicPlus
Clair de Lune - Claude Debussy - piano solo D
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1454727 Composed by Claude Debussy.…
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Piano Solo - Level 2 - Digital Download SKU: A0.1454727 Composed by Claude Debussy. Arranged by Catia Lee. Classical,Traditional. Score. 2 pages. Catia Lee #1033802. Published by Catia Lee (A0.1454727). Clair de Lune - Claude Debussy - piano solo D.
$2.00
1.83 €
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Piano seul
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Claude Debussy
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Catia Lee
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Clair de Lune - Claude Debussy - piano solo D
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Catia Lee
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SheetMusicPlus
Clair de Lune - Claude Debussy - piano solo D
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1454725 Composed by Claude Debussy.…
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Easy Piano - Level 2 - Digital Download SKU: A0.1454725 Composed by Claude Debussy. Arranged by Catia Lee. Classical,Traditional. Score. 2 pages. Catia Lee #1033800. Published by Catia Lee (A0.1454725). Clair de Lune - Claude Debussy - piano solo D.
$2.00
1.83 €
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Piano Facile
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Claude Debussy
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Catia Lee
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Clair de Lune - Claude Debussy - piano solo D
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Catia Lee
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SheetMusicPlus
La fille aux cheveux de lin (Claude Debussy)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1437407 Composed by Claude Debussy…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1437407 Composed by Claude Debussy. Arranged by Chris Richter. Classical,Romantic Period. Individual part. 3 pages. Chris Richter #1017527. Published by Chris Richter (A0.1437407). La fille aux cheveux de lin by Claude Debussy arranged for solo fingerstyle guitar.
$5.99
5.48 €
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Guitare
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Claude Debussy
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Chris Richter
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La fille aux cheveux de lin
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Chris Richter
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SheetMusicPlus
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