English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
450
Partitions
Numériques
89
Librairie
Musicale
151
Matériel
de Musique
4
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
11
PIANO & CLAVIERS
Piano seul
14
Piano Facile
4
Piano, Voix et Guitare
3
GUITARES
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
3
2 Guitares (duo)
1
Guitare notes et tablatures
1
VOIX
Chorale SATB
13
Chorale Unison
3
Chorale 3 parties
2
Chorale TTBB
1
Chorale SSAA
1
VENTS
Flûte traversière et Piano
3
Quatuor de Clarinettes: 4 clarinettes
1
CUIVRES
Trompette (partie séparée)
2
Trombone (partie séparée)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Quatuor de cuivres: 4 trombones
1
CORDES
Violon et Piano
3
4 Violoncelles
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4
Ensemble de cuivres
3
Orchestre
2
Ensemble de Percussions
1
Piano et Orchestre
1
Orchestre à Cordes
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Closing Of The Year
Partitions à imprimer
89 partitions trouvées
<
1
26
51
76
Closing Of The Year
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.596821 Composed by Hans Zi…
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.596821 Composed by Hans Zimmer and Trevor Horn. Arranged by Steve Milloy. Contemporary. Octavo. 24 pages. Steve Milloy #5316941. Published by Steve Milloy (A0.596821). From the movie Toys
$2.25
2.07 €
#
Chorale TTBB
#
Hans Zimmer and Trevor Horn
#
Steve Milloy
#
Closing Of The Year
#
Steve Milloy
#
SheetMusicPlus
Closing
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1043401 By Eleonor Sandresky. By El…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1043401 By Eleonor Sandresky. By Eleonor Sandresky. Classical,Contemporary. Score. 17 pages. Varsa Publishing #648077. Published by Varsa Publishing (A0.1043401). The inspiration for this piece has been the year 2020 itself. So many unusual circumnstances to take in and somehow navigate as individuals, a society and a people. The title refers to the end of the year, we are closing this chapter. It is in fact December 18th, 2020 as I write this. The instability and desire for certainty in the piece are very much intended. It is an emotional and searching work that hopefully captures what I, at least, have been feeling for much of the year of loss and reinvention. That my mother commissioned this piece is a tribute to her belief in me, her desire to support me as an artist, her need for something to work on as a pianist and her curiosity. The subtitle, Mom's notes is a shared secret between us.
$5.00
4.59 €
#
Piano seul
#
Eleonor Sandresky
#
Closing
#
Varsa Publishing
#
SheetMusicPlus
He Ain't Heavy, He's My Brother
Chorale SATB
Chorus - Digital Download SKU: AX.00-PO-0002069 He Ain't Heavy, He's My Brother …
(+)
Chorus - Digital Download SKU: AX.00-PO-0002069 He Ain't Heavy, He's My Brother - SATB. Arranged by Jay Althouse. Secular Choral. 9 pages. Alfred Music - Digital Sheet Music #00-PO-0002069. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002069). UPC: 038081118925.An exceptional song of brotherhood skillfully arranged by Jay Althouse. Opens with an optional alto solo and builds with strong choral writing, closing with a soft, final statement of the title. Use it as an inspirational piece the year 'round, including graduation. If you liked Let There Be Peace On Earth, you'll love HE AIN'T HEAVY, HE IS MY BROTHER.Inst. Parts Available (choral); Recorded Acc. Available.
$2.25
2.07 €
#
Chorale SATB
#
Jay Althouse
#
Recorded Acc. Available.
#
He Ain't Heavy, He's My Brother
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Light And Tuneful (Wimbledon Opening Theme)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1468652 Composed by Keith Mansf…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1468652 Composed by Keith Mansfield. Arranged by Kevin Riley. 20th Century,Film/TV. 33 pages. Kevin Riley #1046894. Published by Kevin Riley (A0.1468652). Keith Mansfield (born 1941 in London, England) is a British composer and arrangerknown for his creation of prominent television theme tunes, including the Grandstandtheme for the BBC.Mansfield's works include The Young Scene (the original 1968 theme to The Big Match), Light and Tuneful (the opening theme for the BBC's coverage of the Wimbledon Tennis Championships), World Champion (the closing theme for NBC's coverage of the same tournament), and World Series (used for the BBC's athletics coverage). One of his library music recordings, Teenage Carnival, was used as the theme to the cult 1960s ITV children's television series Freewheelers. He has also composed film scores for British movies such as Loot (1970) and Taste of Excitement (1970), and the western Three Bullets for a Long Gun (1971). He also scored the start-up and shutdown themes for Granada Television in 1978, which were used for ten years before it switched to 24-hour television.
$50.00
45.91 €
#
Orchestre
#
Keith Mansfield
#
Kevin Riley
#
Light And Tuneful
#
Kevin Riley
#
SheetMusicPlus
He Ain't Heavy, He's My Brother: 2nd B-flat Trumpet
Trompette (partie séparée)
Choral Pax - Digital Download SKU: AX.00-PC-0014780_T2 2nd B-flat Trumpet. A…
(+)
Choral Pax - Digital Download SKU: AX.00-PC-0014780_T2 2nd B-flat Trumpet. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014780_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014780_T2). UPC: 038081118963.An exceptional song of brotherhood skillfully arranged by Jay Althouse. Opens with an optional alto solo and builds with strong choral writing, closing with a soft, final statement of the title. Use it as an inspirational piece the year 'round, including graduation. If you liked Let There Be Peace On Earth, you'll love HE AIN'T HEAVY, HE IS MY BROTHER. InstruPax includes: director's score, 2 trumpets, trombone, alto sax, tenor sax, rhythm.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
2.75 €
#
Trompette (partie séparée)
#
Jay Althouse
#
Recorded Acc. Available.
#
He Ain't Heavy, He's My Brother: 2nd B-flat Trumpet
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
He Ain't Heavy, He's My Brother: 1st F Horn
Choral Pax - Digital Download SKU: AX.00-PC-0014780_H1 1st F Horn. Arranged …
(+)
Choral Pax - Digital Download SKU: AX.00-PC-0014780_H1 1st F Horn. Arranged by Jay Althouse. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014780_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014780_H1). UPC: 038081118963.An exceptional song of brotherhood skillfully arranged by Jay Althouse. Opens with an optional alto solo and builds with strong choral writing, closing with a soft, final statement of the title. Use it as an inspirational piece the year 'round, including graduation. If you liked Let There Be Peace On Earth, you'll love HE AIN'T HEAVY, HE IS MY BROTHER. InstruPax includes: director's score, 2 trumpets, trombone, alto sax, tenor sax, rhythm.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
2.75 €
#
Jay Althouse
#
Recorded Acc. Available.
#
He Ain't Heavy, He's My Brother: 1st F Horn
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
He Ain't Heavy, He's My Brother: 1st Trombone
Trombone (partie séparée)
Choral Pax - Digital Download SKU: AX.00-PC-0014780_TN1 1st Trombone. Arrang…
(+)
Choral Pax - Digital Download SKU: AX.00-PC-0014780_TN1 1st Trombone. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014780_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014780_TN1). UPC: 038081118963.An exceptional song of brotherhood skillfully arranged by Jay Althouse. Opens with an optional alto solo and builds with strong choral writing, closing with a soft, final statement of the title. Use it as an inspirational piece the year 'round, including graduation. If you liked Let There Be Peace On Earth, you'll love HE AIN'T HEAVY, HE IS MY BROTHER. InstruPax includes: director's score, 2 trumpets, trombone, alto sax, tenor sax, rhythm.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
2.75 €
#
Trombone (partie séparée)
#
Jay Althouse
#
Recorded Acc. Available.
#
He Ain't Heavy, He's My Brother: 1st Trombone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
He Ain't Heavy, He's My Brother: 1st B-flat Trumpet
Trompette (partie séparée)
Choral Pax - Digital Download SKU: AX.00-PC-0014780_T1 1st B-flat Trumpet. A…
(+)
Choral Pax - Digital Download SKU: AX.00-PC-0014780_T1 1st B-flat Trumpet. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014780_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014780_T1). UPC: 038081118963.An exceptional song of brotherhood skillfully arranged by Jay Althouse. Opens with an optional alto solo and builds with strong choral writing, closing with a soft, final statement of the title. Use it as an inspirational piece the year 'round, including graduation. If you liked Let There Be Peace On Earth, you'll love HE AIN'T HEAVY, HE IS MY BROTHER. InstruPax includes: director's score, 2 trumpets, trombone, alto sax, tenor sax, rhythm.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
2.75 €
#
Trompette (partie séparée)
#
Jay Althouse
#
Recorded Acc. Available.
#
He Ain't Heavy, He's My Brother: 1st B-flat Trumpet
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
He Ain't Heavy, He's My Brother: Drums
Choral Pax - Digital Download SKU: AX.00-PC-0014780_D Drums. Arranged by Jay…
(+)
Choral Pax - Digital Download SKU: AX.00-PC-0014780_D Drums. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014780_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014780_D). UPC: 038081118963.An exceptional song of brotherhood skillfully arranged by Jay Althouse. Opens with an optional alto solo and builds with strong choral writing, closing with a soft, final statement of the title. Use it as an inspirational piece the year 'round, including graduation. If you liked Let There Be Peace On Earth, you'll love HE AIN'T HEAVY, HE IS MY BROTHER. InstruPax includes: director's score, 2 trumpets, trombone, alto sax, tenor sax, rhythm.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
2.75 €
#
Jay Althouse
#
Recorded Acc. Available.
#
He Ain't Heavy, He's My Brother: Drums
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
He Ain't Heavy, He's My Brother: String Bass
Choral Pax - Digital Download SKU: AX.00-PC-0014780_SB String Bass. Arranged…
(+)
Choral Pax - Digital Download SKU: AX.00-PC-0014780_SB String Bass. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014780_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014780_SB). UPC: 038081118963.An exceptional song of brotherhood skillfully arranged by Jay Althouse. Opens with an optional alto solo and builds with strong choral writing, closing with a soft, final statement of the title. Use it as an inspirational piece the year 'round, including graduation. If you liked Let There Be Peace On Earth, you'll love HE AIN'T HEAVY, HE IS MY BROTHER. InstruPax includes: director's score, 2 trumpets, trombone, alto sax, tenor sax, rhythm.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
2.75 €
#
Jay Althouse
#
Recorded Acc. Available.
#
He Ain't Heavy, He's My Brother: String Bass
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
He Ain't Heavy, He's My Brother: E-flat Alto Saxophone
Choral Pax - Digital Download SKU: AX.00-PC-0014780_AX1 E-flat Alto Saxophone
(+)
Choral Pax - Digital Download SKU: AX.00-PC-0014780_AX1 E-flat Alto Saxophone. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014780_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014780_AX1). UPC: 038081118963.An exceptional song of brotherhood skillfully arranged by Jay Althouse. Opens with an optional alto solo and builds with strong choral writing, closing with a soft, final statement of the title. Use it as an inspirational piece the year 'round, including graduation. If you liked Let There Be Peace On Earth, you'll love HE AIN'T HEAVY, HE IS MY BROTHER. InstruPax includes: director's score, 2 trumpets, trombone, alto sax, tenor sax, rhythm.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
2.75 €
#
Jay Althouse
#
Recorded Acc. Available.
#
He Ain't Heavy, He's My Brother: E-flat Alto Saxophone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
He Ain't Heavy, He's My Brother: B-flat Tenor Saxophone
Choral Pax - Digital Download SKU: AX.00-PC-0014780_TX1 B-flat Tenor Saxophone
(+)
Choral Pax - Digital Download SKU: AX.00-PC-0014780_TX1 B-flat Tenor Saxophone. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014780_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014780_TX1). UPC: 038081118963.An exceptional song of brotherhood skillfully arranged by Jay Althouse. Opens with an optional alto solo and builds with strong choral writing, closing with a soft, final statement of the title. Use it as an inspirational piece the year 'round, including graduation. If you liked Let There Be Peace On Earth, you'll love HE AIN'T HEAVY, HE IS MY BROTHER. InstruPax includes: director's score, 2 trumpets, trombone, alto sax, tenor sax, rhythm.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
2.75 €
#
Jay Althouse
#
Recorded Acc. Available.
#
He Ain't Heavy, He's My Brother: B-flat Tenor Saxophone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
He Ain't Heavy, He's My Brother: Guitar
Choral Pax - Digital Download SKU: AX.00-PC-0014780_G Guitar. Arranged by Ja…
(+)
Choral Pax - Digital Download SKU: AX.00-PC-0014780_G Guitar. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014780_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014780_G). UPC: 038081118963.An exceptional song of brotherhood skillfully arranged by Jay Althouse. Opens with an optional alto solo and builds with strong choral writing, closing with a soft, final statement of the title. Use it as an inspirational piece the year 'round, including graduation. If you liked Let There Be Peace On Earth, you'll love HE AIN'T HEAVY, HE IS MY BROTHER. InstruPax includes: director's score, 2 trumpets, trombone, alto sax, tenor sax, rhythm.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
2.75 €
#
Jay Althouse
#
Recorded Acc. Available.
#
He Ain't Heavy, He's My Brother: Guitar
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jesu Canon - A marriage of Jesu, Joy of Man's Desiring and Pachelbel's Canon in D. Wedding Processio
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.511391 Composed by J.S. Bach, Johan…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.511391 Composed by J.S. Bach, Johann Pachelbel. Arranged by Jon Sarta. Baroque,Classical,Wedding. Score. 4 pages. Jon Sarta / MLJ Music #3892581. Published by Jon Sarta / MLJ Music (A0.511391). Jesu Canon is a marriage of Jesu, Joy of Man's Desiring and Pachelbel's Canon in D. In almost 30 years of Church Music Ministry, these two songs are among my most requested for weddings. This is a perfect choice for the Processional; the Bridesmaids walk to Jesu and when the Bride enters the most familiar part of the Canon in D is played. Finally, when all are at the altar the song ends with the closing theme of Jesu. The piece is simple and elegant and can easily be mastered by an early intermediate student or sight read for a last minute addition to a wedding. Give it a try, your bride will thank you!
$7.99
7.34 €
#
Piano seul
#
J
#
Jon Sarta
#
Jesu Canon - A marriage of Jesu, Joy of Man's Desiring and Pachelbel's Canon in D. Wedding Processio
#
Jon Sarta / MLJ Music
#
SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
(+)
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.03 €
#
Piano et Orchestre
#
Gyorgy Ligeti (1923-2006)
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Closing Of The Year
Orchestre d'harmonie
Composed by Trevor Horn and Hans Zimmer (1957-). Arranged by Michael Pilley. Christmas…
(+)
Composed by Trevor Horn and Hans Zimmer (1957-). Arranged by Michael Pilley. Christmas, Film/TV, Holiday, Pop, Rock. Score and parts. 101 pages. Michael Pilley Music #694123. Published by Michael Pilley Music
$80.00
73.46 €
#
Orchestre d'harmonie
#
Trevor Horn and Hans Zimmer
#
Closing Of The Year
#
Michael Pilley Music
#
SheetMusicPlus
A Day In The Life
Woodwind Ensemble,Woodwind Quintet Clarinet,English Horn,Flute,Oboe - Level 4 - Digital Do…
(+)
Woodwind Ensemble,Woodwind Quintet Clarinet,English Horn,Flute,Oboe - Level 4 - Digital Download SKU: A0.1268290 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Contemporary,Pop. 17 pages. RayThompsonMusic #860853. Published by RayThompsonMusic (A0.1268290). Arranged standard wind quintet.A Day in the Life is a song by the English rock band the Beatles that was released as the final track of their 1967 album Sgt. Pepper's Lonely Hearts Club Band. Credited to Lennon–McCartney, the opening and closing sections of the song were mainly written by John Lennon, with Paul McCartney primarily contributing the song's middle section. All four Beatles played a role in shaping the final arrangement of the song.Lennon's lyrics were mainly inspired by contemporary newspaper articles, including a report on the death of Guinness heir Tara Browne. The recording includes two passages of orchestral glissandos that were partly improvised in the avant-garde style. In the song's middle segment, McCartney recalls his younger years, which included riding the bus, smoking, and going to class. Following the second crescendo, the song ends with one of the most famous chords in music history, played on several keyboards, that sustains for over forty seconds.My version of the crescendo for 5 instruments! has chromatic scales played in different note values, over a repeating E on bassoon...it seems to work!The melody is taken by the clarinet, oboe and flute.The mp3 is the end of the middle section, leading into the final verse.The video is the complete piece.
$24.95
22.91 €
#
The Beatles
#
Ray Thompson
#
A Day In The Life
#
RayThompsonMusic
#
SheetMusicPlus
Chaplet of the Divine Mercy (Unison choir)
Chorale Unison
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.1150388 By Stephen DeCes…
(+)
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.1150388 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Easter,Praise & Worship,Sacred. Octavo. 4 pages. Exultet Music #750562. Published by Exultet Music (A0.1150388). Musical setting of the popular Chaplet of the Divine Mercy. A rehearsal track of the entire Chaplet (including opening and closing prayers) is also available. Accessible and appropriate for any church or prayer service setting. Can be used for anytime throughout the liturgical year but especially for the week after Easter (Divine Mercy Sunday) and throughout the entire Easter season.
$3.99
3.66 €
#
Chorale Unison
#
Stephen DeCesare
#
Chaplet of the Divine Mercy
#
Exultet Music
#
SheetMusicPlus
The Parting Glass
Chorale SATB
SATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.1.3695-E Comp…
(+)
SATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.1.3695-E Composed by Daniel Wynkoop. 8 pages. Galaxy Music Corporation - Digital #1.3695-E. Published by Galaxy Music Corporation - Digital (MQ.1.3695-E). English.An accessible setting of the traditional Irish tune that is a perfect closing song for a concert. Appropriate for an end-of-the-year/season performance.
$2.25
2.07 €
#
Chorale SATB
#
Daniel Wynkoop
#
The Parting Glass
#
Galaxy Music Corporation - Digital
#
SheetMusicPlus
Dawn
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.859686 Composed by Sydney Stevens. …
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.859686 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 10 pages. Sydney Stevens, Water Music #3089231. Published by Sydney Stevens, Water Music (A0.859686). Contact: sydneystevenspianostudio@gmail.comDawn: Beautiful, dreamy instrumental that evokes compassion, comfort and warmth. Arranged for solo piano. Includes chord symbols above the staff. Composed by Sydney Stevens (ASCAP). Sounds like: Paul Cardall, John Fluker, Jennifer Thomas, Jim Brickman, Michele Mclaughlin, Greg Star, Doug Hammer, Steven Cravis, Rachel Currea, Laura Sullivan, A la Windham HillFrom Album: Seasons Theme: Music that portrays the peaceful hour of dawn.Mood: Peaceful, romantic, meditative.Musical Traits: Left hand rhythm is a repeated broken chord pattern throughout the piece. The right hand plays a strong, but simple melody. Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 6:42Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: https://sydneystevenswatermusic.com/https://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons CD by Kathy Parsons (mainlypiano.com):Seasons is a beautiful collection of original pieces by pianist/composer Sydney Stevens. Some of the pieces are solo piano and others feature duets with Mitch Iimori on English horn, oboe, and guitar (but not all at the same time!). The two musicians are obviously exceptionally comfortable and in tune with each other, and the results can be stunning. Very classical in scope and structure, the music is reflective of the natural surroundings of Ms Stevens’ home in the Colombia Gorge region of northern Oregon. The first eight of the fourteen tracks make up the Seasons Suite, a group of lyrical compositions inspired by the various times of year in a remote area of eastern Oregon. The other six pieces also have themes of nature and serenity.The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling in the ceaseless wind of that area. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing!In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite. On Summit, Iimori trades his woodwinds for guitar in a gentle, sweeping duet with the piano. Waning Star is a gorgeous piano solo that has a peaceful grace and quiet serenity - a favorite. Reach For the Stars is a piano solo that has an uplifting sense of moving forward and reaching out. Dawn closes the CD with a warm and soothing confection. The piano is accompanied by light percussion, bass, and washes of synth strings. Full of hope and optimism without being sugarcoated, this piece is spellbinding in its gentle way.
$4.95
4.55 €
#
Piano seul
#
Sydney Stevens
#
Dawn
#
Sydney Stevens, Water Music
#
SheetMusicPlus
Show Me the Way to Go Home / Home Sweet Home (Baritone Ukulele - Partner Song - Extended Version)
Ukulele
Ukulele - Level 2 - Digital Download SKU: A0.1400434 Composed by John Meola Lindhor…
(+)
Ukulele - Level 2 - Digital Download SKU: A0.1400434 Composed by John Meola Lindhorst & Irving King. Arranged by John Meola Lindhorst. Folk,Singer/Songwriter,Standards,Traditional. Score (Chords/Lyrics). 3 pages. John Meola Lindhorst #983630. Published by John Meola Lindhorst (A0.1400434). You have just come across the perfect closing song for your ukulele club gatherings.Show Me the Way to Go Home is a popular song written in 1925 by the English songwriting team Jimmy Campbell and Reg Connelly using the pseudonym Irving King. They self-published the sheet music and it became a big success, selling over 2 million copies. The song has been recorded and performed by a multitude of musicians over the past 99 years.“Home, Sweet Home†is an original song written by John Meola Lindhorst in 2024 as a partner song to “Show Me the Way to Go Homeâ€. This special version was arranged for the Rock River Strummers, a popular ukulele group in Oregon, Illinois. John Meola Lindhorst’s arrangement is an easy-to-read format for voice and Baritone Ukulele. The chord charts are conveniently placed where needed, making the accompaniment easy to play for all skill levels. This “extended†version features each song individually before the partner song section is presented. This arrangement has become the “ultimate closing song†for many popular ukulele clubs worldwide.
$5.99
5.5 €
#
Ukulele
#
John Meola Lindhorst & Irving King
#
John Meola Lindhorst
#
Show Me the Way to Go Home / Home Sweet Home
#
John Meola Lindhorst
#
SheetMusicPlus
Show Me the Way to Go Home / Home Sweet Home (Partner Song - Extended Version)
Ukulele
Ukulele - Level 2 - Digital Download SKU: A0.1400432 Composed by John Meola Lindhor…
(+)
Ukulele - Level 2 - Digital Download SKU: A0.1400432 Composed by John Meola Lindhorst & Irving King. Arranged by John Meola Lindhorst. Folk,Singer/Songwriter,Standards,Traditional. Score (Chords/Lyrics). 3 pages. John Meola Lindhorst #983626. Published by John Meola Lindhorst (A0.1400432). You have just come across the perfect closing song for your ukulele club gatherings.Show Me the Way to Go Home is a popular song written in 1925 by the English songwriting team Jimmy Campbell and Reg Connelly using the pseudonym Irving King. They self-published the sheet music and it became a big success, selling over 2 million copies. The song has been recorded and performed by a multitude of musicians over the past 99 years.“Home, Sweet Home†is an original song written by John Meola Lindhorst in 2024 as a partner song to “Show Me the Way to Go Homeâ€. This special version was arranged for the Rock River Strummers, a popular ukulele group in Oregon, Illinois. John Meola Lindhorst’s arrangement is an easy-to-read format for voice and standard ukulele. The ukulele chord charts are conveniently placed where needed, making the accompaniment easy to play for all skill levels. This “extended†version features each song individually before the partner song section is presented. This arrangement has become the “ultimate closing song†for many popular ukulele clubs worldwide.
$5.99
5.5 €
#
Ukulele
#
John Meola Lindhorst & Irving King
#
John Meola Lindhorst
#
Show Me the Way to Go Home / Home Sweet Home
#
John Meola Lindhorst
#
SheetMusicPlus
In Search of Lost Meaning
Piano seul
Piano Solo - Digital Download SKU: A0.1165914 Composed by Alex Shapira. 20th Centur…
(+)
Piano Solo - Digital Download SKU: A0.1165914 Composed by Alex Shapira. 20th Century,Contemporary. Score. 24 pages. Alex Shapira #766277. Published by Alex Shapira (A0.1165914). The process of gestation for In Search of Lost Meaning took more than 40 years. It is a reflection on our relentless search for meaning, as perspectives change over long periods of time. I started working on the first movement - Abandoned Dreams - in 1977, when I was still in Romania. It was initially a cry against the limitations that Communist regimes inflict on people's dreams and free spirit. More than 40 years later, now living in Texas, I found a manuscript containing the first three movements, transformed them by adding a new perspective, reflecting on my adolescent dreams and what happened to them over time. And then, in 2021 I added the last movement - Never Look Back - closing the loop with an Orphic attempt to focus on the present and look into the future without regrets.
$12.00
11.02 €
#
Piano seul
#
Alex Shapira
#
In Search of Lost Meaning
#
Alex Shapira
#
SheetMusicPlus
<
1
26
51
76
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
