Partitions Numériques de Co pour Basson

Bassoon Solo - Level 4 - Digital Download SKU: A0.998889 Composed by Robert A. Howa…(+)

Co

Four Character Pieces for Bassoon and Piano
Basson

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1452347 Composed by Kevin Morgan…(+)

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1452347 Composed by Kevin Morgan. Classical,Latin,Multicultural,World. Score and part. 25 pages. Trombonemusic.co.uk #1031673. Published by trombonemusic.co.uk (A0.1452347). Bubbles is a relaxed and atmospheric ballad with a nostalgic feel.Cariad Cyntaf uses a traditional Welsh folk song as a starting point with an emotive central section.Notes from France embraces the early 20th Century Parisian café culture breaking out into a swing style.Tangoesque introduces a Latin flavour with plenty of interesting lines to play. These four pieces are based on music written for various media, community and ensemble projects I have been involved with. They are aimed at intermediate standard players (Grades 4 to 6).I hope you find that they are fun to play and pleasing to listen to.
$20.00 17.93 € #Basson #Kevin Morgan #Four Character Pieces for Bassoon and Piano #trombonemusic.co.uk #SheetMusicPlus

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Bassoon Solo - Level 4 - Digital Download SKU: A0.998889 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Individual part. 7 pages. Robert A. Howard #6496061. Published by Robert A. Howard (A0.998889). This is a set of three solo bassoon works. The first piece, Pierrot, develops the notion of 'line'. It explores various facets of the instrument (as in the more complex nature of Pierrot's Commedia Dell'Arte character). The piece features a serial 'note-row' procedure but in a relaxed manner, more akin to Berg than either Schoenberg or Webern. The second piece, Folk Lament, alludes to a folk idiom by using modality (characterised by the flattened seventh degree of the scale) within a sonata form structure. The two main themes give a broad feel of being improvised and, particularly in the case of the second subject, includes composed-out forms of folk-like ornamentation. The final piece, The Clown, employs bluesy inflections, an irregular time signature (5/4) and a clear rondo structure. Varied repetitions of the main, jaunty theme, alternate with contrasting episodes in related keys, one of which is even a derivation of the 12-bar Blues. The set is highly accessible and suitable for more advanced bassoonists including students and professionals. Each movement within this set is also available to purchase individually via Sheet Music Plus.Duration: 8 minutes 40 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Bassoon Solo - Level 3 - Digital Download SKU: A0.780150 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Graham Boag. Pop. Individual part. 15 pages. Graham Boag #6865057. Published by Graham Boag (A0.780150). No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, LÃ©a Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast. The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved if any Bond things come upâ€¦whatever we have to do we will do. When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them intensely uninspired and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was so cool and really, really helpful.Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves. Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.

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