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PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
205463
PIANO & CLAVIERS
Piano seul
262244
Piano, Voix et Guitare
154076
Piano, Voix
112781
Piano Facile
70509
Orgue
15979
Instruments en Do
12615
Piano grosses notes
9742
1 Piano, 4 mains
7870
Accordéon
6073
Accompagnement Piano
5821
Piano (partie séparée)
2888
Piano Trio: piano, violon, violoncelle
2044
2 Pianos, 4 mains
1447
Ligne De Mélodie, Piano
564
Piano Quatuor: piano, violon, alto, violoncelle
560
Piano Quintette: piano, 2 violons, alto, violoncelle
538
Piano Quatuor: piano, 2 violons, violoncelle
477
Orgue, Trompette (duo)
427
Orgue, Piano (duo)
381
Clavecin
292
1 Piano, 6 mains
235
Accordéon, Voix
217
Clavier
165
Instrument seul et Orgue
165
2 Pianos, 8 mains
91
2 Accordéons
77
Ensemble d'Accordéons
56
Orgue, Voix
47
2 Orgues (duo)
30
Tous Les Instruments
23
Accordéon, Piano
13
Accordéon, Corde(s)
12
Accordéon et Orchestre
8
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Ensemble de Pianos
6
Orgue et Orchestre
5
Concertina
3
Fake Book
2
3 Pianos
2
Accordéon - Piano, Voix, Guitare
2
Piano Trio: Instruments de chambre mixtes
2
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
78859
Ligne De Mélodie, (Paroles) et Accords
48648
Guitare
29128
Paroles et Accords
24182
Ukulele
18447
Basse electrique
12554
Guitare (partie séparée)
3083
2 Guitares (duo)
2200
Banjo
1559
Mandoline
1070
4 Guitares (Quatuor)
1016
Basse électrique (partie séparée)
931
Dulcimer
922
Piano, Guitare (duo)
892
Ensemble de guitares
710
3 Guitares (trio)
517
Partitions De Groupes
280
Ukulele Baryton
250
Guitare Pedal Steel
209
Ensemble de Ukulélés
207
Dobro
92
2 Dulcimers (duo)
83
Mandoline, Piano (duo)
79
Mandoline, Guitare (duo)
66
Guitare Tab, Voix, Basse, Batterie
40
Guitare, Violon, Violoncelle (trio)
40
2 Ukuleles
31
3 Dulcimers (trio)
21
Guitare, Flûte, Clarinette
18
Orchestre à Plectres
16
Guitare, Orchestre
12
2 Mandolines (duo)
11
Guitare, Quatuor à cordes
10
Cithare
8
Luth
7
Bouzouki
5
2 Guitares et Orchestre
4
Guitare, Harpe
2
2 Guitares et Piano
2
2 Guitares, Clarinette (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
66447
Chorale 3 parties
27091
Chorale 2 parties
15886
Chorale TTBB
13102
Voix seule
8974
Chorale
8741
Chorale SSAA
6833
Chorale Unison
6280
Voix duo, Piano
3629
Voix haute
1677
Voix duo
1549
Voix Soprano, Piano
1426
Voix Tenor, Piano
819
Voix Alto, Piano
767
Voix basse, Piano
652
Voix Baryton, Piano
595
Voix, Guitare
407
Voix moyenne, Piano
341
Chorale SSATB
324
Voix Moyenne
247
Chorale SSAATTBB
238
Voix Mezzo-Soprano, Piano
194
Chorale SSATTB
157
Voix Tenor
141
Chorale SSATBB
125
Soli, choeur mixte et accompagnement
106
Chorale SATTB
93
Voix Soprano
82
Chorale SSAB a cappella
75
Voix haute, Piano
63
Chorale, Orgue
59
Voix et basse continue
55
Chorale SSAATB
52
Chorale SSAB, Piano
52
Voix basse
50
Voix d'Enfants
43
Chorale SAATB A Cappella
32
Chorale SATBB
25
Male Voice
25
Voix Baryton
19
Chorale, Orchestre
13
Chorale SATTBB, Clavier
11
Chorale SSAATB A Cappella
10
Voix duo, Orgue
10
Voix Soprano, Orchestre
9
Chorale SATTBB A Cappella
6
Voix (avec Boîtes d'Accords)
4
Paroles Seulement
3
Voix d'Enfants, Piano
2
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
27669
Flûte traversière
21901
Clarinette
19675
Saxophone
17106
Clarinette (partie séparée)
15727
Flûte traversière et Piano
14063
Saxophone Alto
12699
Saxophone Tenor
11137
Quatuor de Saxophones: 4 saxophones
10888
Clarinette et Piano
10065
Saxophone Alto et Piano
7520
Hautbois, Piano (duo)
7442
2 Saxophones (duo)
7355
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7315
Flute (partie séparée)
6687
Flûte, Hautbois, Clarinette, Basson
6473
2 Flûtes traversières (duo)
6294
Hautbois (partie séparée)
6187
Quatuor de Clarinettes: 4 clarinettes
5864
Saxophone Tenor et Piano
5549
2 Clarinettes (duo)
5344
Quatuor de Flûtes : 4 flûtes
3350
Saxophone Soprano et Piano
3293
Quintette de Saxophone: 5 saxophones
2860
Hautbois
2527
3 Saxophones (trio)
2491
Flûte à Bec
2435
3 Clarinettes (trio)
2422
Flûte, Clarinette (duo)
2047
Flûte et Guitare
2026
Trio de Flûtes: 3 flûtes
1915
Ensemble de Clarinettes
1894
Ensemble de Flûtes
1553
Saxophone Baryton, Piano
1479
Quintette de Clarinettes: 5 clarinettes
1388
Ensemble de saxophones
1370
Saxophone Soprano
1343
Instruments en Mib
1289
2 Hautbois (duo)
1260
2 Flûte à bec (duo)
1188
Cor anglais, Piano
1143
Hautbois, Basson (duo)
1031
Harmonica
991
Quatuor de Flûtes à bec
980
Flûte, Violon
909
Ocarina
902
Clarinette, Violon (duo)
834
Flûte à bec Soprano
804
Hautbois, Clarinette (duo)
797
Clarinette Basse, Piano
706
Flûte, Clarinette et Basson
695
Flûte, Hautbois, Clarinette (trio)
680
Saxophone, Clarinette (duo)
675
Clarinette, Basson (duo)
580
Flûte, Violoncelle
542
Flûte à bec Alto
533
Flûte, Hautbois, Basson
527
Clarinette, Guitare (duo)
503
3 Flûtes à bec (trio)
501
Hautbois, Clarinette, Basson (trio d'anches)
497
Flûte, Hautbois (duo)
494
Piccolo
425
Quintette de Flûte : 5 flûtes
418
Hautbois, Flûte
389
Clarinette Basse
381
Flûte à bec Soprano, Piano
378
Clarinette, Violoncelle (duo)
368
Cor Anglais
366
Saxophone Baryton
364
Flûte, Clarinette, Piano (trio)
357
Flûte à bec Alto, Piano
353
Clarinette, Trompette (duo)
351
Piccolo, Piano
330
Flûte, Trompette (duo)
328
Flûte, Violoncelle, Piano (trio)
315
Flûte, Violon et Violoncelle
309
Flûte, Alto (duo)
305
Clarinette et Alto
303
Flûte, Violon, Piano
291
5 Flûtes à bec
277
Flûte à Bec, Piano
274
Flûte à bec Tenor
272
2 Saxophones, Piano
271
Flûte, Saxophone (duo)
270
2 Flûtes traversières, Piano
267
Clarinette, Harpe (duo)
264
Ensemble De Flûte à bec
247
Saxophone et Guitare
242
3 Hautbois
234
Hautbois, Violoncelle
209
Saxophone et Piano
208
Hautbois, violon (duo)
207
2 Clarinettes, Piano
180
Flûte, Basson et Piano
174
Flûte, Trombone (duo)
159
Hautbois, Guitare (duo)
134
Flûte, Hautbois, Violon
124
Flûte irlandaise
119
Clarinette, Violoncelle, Piano (trio)
114
Flûte, Clarinette, Violon (trio)
113
Saxophone, Violon (duo)
109
Cor anglais, Guitare (duo)
103
Hautbois, Trompette (duo)
102
Ensemble à vent
100
2 Clarinettes, Basson
100
Cornemuse
93
4 Hautbois
86
Flûte à bec, Guitare (duo)
85
Flûte, Harpe et Violoncelle
79
Flute, harpe et violon
78
Hautbois et alto (duo)
77
Flûte, Hautbois, Piano (trio)
76
Clarinette, Basson, Piano (trio)
75
Flûte traversière, Orgue (duo)
75
Flûte, Clarinette, Cor, Basson (Quartet)
72
Flûte et Trio à cordes
68
Clarinette, Trombone (duo)
68
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
63
Flûte, Violon, Violoncelle et Piano
63
Saxophone et Orgue
63
Flûte, Alto et Piano
57
Flûte à bec Alto, Basse continue
50
Hautbois, trombone (duo)
48
Saxophone, Basson (duo)
47
Hautbois, Harpe
47
Flûte et Quatuor à Cordes
45
Saxophone et Harpe
45
Harmonica, Piano
45
Clarinette, Alto et Piano (trio)
45
Quintette de Clarinette: Clarinette, Quatuor à Cordes
39
Flûte traversière, Basse continue
38
Flûte, alto et harpe
37
2 Cors Anglais Et Pianoforte
36
Saxophone et violoncelle
34
Flûte, trombone et piano
33
Flûte traversière, Orchestre
31
Flûte, Violoncelle, Guitare
31
Hautbois, Basson et Piano
31
Clarinette, Tuba
30
Flûte, Violon, Guitare
29
Flûte, Tuba (duo)
28
Hautbois, Violoncelle et Piano
28
Hautbois, Violin, Alto et Violoncelle (Quatuor)
27
2 Flûtes à bec, Piano
27
Clarinette, trompette et piano
25
Flute, Cor (duo)
25
Clarinette, Orgue
25
Clarinette, Orchestre
24
2 Hautbois, Piano
22
Flûte, Alto et Violoncelle
19
Hautbois, Violon, Piano
19
Saxophone et Orchestre
15
Clarinette, Contrebasse (duo)
15
Cor anglais et Harpe (duo)
15
2 Flûtes traversières, Guitare
14
Ensemble de Hautbois
14
Hautbois, Clarinette et Piano (Trio)
13
2 Harmonicas
11
2 Hautbois et Cor anglais
10
Hautbois, Orgue
10
Flûte à bec, Harpe
10
2 Flûtes traversières, Harpe
10
Flûte à bec Soprano, Basse continue
10
2 Hautbois et Basson
9
Clarinette, Quatuor à cordes et Piano
9
Saxophone, Tuba (duo)
9
Flûte de Pan
8
Flûte, Guitare, Piano
7
Hautbois et Orchestre
7
2 Flûtes, 2 Clarinettes (Quatuor)
7
2 Flûtes, Basse continue
6
Melodica
5
Hautbois, Quatuor à cordes
4
Hautbois, Clarinette, Basson et Piano
3
Clarinette, Saxophone, Piano
3
2 clarinettes, 2 bassons
2
3 Flûtes à bec, Piano
2
2 Flûtes à bec, Guitare
2
2 Hautbois, 2 Cors et 2 Bassons
1
Flute, alto, violoncelle et guitare
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone (partie séparée)
19355
Trompette (partie séparée)
19097
Trompette
18049
Trombone
14908
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9676
Cor
8519
Cor (partie séparée)
7729
Trompette, Piano
7145
Trombone et Piano
5975
Tuba (partie séparée)
5069
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4425
Cor et Piano
4346
2 Trompettes (duo)
3109
Tuba
3064
2 Trombones (duo)
2688
Quatuor de Cuivres
2230
Tuba et Piano
2102
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1853
Bass Clef Instruments
1816
Quatuor de cuivres: 4 trombones
1459
Trompette, Trombone (duo)
1437
Euphonium, Piano (duo)
1286
Instruments en Sib
1226
Euphonium
1223
2 Cors (duo)
1172
Cor anglais, Piano
1143
2 Euphoniums et 2 Tubas
1026
Quatuor de cuivres: 4 cors
1015
Trio de Cuivres
712
Trompette, Saxophone (duo)
647
4 Tubas
645
Trompette, Cor (duo)
563
Ensemble de Trombones
498
3 Trombones (trio)
486
Tuba ou Euphonium ou Saxhorn
380
Cornet A Pistons
368
Cor Anglais
366
3 Trompettes (trio)
366
2 Tubas (duo)
359
Instruments en Fa
296
Quatuor de cuivres: 4 trompettes
293
Ensemble de Cors
280
Trombone basse et Piano
276
Ensemble de Trompettes
269
Trompette, Tuba (duo)
243
Trombone, Tuba (duo)
230
Tuba et Orgue
157
2 Trompettes, Clavier (piano ou orgue)
153
Euphonium, Tuba (duo)
145
Trombone, violoncelle (duo)
140
Trompette, violon (duo)
133
Trombone, Cor (duo)
121
Trombone basse
121
Trompette, Basson (duo)
119
Cor, Violoncelle (duo)
117
Cor, Tuba (duo)
115
Quatuor de cuivres: 2 trompettes, 2 trombones
114
3 Cors (trio)
106
Cor anglais, Guitare (duo)
103
Trombone, Violon (duo)
92
Trompette, Violoncelle (duo)
87
Ensemble de Tubas
83
2 Euphoniums (duo)
82
Trombone, Orgue
62
Cor et Harpe
57
Trompette, Trombone, Piano
49
Cor et Basson (duo)
49
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
43
Trompette, Harpe
39
Trompette et Guitare
37
2 Trombones, Piano
36
2 Cors Anglais Et Pianoforte
36
Clarinette, Cor (duo)
35
Trombone, Alto (duo)
27
3 Tubas (trio)
27
Trompette, Violoncelle et Piano
25
Cor et Orgue
22
Cor, Trompette, Trombone (trio)
20
4 Euphoniums
20
Trompette, Orchestre
19
Cornet et Piano
17
2 Cors, Piano
17
3 Euphoniums
15
Cor anglais et Harpe (duo)
15
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
14
Bugle
12
Cor, Orchestre
10
Euphonium (partie séparée)
8
Trombone et orchestre
8
Trompette, Euphonium (duo)
8
Cor, Violoncelle et Piano
7
Euphonium Ou Saxhorn Et Piano
5
G Instruments
4
Saxhorn basse ou Euphonium ou Tuba et Piano
3
Cornet et orchestre
2
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
32903
Violon
22879
Violon et Piano
18810
Violoncelle
15124
Alto seul
12584
Violoncelle, Piano
11857
Violon (partie séparée)
11199
Harpe
8967
Alto, Piano
8732
Contrebasse (partie séparée)
6750
2 Violons (duo)
6003
Violon, Violoncelle (duo)
5715
Trio à Cordes: violon, alto, violoncelle
4312
2 Violoncelles (duo)
4281
Violoncelle (partie séparée)
3981
Alto (partie séparée)
3977
Violon, Alto (duo)
2629
Contre Basse
2274
2 Altos (duo)
2107
Quintette à cordes: 2 violons, alto, violoncelle, basse
2104
Trio à Cordes: 2 violons, violoncelle
1724
Contrebasse, Piano (duo)
1714
Alto, Violoncelle (duo)
1381
4 Violoncelles
1110
Trio à cordes: 3 violins
982
Violon, Guitare (duo)
901
Trio à cordes
879
Piano Trio: Violon, Alto, Piano
819
Harpe, Flûte (duo)
727
Trio à Cordes: 3 violoncelles
694
Violoncelle , Guitare (duo)
666
2 Harpes (duo)
639
Quatuor à cordes: 4 violons
516
Harpe (partie séparée)
442
Harpe, Violon (duo)
410
2 Contrebasses (duo)
349
2 Violons, Piano
343
Alto, Guitare (duo)
336
Violoncelle, Contrebasse (duo)
324
Quatuor à cordes : 4 altos
323
Trio à Cordes: 2 violons, alto
320
Violon, Basson (duo)
244
Trio à cordes: 3 altos
235
Alto et Basson
165
Quintette à cordes: 2 violons, 2 altos, violoncelle
162
Harpe, Violoncelle (duo)
129
2 Violoncelles, Piano
118
Violon, Clarinette, Piano (trio)
105
Harpe et Piano
103
Harpe, Voix
96
Quintette à cordes : 2 violons, alto et 2 violoncelles
93
Ensemble de Violoncelles
92
Violon, Orgue
80
Alto et Harpe
73
Violoncelle, Orgue
73
2 Altos, Piano
72
Violoncelle, Orchestre
68
4 Contrebasses
65
Flûte, Contrebasse (duo)
57
Violon, Basse continue
55
Harpe, Violon, Violoncelle
48
Ensemble de Violons
47
3 Contrebasses
43
Violoncelle, Basse continue
41
2 Violons et Basse continue
39
3 Harpes
34
Violon, Tuba (duo)
32
Ensemble d'Altos
31
Harpe et mandoline
24
Autoharp
21
Alto et orchestre
19
Violon, Violoncelle, Clarinette
16
Violon, Contrebasse (duo)
16
Violoncelle et Marimba
15
Alto, Orgue
15
Harpe, Trombone (duo)
15
Violon, Trompette et Piano
13
4 Harpes
12
Harpe et Orgue
8
Harpe, Orchestre
8
5 Harpes
6
Harpe, Quatuor à cordes
6
Ensemble de Contre basses
3
Violon, Clarinette et Guitare
3
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
77165
Orchestre
20651
Orchestre à Cordes
18487
Ensemble Jazz
13993
Batterie
12189
Percussion (partie séparée)
10293
Fanfare
8555
Cloches
6495
Ensemble de cuivres
5493
Batterie (partie séparée)
5372
Orchestre de chambre
3576
Percussion
3154
Jazz combo
2354
Timbales (partie séparée)
1981
Ensemble de Percussions
1545
Marimba
709
Timbales
545
Xylophone
521
Vibraphone
443
Quintette à Vent
309
Instrumentation Flexible
280
Caisse Claire
189
Xylophone, Piano
155
Piano et Orchestre
144
Quatuor à Vent : 4 instruments à vents
120
Vibraphone (partie séparée)
104
Big band
69
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
63
Orchestre, Violon
57
2 Xylophones
54
Quintette de Cuivres: autres combinaisons
40
Vibraphone et Marimba
33
Batterie-Fanfare
32
Vibraphone, Piano
29
Orchestre Symphonique
27
Ensemble d'École
25
2 Marimbas
24
Xylophone (partie séparée)
18
3 Marimbas
18
Trio à Vent: 3 instruments à vents
18
Marimba, Piano (duo)
17
Marimba et Orgue
13
Xylophone ou Marimba ou Vibraphone
12
Voix et Orchestre
11
3 Percussions
10
2 Percussions
8
Bongos
7
2 Caisses Claires (duo)
6
Mariachi
4
Conga
4
Cajon
4
Marimba ou Xylophone et Piano
3
Bodhran
3
4 Percussions
2
Voix Mezzo-Soprano, Orchestre
2
Caisse Claire, Piano
1
Marimba, Saxophone (duo)
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
418
Théorie de la musique
53
Papeterie
33
Eveil Musical
1
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9976
Down by the Riverside - For Pep Band; Concert Band; Basketball Band; Jazz Combo;
Jazz combo
Composed by Traditional. Arranged by Raymond Fenech. Modern, Spiritual, Jazz, Native…
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Composed by Traditional. Arranged by Raymond Fenech. Modern, Spiritual, Jazz, Native American, Easter. Set of Parts. 51 pages. Published by Raymond Fenech
"Down by the Riverside" (also known as "Ain't GonnaStudy War No More" and "Gonna lay down my burden") isa Negro spiritual song. Its roots date back to beforethe American Civil War, though it was firstpublished in 1918 in Plantation Melodies: A Collection of Modern, Popularand Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company.The song has alternatively been known as “Ain' go'n' to study war no mo'”,“Ain't Gwine to Study War No More”, “Down by de Ribberside”, “Going to Pull MyWar-Clothes” and “Study war no more”<br> <br> Thelevel is Advanced Intermediate and the duration is 2.39minutes.
$25.00
22.66 €
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Jazz combo
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Traditional
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Raymond Fenech
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Down by the Riverside - For Pep Band; Concert Band; Basketball Band; Jazz Combo;
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SheetMusicPlus
OYE COMO VA - for pep band, basketball band, jazz combo, small jazz ensemble
Jazz combo
By Santana. Score, Set of Parts. 13 pages. Published by Bandroom.com Publications (H0.1885…
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By Santana. Score, Set of Parts. 13 pages. Published by Bandroom.com Publications (H0.188577-634885). - Score,Set of Parts - - Bandroom.com Publications
$18.00
16.31 €
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Jazz combo
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Santana
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OYE COMO VA - for pep band, basketball band, jazz combo, small jazz ensemble
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Bandroom.com Publications
#
SheetMusicPlus
Hyfrydol - Come, Thou Long Expected Jesus
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.919558 Composed by Rowland Hugh Pri…
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Jazz Combo - Level 4 - Digital Download SKU: A0.919558 Composed by Rowland Hugh Prichard. Arranged by Jennifer Melton. Celtic,Christian,Christmas,Jazz. Score and parts. 2 pages. Melted Melodies #6640785. Published by Melted Melodies (A0.919558). Hyfrydol is a tune that accompanies hymn texts in 8.7.8.7 D meter, such as Come, Thou Long Expected Jesus and Love Divine, All Loves Excelling. It was written by Welsh composer Rowland H. Prichard in 1830. This arrangement reharmonizes the popular hymn tune with jazz chords. This piece is best for instrumental portions of church services during Advent, such as offertory and communion. If you are playing this piece on piano, arpeggios are suggested, as well as experimenting with rootless chords. The perfomance is approximately 1 minute 30 seconds without the repeat.
$2.99
2.71 €
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Jazz combo
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Rowland Hugh Prichard
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Jennifer Melton
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Hyfrydol - Come, Thou Long Expected Jesus
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Melted Melodies
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SheetMusicPlus
The Complete Organist, Vol. 2
Orgue
Organ 2-staff - Moderately easy - Digital Download Accessible Service Music for the C…
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Organ 2-staff - Moderately easy - Digital Download Accessible Service Music for the Church Year. Composed by Various. Edited by Carson Cooman. Sacred, Advent, All Saints' Day, Ascension, Christmas, Easter, Epiphany, General, Communion, Holy Week, Lent, Missions, New Year, Pentecost, Patriotic, Reformation, Thanksgiving. Organ. 152 pages. Lorenz Publishing Company #70/2013L. Published by Lorenz Publishing Company
ISBN 9780787755539.<br> <br> Comprised of music for almost every occasion of the church year, this publication is a hearty and abundant resource of approachable organ music. Like the first volume, it is a godsend for those planning their church year and enriching their organ library. Of the forty-nine pieces contained within, thirty-one are newly composed for this volume.
$48.00
43.5 €
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Orgue
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Various
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The Complete Organist, Vol. 2
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Lorenz Publishing Company
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SheetMusicPlus
I GOT YOU (I FEEL GOOD) - James Brown (for pep band, basketball band, jazz combo, small jazz ensemble)
Jazz combo
By James Brown. Score, Set of Parts. 16 pages. Published by Bandroom.com Publications (H0.…
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By James Brown. Score, Set of Parts. 16 pages. Published by Bandroom.com Publications (H0.287447-357400). - Score,Set of Parts - - Bandroom.com Publications
$24.00
21.75 €
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Jazz combo
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James Brown
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I GOT YOU
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Bandroom.com Publications
#
SheetMusicPlus
STAR-SPANGLED BANNER (USA National Anthem) - for pep band, basketball band, jazz combo, small jazz ensemble, small ensemble
Jazz combo
Repertoire, Fourth of July, Patriotic. Score, Set of Parts. 13 pages. Published by Bandroo…
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Repertoire, Fourth of July, Patriotic. Score, Set of Parts. 13 pages. Published by Bandroom.com Publications (S0.253733). - Score,Set of Parts - Repertoire,Fourth of July,Patriotic - Bandroom.com Publications
$20.00
18.12 €
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Jazz combo
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STAR-SPANGLED BANNER
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Bandroom.com Publications
#
SheetMusicPlus
A Sacred Place: 1. Welcome to the House of the Lord (Downloadable Organ/Choral Score)
Chorale SATB
SATB choir, organ or optional string orchestra (4-4-3-2-1) - Moderately Easy - Digital Dow…
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SATB choir, organ or optional string orchestra (4-4-3-2-1) - Moderately Easy - Digital Download SKU: MQ.7460-E Composed by Gwyneth W. Walker. 12 pages. E. C. Schirmer Music Company - Digital #7460-E. Published by E. C. Schirmer Music Company - Digital (MQ.7460-E). English.Welcome to the House of the Lord starts with the outer elements, coming into the church. Welcome light, welcome beauty, welcome wonder. The focus then turns inward, to the personal gifts of healing and comfort. And, as we welcome the many aspects of faith, we realize that, one blessing at a time, we are welcoming God!
$2.25
2.04 €
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Chorale SATB
#
Gwyneth W
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A Sacred Place: 1. Welcome to the House of the Lord
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Communion Soloist Vocal Collection
Voice SKU: HL.8738444 Composed by Various. Vocal solo. Fred Bock Publications. Gene…
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Voice SKU: HL.8738444 Composed by Various. Vocal solo. Fred Bock Publications. General Worship, Sacred. 32 pages. Fred Bock Music Company #BG0867. Published by Fred Bock Music Company (HL.8738444). ISBN 9780634003370. UPC: 073999384444. 9.0x12.0x0.096 inches.8 vocal solos for Communion worship, including: Come Share the Lord * The Cross Was His Own * Lamb of God, What Wondrous Love * The Lord Is My Shepherd * Pie Jesu * Surely He Bore Our Griefs * The Tree * When I Survey the Wondrous Cross.
Song List: Come Share the Lord (Bryan Jeffery Leech) Lamb of God, What Wondrous Love (G Faure) Surely He Bore Our Griefs (D De Vidal) When I Survey the Wondrous Cross Lord is my Shepherd, the (Liddle) CROSS WAS HIS OWN, THE (M JONES) TREE, THE (DOUG DROBISH) Pie Jesu from REQUIEM (Faur
$9.95
9.02 €
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Various
#
The Communion Soloist Vocal Collection
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Fred Bock Music Company
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SheetMusicPlus
I Am Committed
Jazz combo
Jazz Combo - Level 5 - Digital Download SKU: A0.778875 Composed by Don Hodell Chilc…
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Jazz Combo - Level 5 - Digital Download SKU: A0.778875 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Film/TV,Gospel,Jazz. Score and parts. 3 pages. Don Hodell Chilcote #3236817. Published by Don Hodell Chilcote (A0.778875). I Am Committed is for piano solo or an ensemble group. This is a hymn tune with a great funky vibe. The piece has a distinct and unique introduction, and development. 2 page arrangement is challenging but not overly so, and well worth the effort to learn.
$2.99
2.71 €
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Jazz combo
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Don Hodell Chilcote
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Don Hodell Chilcote
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I Am Committed
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Don Hodell Chilcote
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SheetMusicPlus
I'm Coming Out
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.1209047 Composed by Bernard Edwards…
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Jazz Combo - Level 4 - Digital Download SKU: A0.1209047 Composed by Bernard Edwards and Nile Rodgers. Arranged by Nigel Hanley. Disco,Funk,Hip-Hop,Pop,R & B,Rock. 42 pages. Nigel Hanley Music #807156. Published by Nigel Hanley Music (A0.1209047). This chart is an 8-piece disco funk band arrangement of 'I'm Coming Out' in the style of Diana Ross and in the recorded key of F.The instrumentation is:PianoGuitarBassDrums+ a 3-part horn section and a 4-part horn section:TrumpetTenor SaxTromboneTrumpetAlto SaxTenor SaxTromboneThe complete backing track is available for download at www.nigelhanleymusic.comOther keys and instrumentation are available on request: info@nigelhanley.com80s - Funk - Disco - Â Key of FSuitable for: pop, rock bands with horns, little big bands, cover bands, cruise ship bands, Â high school & college bands, cabaret bands & cabaret artists, Diana Ross shows and tribute bands.
$29.99
27.18 €
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Jazz combo
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Bernard Edwards and Nile Rodgers
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Nigel Hanley
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I'm Coming Out
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Nigel Hanley Music
#
SheetMusicPlus
Combos #1 Volume #64
Jazz combo
Jazz Combo - Level 5 - Digital Download SKU: A0.779064 Composed by Don Hodell Chilc…
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Jazz Combo - Level 5 - Digital Download SKU: A0.779064 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Gospel,Jazz,Sacred. Score and parts. 74 pages. Don Hodell Chilcote #5718691. Published by Don Hodell Chilcote (A0.779064). Combos #1 Volume #64 is a collection of beautiful, lyrical, and unique group or piano solos in several styles specifically written for either worship services or ensemble small combo groups. A complete collection of all scores and recordings of sacred piano works can be found at sheetmusicplus.com, or on itunes.com, amazon.com, cdbaby.com. or 88keys4kids.com. There are more collections for sale on amazon.com.
$14.00
12.69 €
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Jazz combo
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Don Hodell Chilcote
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Don Hodell Chilcote
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Combos #1 Volume #64
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Don Hodell Chilcote
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SheetMusicPlus
Feijoada Completa
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.1232080 By Jazz Combo Braziliaan. B…
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Jazz Combo - Level 3 - Digital Download SKU: A0.1232080 By Jazz Combo Braziliaan. By Chico Buarque de Holanda. Arranged by Marcilio Zarpelão. Jazz,Latin,Multicultural,World. 18 pages. MZ Guitar #827756. Published by MZ Guitar (A0.1232080). In this song by the composer Chco Buarque de Holanda, an arrangement was made for the jazz combo formation: 2 trumpets, alto saxophone, tenor saxophone and trombone and in the rhythmic section piano, double bass and drums, with the possibility of guitar. Brazilian music of the best quality.
$70.00
63.43 €
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Jazz combo
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Jazz Combo Braziliaan
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Marcilio Zarpelão
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Feijoada Completa
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MZ Guitar
#
SheetMusicPlus
Comfort Comfort Ye My People
Jazz combo
Jazz Combo - Level 5 - Digital Download SKU: A0.778906 Composed by Don Hodell Chilc…
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Jazz Combo - Level 5 - Digital Download SKU: A0.778906 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Christmas,Film/TV,Gospel,Jazz. Score and parts. 3 pages. Don Hodell Chilcote #3408035. Published by Don Hodell Chilcote (A0.778906). Comfort Comfort Ye My People is for piano solo or ensemble. This is a great christmas tune and includes a distinct and unique introduction. The arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude and it was well received with a jamming drummer. Fun Stuff.
$1.99
1.8 €
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Jazz combo
#
Don Hodell Chilcote
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Don Hodell Chilcote
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Comfort Comfort Ye My People
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Don Hodell Chilcote
#
SheetMusicPlus
Santa Claus Is Comin' To Town
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.1415962 By Michael Buble. By Haven …
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Jazz Combo - Level 3 - Digital Download SKU: A0.1415962 By Michael Buble. By Haven Gillespie and John Frederick Coots. Arranged by Matt Amy. Christmas,Contemporary,Holiday,Jazz,Standards. 20 pages. Matt Amy Music #997657. Published by Matt Amy Music (A0.1415962). Key: Ab majorBPM: 160Style: SwingDuration: 2:30“ (approx) Ensemble type: Jazz ComboFull Recording (MIDI): Santa Claus Is Comin' To Town (MIDI)Instrumentation- Voice- Trumpet- Guitar- Piano- Bass- DrumsClick the following link for more arrangements by Matt AmyContact Matt here
$25.00
22.66 €
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Jazz combo
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Michael Buble
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Matt Amy
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Santa Claus Is Comin' To Town
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Matt Amy Music
#
SheetMusicPlus
Free at Last
Piano Facile
Piano Solo - Early Intermediate - Digital Download Composed by Louis Landon. Spirit…
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Piano Solo - Early Intermediate - Digital Download Composed by Louis Landon. Spiritual, New Age. Sheet Music Single. 7 pages. Published by Landon Creative, Inc.
Healing Hearts 2<br> Louis Landon<br> 2015 / Landon Creative<br> 66 minutes<br> Review by Kathy Parsons<br> Louis Landon continues to soar on the wings of an amazingly creative period - now going on several years! Healing Hearts 2 is the follow-up to Healing Hearts, which was released the end of 2014 and is nominated for Album of the Year on Whisperings Solo Piano Radio. This is Landon’s second album for 2015 and he’s already working on his first release for 2016! The fourteen tracks on Healing Hearts 2 were gathered from improvisations created during sessions at Landon’s Healing Piano of Sedona (AZ), so the piano solos are very smooth and soothing - probably the most relaxed and relaxing album of Landon’s career. Recorded on a Steinway B grand piano at The Peace Palace in Sedona and mastered by Joe Bongiorno at Piano Haven, also in Sedona, the piano sound is impeccable - very warm and enveloping. Landon told me that this is the best music he never wrote, referring to the fact that the music just flows out of him during these sessions, reflective of each client’s wants and needs at the time of the session.<br> <br> The full Healing Hearts 2 album is a little more than an hour of quietly uplifting music and works exceptionally well as a relaxing and healing experience. I’d like to mention a few favorite pieces, though. The album begins with “Sisters,” a very gentle piece that expresses the love and special bond that can exist between sisters. Very light and free, it’s a beautiful start. “Free At Last” starts out almost mournfully - dark and searching - gradually becoming livelier and more optimistic. It’s an amazing musical journey and development! “Relax and Enjoy” expresses the warm comfort of just letting go and “being” for awhile - leisurely and contented. “Feeling the Love” is so warm and open that it feels like a musical embrace - melodic yet very free. “All Is Well” is almost ambient, but what a wonderful atmosphere of quiet contentment it creates - a perfect peace. “Transition” is like floating on a cloud - effortless and so peaceful. “Dark Nights” is one of the most beautiful pieces Landon has recorded. It reminds me a little bit of Beethoven’s “Moonlight Sonata” and some of Chopin’s Nocturnes - so poignant and heartfelt that it takes my breath away. The gracefully flowing “Dancer” expresses freedom and elegant movement. “Lullaby” closes this excellent album with a piece so soothing it could melt the tension out of anyone. Gorgeous!<br> <br> If you are looking for music that will relax and refresh your inner being, you need to look no further than Healing Hearts 2. This is the real deal when it comes to soothing piano music with substance and heart. It is available from louislandon.com, Amazon, iTunes, and CD Baby. Highly recommended!<br> November 1, 2015<br> <br> Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.<br> <br> Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ<br> <br> <br> <br> Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.<br> <br> Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.<br> <br> For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.<br> <br> Louis Landon mission:<br> <br> To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.<br> <br> Reviews:<br> <br> “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com<br> <br> "He has a gift for composition that is second to none." Zone Music Reporter<br> <br> "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine<br> <br> Recognition:<br> <br> Louis Landon's music has had over 140 million streams on Pandora radio!<br> <br> Louis Landon's music has had over 34 million streams on Spotify!<br> <br> Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.<br> <br> Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.<br> <br> Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.<br> <br> Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.<br> <br> Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.<br> <br> Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.<br> <br> Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.<br> <br> unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.<br> <br> Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25
4.76 €
#
Piano Facile
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Louis Landon
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Free at Last
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Landon Creative, Inc.
#
SheetMusicPlus
Heart Song
Piano Facile
Piano Solo - Early Intermediate - Digital Download Composed by Louis Landon. New Ag…
(+)
Piano Solo - Early Intermediate - Digital Download Composed by Louis Landon. New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc.
Healing Hearts 2<br> Louis Landon<br> 2015 / Landon Creative<br> 66 minutes<br> Review by Kathy Parsons<br> Louis Landon continues to soar on the wings of an amazingly creative period - now going on several years! Healing Hearts 2 is the follow-up to Healing Hearts, which was released the end of 2014 and is nominated for Album of the Year on Whisperings Solo Piano Radio. This is Landon’s second album for 2015 and he’s already working on his first release for 2016! The fourteen tracks on Healing Hearts 2 were gathered from improvisations created during sessions at Landon’s Healing Piano of Sedona (AZ), so the piano solos are very smooth and soothing - probably the most relaxed and relaxing album of Landon’s career. Recorded on a Steinway B grand piano at The Peace Palace in Sedona and mastered by Joe Bongiorno at Piano Haven, also in Sedona, the piano sound is impeccable - very warm and enveloping. Landon told me that this is the best music he never wrote, referring to the fact that the music just flows out of him during these sessions, reflective of each client’s wants and needs at the time of the session.<br> <br> The full Healing Hearts 2 album is a little more than an hour of quietly uplifting music and works exceptionally well as a relaxing and healing experience. I’d like to mention a few favorite pieces, though. The album begins with “Sisters,” a very gentle piece that expresses the love and special bond that can exist between sisters. Very light and free, it’s a beautiful start. “Free At Last” starts out almost mournfully - dark and searching - gradually becoming livelier and more optimistic. It’s an amazing musical journey and development! “Relax and Enjoy” expresses the warm comfort of just letting go and “being” for awhile - leisurely and contented. “Feeling the Love” is so warm and open that it feels like a musical embrace - melodic yet very free. “All Is Well” is almost ambient, but what a wonderful atmosphere of quiet contentment it creates - a perfect peace. “Transition” is like floating on a cloud - effortless and so peaceful. “Dark Nights” is one of the most beautiful pieces Landon has recorded. It reminds me a little bit of Beethoven’s “Moonlight Sonata” and some of Chopin’s Nocturnes - so poignant and heartfelt that it takes my breath away. The gracefully flowing “Dancer” expresses freedom and elegant movement. “Lullaby” closes this excellent album with a piece so soothing it could melt the tension out of anyone. Gorgeous!<br> <br> If you are looking for music that will relax and refresh your inner being, you need to look no further than Healing Hearts 2. This is the real deal when it comes to soothing piano music with substance and heart. It is available from louislandon.com, Amazon, iTunes, and CD Baby. Highly recommended!<br> November 1, 2015<br> <br> Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.<br> <br> Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ<br> <br> <br> <br> Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.<br> <br> Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.<br> <br> For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.<br> <br> Louis Landon mission:<br> <br> To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.<br> <br> Reviews:<br> <br> “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com<br> <br> "He has a gift for composition that is second to none." Zone Music Reporter<br> <br> "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine<br> <br> Recognition:<br> <br> Louis Landon's music has had over 140 million streams on Pandora radio!<br> <br> Louis Landon's music has had over 34 million streams on Spotify!<br> <br> Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.<br> <br> Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.<br> <br> Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.<br> <br> Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.<br> <br> Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.<br> <br> Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.<br> <br> Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.<br> <br> unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.<br> <br> Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25
4.76 €
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Piano Facile
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Louis Landon
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Heart Song
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Landon Creative, Inc.
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SheetMusicPlus
Como Ambar
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.1365160 By Manduca Sexta. By Manuel…
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Jazz Combo - Level 4 - Digital Download SKU: A0.1365160 By Manduca Sexta. By Manuel Kaufmann. Arranged by Manuel Kaufmann. Jazz,Latin. 7 pages. ManKmusiK #949468. Published by manKmusiK (A0.1365160). Scored for 3-horn combo (trp, ten, trb, pno, b and dr)Samba, 150 bpm,.
$45.00
40.78 €
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Jazz combo
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Manduca Sexta
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Manuel Kaufmann
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Como Ambar
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manKmusiK
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SheetMusicPlus
Christmas Is Coming
Jazz combo
Jazz Combo - Level 2 - Digital Download SKU: A0.1006357 Composed by Vince Guaraldi.…
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Jazz Combo - Level 2 - Digital Download SKU: A0.1006357 Composed by Vince Guaraldi. Arranged by James Khoury. Broadway,Holiday,Jazz,Musical/Show,Standards. Score and parts. 15 pages. James Khoury #612007. Published by James Khoury (A0.1006357). A Charlie Brown Christmas hit!
$24.99
22.65 €
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Jazz combo
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Vince Guaraldi
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James Khoury
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Christmas Is Coming
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James Khoury
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SheetMusicPlus
Welcome
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.1044243 Composed by Phil Collins. A…
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Jazz Combo - Level 3 - Digital Download SKU: A0.1044243 Composed by Phil Collins. Arranged by Gregory Amerind. Film/TV,Pop,Rock. Score and parts. 19 pages. GWA Music #648987. Published by GWA Music (A0.1044243). These are the instrumental parts for my SSAA arrangement available separately. Packet includes piano, guitar, bass, strings, drums, and percussion.
$50.00
45.31 €
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Jazz combo
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Phil Collins
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Gregory Amerind
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Welcome
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GWA Music
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.74 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Hold On I'm Comin'
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.1039402 By B.B. King & Eric Clapton…
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Jazz Combo - Level 3 - Digital Download SKU: A0.1039402 By B.B. King & Eric Clapton. By David Porter and Isaac Hayes. Arranged by Garrett Breeze. Rock. Score and parts. 35 pages. Lagom Music #644362. Published by Lagom Music (A0.1039402). Accompaniment for piano vocal score.
$150.00
135.93 €
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Jazz combo
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B
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Garrett Breeze
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Hold On I'm Comin'
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Lagom Music
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SheetMusicPlus
Decompression
Jazz combo
Jazz Combo - Digital Download SKU: A0.820087 Composed by Marcus Day. Jazz. Score an…
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Jazz Combo - Digital Download SKU: A0.820087 Composed by Marcus Day. Jazz. Score and parts. 26 pages. Marcus Day Music #6369805. Published by Marcus Day Music (A0.820087). Decompression is the second of four pieces written for the Big Band album, Big Band 1.0 by Marcus in 2017. This piece explores chordal writing and independent lyrical lines for the whole ensemble. Also including a solo section, this is perfect for intermediate or advanced Jazz Ensembles.
$9.99
9.05 €
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Jazz combo
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Marcus Day
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Decompression
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Marcus Day Music
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SheetMusicPlus
A peu del "Picayo"
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.962401 Composed by Salvador Rojo …
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Concert Band - Level 3 - Digital Download SKU: A0.962401 Composed by Salvador Rojo Gamón. Contemporary,Instructional,Multicultural,Standards,World. Score and Parts. 48 pages. Salvador Rojo-Gamon #4897799. Published by Salvador Rojo-Gamon (A0.962401). AGRADECIMIENTOSAntes de nada dar las gracias a la Unión Musical de Algimia por confiar en mi para componer una composición que conmemore el 30 aniversario.Al peu del Picayo está como casi todas mis composiciones inspiradas en hechos ya sea verÃdicos o ficticios. En este aspecto tengo que agradecer a Helios Borja Cortijo su gran contribución a mis conocimientos sobre la historia de Algimia. Mis composiciones nunca narran historias, se inspiran en ellas, en los sentimientos que de ellas extraemos, sentimos o transmitimos, Estas historias tan sólo nos facilitan la comprensión de la obra.ANÃLISISFormalmente la obra está compuesta en la forma sonata, con algunas licencias respecto a la que podrÃamos calificar –si es posible- Sonata Escolástica.INTRODUCCIÓN Inicio hasta compás 59.La introducción comienza con el acompañamiento de un clúster de cinco notas octatónicas. A partir del segundo compás va apareciendo –siempre de forma desfigurada- el tema principal de esta composición. Este no aparecerá claramente hasta el compás 62TEMA PRINCIPALCompás 60 hasta 101Alrededor de la tonalidad de LA se construye el tema principal que aparece en los graves de la banda, pasando a los agudos mientras los graves hacen un canon a la 4ª Justa.A nivel comprensivo y tan sólo como recomendación diré que la introducción y el tema principal corresponden históricamente a ALGIMIA MUDEJARTEMA SECUNDARIOCompás 102 a 136Esta parte inspirada en la ÉPOCA MORISCA de Algimia está formada por diferentes elementos siendo cuatro los más importantes.Al igual que la Introducción el tema segundario está iniciado por un Clúster, en éste caso el Clúster es cromático.El siguiente elemento en aparecer –Corno Inglés- es el propio nombre de Algimia en movimiento contrario, tomando el Abecedario como modelo y partiendo de la nota LALa inquisición está representada por las trompetas y los trombones.Estos elementos están acompañados de la simbologÃa mayormente personal del número once, representado por los cuartos y las once campanadas.En el compás 112 aparece el Elemento Cristiano de este Tema Secundario, este está en modo Dórico, también llamado Protus o Auténtico. Primero aparece en el registro grave de la banda y posteriormente en el registro grave de las maderas.DESARROLLOCompás 137 hasta el 217Basado en el Periodo de la ÉPOCA CRISTIANA MODERNA elabora los elementos presentados en la exposición con cambios a veces muy significativos.Lo primera sensación es que estamos reexponiendo los materiales, sin embargo, se está creando una falsa reexposición que en este caso nos lleva a SIb dándonos sensación de cadencia rota con un inesperado SIb.Después de un breve comentario del Tema Secundario –Tema cristiano- aparece muy desfigurado el Tema principal en oposición al Tema Cristiano, éste último en modo octatónico.Tema PrincipalTema CristianoA partir del 182 está inspirado en la expulsión de los Moriscos. Después de una breve introducción con elementos del Tema Principal y del tema Cristiano, compases 182 a 189, aparece el Tema Principal en forma de llamamiento a la guerra. Éste se repite tres veces, una pequeña coda de tres compases 214 al 217 da paso a la reexposición.REEXPOSICIÓN
$100.00
90.62 €
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Orchestre d'harmonie
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Salvador Rojo Gamón
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A peu del "Picayo"
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Salvador Rojo-Gamon
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SheetMusicPlus
Come Rain Or Come Shine
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.1039593 Composed by Harold Arlen an…
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Jazz Combo - Level 4 - Digital Download SKU: A0.1039593 Composed by Harold Arlen and Johnny Mercer. Arranged by Brad Henderson. Jazz. Score and parts. 17 pages. HendersongsMusic #644508. Published by HendersongsMusic (A0.1039593). (STANDARD ISSUE JAZZ SERIES) Arranged for Jazz Combo, singer, rhythm, 4 horns, medium swing.
$29.99
27.18 €
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Jazz combo
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Harold Arlen and Johnny Mercer
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Brad Henderson
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Come Rain Or Come Shine
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HendersongsMusic
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SheetMusicPlus
Annie Score
Quintette de Cuivres: autres combinaisons
Composed by Charles Strouse and Martin Charnin. Arranged by James Moule. 20th Century,…
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Composed by Charles Strouse and Martin Charnin. Arranged by James Moule. 20th Century, Broadway, Film/TV, Musical/Show. Score and parts. 16 pages. Published by James Moule
This is the first of two quintets for brass, based on three songs from the Broadway Musical, \"Annie\": \"Maybe\", \"It\'s a Hard-Knock Life\" and \" Tomorrow\". Parts are comfortably pitched for intermediate players. While designed for the traditional \"English\" brass band quintet (two cornets, tenor horn, baritone and Eb tuba), Parts 4 & 5 are also given at concert pitch. A Part 3 french horn part is provided and Part 5 is given for Bb Bass tuba. The set is excellent for both concerts and junior contests. The set comes with a full conductor\'s score. Total playing time is about 4\'20\".
$12.99
11.77 €
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Quintette de Cuivres: autres combinaisons
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Charles Strouse and Martin Charnin
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Annie Score
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James Moule
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SheetMusicPlus
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