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Come Again G Major
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Vous avez sélectionné:
Come Again G Major
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Partitions à imprimer
52 partitions trouvées
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Come Again - G Major
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Chorale SATB
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Renaissance
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John Dowland
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Change the Key
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Come Again - G Major
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Change the Key
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.856902 Composed by John Dowland. Arranged by Change the Key. Renaissance. Octavo. 4 pages. Change the Key #3428551. Publis...
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Choral Choir (SATB) - SKU: A0.856902 Composed by John Dowland. Arranged by Change the Key. Renaissance. Octavo. 4 pages. Change the Key #3428551. Published by Change the Key (A0.856902). Come Again by John Dowland transposed to G Major and arranged for SATB choir. Vocal range: Soprano D - E, Alto B - B, Tenor G - E, Bass G - G.
$5.00
Hard times come again no more (G Major)
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Chorale SATB
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Stephen Foster
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Hard times come again no more
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Bells Publishing
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SheetMusicPlus
Solo voice, mixed chorus (SATB) and piano - SKU: XB.DNLB01473G Composed by Stephen Foster. Octavo. 3 pages. Bells Publishing #DNLB01473G. Published by B...
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Solo voice, mixed chorus (SATB) and piano - SKU: XB.DNLB01473G Composed by Stephen Foster. Octavo. 3 pages. Bells Publishing #DNLB01473G. Published by Bells Publishing (XB.DNLB01473G). G major [Solo vocal range: G4-G5].
$4.95
Hard times come again no more (G-flat Major)
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Chorale SATB
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Stephen Foster
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Hard times come again no more
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Bells Publishing
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SheetMusicPlus
Solo voice, mixed chorus (SATB) and piano - SKU: XB.DNLB01473GB Composed by Stephen Foster. Octavo. 3 pages. Bells Publishing #DNLB01473GB. Published by...
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Solo voice, mixed chorus (SATB) and piano - SKU: XB.DNLB01473GB Composed by Stephen Foster. Octavo. 3 pages. Bells Publishing #DNLB01473GB. Published by Bells Publishing (XB.DNLB01473GB). G-flat major [Solo vocal range: Gb4-Gb5].
$4.95
Lord of All Our Days (Funeral Hymn) - Lead Sheet C Major
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Instruments en Do
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1477117 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred...
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C Instrument - Level 3 - SKU: A0.1477117 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 3 pages. Anastace #1053825. Published by Anastace (A0.1477117). As of this publishing, over 137,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the guitar or lead sheet version of Outdoor Acoustic Version of Lord of All Our Days, as heard on all streaming platforms. It is intended for use as a burial song, sung softly and reverently accompanied by a quiet guitar or even a capella at the internment portion of a funeral service if music is desired at the graveside. This is in C Major so no capo is required, but for a more beginner guitar or alternate chord voicings you may prefer the G major version which is intended to be played on capo 3 or even 5, depending on the vocal range of whoever is leading the song.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]A backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
Lord of All Our Days (Funeral Hymn) - Lead Sheet G Major
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Instruments en Do
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1477116 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred...
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C Instrument - Level 3 - SKU: A0.1477116 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 3 pages. Anastace #1053816. Published by Anastace (A0.1477116). As of this publishing, over 137,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the exact guitar version I used to record the Outdoor Acoustic Version of Lord of All Our Days, as heard on all streaming platforms. It is intended for use as a burial song, sung softly and reverently accompanied by a quiet guitar at the internment portion of a funeral service if music is desired at the graveside. I recommend playing it on capo 3 to match the original or a few higher to match your voice. You may also prefer to get the other version in C major and save using a capo. This version is just easier for a slightly more beginner guitarist. One other recommendation is to play it even lower so people can sing very quietly, i.e. capo 1 or even no capo at all, depending on the voice of the person leading the song.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoA backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
Come, Josephine in My Flying Machine
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Ensemble de cuivres
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INTERMÉDIAIRE
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Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts...
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Brass Ensemble - Level 3 - SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
Cello Suite No. 3, BWV 1009: 1-6 in Perfect 4ths(C and G Major)
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Justin M
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Cello Suite No. 3, BWV 1009: 1
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Justin M. Ryan
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.886939 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 23 pages. Justin...
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Cello Duet Cello - Level 4 - SKU: A0.886939 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 23 pages. Justin M. Ryan #3539603. Published by Justin M. Ryan (A0.886939). Cello Suite No. 3, BWV 1009: I-6 in Perfect 4ths(C and G Major)The six Cello Suites, BWV 1007 to 1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717–23, when he served as a Kapellmeister in Köthen. The title of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso. Now in the 21st century, this piece comes alive once again. Arranged for 2 cellos, each cello is playing the same piece in 2 different keys simultaneously(C Major and G Major). Enjoy movements 1-6.
$15.99
Sonata In G For Organ-Scherzo
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Orgue
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INTERMÉDIAIRE
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Thomas R
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Sonata In G For Organ-Scherzo
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 3 - SKU: A0.912462 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score. 8 pages. Thomas R. Schadl #514849. Published...
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Organ - Level 3 - SKU: A0.912462 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score. 8 pages. Thomas R. Schadl #514849. Published by Thomas R. Schadl (A0.912462). The Scherzo explores a variety of sections that have their own character. The first section is written in a North German toccata style where the opening measures are treated in a canonic manner and played in a series of thirds and sixths against the main theme stated in the pedal division; this compositional approach is somewhat reminiscent of the organ compositions of Dietrich Buxtehude (Prelude and Fugue in G Minor BUXWV 149). The second section is contrapuntal in nature and depicts a humorous moment; that moment may depict a comedy show or a circus event at a fair. Following that section is the recurrence of the main theme of the first movement. The fourth section is quiet in sound intensity and is the most chromatically oriented than other parts. Following that is a fugue, derived from the main theme of the first movement, and a transitional passage leading back to the recurring main theme. The work concludes triumphantly in the key of G Major. The Scherzo requires attention to articulation, phrasing and timing. This work is suitable for educational and recital uses: it introduces organ students to major works of Buxtehude and Johann S. Bach and many more composers; organists of various expertise may play the work to lighten up the audience's mood after listening to more difficult organ works. Let this work bring pleasure into your hearts and the listeners'. Enjoy it.
$7.99
Lord of All Our Days (Funeral Hymn) - C Major
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1477115 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,S...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1477115 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 10 pages. Anastace #1053778. Published by Anastace (A0.1477115). As of this publishing, over 135,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the full piano vocal arrangement in C major, a better key both for playing and for most singers' vocal ranges than the original version in B flat major.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Lead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]A backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
Cello Suite No. 1, BWV 1007: 1-6 in Perfect 4ths(G and D Major)
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Justin M
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Cello Suite No. 1, BWV 1007: 1
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Justin M. Ryan
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.886940 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 5 pages. Justin ...
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Cello Duet Cello - Level 4 - SKU: A0.886940 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 5 pages. Justin M. Ryan #3539609. Published by Justin M. Ryan (A0.886940). The six Cello Suites, BWV 1007 to 1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently preformed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717-1723, when he served as a Kapellmesiter in Kothen. The title of the Anna Magdalena Bach manuscript was Suites a Violincello Solo senza Basso. Now in the 21st century, this piece comes alive once again. Arranged for 2 cellos, each cello is playing the same piece in 2 different keys simultaneously(G and D Major). Enjoy movements 1-6.
$15.99
DOWLAND: Come again: sweet love doth now invite (transposed to G major)
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Piano, Voix
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Classique
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John Dowland
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ArtSongTranspositions
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DOWLAND: Come again: sweet lov
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AST Publications, LLC
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1456173 Composed by John Dowland. Arranged by ArtSongTranspositions.com. Baroque. Score. 3 pages. AST Publications, LLC #103...
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Piano,Vocal,Voice - SKU: A0.1456173 Composed by John Dowland. Arranged by ArtSongTranspositions.com. Baroque. Score. 3 pages. AST Publications, LLC #1035323. Published by AST Publications, LLC (A0.1456173). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
Dowland-Come Again, Sweet Love Doth Now Invite in G flat Major, for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Leo Delibes
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MSM
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Dowland-Come Again, Sweet Love
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.660406 Composed by Leo Delibes. Arranged by MSM. Classical,Romantic Period. Score. 6 pages. Open Cloud #3914419. P...
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Piano,Vocal,Voice - Level 3 - SKU: A0.660406 Composed by Leo Delibes. Arranged by MSM. Classical,Romantic Period. Score. 6 pages. Open Cloud #3914419. Published by Open Cloud (A0.660406). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Dowland (Dowland John), 1563-1626,for Voice and Piano, published by More Sheet Music Press.
$2.99
Dowland-Come Again, Sweet Love Doth Now Invite in G Major, for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Leo Delibes
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MSM
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Dowland-Come Again, Sweet Love
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.660407 Composed by Leo Delibes. Arranged by MSM. Classical,Romantic Period. Score. 6 pages. Open Cloud #3914421. P...
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Piano,Vocal,Voice - Level 3 - SKU: A0.660407 Composed by Leo Delibes. Arranged by MSM. Classical,Romantic Period. Score. 6 pages. Open Cloud #3914421. Published by Open Cloud (A0.660407). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Dowland (Dowland John), 1563-1626,for Voice and Piano, published by More Sheet Music Press.
$2.99
Piano-Arpeggio Ascending
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Piano Facile
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DÉBUTANT
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Chris O'Mara
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Piano-Arpeggio Ascending
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comaramusic
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 1 - Interactive Download SKU: A0.1208453 Composed by Chris O'Mara. This edition: Interactive Download. Class...
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Instrumental Solo,Piano and Keyboard - Level 1 - Interactive Download SKU: A0.1208453 Composed by Chris O'Mara. This edition: Interactive Download. Classical,Jazz,Musical/Show,Opera,Praise & Worship,Standards,World. Individual part. 1 pages. Duration 24. Comaramusic #6luypZ4EsiNFwpfJILKKTi. Published by comaramusic (A0.1208453). Key: C major.Have fun making music with these ascending arpeggios. Each new measure is an inversion of the original chord. An inversion takes the low note and puts it on top of the stack. C-E-G becomes E-G-C, then G-C-E and again at C-E-G but one octave higher. Follow me here or contact me for online lessons on 7 instruments, songwriting and music theory. 7 days a week. Requests are welcome! Thank you :) comaramusic@gmail.com.
$3.00
Airpower! (for Brass Quintet & Optional Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Airpower!
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158198 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical. 28 pages. Https://gildedmusicp...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158198 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical. 28 pages. Https://gildedmusicpress.com/ #758475. Published by https://gildedmusicpress.com/ (A0.1158198). An extremely artistic and challenging composition, fit to feature on any concert, both for the general public and academic circles, Airpower! is cleverly titled to honor MSgt Alex Serwatowski, an Air Force tuba player, upon his retirement. Overall, “Airpower!†is light-hearted with a comedic but dignified feel, intended to be happy and celebratory. There are moments of a more serious nature, such as the transitions in measures 19-22 and 74-77, and a slower contemplative section (51-68) with a particularly dramatic moment in measures 55-56, where the listener wants to rise up with honor and respect. There is a healthy spectrum of emotions in this work. One remarkable feature of this composition is that it does not end in the same key in which it starts. In fact, it ends in D major, a tritone away from its opening key of A-flat major—as distantly related as two keys can be. Throughout the entire piece, the harmonic rhythm is intense, primarily exploring chromatic mediants and relative keys, wandering from A-flat to C to F to D minor and then several rapid tonicizations leading to G major, then to E minor to E major to G, E-flat, C minor, C major, A minor, tonicizations again, finally ending in D major. Although it is highly unified thematically (with essentially one theme that varies and develops, symbolically), this unique harmonic feature symbolizes the change that a person undergoes through a 23-year career. “Airpower!†is about 4’30†in duration, which is a fairly substantial single-movement work for brass quintet. The tempo never varies through the entire work, though with rhythmic augmentation and mutation the effect of tempo changes is present. The technical demands are difficult for all the players. This piece works the tuba into the melody and technical passages as much as any other player.
$24.95
Piano Trio
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Piano Trio: piano, violon, violoncelle
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AVANCÉ
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Contemporain
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Colin Bayliss
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Piano Trio
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Colin Bayliss
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.938413 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 59 pages...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - SKU: A0.938413 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 59 pages. Colin Bayliss #9995. Published by Colin Bayliss (A0.938413). Piano Trio (B44) was written in the spring of 1991 for David Johnson and the trio which he was forming in Cologne. The work is in three movements:-1. Structures The three instruments build differing structural patterns based on a 12-note row. The violin and 'cello often complement each other, but the piano rarely joins them and tries to pull the music towards a diatonic tonal language, eventually succeeding to end in G major. The movement is in arch form, the second half being based on the retrogrades of the note row. 2. Textures Most forms of sound textures are used, including col legno and sul ponticello for the strings, while the piano occasionally employs soft-headed timpani sticks both on the keyboard and the interior of the instrument. Again the movement is in arch form, with a central section incorporating a miniature scherzo, with a trio section parodying the palm court trio style with a tune of sickly sentimentality. [ This movement may be played separately under the title Einer Kleiner Alptraum - A Little Night... mare] 3. Metamorphoses The notes which will eventually become a Scottish folk tune are hidden either in the repeated notes or in the left hand of the piano, either singly or in harmony. After a neo- classical exposition, using a serial melody, progress is quickly halted by the use of some of the notes of the folk tune being arranged into the theme of Weber's Turandot which was used by Hindemith in his Symphonic Metamorphoses . This pulls the music into a slightly more tonal frame work which becomes more pronounced after a reference to the theme of the slow movement of the Eroica symphony used in Richard Strauss' Metamorphosen. From then onwards, tonality, or rather modality, is established and the folk tune style is maintained with simplicity to the end, except for a miniscule coda reminiscent of the opening of the movement. The sound sample is a performance of the second movement Textures.
$12.00
The Swan(Le cygne)
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1 Piano, 4 mains
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FACILE
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Classique
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Camille Saint-Saens
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Justin M
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The Swan(Le cygne)
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Justin M. Ryan
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 2 - SKU: A0.886924 Composed by Camille Saint-Saens. Arranged by Justin M. Ryan. Contemporary,Instructi...
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Instrumental Duet Instrumental Duet,Piano - Level 2 - SKU: A0.886924 Composed by Camille Saint-Saens. Arranged by Justin M. Ryan. Contemporary,Instructional,Romantic Period,Standards. Score and parts. 6 pages. Justin M. Ryan #3049855. Published by Justin M. Ryan (A0.886924). Le cygne, pronounced: [lə siɲ], or The Swan, is the 13th and penultimate movement of The Carnival of the Animals by Camille Saint-Saëns. Originally scored for solo cello accompanied by two pianos, it has been arranged and transcribed for many instruments but remains best known as a cello solo. Now in the 21st century, this piece comes alive once again. Arranged for 2 pianos, each piano is playing the same piece in 2 different keys simultaneously(G Major and D Major).This arrangement is for Teacher/Student. The Students part is the melody being played in both G and D Major and the Teachers part is the left-hand in both keys. This is a good practice piece as it is easily identifiable and promotes ear-training as the student is hearing the melody in 2 different keys. Enjoy this classic masterpiece.
$3.99
Interludes for Organ
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Dale Wood
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Interludes for Organ
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.70-1320S Short Improvisations in All Keys. Composed by Dale Wood. Sacred. Sacred Music Press #70/1320S. Publ...
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Organ: 3-staff - Intermediate SKU: LO.70-1320S Short Improvisations in All Keys. Composed by Dale Wood. Sacred. Sacred Music Press #70/1320S. Published by Sacred Music Press (LO.70-1320S). UPC: 000308048834.These little interludes are designed for moments in the worship service when the organist is obliged to play short improvisations, yet feels improvisationally challenged. Whether the need is to cover the sound of shuffling feet as latecomers are seated or simply to establish a contemplative ambience, organists will find many uses for these short interludes in all keys. While some organ registrations and dynamic levels are suggested, the organist is advised to select stops that best suit the immediate moment of use. The majority of interludes in the service call for Flute or string celestas and other soft stops. A few of these pieces also present possibilities for using fuller or brighter combinations. It is hoped that this collection will serve well when there is a sudden need for the organist to provide (as a colleague so apply puts it)ecclesiastical traveling music.
Song List
: Interludes For Organ E Interludes For Organ F Interludes For Organ Gb (F#) Interludes For Organ G Interludes For Organ Ab (G#) Interludes For Organ A Interludes For Organ Bb Interludes For Organ B (Cb) Have Thine Own Way Lord (Eb) Sweet Hour Of Prayer (D) Pass Me Not O Gentle Savior (G) Softly And Tenderly Jesus Is Calling )Eb) Just As I Am Without One Plea (C) Spirit Of God Descend Upon My Heart (C) God Be With You Till We Meet Again (C) Interludes For Organ C Interludes For Organ Db (C#) Interludes For Organ D Interludes For Organ Eb
$25.00
Invention No. 1 BWV 772
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Classique
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Johann Sebastian Bach
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Justin M
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Invention No. 1 BWV 772
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Justin M. Ryan
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886890 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886890 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score and parts. 6 pages. Justin M. Ryan #3015403. Published by Justin M. Ryan (A0.886890). Invention No. 1 BWV 772. The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 inventions, which are two-part contrapuntal pieces, and 15 sinfonias, which are three-part contrapuntal pieces. They were originally written as musical exercises for his students.Now in the 21st century, this piece comes alive once again. Arranged for 2 pianos, each piano is playing the same piece in 2 different keys simultaneously(C Major and G Major). Enjoy this wonderful classic.
$2.99
Allegro Maestoso(From Water Music)
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Justin M
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Allegro Maestoso(From Water Mu
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Justin M. Ryan
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886883 Composed by George Frideric Handel. Arranged by Justin M. Ryan. Baroque,Contemporar...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886883 Composed by George Frideric Handel. Arranged by Justin M. Ryan. Baroque,Contemporary. Score and parts. 6 pages. Justin M. Ryan #3009935. Published by Justin M. Ryan (A0.886883). The Water Music is a collection of orchestral movements, often published as three suites, composed by George Frederick Handel. It premiered on 17 July 1717, in response to King George I's request for a concert on the River Thames. Now in the 21st century, this piece comes alive once again. Arranged for 2 pianos, each piano is playing the same piece in 2 different keys simultaneously(D Major and G Major). Enjoy this wonderful classic.
$4.99
Cello Suite No. 1, BWV 1007: 3. Courante
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Justin M
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Cello Suite No. 1, BWV 1007: 3
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Justin M. Ryan
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.886894 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 3 pages. Justin ...
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Cello Duet Cello - Level 4 - SKU: A0.886894 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 3 pages. Justin M. Ryan #3017795. Published by Justin M. Ryan (A0.886894). The six Cello Suites, BWV 1007 to 1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717–23, when he served as a Kapellmeister in Köthen. The title of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso. Now in the 21st century, this piece comes alive once again. Arranged for 2 cellos, each cello is playing the same piece in 2 different keys simultaneously(G Major and D Major). Enjoy Part 3 of this series.
$2.99
Cello Suite No. 1, BWV 1007: 4. Sarabande
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Justin M
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Cello Suite No. 1, BWV 1007: 4
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Justin M. Ryan
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.886896 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 2 pages. Justin ...
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Cello Duet Cello - Level 4 - SKU: A0.886896 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 2 pages. Justin M. Ryan #3017797. Published by Justin M. Ryan (A0.886896). The six Cello Suites, BWV 1007 to 1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717–23, when he served as a Kapellmeister in Köthen. The title of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso. Now in the 21st century, this piece comes alive once again. Arranged for 2 cellos, each cello is playing the same piece in 2 different keys simultaneously(G Major and D Major). Enjoy Part 4 of this series.
$2.99
Cello Suite No. 1, BWV 1007: 6. Gigue
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Justin M
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Cello Suite No. 1, BWV 1007: 6
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Justin M. Ryan
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.886898 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 2 pages. Justin ...
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Cello Duet Cello - Level 4 - SKU: A0.886898 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 2 pages. Justin M. Ryan #3017801. Published by Justin M. Ryan (A0.886898). The six Cello Suites, BWV 1007 to 1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717–23, when he served as a Kapellmeister in Köthen. The title of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso. Now in the 21st century, this piece comes alive once again. Arranged for 2 cellos, each cello is playing the same piece in 2 different keys simultaneously(G Major and D Major). Enjoy Part 6 of this series.
$2.99
Cello Suite No. 3, BWV 1009: 2. Allemande
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Justin M
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Cello Suite No. 3, BWV 1009: 2
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Justin M. Ryan
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.886908 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 3 pages. Justin ...
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Cello Duet Cello - Level 4 - SKU: A0.886908 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 3 pages. Justin M. Ryan #3033643. Published by Justin M. Ryan (A0.886908). Cello Suite No. 3, BWV 1009: 2. Allemande. The six Cello Suites, BWV 1007 to 1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717–23, when he served as a Kapellmeister in Köthen. The title of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso. Now in the 21st century, this piece comes alive once again. Arranged for 2 cellos, each cello is playing the same piece in 2 different keys simultaneously(C Major and G Major). Enjoy Part 2 of this series.
$2.99
Cello Suite No. 3, BWV 1009: 6. Gigue
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Justin M
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Cello Suite No. 3, BWV 1009: 6
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Justin M. Ryan
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.886912 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 4 pages. Justin ...
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Cello Duet Cello - Level 4 - SKU: A0.886912 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score. 4 pages. Justin M. Ryan #3033653. Published by Justin M. Ryan (A0.886912). Cello Suite No. 3, BWV 1009: 6. Gigue. The six Cello Suites, BWV 1007 to 1012, are suites for unaccompanied cello by Johann Sebastian Bach. They are some of the most frequently performed and recognizable solo compositions ever written for cello. Bach most likely composed them during the period 1717–23, when he served as a Kapellmeister in Köthen. The title of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso. Now in the 21st century, this piece comes alive once again. Arranged for 2 cellos, each cello is playing the same piece in 2 different keys simultaneously(C Major and G Major). Enjoy Part 6 of this series.
$2.99
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Come Again G Major
