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FORMATION M…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
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Non classifié
358
PIANO & CLAVIERS
Piano seul
130
Piano, Voix et Guitare
84
Piano Facile
79
Piano, Voix
30
Orgue
16
Instruments en Do
6
1 Piano, 4 mains
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accordéon
3
Accompagnement Piano
1
2 Pianos, 4 mains
1
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1
2 Accordéons
1
Piano grosses notes
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Instrument seul et Orgue
1
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GUITARES
Guitare notes et tablatures
13
Guitare
13
Piano, Guitare (duo)
11
Ligne De Mélodie, (Paroles) et Accords
9
3 Guitares (trio)
7
Paroles et Accords
4
Ukulele
3
Mandoline
2
2 Guitares (duo)
2
Dulcimer
2
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Guitare (partie séparée)
1
Basse electrique
1
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VOIX
Chorale SATB
50
Chorale 3 parties
24
Chorale 2 parties
13
Chorale TTBB
8
Chorale Unison
7
Chorale SSAA
5
Voix duo
3
Voix moyenne, Piano
2
Voix seule
2
Voix haute
1
Voix Alto, Piano
1
Voix duo, Piano
1
Chorale
1
Voix Soprano, Piano
1
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VENTS
Quatuor de Saxophones: 4 saxophones
29
2 Saxophones (duo)
25
2 Flûtes traversières, Piano
25
Flûte traversière et Piano
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
2 Clarinettes (duo)
16
Quintette de Saxophone: 5 saxophones
15
Saxophone Alto et Piano
14
Flûte, Hautbois, Clarinette, Basson
14
Hautbois, Piano (duo)
13
Flûte traversière
13
Saxophone, Clarinette (duo)
13
Clarinette
12
2 Flûtes traversières (duo)
12
Quatuor de Clarinettes: 4 clarinettes
11
Saxophone Tenor et Piano
11
Ensemble de saxophones
11
Saxophone (partie séparée)
11
Clarinette et Piano
11
Clarinette, Violon (duo)
10
Ensemble de Clarinettes
10
Saxophone Alto
10
Flûte, Clarinette (duo)
9
Flûte à bec Soprano
8
Clarinette (partie séparée)
7
Clarinette, Guitare (duo)
7
Hautbois (partie séparée)
7
Flûte, Violon
7
Hautbois, Flûte
6
Clarinette, Trompette (duo)
6
Flûte et Guitare
5
Flûte à bec Alto
5
2 Hautbois (duo)
5
Saxophone Baryton, Piano
5
Flûte, Saxophone (duo)
5
Clarinette et Alto
5
Flûte à Bec
5
Hautbois, Clarinette (duo)
4
Flûte à bec Tenor
4
Clarinette, Basson (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Ensemble de Flûtes
4
3 Saxophones (trio)
3
Flûte, Trompette (duo)
3
Saxophone Tenor
3
Hautbois, Basson (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
3 Clarinettes (trio)
3
Saxophone Soprano
2
Saxophone Soprano et Piano
2
Saxophone Baryton
2
Flûte irlandaise
2
Quintette de Flûte : 5 flûtes
2
Hautbois
2
Flûte, Violoncelle, Piano (trio)
2
Cor anglais, Piano
2
Flûte, Clarinette et Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto, Piano
1
2 Flûte à bec (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Alto (duo)
1
Ensemble De Flûte à bec
1
Harmonica
1
Flute (partie séparée)
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trombone et Piano
15
Trompette, Piano
13
Quatuor de cuivres: 4 trombones
12
Trompette
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trompette, Saxophone (duo)
10
Cor et Piano
7
Cor
7
Ensemble de Trombones
7
2 Trombones (duo)
6
Trompette (partie séparée)
6
Tuba
6
Trompette, Trombone (duo)
6
2 Trompettes (duo)
4
Trombone
4
Tuba et Piano
4
Trombone (partie séparée)
4
Trio de Cuivres
2
Quatuor de Cuivres
2
Euphonium, Piano (duo)
2
Cor (partie séparée)
2
Ensemble de Trompettes
2
Cor anglais, Piano
2
4 Tubas
1
2 Cors (duo)
1
Tuba (partie séparée)
1
Trompette, Cor (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
48
Violon, Violoncelle (duo)
39
Violon et Piano
38
Violon
23
Violoncelle (partie séparée)
22
Violoncelle, Piano
19
Alto seul
14
Contre Basse
13
Trio à Cordes: violon, alto, violoncelle
12
Alto, Piano
12
2 Violons (duo)
10
Violon, Alto (duo)
10
2 Violoncelles (duo)
9
Harpe
9
Violon (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
2 Altos (duo)
7
Contrebasse, Piano (duo)
6
Trio à Cordes: 2 violons, violoncelle
6
Alto (partie séparée)
5
Violoncelle
4
Contrebasse (partie séparée)
3
2 Harpes (duo)
3
Ensemble de Violons
2
Violoncelle, Contrebasse (duo)
2
Ensemble d'Altos
2
Harpe, Flûte (duo)
2
Alto, Violoncelle (duo)
2
4 Violoncelles
1
Violoncelle , Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Violon, Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
114
Orchestre à Cordes
29
Orchestre
29
Orchestre de chambre
23
Ensemble Jazz
14
Ensemble de cuivres
12
Cloches
10
Jazz combo
9
Ensemble de Percussions
4
Fanfare
4
Percussion (partie séparée)
3
Marimba
1
Quintette de Cuivres: autres combinaisons
1
Batterie
1
Batterie (partie séparée)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Come and Dance
Partitions à imprimer
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2176
Swiss Folk Dance for two flutes and piano – 22 Canton Wallis – Ländler
2 Flûtes traversières, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182916 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182916 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #782665. Published by Helene Schulthess (A0.1182916). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.61 €
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2 Flûtes traversières, Piano
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Helene Schulthess
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Helene Schulthess
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Swiss Folk Dance for two flutes and piano – 22 Canton Wallis – Ländler
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Helene Schulthess
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SheetMusicPlus
Brother, Come and Dance with Me
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.1251138 Composed by Engelbert Hump…
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Flute,Piano - Level 1 - Digital Download SKU: A0.1251138 Composed by Engelbert Humperdinck. Arranged by Lynette Auberjeunois. Chamber,Classical,Contest,Festival,Opera. Score and part. 6 pages. Flute Files Publishing #845411. Published by Flute Files Publishing (A0.1251138). Brother, Come and Dance with Me flute solo sheet music. Composed by Engelbert Humperdinck. Arranged by Lynette Auberjeunois for late beginner level. Download in the key of C includes a one page flute solo and a two page piano score. Range: G1 to C3. Flute Files Publishing (CL60-1085).
$2.99
2.8 €
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Flûte traversière et Piano
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Engelbert Humperdinck
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Lynette Auberjeunois
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Brother, Come and Dance with Me
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Flute Files Publishing
#
SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 12 Canton Basel-Landschaft – Mazurka
2 Flûtes traversières, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182138 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182138 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #781903. Published by Helene Schulthess (A0.1182138). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.61 €
#
2 Flûtes traversières, Piano
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Helene Schulthess
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Helene Schulthess
#
Swiss Folk Dance for two flutes and piano – 12 Canton Basel-Landschaft – Mazurka
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Helene Schulthess
#
SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 23 Canton Neuenburg – Les fillettes du Landeron – Polka
2 Flûtes traversières, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182918 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182918 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #782667. Published by Helene Schulthess (A0.1182918). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.61 €
#
2 Flûtes traversières, Piano
#
Helene Schulthess
#
Helene Schulthess
#
Swiss Folk Dance for two flutes and piano – 23 Canton Neuenburg – Les fillettes du Landeron – Polka
#
Helene Schulthess
#
SheetMusicPlus
Oot-kwa-tah, Dance of the Seven Sisters
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery.…
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Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75
38.12 €
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Orchestre d'harmonie
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Brett L
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Oot-kwa-tah, Dance of the Seven Sisters
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Sonata Grendel Publishing
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SheetMusicPlus
Dances of the three daughters of Night and Darkness
Violon et Piano
Instrumental Solo,Piano,Violin - Digital Download SKU: A0.938341 Composed by Dr Ant…
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Instrumental Solo,Piano,Violin - Digital Download SKU: A0.938341 Composed by Dr Anthony Costandius. 20th Century,African,Contemporary,World. Score and individual part. 36 pages. Anthony Costandius Music #35773. Published by Anthony Costandius Music (A0.938341). A piece for solo violin and piano. Old Night and his wife Darkness live in a cave deep in the Ghost Mountains of the Kalahari Desert. They had three daughters and lived their quiet life deep in the stone cave while the whole world was covered in cold and darkness. The three daughters were called Mountains, Plains and Waters. These daughters loved to dance and their parents enjoyed watching them. Often people from far away would come and visit them, just to watch the girls dance. There are five parts: The Cave of Old Night and darkness Dance of Mountains and her tortoise shell necklace Dance of Plains and her seed-filled calabashes Dance of Waters and her dried Springbok ears, filled with tiny bone fragments Encore.
$10.00
9.36 €
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Violon et Piano
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Dr Anthony Costandius
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Dances of the three daughters of Night and Darkness
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Anthony Costandius Music
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SheetMusicPlus
Dance in the Cross Roads
Piano, Voix
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1371640 By Ken Medema. By Ke…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1371640 By Ken Medema. By Ken Medema. Arranged by Words and Music by Ken Medema. Unison, piano and Keyboard. Sacred. Score. 8 pages. Ken Medema Music #955890. Published by Ken Medema Music (A0.1371640). A Celebration of LifeCome and dance here at the crossroads, holy ground and sacred land.Come and dance here with your best friend, or maybe take a stranger’s hand.Come surrender to the rhythm, though it means your take a chance.Take the step, take the risk, come and dance.
$1.99
1.86 €
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Piano, Voix
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Ken Medema
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Words and Music by Ken Medema
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Dance in the Cross Roads
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Ken Medema Music
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SheetMusicPlus
Hold The Lass Till I Come At her
Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.139…
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1399085 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 51. Heather Mueller Music #3YEigNJU4ZdEmNADFYFnWq. Published by Heather Mueller Music (A0.1399085). Key: D major.Title: Hold The Lass Till I Come At Her Type/Genre: Traditional Fiddle Tune - Reel (Scottish) Availability: Sheet Music for Sale Immerse yourself in the spirited rhythms of Scottish tradition with Hold The Lass Till I Come At Her, a lively reel that captures the essence of the Highlands. Key Features: Authentic Scottish Flavor: Hold The Lass Till I Come At Her embodies the spirit of Scottish reel music, with its infectious rhythm and spirited melody. Delve into the rich tapestry of Scottish musical heritage as you explore this beloved tune. Interactive Sheet Music: Customize tempo and key adjustments using interactive sheet music, enabling personalized renditions of Hold The Lass Till I Come At Her. While the sheet music features the basic melody, remember that in fiddle music, the music serves as a suggestion, allowing room for your own embellishments and improvisations. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by Hold The Lass Till I Come At Her. Explore scales, bowing techniques, and rhythmic patterns derived from this spirited reel, honing your mastery of Scottish fiddling techniques. Cultural Connection: Connect with the cultural heritage of Scotland as you delve into Hold The Lass Till I Come At Her. Let the music transport you to the misty moors and lively ceilidhs where Scottish fiddlers have long celebrated the joy of music and dance. Whether you're a seasoned performer or a newcomer to Scottish music, Hold The Lass Till I Come At Her offers a spirited musical experience that celebrates the vibrant spirit and tradition of Scottish reel music. Join in the jubilant rhythms of Hold The Lass Till I Come At Her and let the music inspire your own musical journey through the Highlands.
$2.99
2.8 €
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Traditional Fiddle Tunes
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Heather M Music
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Hold The Lass Till I Come At her
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Heather Mueller Music
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
11.23 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Wold Meridian
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
11.23 €
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Various
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Alastair Lodge
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Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Wold Meridian
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SheetMusicPlus
Dance in the Cross Roads
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1375495 By Ken Medema. By Ken Med…
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C Instrument - Level 2 - Digital Download SKU: A0.1375495 By Ken Medema. By Ken Medema. Arranged by Words and Music by Ken Medema. Unison, piano and Keyboard. Sacred. Lead Sheet / Fake Book. 8 pages. Ken Medema Music #955885. Published by Ken Medema Music (A0.1375495). A celebration of lifeCome and dance here at the crossroads, holy ground and sacred land.Come and dance here with your best friend, or maybe take a stranger’s hand
$2.99
2.8 €
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Instruments en Do
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Ken Medema
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Words and Music by Ken Medema
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Dance in the Cross Roads
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Ken Medema Music
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SheetMusicPlus
Schnoodles 32 Easy Flex Duets for Band (Bb Tpt, Cl, Bar)
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.799952 Composed by Brad Carman. C…
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Concert Band - Level 2 - Digital Download SKU: A0.799952 Composed by Brad Carman. Contemporary,Folk,Standards. Score and parts. 54 pages. Brad Carman #5988509. Published by Brad Carman (A0.799952). Schnoodles Flex Duet Repertoire for Band is a collection of 32 easy duets that can be played by any two wind or keyboard players or group of players; including full band! Following in the footsteps of Schnibbles for Two, these duets offer variety, fun, and encourage creative expression and musical experimentation. This duet book asks the student to consider multiple interpretations, and making connections to other art forms, such as visual art, creative writing, and dance. Used as a compliment to any band method, this collection helps to bridge the gap between unison playing and the more ambitious ensemble repertoire that requires both independence and sometimes extreme patience, especially for those that do not carry the melody. With Schnoodles, each part takes turns carrying and supporting the melody giving each player the opportunity to experience both roles simultaneously. While Schnoodles give each player a lot to play, they also give players some creative choices. None come with a prescribed tempo, and most allow students to determine the appropriate articulations and dynamics for the piece based on their abilities, preferences, and interpretations - and hopefully - guidance from a teacher! Players are encouraged to consult teachers and more experienced musicians as they ponder the possibilities of each petit little piece.
$8.99
8.41 €
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Orchestre d'harmonie
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Brad Carman
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Schnoodles 32 Easy Flex Duets for Band
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Brad Carman
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SheetMusicPlus
Schnoodles 32 Easy Flex Duets for Band (Low C Treble Book for Var. Keyboards)
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.799955 Composed by Brad Carman. 2…
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Concert Band - Level 2 - Digital Download SKU: A0.799955 Composed by Brad Carman. 20th Century,Contemporary,Folk,Standards. Score and parts. 54 pages. Brad Carman #5988527. Published by Brad Carman (A0.799955). Schnoodles Flex Duet Repertoire for Band is a collection of 32 easy duets that can be played by any two wind or keyboard players or group of players; including full band! Following in the footsteps of Schnibbles for Two, these duets offer variety, fun, and encourage creative expression and musical experimentation. This duet book asks the student to consider multiple interpretations, and making connections to other art forms, such as visual art, creative writing, and dance. Used as a compliment to any band method, this collection helps to bridge the gap between unison playing and the more ambitious ensemble repertoire that requires both independence and sometimes extreme patience, especially for those that do not carry the melody. With Schnoodles, each part takes turns carrying and supporting the melody giving each player the opportunity to experience both roles simultaneously. While Schnoodles give each player a lot to play, they also give players some creative choices. None come with a prescribed tempo, and most allow students to determine the appropriate articulations and dynamics for the piece based on their abilities, preferences, and interpretations - and hopefully - guidance from a teacher! Players are encouraged to consult teachers and more experienced musicians as they ponder the possibilities of each petit little piece.
$8.99
8.41 €
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Orchestre d'harmonie
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Brad Carman
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Schnoodles 32 Easy Flex Duets for Band
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Brad Carman
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 2 Canton Bern – Polka
2 Flûtes traversières, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1176752 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1176752 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 4 pages. Helene Schulthess #776833. Published by Helene Schulthess (A0.1176752). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.61 €
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2 Flûtes traversières, Piano
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Helene Schulthess
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Helene Schulthess
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Swiss Folk Dance for two flutes and piano – 2 Canton Bern – Polka
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 1 Canton Zurich – Schottisch
2 Flûtes traversières, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1176750 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1176750 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 4 pages. Helene Schulthess #776830. Published by Helene Schulthess (A0.1176750). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.61 €
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2 Flûtes traversières, Piano
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Helene Schulthess
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Helene Schulthess
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Swiss Folk Dance for two flutes and piano – 1 Canton Zurich – Schottisch
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 3 Canton Lucerne – Katharina–Schottisch
2 Flûtes traversières, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179558 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179558 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Contest,Country,Festival,Folk,Patriotic,Traditional. Score. 6 pages. Helene Schulthess #779538. Published by Helene Schulthess (A0.1179558). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.61 €
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2 Flûtes traversières, Piano
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Helene Schulthess
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Helene Schulthess
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Swiss Folk Dance for two flutes and piano – 3 Canton Lucerne – Katharina–Schottisch
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 4 Canton Uri – Mazurka
2 Flûtes traversières, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179563 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179563 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Contest,Country,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #779544. Published by Helene Schulthess (A0.1179563). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.61 €
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2 Flûtes traversières, Piano
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Helene Schulthess
#
Helene Schulthess
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Swiss Folk Dance for two flutes and piano – 4 Canton Uri – Mazurka
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 7 Canton Obwalden – Walzer
2 Flûtes traversières, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179575 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179575 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Contest,Country,Festival,Folk,Patriotic,Traditional. Score. 3 pages. Helene Schulthess #779557. Published by Helene Schulthess (A0.1179575). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.61 €
#
2 Flûtes traversières, Piano
#
Helene Schulthess
#
Helene Schulthess
#
Swiss Folk Dance for two flutes and piano – 7 Canton Obwalden – Walzer
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 8 Canton Glarus – Schottisch
2 Flûtes traversières, Piano
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1179578 By Helene Schulthess.…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1179578 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Contest,Country,Festival,Folk,Patriotic,Traditional. Score. 3 pages. Helene Schulthess #779561. Published by Helene Schulthess (A0.1179578). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.61 €
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2 Flûtes traversières, Piano
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Helene Schulthess
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Helene Schulthess
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Swiss Folk Dance for two flutes and piano – 8 Canton Glarus – Schottisch
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 5 Canton Schwyz – Schottisch
2 Flûtes traversières, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179565 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1179565 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Contest,Country,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #779546. Published by Helene Schulthess (A0.1179565). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.61 €
#
2 Flûtes traversières, Piano
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Helene Schulthess
#
Helene Schulthess
#
Swiss Folk Dance for two flutes and piano – 5 Canton Schwyz – Schottisch
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 11 Canton Solothurn – Bruder lustig-Polka
2 Flûtes traversières, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182137 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182137 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #781902. Published by Helene Schulthess (A0.1182137). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.61 €
#
2 Flûtes traversières, Piano
#
Helene Schulthess
#
Helene Schulthess
#
Swiss Folk Dance for two flutes and piano – 11 Canton Solothurn – Bruder lustig-Polka
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 9 Canton Zug – Trompeten-Polka
2 Flûtes traversières, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182134 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182134 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #781898. Published by Helene Schulthess (A0.1182134). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.61 €
#
2 Flûtes traversières, Piano
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Helene Schulthess
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Helene Schulthess
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Swiss Folk Dance for two flutes and piano – 9 Canton Zug – Trompeten-Polka
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 13 Canton Basel-Stadt – Arabi-Marsch
2 Flûtes traversières, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182139 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182139 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 6 pages. Helene Schulthess #781905. Published by Helene Schulthess (A0.1182139). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.61 €
#
2 Flûtes traversières, Piano
#
Helene Schulthess
#
Helene Schulthess
#
Swiss Folk Dance for two flutes and piano – 13 Canton Basel-Stadt – Arabi-Marsch
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 10 Canton Freiburg – Gallopp
2 Flûtes traversières, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182136 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182136 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 4 pages. Helene Schulthess #781901. Published by Helene Schulthess (A0.1182136). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.61 €
#
2 Flûtes traversières, Piano
#
Helene Schulthess
#
Helene Schulthess
#
Swiss Folk Dance for two flutes and piano – 10 Canton Freiburg – Gallopp
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Helene Schulthess
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SheetMusicPlus
Swiss Folk Dance for two flutes and piano – 20 Canton Thurgau – Tannzapfenwalzer
2 Flûtes traversières, Piano
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182913 By Helene Schulthess.…
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182913 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #782662. Published by Helene Schulthess (A0.1182913). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
$6.00
5.61 €
#
2 Flûtes traversières, Piano
#
Helene Schulthess
#
Helene Schulthess
#
Swiss Folk Dance for two flutes and piano – 20 Canton Thurgau – Tannzapfenwalzer
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Helene Schulthess
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SheetMusicPlus
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