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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Vous avez sélectionné:
Come to the Table
Partitions à imprimer
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5501
Invitation to Communion
Chorale SATB
SATB choir - Easy SKU: LO.10-1189S For Mixed Voices (SATB) and Keyboard. Com…
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SATB choir - Easy SKU: LO.10-1189S For Mixed Voices (SATB) and Keyboard. Composed by Deborah Govenor. Choral. SC Series. Sacred Anthem, Holy Communion. Octavo. Sacred Music Press #10/1189S. Published by Sacred Music Press (LO.10-1189S). UPC: 000308026979.SATB. Holy Communion. Ideal for use during the distribution of communion(COME TO THE TABLE, COME TO THE FEAST), or at the conclusion of the celebration (GO THEN IN PEACE...AND YOUR FAITH INCREASE). Very easy, melodic and folk-like style, with flowing keyboard accompaniment.
Song List: Invitation to Communion
Song List
: Invitation to Communion
$2.75
2.51 €
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Chorale SATB
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Deborah Govenor
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Invitation to Communion
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Sacred Music Press
#
SheetMusicPlus
O Come to the Stable
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244634 By John van Gulik.…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244634 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas,Holiday,Religious. Octavo. 17 pages. John van Gulik #839588. Published by John van Gulik (A0.1244634). A simple setting to an original text by John van Gulik, this is arranged for 4 part men's choir. Suitable for Christmas concertsO come to the stable, O come to the BabeSee there in a manger, The Holy One is laid.O come to the stable, O come to the BabeA child like no other, A message of loveSinging Gloria in Excelcis, On a cold winter's breezeAngels guided the shepherds, To fall on their kneesO come to the stable. Whisper softly to findHis mother now resting, Sleeping Saviour of manThe wise men from asia, Being led by a starA call to come worship, The King of heaven's SonThe prophets of old days, Spoke a message of loveAnd mercy for all man, The Messiah has comeFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
1.83 €
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Chorale TTBB
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John van Gulik
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John van Gulik
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O Come to the Stable
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John van Gulik
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SheetMusicPlus
Come to the Table of the Lord
Chorale SATB
Choir Sacred Opt. C-Instrument (SATB choir) - Grade 3 - Digital Download SKU: JX.00-180…
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Choir Sacred Opt. C-Instrument (SATB choir) - Grade 3 - Digital Download SKU: JX.00-18030 Composed by Patrick M. Liebergen. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Communion; Holy Week; Lent; Sacred; Spring. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-18030. Published by Jubilate Music Group - Digital (JX.00-18030). English. Exodus 12:1-14; Mark 14:12-25; Matthew 26:17-25; Psalm 116; 1 Corinthians 11:23-36; John 13:1-30; Luke 22:7-13.Come to the Table of the Lord is a Communion anthem that may be performed throughout the year and especially during Holy Week. Suggested corresponding lectionary readings include Exodus 12: 1-14, Psalm 116, Matthew 26: 17-25, Mark 14: 12-25, Luke 22: 7-13, John 13: 1-30 and 1 Corinthians 11: 23-36. One basic homiletical theme is accepting the invitation to join with all the Christians in holy Communion at the Lord's table.
$2.25
2.06 €
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Chorale SATB
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Patrick M
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Choral Octavo
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Come to the Table of the Lord
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Jubilate Music Group - Digital
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SheetMusicPlus
Come to the Table of the Lord
Cloches
Handbells 3-5 octave handbell accompaniment - Level 2 - Digital Download SKU: H1.2766DP…
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Handbells 3-5 octave handbell accompaniment - Level 2 - Digital Download SKU: H1.2766DP Composed by Jay Althouse. Sing & Ring Series. Ring & Sing, General Worship, Communion, Sacred. Handbell score. 4 pages. Hope Publishing - Digital #2766DP. Published by Hope Publishing - Digital (H1.2766DP). Sally Albrecht. Mark 14:12 - Mark 14:13 - Mark 14:14 - Mark 14:15 - Mark 14:16 - Mark 14:17 - Mark 14:18 - Mark 14:19 - Mark 14:20 - Mark 14:21 - Mark 14:22 - Mark 14:23 - Mark 14:24 - Mark 14:25 - Mark 14:26 - Matthew 26:20 - Matthew 26:21 - Matthe.Original Communion anthem This Communion ring & sing anthem is now available for two-part mixed choir with optional handbell accompaniment. This is a tried and proven winner from the Hope catalog and ideal for churches looking for creative ways to include handbells in worship. The SATB demo recording with piano accompaniment can be listened to at hopepublishing. com.
$5.95
5.44 €
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Cloches
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Jay Althouse
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Come to the Table of the Lord
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Hope Publishing - Digital
#
SheetMusicPlus
Come to the Table of the Lord
Choral (Choral, Handbells) - Level 2 - Digital Download SKU: H1.A682DP Composed by …
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Choral (Choral, Handbells) - Level 2 - Digital Download SKU: H1.A682DP Composed by Jay Althouse. General Worship, Communion, Sacred. Octavo. 8 pages. Hope Publishing - Digital #A682DP. Published by Hope Publishing - Digital (H1.A682DP). Sally Albrecht. Mark 14:12 - Mark 14:13 - Mark 14:14 - Mark 14:15 - Mark 14:16 - Mark 14:17 - Mark 14:18 - Mark 14:19 - Mark 14:20 - Mark 14:21 - Mark 14:22 - Mark 14:23 - Mark 14:24 - Mark 14:25 - Mark 14:26 - Matthew 26:20 - Matthew 26:21 - Matthe.Original Communion anthem This Communion ring & sing anthem is now available for two-part mixed choir with optional handbell accompaniment. This is a tried and proven winner from the Hope catalog and ideal for churches looking for creative ways to include handbells in worship. The SATB demo recording with piano accompaniment can be listened to at hopepublishing. com.
$2.95
2.7 €
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Jay Althouse
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Come to the Table of the Lord
#
Hope Publishing - Digital
#
SheetMusicPlus
Come to the Table of the Lord
Chorale 2 parties
Choral 2-part mixed choir, 3-5 octave handbells - Level 2 - Digital Download SKU: H1.C6…
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Choral 2-part mixed choir, 3-5 octave handbells - Level 2 - Digital Download SKU: H1.C6034DP Composed by Jay Althouse. General Worship, Communion, Sacred. Octavo. 8 pages. Hope Publishing - Digital #C6034DP. Published by Hope Publishing - Digital (H1.C6034DP). Sally Albrecht. Mark 14:12 - Mark 14:13 - Mark 14:14 - Mark 14:15 - Mark 14:16 - Mark 14:17 - Mark 14:18 - Mark 14:19 - Mark 14:20 - Mark 14:21 - Mark 14:22 - Mark 14:23 - Mark 14:24 - Mark 14:25 - Mark 14:26 - Matthew 26:20 - Matthew 26:21 - Matthe.Original Communion anthem This Communion ring & sing anthem is now available for two-part mixed choir with optional handbell accompaniment. This is a tried and proven winner from the Hope catalog and ideal for churches looking for creative ways to include handbells in worship. The SATB demo recording with piano accompaniment can be listened to at hopepublishing. com.
$2.95
2.7 €
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Chorale 2 parties
#
Jay Althouse
#
Come to the Table of the Lord
#
Hope Publishing - Digital
#
SheetMusicPlus
Come to the Table of the Lord
Choral, Handbell (Choral, Handbells) - Level 2 - Digital Download SKU: H1.A661DP Co…
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Choral, Handbell (Choral, Handbells) - Level 2 - Digital Download SKU: H1.A661DP Composed by Jay Althouse. Piano Accompaniment. Sing & Ring Series. Ring & Sing, General Worship, Communion, Sacred. Octavo. 8 pages. Hope Publishing - Digital #A661DP. Published by Hope Publishing - Digital (H1.A661DP). Sally Albrecht. Mark 14:12 - Mark 14:13 - Mark 14:14 - Mark 14:15 - Mark 14:16 - Mark 14:17 - Mark 14:18 - Mark 14:19 - Mark 14:20 - Mark 14:21 - Mark 14:22 - Mark 14:23 - Mark 14:24 - Mark 14:25 - Mark 14:26 - Matthew 26:20 - Matthew 26:21 - Matthe.Original Communion anthem This Communion ring & sing anthem is now available for two-part mixed choir with optional handbell accompaniment. This is a tried and proven winner from the Hope catalog and ideal for churches looking for creative ways to include handbells in worship. The SATB demo recording with piano accompaniment can be listened to at hopepublishing. com.
$2.95
2.7 €
#
Jay Althouse
#
Come to the Table of the Lord
#
Hope Publishing - Digital
#
SheetMusicPlus
When I Survey the Wondrous Cross
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
2.29 €
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Chorale SATB
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross
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WheatMyer Music
#
SheetMusicPlus
Come to the Table Where Bread Is Broken
Choral SAB chorus - Digital Download SKU: H1.C5242DP Composed by John Carter. Piano…
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Choral SAB chorus - Digital Download SKU: H1.C5242DP Composed by John Carter. Piano Accompaniment. General Worship, Communion, Lord's Supper. Octavo. 8 pages. Hope Publishing - Digital #C5242DP. Published by Hope Publishing - Digital (H1.C5242DP). Mary Kay Beall.Original anthem Utilizing a well known melody and a new Mary Kay Beall communion text, John Carter has crafted a beautiful anthem for the celebration of the Lord's supper. Approaching the Eucharist as a joyful, fulfilling experience, this text reminds us that when we Come to the Table. . . Jesus meets us there and offers us all that we need for the journey ahead: peace, blessing, grace, love, forgiveness, and new life.
$2.95
2.7 €
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John Carter
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Come to the Table Where Bread Is Broken
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Hope Publishing - Digital
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SheetMusicPlus
O Come All Ye Faithful for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548510 Composed by Wade.…
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B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548510 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388105. Published by jmsgu3 (A0.548510). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Clarinet in Bb. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
22.81 €
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Clarinette et Piano
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Wade
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James M
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O Come All Ye Faithful for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.548511 Composed by Wade. Arr…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113. Published by jmsgu3 (A0.548511). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Horn in F O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
22.81 €
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Cor et Piano
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Wade
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James M
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O Come All Ye Faithful for French Horn & Piano
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.548513 Composed by Wade. Arranged b…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.548513 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388123. Published by jmsgu3 (A0.548513). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.81 €
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Hautbois, Piano (duo)
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Wade
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James M
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O Come All Ye Faithful for Oboe & Piano
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jmsgu3
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SheetMusicPlus
A Place at the Table
(Choral) - Digital Download SKU: H1.8606DP Author Collections. Hymntune, General Wo…
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(Choral) - Digital Download SKU: H1.8606DP Author Collections. Hymntune, General Worship. Hymn Collection. 163 pages. Hope Publishing - Digital #8606DP. Published by Hope Publishing - Digital (H1.8606DP). Shirley Erena Murray.While not much concerned about posterity, I offer this collection for the here and now, as a kind of spiritual autobiography of the years since writing 'Touch the Earth Lightly' (Hope, 2009). The themes will tell you that I have not ceased to centre on peace, partnered with justice, as these related to our own faith journey. But now that I find my life further away from the church and closer to what Jesus is actually pointing to, new elements come into play. Here is one: I have used the words of the hymn 'A Place at the Table' as title for this book, because there are still Christian people not welcome, either at the communion table or at the common table of society. . . . Creating justice and joy means walking into the territory of basic human rights, as Jesus did. It means being aware of our own fragility as well as our planet's, and using technology wisely. . . . Because I live in a highly secular society in Aotearoa/New Zealand, I am conscious of how the stereotypes of Christianity can be cynically dismissed. I long to say that there is so much to understand and embrace in the wisdom, spiritual treasury and survival skills that Jesus has given the world. It is also an interfaith and interactive world I live in, so some of these texts reflect my hope for the 'care and connection making us kin' that seems imperative for our human survival. . . . These hymns - be they attempting the pastoral, the prophetic or the impossible - are my present way to express this for myself, and hopefully, for you. - Shirley Erena Murray
$14.95
13.67 €
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A Place at the Table
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Hope Publishing - Digital
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SheetMusicPlus
O Come All Ye Faithful for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548515 Composed by Wade. …
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548515 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388127. Published by jmsgu3 (A0.548515). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Trumpet in Bb O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.81 €
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Trompette
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Wade
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James M
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O Come All Ye Faithful for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.548514 Composed by Wade. Arrang…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548514 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388129. Published by jmsgu3 (A0.548514). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.81 €
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Trombone et Piano
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Wade
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James M
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O Come All Ye Faithful for Trombone & Piano
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548516 Composed by Wade.…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388133. Published by jmsgu3 (A0.548516). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.81 €
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Saxophone Tenor et Piano
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Wade
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James M
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O Come All Ye Faithful for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Violin & Piano
Violon et Piano
Piano,Violin - Level 1 - Digital Download SKU: A0.548518 Composed by Wade. Arranged…
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Piano,Violin - Level 1 - Digital Download SKU: A0.548518 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 4 pages. Jmsgu3 #3388143. Published by jmsgu3 (A0.548518). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page.O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$26.95
24.64 €
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Violon et Piano
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Wade
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James M
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O Come All Ye Faithful for Violin & Piano
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548519 Composed by Wade. Arranged …
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Piano,Viola - Level 1 - Digital Download SKU: A0.548519 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 6 pages. Jmsgu3 #3388141. Published by jmsgu3 (A0.548519). O Come All Ye Faithful arranged with new harmony for the final verse. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the verses may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other verses are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
22.81 €
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Alto, Piano
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Wade
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James M
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O Come All Ye Faithful for Viola & Piano
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jmsgu3
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SheetMusicPlus
Come, Come Ye Saints
Harpe
Harp - Advanced Intermediate - Digital Download Arranged by Ray Pool. Latter- Day Sain…
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Harp - Advanced Intermediate - Digital Download Arranged by Ray Pool. Latter- Day Saints, General Worship. 80 pages. Published by Afghan Press Music for the Harp
A collection of fifty hymns of The Church Jesus Christ of Latter-Day Saints (Mormon faith) in lead sheet or fake book format, taken directly from the collection printed in 1985 with the simple title “Hymns.” It includes a broad selection of these hymns to print with melody line, chord symbols, editings for harmonic adjustment on either lever or pedal harp, simultaneously, and the first verse of lyrics. Three separate “Table of Contents” listings organize the entries according to first line of text, level of difficulty, and key signature.If you already play from a fake book, this will be a resource of immediate use to you. If you want to learn to play from a fake book, this is a great place to start.<br> <br> Titles: Abide with Me, Angels We Have Heard on High, Christ the Lord is Risen Today, Come Unto Jesus, Come, Come Ye Saints, Come, Listen to a Prophet's Voice, Come, O Thou King of Kings, Come, Ye Children of the Lord, Come, Ye Disconsolate, Did You Think to Pray?, Far, Far Away on Judea's Plains, Father in Heaven, For the Beauty of the Earth, For the Strength of the Hills, God Be With You Till We Meet Again, God of Our Fathers, Whose Almighty Hand, God, Our Father, Hear Us Pray, He Is Risen!, High on the Mountaintop, How Firm a Foundation, How Gentle God's Command, How Great the Wisdom and Love, I Know that my Redeemer Lives, I Need Thee Every Hour, I Stand All Amazed, I'll Go Where You Want Me to Go, In Humility, Our Savior, In Hymns of Praise, Israel, Israel, God is Calling, Jesus, Once of Humble Birth, Jesus, Savior, Pilot Me, Jesus, The Very Thought of Thee, Joseph Smith's First Prayer, Joy to the World, Let Us All Press On, Lead, Kindly Light, Oh, Come, All Ye Faithful, Now Let Us Rejoice, O My Father, Praise God, from Whom All Blessings Flow, Put Your Shoulder to the Wheel, Redeemer of Israel, Rejoice, the Lord is King, Silent Night, Sweet is the Work, The Lord Is My Shepherd, The Spirit of God, There is a Green Hill Far Away, We Ever Pray for Thee, Zion Stands with Hills Surrounded.A collection of fifty hymns of The Church Jesus Christ of Latter-Day Saints (Mormon faith) in lead sheet or fake book format, taken directly from the collection printed in 1985 with the simple title “Hymns.” It includes a broad selection of these hymns to print with melody line, chord symbols, editings for harmonic adjustment on either lever or pedal harp, simultaneously, and the first verse of lyrics. Three separate “Table of Contents” listings organize the entries according to first line of text, level of difficulty, and key signature.If you already play from a fake book, this will be a resource of immediate use to you. If you want to learn to play from a fake book, this is a great place to start.<br> <br> Titles: Abide with Me, Angels We Have Heard on High, Christ the Lord is Risen Today, Come Unto Jesus, Come, Come Ye Saints, Come, Listen to a Prophet's Voice, Come, O Thou King of Kings, Come, Ye Children of the Lord, Come, Ye Disconsolate, Did You Think to Pray?, Far, Far Away on Judea's Plains, Father in Heaven, For the Beauty of the Earth, For the Strength of the Hills, God Be With You Till We Meet Again, God of Our Fathers, Whose Almighty Hand, God, Our Father, Hear Us Pray, He Is Risen!, High on the Mountaintop, How Firm a Foundation, How Gentle God's Command, How Great the Wisdom and Love, I Know that my Redeemer Lives, I Need Thee Every Hour, I Stand All Amazed, I'll Go Where You Want Me to Go, In Humility, Our Savior, In Hymns of Praise, Israel, Israel, God is Calling, Jesus, Once of Humble Birth, Jesus, Savior, Pilot Me, Jesus, The Very Thought of Thee, Joseph Smith's First Prayer, Joy to the World, Let Us All Press On, Lead, Kindly Light, Oh, Come, All Ye Faithful, Now Let Us Rejoice, O My Father, Praise God, from Whom All Blessings Flow, Put Your Shoulder to the Wheel, Redeemer of Israel, Rejoice, the Lord is King, Silent Night, Sweet is the Work, The Lord Is My Shepherd, The Spirit of God, There is a Green Hill Far Away, We Ever Pray for Thee, Zion Stands with Hills Surrounded.
$20.00
18.28 €
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Harpe
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Ray Pool
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Come, Come Ye Saints
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Afghan Press Music for the Harp
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SheetMusicPlus
Let the Rocks Keep Their Silence - Inst Parts
Handbell 3 octaves, C Instrument - Digital Download SKU: LX.30-1466LA Handbell a…
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Handbell 3 octaves, C Instrument - Digital Download SKU: LX.30-1466LA Handbell and C Inst Part. Composed by Joseph M. Martin. Sacred Anthem. Inst Parts. 9 pages. Laurel Press - Digital #e30/1466LA. Published by Laurel Press - Digital (LX.30-1466LA). SATB-Optional C-instrument, Handbells (3 octaves)- Gleaned from the best-selling cantata Come To The Table, this joyous outburst of glad Hosannas!ö will begin you church's Passion Week with suitable celebration. The optional instruments add an extra degree of festivity.
$39.95
36.52 €
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Joseph M
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Let the Rocks Keep Their Silence - Inst Parts
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Laurel Press - Digital
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SheetMusicPlus
O Come All Ye Faithful for Piano Trio
Piano Trio: piano, violon, violoncelle
Piano Trio - Level 1 - Digital Download SKU: A0.548647 Composed by Wade. Arranged b…
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Piano Trio - Level 1 - Digital Download SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A0.548647). O Come, All Ye Faithful O Come, All Ye Faithful arranged for piano trio ( piano, violin & cello) featuring a thought-provoking re-harmonization of the final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
22.81 €
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Piano Trio: piano, violon, violoncelle
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Wade
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James M
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O Come All Ye Faithful for Piano Trio
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jmsgu3
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SheetMusicPlus
Invitation to Communion
Chorale SATB
SATB choir - Easy - Digital Download SKU: LX.10-1189S For Mixed Voices (SATB) an…
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SATB choir - Easy - Digital Download SKU: LX.10-1189S For Mixed Voices (SATB) and Keyboard. Composed by Deborah Govenor. SC Series. Sacred Anthem, Communion. Octavo. 8 pages. Sacred Music Press #e10/1189S. Published by Sacred Music Press (LX.10-1189S). UPC: 000308026979.SATB. Holy Communion. Ideal for use during the distribution of communion(COME TO THE TABLE, COME TO THE FEAST), or at the conclusion of the celebration (GO THEN IN PEACE...AND YOUR FAITH INCREASE). Very easy, melodic and folk-like style, with flowing keyboard accompaniment.
$2.40
2.19 €
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Chorale SATB
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Deborah Govenor
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Invitation to Communion
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Sacred Music Press
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SheetMusicPlus
"Come to the Table" for solo or unison voices and piano
Chorale Unison
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.978234 Composed by Jason…
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Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.978234 Composed by Jason A. Heald. Christian,Sacred. Octavo. 8 pages. Call of the Wild Publishing #6504859. Published by Call of the Wild Publishing (A0.978234). Come to the Table, by Jason A. Heald, is a gentle communion anthem scored for solo or unison voices and piano. It is also available for SAB choir and piano. To view or purchase music by Jason Heald, visit www.jasonheald.com .
$2.50
2.29 €
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Chorale Unison
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Jason A
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"Come to the Table" for solo or unison voices and piano
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Call of the Wild Publishing
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SheetMusicPlus
"Come to the Table" for SAB voices and piano
Chorale 3 parties
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.978232 Composed by Jason A.…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.978232 Composed by Jason A. Heald. Christian,Sacred. Octavo. 10 pages. Call of the Wild Publishing #6504839. Published by Call of the Wild Publishing (A0.978232). Come to the Table, by Jason A. Heald, is a gentle communion anthem scored for SAB choir and piano. It is also available as a solo selection. To view or purchase music by Jason Heald, visit www.jasonheald.com .
$2.50
2.29 €
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Chorale 3 parties
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Jason A
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"Come to the Table" for SAB voices and piano
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Call of the Wild Publishing
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SheetMusicPlus
O Come All Ye Faithful for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arrange…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
22.81 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Wade
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James M
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O Come All Ye Faithful for Piano Quartet
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jmsgu3
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SheetMusicPlus
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