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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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AUTRES
Vous avez sélectionné:
Coming Into Harmony
Partitions à imprimer
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Coming Into Harmony
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.787310 Composed by Greg Barthol…
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Full Orchestra - Level 3 - Digital Download SKU: A0.787310 Composed by Greg Bartholomew. Concert,Contemporary,Standards. Score and parts. 30 pages. Burke & Bagley #50561. Published by Burke & Bagley (A0.787310). Coming Into Harmony was commissioned in 2007 by Miguel Almaguer Molina for the Meaning of Peace project. For orchestra: 2222 2221 Timpani Percussion & Strings. Duration: ca. 1 minute. A Back to School 2015 feature.
$14.99
13.42 €
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Orchestre
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Greg Bartholomew
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Coming Into Harmony
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Burke & Bagley
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SheetMusicPlus
Coming to a Close (Level 4 piano solo)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.876864 Composed by Rhonda Bradley. …
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Piano Solo - Level 5 - Digital Download SKU: A0.876864 Composed by Rhonda Bradley. 20th Century,Contemporary,New Age,Pop. Score. 5 pages. Miss Rhonda’s Piano Music #2907497. Published by Miss Rhonda’s Piano Music (A0.876864). Coming to a Close from the piano solo CD Where Everything is MusicAdvanced piano solo by Rhonda Bradley5 pages (including cover)This crowd-pleaser is worth every moment of your efforts because you'll continue playing it for a lifetime. Built on a strong and unforgettable melody, this song shines thanks to its' backdrop of busy and relentless harmony in the key of C minor. It's a combination of the Baroque, Classical, and New Age genres that never fails to stop passersby from asking What song is that?This piece does not include finger numbers but instead leaves them up to the choice of the performer. There are a handful of finger numbers written into the first two measures as a suggestion.Please check out the MP3 sample above -- it's listed just below the smaller thumbnail underneath the words look inside.Tips for learning this piece:- Write in the finger numbers as you choose them. Determining which finger numbers you'll use is the greatest challenge.- Memorize as you go. It won't be possible to read and perform this song at a professional level. Your hands will be all over the keyboard and you'll need your eyes to be there, too!Please let me know if there's any way I can help you in learning this piece. Enjoy!
$3.99
3.57 €
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Piano seul
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Rhonda Bradley
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Coming to a Close
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Miss Rhonda’s Piano Music
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SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.75 €
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Various
#
Alastair Lodge
#
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Wold Meridian
#
SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.75 €
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Wold Meridian
#
SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.57 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
I'm In Love With A Monster
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1430663 By Fif…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1430663 By Fifth Harmony. By Carmen Reece, Edgar Etienne, Ericka Coulter, Harmony Samuels, and Sara Mancuso. Arranged by Jeffrey Bowen. Contest,Festival,Film/TV,Pop. 9 pages. Music Arrangement Services Inc. #1011164. Published by Music Arrangement Services Inc. (A0.1430663). Performed by Fifth Harmony from the film “Hotel Transylvania 2”. This arrangement starts SSA with the lower voices coming in about a minute into the song, which makes this arrangement perfect for a transition or clothing change in your show. This song is about being in love with someone that is their opposite. The song refers to a monster, thorns, roses, covered in dirt, covered in gold, ticking someone off, being stupid, being bored, bitter the better. This arrangement is shorter than the original, offers a vocal splash and dance break. This arrangement is designed for high school or college show choir, concert choir or community choir. Concert Band Score accompaniment also available. Performance time is approximately 2:20.
$3.99
3.57 €
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Chorale SATB
#
Fifth Harmony
#
Jeffrey Bowen
#
I'm In Love With A Monster
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Music Arrangement Services Inc.
#
SheetMusicPlus
I'm In Love With A Monster
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1430664 By Fifth Harmony. By Carm…
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Concert Band - Level 4 - Digital Download SKU: A0.1430664 By Fifth Harmony. By Carmen Reece, Edgar Etienne, Ericka Coulter, Harmony Samuels, and Sara Mancuso. Arranged by Jeffrey Bowen. Contest,Festival,Film/TV,Pop. 49 pages. Music Arrangement Services Inc. #1011165. Published by Music Arrangement Services Inc. (A0.1430664). Performed by Fifth Harmony from the film “Hotel Transylvania 2”. This arrangement starts SSA with the lower voices coming in about a minute into the song, which makes this arrangement perfect for a transition or clothing change in your show. This Concert Band Scores accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. This song is about being in love with someone that is their opposite. The song refers to a monster, thorns, roses, covered in dirt, covered in gold, ticking someone off, being stupid, being bored, bitter the better. This arrangement is shorter than the original, offers a vocal splash and dance break. This arrangement is designed for high school or college show choir, concert choir or community choir. SATB/Piano Score also available. Performance time is approximately 2:20.
$49.99
44.77 €
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Orchestre d'harmonie
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Fifth Harmony
#
Jeffrey Bowen
#
I'm In Love With A Monster
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Music Arrangement Services Inc.
#
SheetMusicPlus
Swingin' in 2/4 You
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1153129 Composed by Ron Flint…
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String Orchestra - Level 1 - Digital Download SKU: A0.1153129 Composed by Ron Flintjer. Pop. Score and parts. 10 pages. Ron Flintjer #753368. Published by Ron Flintjer (A0.1153129). Let this be your Elementary String Orchestra's first foray into the musical idiom of Swing! Coming of age in the 1940's, swing music was the most popular genre among America's teenagers, twenty-somethings, and those who were young at heart! They couldn't stop dancing when the orchestras of the time launched into one of these numbers! Written in 2/4 time, Swing'n' in Two is a lighthearted glimpse for your youngsters into the pop music of yesteryear. This chart has three part harmony, as the second violin and viola play the same part as do the cello and string bass. Your first violin is on his or her own! And take the tempo up , once they master it!
$14.00
12.54 €
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Orchestre à Cordes
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Ron Flintjer
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Swingin' in 2/4 You
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Ron Flintjer
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SheetMusicPlus
An Elegy for Hopes and Dreams
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed…
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Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.
$27.99
25.07 €
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Piano Trio: piano, violon, violoncelle
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William Heath
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An Elegy for Hopes and Dreams
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William Heath
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SheetMusicPlus
Winter Stars
Chorale 3 parties
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.826985 Composed by Rich Cam…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.826985 Composed by Rich Campbell. A Cappella,Contemporary. Octavo. 8 pages. Pay The Band Music #2031155. Published by Pay The Band Music (A0.826985). Text by Pulitzer Prize winning American poet Sara Teasdale (1884-1933). A pensive, reflective, universal coming of age theme; perhaps written with WW I in mind; it rings as true today with our current wars. The poem's optimism doesn't fully resonate until the last verse, indeed the last line. The music develops from the melody in the first verse, heard in sixths, in Em, around a pedal tone: the constancy of the heavens. The melody is heard again, but this time simultaneously inverted. When the stars are mentioned, we move from minor to major. In the 3rd verse, about the innocence of childhood, all voices move together into three-part harmony in major keys (with a subtle key shift in the third line). The last verse includes the lyric All things are changed, save in the east.. It begins with all voices singing the inverted melody in harmony; it goes from E major, to G major, and concludes with the melody un-inverted, in E major.
$2.50
2.24 €
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Chorale 3 parties
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Rich Campbell
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Winter Stars
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Pay The Band Music
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SheetMusicPlus
Legacy for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brand…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
35.82 €
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Orchestre de chambre
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Legacy for Clarinet, Violin, Cello, and Piano
Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755023
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Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755023 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 94 pages. Sy Brandon #3244205. Published by Sy Brandon (A0.755023). Legacy is a three movement composition that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor, and later transcribed by the composer for quartet for the chamber music group, enhaké. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming. The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the clarinet brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Legacy has been recorded by enhaké on the Emeritus Recordings CD Legacy.
$14.99
13.42 €
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Sy Brandon
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Legacy for Clarinet, Violin, Cello, and Piano
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Sy Brandon
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SheetMusicPlus
Legacy
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95
44.73 €
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Orchestre
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Sy Brandon
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Legacy
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Sy Brandon
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SheetMusicPlus
The First Noel/Silent Night
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1102939 Composed by Franz …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1102939 Composed by Franz Xaver Gruber, Joseph Mohr. Arranged by Julie Hinton. Christian,Christmas,Holiday,Sacred,Traditional. Octavo. 4 pages. Red Tape Productions #706265. Published by Red Tape Productions (A0.1102939). Great for community choirs and those groups with developing singers. The women sing a 2-part First Noel over a men's 2-part Silent Night, coming together at the end in lovely 4-part harmony. It's accompanied by a moving piano part that slightly alters the traditional chords, giving the familiar carols a fresh, peaceful feel.
$2.25
2.02 €
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Chorale SATB
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Franz Xaver Gruber, Joseph Mohr
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Julie Hinton
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The First Noel/Silent Night
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Red Tape Productions
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SheetMusicPlus
The Sound Of Silence
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1272897 By Simon And Garfu…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1272897 By Simon And Garfunkel. By Paul Simon. Arranged by Julie Hinton. 20th Century,A Cappella,Pop,Rock,Singer/Songwriter. Octavo. 6 pages. Red Tape Productions #865095. Published by Red Tape Productions (A0.1272897). SATB a capella. This chart gives the traditional Simon & Garfunkel harmony to the alto and bass, while the soprano and tenor provide the rhythmic backup, all coming together at the ends of each verse. A flowing arrangement great for a capella groups and small ensembles! Also available in TTBB a capella, and SATB and TTBB with piano accompaniment.
$2.25
2.02 €
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Chorale SATB
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Simon And Garfunkel
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Julie Hinton
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The Sound Of Silence
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Red Tape Productions
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SheetMusicPlus
The Sound Of Silence
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1273534 By Simon And Garfu…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1273534 By Simon And Garfunkel. By Paul Simon. Arranged by Julie Hinton. 20th Century,A Cappella,Barbershop,Rock,Singer/Songwriter. Octavo. 6 pages. Red Tape Productions #865673. Published by Red Tape Productions (A0.1273534). TTBB a capella.  This chart uses the traditional Simon & Garfunkel harmony to the a lead tenor and bass, while the high tenor and baritone provide rhythmic backup, all coming together at the ends of each verse.  A flowing arrangement great for barbershop groups and small men's ensembles! Also available in SATB a capella and SATB and TTBB with piano accompaniment.
$2.25
2.02 €
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Chorale TTBB
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Simon And Garfunkel
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Julie Hinton
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The Sound Of Silence
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Red Tape Productions
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SheetMusicPlus
Chording to Consort Full Score Version with chords Book 2 - Score Only
Level 2 - Digital Download SKU: A0.1245199 By Various. By Anonymous, Claude Gervais…
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Level 2 - Digital Download SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig Senfl, Michael Praetorius, Pierre Attaignanant, Pierre Bonnet, and Tielman Susato. Arranged by Alastair Lodge. Classical,Early Music,Historic,Medieval,Renaissance. 43 pages. Wold Meridian #840108. Published by Wold Meridian (A0.1245199). This is a companion to my earlier volume Chording to Consort which presented 35 Renaissance Dance band tunes and Chansons and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited the remaining 17 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. Â You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkPO9vTOgEoG_kRJlJ5nUHnxComposers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on.Working with this publicationFor those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.75 €
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Various
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Alastair Lodge
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Chording to Consort Full Score Version with chords Book 2 - Score Only
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Wold Meridian
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SheetMusicPlus
Santa Claus Is Comin' To Town
Clarinette, Violon (duo)
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.589345 By Steve Tyrell. By John Frederick Coots. Arranged by David McKeown. Christmas,Contemporary,Jazz,Rock. Score and parts. 3 pages. David McKeown #6064545. Published by David McKeown (A0.589345). Santa Claus is Coming to Town was written in 1934 by Fred Coots and Haven Gillespie. Although it was a big sheet music seller at the time, it was Perry Como’s 1951 recording that turned it into a major hit. The simple harmony and melody have made this a perennial favourite with everyone from Sinatra to the Jacksons, Maria Carey and Bruce Springsteen. This version borrows from the swinging jazz style of various Sinatra recordings and is arranged as a duet for one Clarinet and one Violin.Musicians at an intermediate level and above will find this ideal for formal and informal Christmas performances. There are syncopated swing rhythms and some less familiar accidentals. The overall performance time is around two and a half minutes. The short audio sample is from the Clarinet and Alto Saxophone version.Teachers will enjoy using this arrangement as a fun way to help with jazz rhythms and articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.36 €
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Clarinette, Violon (duo)
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Steve Tyrell
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David McKeown
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Santa Claus Is Comin' To Town
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David McKeown
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SheetMusicPlus
Santa Claus Is Comin' To Town
Flûte, Violon
Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.589350 By Steve Tyrell. By John Frederick Coots. Arranged by David McKeown. Christmas,Contemporary,Jazz,Rock. Score and parts. 3 pages. David McKeown #6064559. Published by David McKeown (A0.589350). Santa Claus is Coming to Town was written in 1934 by Fred Coots and Haven Gillespie. Although it was a big sheet music seller at the time, it was Perry Como’s 1951 recording that turned it into a major hit. The simple harmony and melody have made this a perennial favourite with everyone from Sinatra to the Jacksons, Maria Carey and Bruce Springsteen. This version borrows from the swinging jazz style of various Sinatra recordings and is arranged as a duet for one Flute and one Violin.Musicians at an intermediate level and above will find this ideal for formal and informal Christmas performances. There are syncopated swing rhythms and some less familiar accidentals. The overall performance time is around two and a half minutes. The short audio sample is from the Clarinet and Alto Saxophone version.Teachers will enjoy using this arrangement as a fun way to help with jazz rhythms and articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.36 €
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Flûte, Violon
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Steve Tyrell
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David McKeown
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Santa Claus Is Comin' To Town
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David McKeown
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SheetMusicPlus
Santa Claus Is Comin' To Town
Flûte, Trompette (duo)
Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.589348 By Steve Tyrell. By John Frederick Coots. Arranged by David McKeown. Christmas,Contemporary,Jazz,Rock. Score and parts. 3 pages. David McKeown #6064553. Published by David McKeown (A0.589348). Santa Claus is Coming to Town was written in 1934 by Fred Coots and Haven Gillespie. Although it was a big sheet music seller at the time, it was Perry Como’s 1951 recording that turned it into a major hit. The simple harmony and melody have made this a perennial favourite with everyone from Sinatra to the Jacksons, Maria Carey and Bruce Springsteen. This version borrows from the swinging jazz style of various Sinatra recordings and is arranged as a duet for one Flute and one Trumpet.Musicians at an intermediate level and above will find this ideal for formal and informal Christmas performances. There are syncopated swing rhythms and some less familiar accidentals. The overall performance time is around two and a half minutes. The short audio sample is from the Clarinet and Alto Saxophone version.Teachers will enjoy using this arrangement as a fun way to help with jazz rhythms and articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.36 €
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Flûte, Trompette (duo)
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Steve Tyrell
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David McKeown
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Santa Claus Is Comin' To Town
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David McKeown
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SheetMusicPlus
Santa Claus Is Comin' To Town
Clarinette, Violon (duo)
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.589362 By Steve Tyrell. By John Frederick Coots. Arranged by David McKeown. Christmas,Contemporary,Jazz,Rock. Score and parts. 3 pages. David McKeown #6064595. Published by David McKeown (A0.589362). Santa Claus is Coming to Town was written in 1934 by Fred Coots and Haven Gillespie. Although it was a big sheet music seller at the time, it was Perry Como’s 1951 recording that turned it into a major hit. The simple harmony and melody have made this a perennial favourite with everyone from Sinatra to the Jacksons, Maria Carey and Bruce Springsteen. This version borrows from the swinging jazz style of various Sinatra recordings and is arranged as a duet for one Violin and one Clarinet.Musicians at an intermediate level and above will find this ideal for formal and informal Christmas performances. There are syncopated swing rhythms and some less familiar accidentals. The overall performance time is around two and a half minutes. The short audio sample is from the Clarinet and Alto Saxophone version.Teachers will enjoy using this arrangement as a fun way to help with jazz rhythms and articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.36 €
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Clarinette, Violon (duo)
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Steve Tyrell
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David McKeown
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Santa Claus Is Comin' To Town
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David McKeown
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SheetMusicPlus
Santa Claus Is Comin' To Town
Clarinette, Trompette (duo)
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.589343 By Steve Tyrell. By John Frederick Coots. Arranged by David McKeown. Christmas,Contemporary,Jazz,Rock. Score and parts. 3 pages. David McKeown #6064541. Published by David McKeown (A0.589343). Santa Claus is Coming to Town was written in 1934 by Fred Coots and Haven Gillespie. Although it was a big sheet music seller at the time, it was Perry Como’s 1951 recording that turned it into a major hit. The simple harmony and melody have made this a perennial favourite with everyone from Sinatra to the Jacksons, Maria Carey and Bruce Springsteen. This version borrows from the swinging jazz style of various Sinatra recordings and is arranged as a duet for one Clarinet and one Trumpet.Musicians at an intermediate level and above will find this ideal for formal and informal Christmas performances. There are syncopated swing rhythms and some less familiar accidentals. The overall performance time is around two and a half minutes. The short audio sample is from the Clarinet and Alto Saxophone version.Teachers will enjoy using this arrangement as a fun way to help with jazz rhythms and articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.36 €
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Clarinette, Trompette (duo)
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Steve Tyrell
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David McKeown
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Santa Claus Is Comin' To Town
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David McKeown
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SheetMusicPlus
Santa Claus Is Comin' To Town
Clarinette, Trompette (duo)
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.589359 By Steve Tyrell. By John Frederick Coots. Arranged by David McKeown. Christmas,Contemporary,Jazz,Rock. Score and parts. 3 pages. David McKeown #6064589. Published by David McKeown (A0.589359). Santa Claus is Coming to Town was written in 1934 by Fred Coots and Haven Gillespie. Although it was a big sheet music seller at the time, it was Perry Como’s 1951 recording that turned it into a major hit. The simple harmony and melody have made this a perennial favourite with everyone from Sinatra to the Jacksons, Maria Carey and Bruce Springsteen. This version borrows from the swinging jazz style of various Sinatra recordings and is arranged as a duet for one Trumpet and one Clarinet.Musicians at an intermediate level and above will find this ideal for formal and informal Christmas performances. There are syncopated swing rhythms and some less familiar accidentals. The overall performance time is around two and a half minutes. The short audio sample is from the Clarinet and Alto Saxophone version.Teachers will enjoy using this arrangement as a fun way to help with jazz rhythms and articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.36 €
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Clarinette, Trompette (duo)
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Steve Tyrell
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David McKeown
#
Santa Claus Is Comin' To Town
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David McKeown
#
SheetMusicPlus
Santa Claus Is Comin' To Town
2 Trombones (duo)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.587323 By Steve Tyrell.…
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.587323 By Steve Tyrell. By John Frederick Coots. Arranged by David McKeown. Christmas,Jazz,Pop,Rock. Score. 3 pages. David McKeown #3132741. Published by David McKeown (A0.587323). Santa Claus is Coming to Town was written in 1934 by Fred Coots and Haven Gillespie. Although it was a big sheet music seller at the time, it was Perry Como’s 1951 recording that turned it into a major hit. The simple harmony and melody have made this a perennial favourite with everyone from Sinatra to the Jacksons, Maria Carey and Bruce Springsteen. This version borrows from the swinging jazz style of various Sinatra recordings and is arranged as a duet for two Trombones. Musicians at an intermediate level and above will find this ideal for formal and informal Christmas performances. There are syncopated swing rhythms and some less familiar accidentals. The overall performance time is around two and a half minutes. The short audio sample is from the Clarinet and Alto Saxophone version while the full length performance on the youtube link is the Clarinet duet. Teachers will enjoy using this arrangement as a fun way to help with jazz rhythms and articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.36 €
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2 Trombones (duo)
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Steve Tyrell
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David McKeown
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Santa Claus Is Comin' To Town
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David McKeown
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SheetMusicPlus
Santa Claus Is Comin' To Town
Flûte, Clarinette (duo)
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.587320 By Steve Tyrell. By John Frederick Coots. Arranged by David McKeown. Christmas,Holiday,Jazz,Pop,Rock. Score and parts. 3 pages. David McKeown #3132733. Published by David McKeown (A0.587320). Santa Claus is Coming to Town was written in 1934 by Fred Coots and Haven Gillespie. Although it was a big sheet music seller at the time, it was Perry Como’s 1951 recording that turned it into a major hit. The simple harmony and melody have made this a perennial favourite with everyone from Sinatra to the Jacksons, Maria Carey and Bruce Springsteen. This version borrows from the swinging jazz style of various Sinatra recordings and is arranged as a duet for one Flute and one Clarinet. Musicians at an intermediate level and above will find this ideal for formal and informal Christmas performances. There are syncopated swing rhythms and some less familiar accidentals. The overall performance time is around two and a half minutes. The short audio sample is from the Clarinet and Alto Saxophone version while the full length performance on the youtube link is the Clarinet duet. Teachers will enjoy using this arrangement as a fun way to help with jazz rhythms and articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.36 €
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Flûte, Clarinette (duo)
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Steve Tyrell
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David McKeown
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Santa Claus Is Comin' To Town
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David McKeown
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