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36
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5
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4
Trio à Cordes: violon, alto, violoncelle
2
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2
Contrebasse, Piano (duo)
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26
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7
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Concert Piece for Horn Quartet
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Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.549653 Composed by Ludwig va…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
22.91 €
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Cor et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
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jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552860 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.91 €
#
Ludwig van Beethoven
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James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Four Sketches for Horn Quartet
Quatuor de cuivres: 4 cors
Brass Ensemble - Level 5 - Digital Download SKU: A0.933697 Composed by Josh Rogan. …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.933697 Composed by Josh Rogan. 20th Century,Concert,Contemporary. Score and parts. 49 pages. Josh Rogan #1921443. Published by Josh Rogan (A0.933697). This work for horn quartet is in 4 Movements. It is written for a formal performance setting, but could be used for a less serious occasion too. The piece is about 12 minutes in total duration. Here is a brief description of the piece: Movement 1 (Fragments) introduces the sound world of this piece, and features different sounds 'bouncing around' each other to create different melodies and harmonies. Movement 2 (Breakdown) is an exciting rhythmic movement, where all four horns play their independent lines, which join together to create a somewhat 'groovy' melody. This movement is short, entertaining, and would also be a great encore piece on its own. Movement 3 (Reflection) portrays a more relaxed mood, where timing is much more free, and the listener is drawn along through the shifting harmonies by each note in the musical line. It then transforms into a 'floating' section, and segues into the next movement. Movement 4 (Interlude and Finale) revisits the original 'bouncing sounds' idea, progresses to another rhythmically intricate 'groovy' motive, and finally reaches a stable, sonorous melody that showcases the brilliance and majestic sound of all four horns together, giving a satisfying close to this unique work.
$24.99
22.95 €
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Quatuor de cuivres: 4 cors
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Josh Rogan
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Four Sketches for Horn Quartet
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Josh Rogan
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SheetMusicPlus
"Arietta," for Horn Quartet, from "Lyric Pieces"
Quatuor de cuivres: 4 cors
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.834338 Composed by Edvard …
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.834338 Composed by Edvard Grieg. Arranged by Steven Shade. Concert,Instructional,Romantic Period,Standards. Score and parts. 7 pages. Steve Shade #3372697. Published by Steve Shade (A0.834338). This arrangement of Arietta comes from Edward Grieg's Lyric Pieces, Op. 12 No. 1. This piece is arranged for horn quartet (four Horns in F.) This is a slow piece that would give the performers a chance to work on blending and other aspects of musicality. This piece is accessible to early intermediate/intermediate players. This set includes a complete score as well as individual parts for each performer. Total Pages: 7Key: Bb major (concert Eb major)Difficulty: Early Intermediate/IntermediateLength: About 1 minute.
$5.95
5.46 €
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Quatuor de cuivres: 4 cors
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Edvard Grieg
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Steven Shade
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"Arietta," for Horn Quartet, from "Lyric Pieces"
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Steve Shade
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SheetMusicPlus
Allegro (from "Concerto for Four Claviers") (G min) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.813393
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.813393 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 41 pages. Regis Bookshar #6209793. Published by Regis Bookshar (A0.813393). Brass Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (41 pages). In addition to this version for a Brass Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
32.14 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Johann Sebastian Bach
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Regis Bookshar
#
Allegro
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Regis Bookshar
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SheetMusicPlus
Allegro (from "Concerto for Four Claviers") (A min) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.813367
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.813367 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 41 pages. Regis Bookshar #6209729. Published by Regis Bookshar (A0.813367). Brass Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (41 pages). In addition to this version for a Brass Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
32.14 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Johann Sebastian Bach
#
Regis Bookshar
#
Allegro
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Regis Bookshar
#
SheetMusicPlus
Gymnopédie No. 1 for Horn Quartet
Quatuor de cuivres: 4 cors
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.919037 Composed by Erik Sa…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.919037 Composed by Erik Satie. Arranged by L.C. Harnsberger. 20th Century,Concert,Contemporary,Wedding. Score and parts. 11 pages. LCH Music #6474671. Published by LCH Music (A0.919037). Enigmatic and highly influential composer Erik Satie wrote over three dozen piano works between 1884 and 1920. Some pieces were outlandish such as his Vexations which repeats 840 times and lasts up to 35 hours, and other pieces were simple with absurd titles like his Three Pieces in the Form of a Pear. Perhaps his best-known piece is his first Gymnopédie for piano that was completed in 1888. The piece consists of a simple accompaniment with a long soaring melody above it. The melody is instantly recognizable and was featured in films including My Dinner with Andre, and The Royal Tenenbaums; video games; and on albums by Blood Sweat & Tears, and Gary Numan. It is also found on most Top-50 lists of All-Time Classical Music Favorites. Satie also wrote two additional Gymnopédie with the collection of all three first published in 1898. Claude Debussy famously orchestrated two of them that same year. The long soaring melody and calm mood of this piece works beautifully for horn quartet. Each member gets the melody for an enjoyable performance. This piece is ideal for weddings, worship services, funerals, and any recital.
$9.99
9.17 €
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Quatuor de cuivres: 4 cors
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Erik Satie
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L
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video games
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Gymnopédie No. 1 for Horn Quartet
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LCH Music
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SheetMusicPlus
Three Pieces for Horn Quartet
Quatuor de cuivres: 4 cors
Brass Ensemble Horn - Level 5 - Digital Download SKU: A0.864197 Composed by Jordan …
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Brass Ensemble Horn - Level 5 - Digital Download SKU: A0.864197 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Standards. Score and parts. 28 pages. Jordan Grigg #5790343. Published by Jordan Grigg (A0.864197).
$14.95
13.73 €
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Quatuor de cuivres: 4 cors
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Jordan Grigg
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Three Pieces for Horn Quartet
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Jordan Grigg
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.549869 Compo…
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Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
45.87 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
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jmsgu3
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95
45.87 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
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jmsgu3
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SheetMusicPlus
Abshied vom Walde for horn quartet
Quatuor de cuivres: 4 cors
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.957747 Composed by Felix B…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.957747 Composed by Felix Bartholdy Mendelssohn. Arranged by Stephen Lines. Romantic Period,World. Score and parts. 7 pages. Stephen Lines #1919137. Published by Stephen Lines (A0.957747). Originally composed by Felix Mendelssohn Bartholdy this new arrangement is for four horns. An excellent piece for developing a good understanding of the requirements of ensemble playing. Technically it is relatively undemanding but successful performance needs excellent balance between the parts, good full tone and accurate tuning. Abschied vom Walde is a good developmental piece but is also enjoyed by concert audiences.
$9.50
8.72 €
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Quatuor de cuivres: 4 cors
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Felix Bartholdy Mendelssohn
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Stephen Lines
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Abshied vom Walde for horn quartet
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Stephen Lines
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SheetMusicPlus
Concert Piece Opus 86 for Trombone Quartet & Piano
Quatuor de cuivres: 4 trombones
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.810792 Composed by Rob…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.810792 Composed by Robert Schumann. Arranged by Cherry, Gordon. Romantic Period. Score and parts. 101 pages. Gordon Cherry #3060817. Published by Gordon Cherry (A0.810792). Robert Schumann's Konzertstück (Concert Piece), Opus 86 originally for Four Horns is a work of incredible genius, in that it combines virtuosity, energy, expression, lyricism and harmonic invention. It is now available in a newly arranged edition for Four Trombones and Piano, by Gordon Cherry. Written during Schumann's most prolific period in 1849, it is a marvelous showpiece for Trombone quartet & Piano and unsurpassed for its sheer excitement. Each performer needs to be at the top of their game, but the rewards are well worth the effort. The 3-movement work of almost 20 minutes in length is a joy to perform and to listen to. Recommended for advanced performers.
$30.00
27.55 €
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Quatuor de cuivres: 4 trombones
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Robert Schumann
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Cherry, Gordon
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Concert Piece Opus 86 for Trombone Quartet & Piano
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Gordon Cherry
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SheetMusicPlus
Hymn for Horn Quartet
Quatuor de cuivres: 4 cors
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.1024911 Composed by Jay We…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.1024911 Composed by Jay Westfield. 20th Century,Contemporary,Sacred. Score and parts. 7 pages. Jay Westfield #6137413. Published by Jay Westfield (A0.1024911). An easy-medium level piece for four horns. Low horn chops required! Great piece for a studio concert, or as a warm-up exercise.
$4.99
4.58 €
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Quatuor de cuivres: 4 cors
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Jay Westfield
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Hymn for Horn Quartet
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Jay Westfield
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÅ
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.77 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÅ
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.5 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Fugue Op.129 N.9 for Horn Quartet
Quatuor de cuivres: 4 cors
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.963416 Composed by Max Reg…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.963416 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Concert,Contemporary,Instructional,Standards. Score and parts. 8 pages. Cristiano Vecchi #5044635. Published by Cristiano Vecchi (A0.963416). An introspective and intense fugue from the Nine pieces Op.129 (1913) by Max Reger, arranged for four French Horns in F. Also available for String Quartet.Duration: 3'30.SCORE and PARTS.MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$5.99
5.5 €
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Quatuor de cuivres: 4 cors
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Max Reger
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Cristiano Vecchi
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Fugue Op.129 N.9 for Horn Quartet
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Cristiano Vecchi
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SheetMusicPlus
Horn Piece - Horn Quartet
Quatuor de cuivres: 4 cors
Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.767322 Composed by Mike Ly…
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Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.767322 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 35 pages. Lyons Music Services #3488955. Published by Lyons Music Services (A0.767322). Original horn quartet inspired by a conversation about writing for horns. There are three movements. The first movement is called Canon. It consists of a simple theme that is presented in imitation by each of the four 'voices' first at 2 bar intervals then, in inversion at four bar intervals and then in the original form at one bar intervals. There is a linking fanfare-like passage before the final statement of the original motif with fanfare-like adaptations.The second movement is called Lullaby. The elegant, drifting melody is passed around the four players with a largely chordal accompaniment pattern that needs to be played sotto voce at all times. The tempo is marked Largo, but it is still one-in-a-bar.The third movement is called Hullabaloo-haloo-haloo. While it is based on a 6/8 cantering rhythm, there is a lot of variation in both the accompaniment and the melody. Again, all the lines have a lot of interest, nobody has to play simple um-chucks, and there's even a solo for the 4th horn at the end.I have rearranged the parts as 1/3/2/4 on the advice of a horn player friend of mine. Enjoy.This is a really enjoyable and exciting new addition to the horn quartet repertoire.
$15.00
13.77 €
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Quatuor de cuivres: 4 cors
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Mike Lyons
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Horn Piece - Horn Quartet
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Lyons Music Services
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SheetMusicPlus
We Wish You a Merry Christmas for Horn Quartet
Quatuor de cuivres: 4 cors
Horn - Level 3 - Digital Download SKU: A0.1302546 Composed by Traditional. Arranged…
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Horn - Level 3 - Digital Download SKU: A0.1302546 Composed by Traditional. Arranged by David Burndrett. Christmas. 9 pages. David Burndrett #892168. Published by David Burndrett (A0.1302546). This works well as a concert piece or just for fun!Each instrument gets the tune.I have added an optional piano part for added support.Download includes the score and all of the parts.
$5.95
5.46 €
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Quatuor de cuivres: 4 cors
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Traditional
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David Burndrett
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We Wish You a Merry Christmas for Horn Quartet
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David Burndrett
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SheetMusicPlus
Nocturne (from a Midsummer Night's Dream) for Horn Quartet
Quatuor de cuivres: 4 cors
Horn - Level 3 - Digital Download SKU: A0.1282108 Composed by Feliz Mendelssohn. Ar…
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Horn - Level 3 - Digital Download SKU: A0.1282108 Composed by Feliz Mendelssohn. Arranged by David Burndrett. 19th Century. 6 pages. David Burndrett #873455. Published by David Burndrett (A0.1282108). This works well as a concert piece or just for fun.Download includes the score and all of the parts.
$6.95
6.38 €
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Quatuor de cuivres: 4 cors
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Feliz Mendelssohn
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David Burndrett
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Nocturne
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David Burndrett
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SheetMusicPlus
Danny Boy for Horn Quartet
Quatuor de cuivres: 4 cors
Horn - Level 2 - Digital Download SKU: A0.1356683 Composed by Traditional. Arranged…
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Horn - Level 2 - Digital Download SKU: A0.1356683 Composed by Traditional. Arranged by David Burndrett. Traditional. 7 pages. David Burndrett #941321. Published by David Burndrett (A0.1356683). This works well as a concert piece or just for fun! Download includes the score and all of the parts.
$6.95
6.38 €
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Quatuor de cuivres: 4 cors
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Traditional
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David Burndrett
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Danny Boy for Horn Quartet
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David Burndrett
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SheetMusicPlus
"Espionage" Original For Brass Sextet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1141780
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1141780 Composed by Grant Horsley. Classical,Contemporary,Contest,Festival,Film/TV,Thriller. 44 pages. Grant Horsley #742166. Published by Grant Horsley (A0.1141780). Espionage is scored for 2 Trumpets in B flat, Horn in F, 2 Trombones and Tuba. It is a descriptive exciting piece, and the intention was to make it a dramatic and mysterious in style- with a film -like storyline flowing through it. It has a calm intro going into a heavily syncopated driving 4 as the main theme punctuated by a heavy accented ostinato figure to add tension.The middle section is calmer and more relaxed where elements of the 1st theme appear in fragmented form. The intro returns once again before returning to the main theme which has slight modifications-extra accents etc, and the piece ends with the recurring stabs heard earlier before flourishing out. The ranges are between one and a half octaves and 2 octaves depending on the part. Set at intermediate level but the full score is on the youtube link for you to assess suitability.Price is for the full score and set of parts. 4 Mins 35 in length. Ideal as a showpiece, contest/festival, concert etc or an additional piece for the repertoire.
$13.50
12.4 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Grant Horsley
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"Espionage" Original For Brass Sextet
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Grant Horsley
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SheetMusicPlus
Cascades in Brass for Brass Quartet
Quatuor de cuivres: 2 trompettes, 2 trombones
Brass Quartet - Advanced - Digital Download Composed by Jeremy Niles Kempton. 21st Ce…
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Brass Quartet - Advanced - Digital Download Composed by Jeremy Niles Kempton. 21st Century, 20th Century. Score, Set of Parts. 11 pages. Published by Cherry Classics Music
Cascades in Brass for Brass Quartet by Jeremy Niles Kempton is a showpiece with lots of sparkle. If the dynamics are faithfully observed at times it will create a rippling effect like that of cascading waterfalls. This piece will add considerable flair in either a concert or church setting. It is intended for advanced performers but actually sounds harder than it is. If the trombonist uses the marked positions he will find it surprisingly easy to keep up with the valved instruments.<br> <br> Instrumentation is for 2 Trumpets in B-flat, Horn in F, and Trombone.
$15.00
13.77 €
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Quatuor de cuivres: 2 trompettes, 2 trombones
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Jeremy Niles Kempton
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Cascades in Brass for Brass Quartet
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Cherry Classics Music
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SheetMusicPlus
Three Pieces for Tuba Ensemble - Salutation Fanfare, Simple Gifts, Octubafest Polka
Small Ensemble Euphonium,Horn,Tuba - Level 2 - Digital Download SKU: A0.917404 Comp…
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Small Ensemble Euphonium,Horn,Tuba - Level 2 - Digital Download SKU: A0.917404 Composed by Gregory Fritze. 20th Century,Concert,Standards. Score and parts. 61 pages. Musica Nova USA #4984119. Published by Musica Nova USA (A0.917404). Three Pieces for Tuba Ensemble is a collection of three pieces that were composed at different times for different occasions. This set makes up a good suite for concert performance. Although listed as a tuba ensemble compositions, euphoniums usually play the higher two parts. All three are written in five parts. Optional substitute parts for French Horn and Flüglehorn are also included in this set, as well as euphonium parts in treble clef.Salutation Fanfarewas composed in 1985 for performance at the New York Brass Conference at the Roosevelt Hotel in New York City. That year, famous tubist Harvey Phillips was being honored at a special concert. This piece started the concert with the composer conducting an ensemble of about twenty euphonium and tuba players made up of Indiana University alumni, free-lance musicians and other friends of Mr. Phillips. The piece is based on the phrase Harvey Phillips Mr. Tuba. Simple Giftsis a traditional American folksong that has been arranged by many composers over the years. This arrangement was done in 1990 for performance at the International Tubists Universal Brotherhood Association Conference held in Sapporo, Japan. It was premiered by the Colonial Tuba Quartet that year. It has been arranged in four parts as well as this arrangement in five parts.Octubafest Polkawas composed in 1976 at the request of Harvey Phillips for performance at the Octubafest activities at Indiana University. It was premiered by the Indiana University Tuba Ensemble that year, conducted by Harvey Phillips. Mr. Phillips was the first to use the word Octubafest, probably in 1974 or 1975. Octubafest celebrations have taken place at many schools and universities ever since, usually in the month of October. He said that having an Octubafest celebration early in the school year provided an opportunity for new students entering college to get to know each other. At Indiana University during Harvey Phillips’ tenure (1973 – 1996) the Octubafest concerts were always followed by a party at Harvey’s house, making for a good time for all. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1991 TUBA International Etude Composition Competition, for his Twenty Characteristic Etudes for Tubaan important part of the tuba pedagogy repertoire. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$30.00
27.55 €
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Gregory Fritze
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Three Pieces for Tuba Ensemble - Salutation Fanfare, Simple Gifts, Octubafest Polka
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Musica Nova USA
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SheetMusicPlus
L'Assaut (for Brass Quartet)
Quatuor de Cuivres
Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1287615
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Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1287615 Composed by Laurent de Rillé. Arranged by Andrew Lamb. 19th Century,Chamber. 31 pages. Andrew Lamb #878640. Published by Andrew Lamb (A0.1287615). Introducing The Attack (L'assaut) - an exhilarating arrangement for Brass Quartet by the talented French composer Laurent de Rillé. Originally composed in 1869 as a secular chorus, this captivating arrangement transforms the piece into a dynamic showcase for 2 Trumpets, French Horn, and Trombone, with the added versatility of an alternative Tenor Horn part and Euphonium in Treble Clef.With a moderate level of difficulty, this arrangement is perfect for intermediate-level musicians seeking an exciting challenge that pushes their skills to new heights. The Attack offers a wonderful opportunity for quartets to explore the rich and expressive world of Laurent de Rillé's music.This arrangement is incredibly versatile and can be used in a variety of settings. Whether you're planning a concert, recital, or educational performance, The Attack will undoubtedly leave a lasting impression on your audience. Its dramatic and intense character is sure to captivate listeners and transport them to the heart of the musical narrative.Elevate your brass quartet's repertoire with this thrilling arrangement that pays homage to the creative genius of Laurent de Rillé. Unlock the potential for an unforgettable musical experience, as you bring the excitement and energy of The Attack to life. Don't miss the chance to add this arrangement to your ensemble's repertoire today.
$4.00
3.67 €
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Quatuor de Cuivres
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Laurent de Rillé
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Andrew Lamb
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L'Assaut
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Andrew Lamb
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SheetMusicPlus
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