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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Concert Study for Viola
Sheetmusicplus
Non classifié
24
Piano & claviers
Piano seul
1
Guitares
Guitare
2
Voix
Vents
Flûte, Alto (duo)
2
Clarinette et Alto
2
3 Hautbois
2
2 Flûtes traversières (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Quatuor de Saxophones: 4 saxophones
1
Trio de Flûtes: 3 flûtes
1
3 Clarinettes (trio)
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 4 instrumentations
Retracter
Cuivres
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Alto seul
8
2 Altos (duo)
4
Alto (partie séparée)
4
Violon
4
Violon et Piano
3
Alto, Piano
3
Violon, Alto (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Violon (partie séparée)
2
Alto, Guitare (duo)
1
Violoncelle (partie séparée)
1
Contre Basse
1
Harpe
1
Violoncelle, Orchestre
1
Violoncelle, Piano
1
Violon, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
Alto et orchestre
1
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Orchestre à Cordes
8
Orchestre d'harmonie
5
Orchestre de chambre
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CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Concert Study for Viola
SheetMusicPlus
Partitions à imprimer
113 partitions trouvées
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101
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Piano,Viola - Level 3 - SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Concert Study for Viola
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Alto seul
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Apostolos Paraskevas
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Concert Study for Viola
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Silver Sickle Publications
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SheetMusicPlus
Viola Solo - SKU: A0.942084 Composed by Apostolos Paraskevas. Contemporary,World. Individual part. 3 pages. Silver Sickle Publications #4969893. Publish...
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Viola Solo - SKU: A0.942084 Composed by Apostolos Paraskevas. Contemporary,World. Individual part. 3 pages. Silver Sickle Publications #4969893. Published by Silver Sickle Publications (A0.942084). The Concert Study for Viola was written in 2012 after a commission by Andreas Georgotas. Balance between the two parts Lento and Allegro is based in lyricism and virtuosity. The Greek element prevails in the form of Threnody and Dance. Η σπουδη για βιολα γÏαφτηκε μετα απο παÏαγγελια του ΑνδÏεα ΓεοÏγοτα τον ΣεπτεμβÏιο του 2012. ΙσσοÏοπια εÏχεται απο τα δυο μεÏη της σπουδης Lento και Allegro σε λυÏισμο και δεξιοτεχνια. Παντα το Ελληνικο στοιχειο βÏισκεται στα εÏγα μου σε μοÏφη θÏηνωδιας και χοÏου. Το Ï€Ïωτο θεμα ειναι επικλητικο σαν Ï€Ïοσευχη, το δευτεÏο λυÏικο-Ïυθμικο και το Ï„Ïιτο δυναμικο και ανησυχο.
$4.99
Viola String Sampler
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Alto seul
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Contemporain
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Robin Kay Deverich
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Viola String Sampler
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Global Music School String Publications
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SheetMusicPlus
Viola Solo - SKU: A0.902206 Arranged by Robin Kay Deverich. Contemporary. Individual part. 82 pages. Global Music School String Publications #5355047. P...
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Viola Solo - SKU: A0.902206 Arranged by Robin Kay Deverich. Contemporary. Individual part. 82 pages. Global Music School String Publications #5355047. Published by Global Music School String Publications (A0.902206). Viola Online String Sampler Viola Sheet Music is a fun and easy way to actively learn, study and play beautiful viola music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolaOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violaonline.com/stringclass.html The study guide explains the history and musical form of the selected pieces, and includes viola technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$4.99
Down by the Riverside, Gospel Hymn for Viola Duet
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2 Altos (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
Viola Duet Viola - Level 3 - SKU: A0.589935 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Scor...
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Viola Duet Viola - Level 3 - SKU: A0.589935 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score. 4 pages. David McKeown #6133327. Published by David McKeown (A0.589935). Down by the Riverside is an Afro-American Spiritual Hymn and Song. This version is arranged as a duet for two Violas. Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.Down by the Riverside is simply arranged in a key and range best suited to the instruments. Three choruses and two verses are played, with variations, in a gospel swing style. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Down by the Riverside is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Down by the Riverside is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Study on Beethoven
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Methodes Etudes
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Joerg Widmann
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Study on Beethoven
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes....
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String quartet - difficult - SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes. Schott Music - Digital #Q778767. Published by Schott Music - Digital (S9.Q778767). My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works ranging from the (in my opinion) quasi revolutionary Quartet No. 1 to the Quartet No. 5 entitled Versuch über die Fuge [Attempt at a Fugue]. The Quartet No. 6 – Study on Beethoven – composed fourteen years after No. 5 should be conceived as a new approach and the commencement of a new quartet cycle with an unknown ending. All that can be said is that the subsequent quartets will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Despite a reverence for Beethoven at a very early stage, my own compositions have steered well clear of this unapproachable cosmos with the exception of my concert overture Con brio. The perhaps only link with the five quartets of the first cycle of quartets is the single-movement structure of the thirty-minute Quartet No. 6. The fundamental coordinates have otherwise been reset to zero. This is therefore also a ‘study’ in a literal sense. In the Quartet No. 6, I set out with a state of tonality displaying significant extensions whose centrifugal forces are barely containable. My focus is the detection of the inherent gravitation of tonality, including phenomenons such as tension/relaxation, suspension/resolution and fixation/deviation. From a formal aspect, the work is too experimental and unsentimental for explorations in a nostalgic-romantic sense. On the contrary, tonality or at least its fundamental assumptions are initially set down in the sense of a study or test assembly in order to permit subsequent experimentation, variation and the formulation of exceptions with the desire and firm conviction that it is possible to express something innovative and never previously heard with this seemingly exhausted fundamental material. I have been repeatedly astonished by the unfolding in the progression of this piece which has taken me to unknown locations, especially from a formal aspect. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. The Quartet No. 6 has been created in close artistic and friendly cooperation with Anne-Sophie Mutter and she is the dedicatee of this work. Jörg Widmann, July 2019My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works. The Quartet No. 6 composed fourteen years after No. 5 now opens a new cycle of quartets which will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Perhaps the only link with the five quartets of the first cycle is the single-movement structure of the almost thirty- minute Quartet No. 6. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. Jörg Widmann.
$82.99
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
7 Concert Etudes for Solo Viola
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Alto seul
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AVANCÉ
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Methodes Etudes
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Katrina Wreede
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7 Concert Etudes for Solo Viol
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Vlazville Music-Digital
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SheetMusicPlus
Viola - Advanced - Digital Download Composed by Katrina Wreede. 21st Century, Contemporary Classical, Repertoire, Technique Training, Recital. Indivi...
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Viola - Advanced - Digital Download Composed by Katrina Wreede. 21st Century, Contemporary Classical, Repertoire, Technique Training, Recital. Individual Part, Score. 15 pages. Published by Vlazville Music-Digital
Seven short, performable etudes for advanced violists, appropriate for encores, study and technical challenge, addressing techniques like pentatonic double stops, bariolage, whole tone scales, fast playing, finger substitutions, smooth string changes and left hand pizzicato.
$5.99
Yorktown: Viola
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Alto (partie séparée)
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Patriotique
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Todd Parrish
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Festival.
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Yorktown: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017362_VA1 Viola. Composed by Todd Parrish. Patriotic. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC...
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String Orchestra - SKU: AX.00-PC-0017362_VA1 Viola. Composed by Todd Parrish. Patriotic. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017362_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017362_VA1). UPC: 038081518664.In 3/4, this moving piece provides a great opportunity for the use of slow bow strokes and cross-curricular study. The victory over the British forces at Yorktown, Virginia by the American Continental Army in 1781 signaled the end of the Revolutionary War. This original work by Todd Parrish remembers the heroic efforts of General Washington and the brave soldiers he commanded to forge a new nation founded on freedom. (2:30)List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$5.99
Down by the Riverside, Gospel Hymn for Clarinet and Viola Duet
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Clarinette et Alto
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - SKU: A0.590505 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Prais...
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Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - SKU: A0.590505 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6133253. Published by David McKeown (A0.590505). Down by the Riverside is an Afro-American Spiritual Hymn and Song. This version is arranged as a duet for one Clarinet and one Viola. Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.Down by the Riverside is simply arranged in a key and range best suited to the instruments. Three choruses and two verses are played, with variations, in a gospel swing style. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Down by the Riverside is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Down by the Riverside is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Down by the Riverside, Gospel Hymn for Flute and Viola Duet
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Flûte, Alto (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - SKU: A0.589914 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise &...
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - SKU: A0.589914 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6133277. Published by David McKeown (A0.589914). Down by the Riverside is an Afro-American Spiritual Hymn and Song. This version is arranged as a duet for one Flute and one Viola. Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.Down by the Riverside is simply arranged in a key and range best suited to the instruments. Three choruses and two verses are played, with variations, in a gospel swing style. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Down by the Riverside is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Down by the Riverside is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Down by the Riverside, Gospel Hymn for Violin and Viola Duet
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Violon, Alto (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
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Down by the Riverside, Gospel
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.589938 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise ...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.589938 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6133333. Published by David McKeown (A0.589938). Down by the Riverside is an Afro-American Spiritual Hymn and Song. This version is arranged as a duet for one Violin and one Viola. Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.Down by the Riverside is simply arranged in a key and range best suited to the instruments. Three choruses and two verses are played, with variations, in a gospel swing style. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Down by the Riverside is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Down by the Riverside is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Viola Concerto
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Alto et orchestre
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AVANCÉ
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Contemporain
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Krzysztof Penderecki
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Viola Concerto
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Schott Music - Digital
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SheetMusicPlus
For viola (cello/clarinet) and orchestra. Composed by Krzysztof Penderecki (1933- 2020). This edition: study score. Music Of Our Time. Downloadable, st...
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For viola (cello/clarinet) and orchestra. Composed by Krzysztof Penderecki (1933- 2020). This edition: study score. Music Of Our Time. Downloadable, study score. Duration 22 minutes. Schott Music - Digital #Q2951. Published by Schott Music - Digital
$35.99
Scottish Melody for Viola Solo
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Alto seul
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Joseph Joachim
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Lena Seeger
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Scottish Melody for Viola Solo
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Lena A Seeger
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SheetMusicPlus
Viola Solo - SKU: A0.716174 Composed by Joseph Joachim. Arranged by Lena Seeger. Concert,Instructional,Romantic Period,Standards. Individual part. 2 pag...
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Viola Solo - SKU: A0.716174 Composed by Joseph Joachim. Arranged by Lena Seeger. Concert,Instructional,Romantic Period,Standards. Individual part. 2 pages. Lena A Seeger #3883467. Published by Lena A Seeger (A0.716174). Joachim's short fantasia on the theme The Bluebells of Scotland, for unaccompanied violin, transcribed for viola. Suitable as a performance piece, as well as a study to prepare students for unaccompanied Bach.
$4.99
Étude (Study) "Tristesse" Op 10 No. 3 (abridged) for viola and guitar
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Alto, Guitare (duo)
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Klas Krantz
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Étude
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Amadeus Music
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Viola - Level 3 - SKU: A0.532162 Composed by Frederic Chopin. Arranged by Klas Krantz. Concert,Romantic Perio...
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Instrumental Duet Guitar,Instrumental Duet,Viola - Level 3 - SKU: A0.532162 Composed by Frederic Chopin. Arranged by Klas Krantz. Concert,Romantic Period. Score and parts. 3 pages. Amadeus Music #3255909. Published by Amadeus Music (A0.532162). Frédéric Chopin (1810 - 1849) was a Polish composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.
$3.95
Deck The Halls Viola and Piano-Three Tonalities Included
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Alto, Piano
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FACILE
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Noël
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John Thomas
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Abraham Maduro
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Deck The Halls Viola and Piano
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Abraham Maduro
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.715585 Composed by John Thomas. Arranged by Abraham Maduro. Christmas,Classical,Holiday,Standards,Traditional. Score and...
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Piano,Viola - Level 2 - SKU: A0.715585 Composed by John Thomas. Arranged by Abraham Maduro. Christmas,Classical,Holiday,Standards,Traditional. Score and part. 10 pages. Abraham Maduro #4993829. Published by Abraham Maduro (A0.715585). The classic Christmas song in a beginner version for viola with accompany piano, three tonalities included, G,A and C major, special for recitals, concerts, Christmas events as well as study and enjoy at home.
$5.99
Down by the Riverside - Traditional - 2 Violas; Piano and Drum Set - Intermediate level
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2 Altos (duo)
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INTERMÉDIAIRE
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Traditional
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Raymond Fenech
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Down by the Riverside - Tradit
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Raymond Fenech
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SheetMusicPlus
Viola Duet Viola - Level 3 - SKU: A0.760366 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score. 18 pages. Ra...
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Viola Duet Viola - Level 3 - SKU: A0.760366 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score. 18 pages. Raymond Fenech #3591055. Published by Raymond Fenech (A0.760366). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This arrangement is very ideal for school concerts. The level is Intermediate and the duration is 2.39minutes.
$4.50
Akimenko Romance Op 13 for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Theodore Akimenko
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Paul Wood
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Akimenko Romance Op 13 for Vio
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MyMusicScores.com
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1365788 Composed by Theodore Akimenko. Arranged by Paul Wood. 20th Century. Score and part. 8 pages. MyMusicScores.com #...
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Piano,Viola - Level 4 - SKU: A0.1365788 Composed by Theodore Akimenko. Arranged by Paul Wood. 20th Century. Score and part. 8 pages. MyMusicScores.com #950134. Published by MyMusicScores.com (A0.1365788). Theodore Akimenko (1876–1945) was a Ukrainian-Canadian composer and pianist renowned for his significant contributions to the classical music landscape. Born in Kharkiv, Ukraine, Akimenko demonstrated prodigious musical talent from a young age, studying at the Moscow Conservatory under renowned composers like Sergei Taneyev and Sergei Rachmaninoff. His compositions encompass a wide range of genres, including symphonies, operas, chamber music, and piano works.Akimenko Romance for viola and piano was first published in 1902. The romance if full of charm and would make a great edition to any viola players audition or concert performance.
$4.99
Short Piece For Large Orchestra
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Orchestre d'harmonie
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AVANCÉ
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Julia Perry
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John Ivor Holland
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Short Piece For Large Orchestr
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1184257 Composed by Julia Perry. Arranged by John Ivor Holland. 20th Century,Classical,Contemporary,Contest,Festival. S...
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Concert Band - Level 5 - SKU: A0.1184257 Composed by Julia Perry. Arranged by John Ivor Holland. 20th Century,Classical,Contemporary,Contest,Festival. Score and parts. 116 pages. John Ivor Holland #783973. Published by John Ivor Holland (A0.1184257). A fantastic work for more advanced bands, 'Short Piece' was originally composed by Julie Perry for chamber orchestra in 1952 and then expanded for full forces. The African-American composer and conductor was born in Kentucky, studying at Westminster Choir College and then Juilliard; she also worked with Nadia Boulanger, winning the Boulanger Grand Prix for her Viola Sonata. Her work includes a dozen symphonies and a pair of piano concertos; also three operas and a ballet. In the words of John Henken, this piece is 'an initially raucous, highly energised essay...There are edgy lyrical contrasts, and the work closes in a haunted Lento, before a whiplash ending returns the aggressive opening thunder.' Arranged to champion the music of women composers for band as part of a pledge throughout 2023 #ArrangeMeGoals2023.
$80.00
Tango Eight (viola duet)
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2 Altos (duo)
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Jeremy Cohen
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Tango Eight
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Violinjazz Publishing
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SheetMusicPlus
Viola Duet Viola - Level 4 - SKU: A0.877375 Composed by Jeremy Cohen. Concert,Contemporary,World. Score. 3 pages. Violinjazz Publishing #4809727. Publis...
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Viola Duet Viola - Level 4 - SKU: A0.877375 Composed by Jeremy Cohen. Concert,Contemporary,World. Score. 3 pages. Violinjazz Publishing #4809727. Published by Violinjazz Publishing (A0.877375). Stylistic Duet for Two ViolasFor intermediate to advanced players and is suitable for concert programming. This study in rhythm and articulation is especially helpful for developing bow technique and and tango sensibilities. Encourages students to use the lower half of the bow to increase articulation skills. Score format.
$7.99
Two Brahms Quartets for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Classique
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Johannes Brahms
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Adam Lenhart
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Two Brahms Quartets for String
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Adam Lenhart
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.949375 Composed by Johannes Brahms. Arranged by Adam Lenhart. Romantic Period. 43 p...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.949375 Composed by Johannes Brahms. Arranged by Adam Lenhart. Romantic Period. 43 pages. Adam Lenhart #5290319. Published by Adam Lenhart (A0.949375). In this arrangement, two of Brahms most famous and beautiful quartets have been set to string quartet with piano or organ accompaniment. Included is Wie lieblich sind deine Wohnungen (How lovely are thy dwellings), the fourth movement from A German Requiem, to words of the Holy Scriptures, Op. 45, and Der Gang zum Liebchen (Journey to thy beloved) from Three Quartets, Op. 31. These quartets have been arranged to be performed by all levels of musicians in a variety of settings. Includes full score and individual parts for both quartets.This set of quartets is also available for the following chamber ensembles:Flute Quartet (4 Flutes with opt. Piccolo)Flute Choir (Piccolo, Concert, Alto and Bass Flute)Oboe Quartet (Oboe, Violin, Viola and Cello)Clarinet Quartet (2 Bb Clarinets, Alto and Bass Clarinet; or 3 Bb Clarinets and Bass Clarinet)Saxophone Quartet (Soprano, Alto, Tenor and Baritone Saxophone; or 2 Alto Saxophones, Tenor and Baritone Saxophone)Brass Quartet (2 Bb Trumpets, F Horn and Trombone)Woodwind Quartet (Flute, Oboe, Bb Clarinet and Bassoon)String Quartet (2 Violins, Viola and Cello)---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99
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Concert Study for Viola
