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Concerto in A minor for Two Violins
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Concerto in A Minor for two violins RV 522 mov 2 for Erhu
Instrumental Duet Instrumental Duet - Digital Download SKU: A0.745116 Composed by A…
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Instrumental Duet Instrumental Duet - Digital Download SKU: A0.745116 Composed by Antonio Vivaldi. Arranged by Kristal Hinaco. Classical. Score and parts. 2 pages. Kristal Hinaco #353115. Published by Kristal Hinaco (A0.745116). This jianpu notation has been arranged for erhu player to enjoy western classical music. Some notes have been changed according to erhu specification.
$2.99
2.68 €
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Antonio Vivaldi
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Kristal Hinaco
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Concerto in A Minor for two violins RV 522 mov 2 for Erhu
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Kristal Hinaco
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SheetMusicPlus
Antonio Vivaldi: Concerto in A minor Op.3 No.8 for two violins & piano
2 Violons (duo)
Instantly downloadable sheet music by Antonio Vivaldi for two violins & piano of MEDIU…
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Instantly downloadable sheet music by Antonio Vivaldi for two violins & piano of MEDIUM/HIGH skill level. Contents: concerto in a minor, a minor, opus 8, number 8, rv 522, rv522, etc. / classical,concert
$6.99
6.27 €
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2 Violons (duo)
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Antonio Vivaldi
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Virtualsheetmusic
Concerto in a minor, TWV 51:a2
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.909622 Composed by Georg Ph…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.909622 Composed by Georg Philipp Telemann. Arranged by Christopher A. Sforza. Baroque,Standards. 24 pages. Christopher A. Sforza #6131469. Published by Christopher A. Sforza (A0.909622). Telemann's Concerto in a minor, TWV 51:a2 (originally for solo violin, strings, and continuo) is a wonderful and underperformed Baroque gem equal to the likes of the famous a minor violin concerti by Bach and Vivaldi. This arrangement for two violins incorporates the solo line in the first violin with the orchestra accompaniment in the second. Included is the score and parts for all three movements; Allegro, Andante, and Presto.
$4.50
4.03 €
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2 Violons (duo)
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Georg Philipp Telemann
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Christopher A
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Allegro, Andante, and Presto
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Concerto in a minor, TWV 51:a2
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Christopher A. Sforza
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.51 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Concerto in A minor for Two Violins No. 2
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.863217 Composed by Jordan G…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.863217 Composed by Jordan Grigg. Baroque,Concert,Standards. 11 pages. Jordan Grigg #3386587. Published by Jordan Grigg (A0.863217).
$3.95
3.54 €
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2 Violons (duo)
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Jordan Grigg
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Concerto in A minor for Two Violins No. 2
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Jordan Grigg
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SheetMusicPlus
Concerto in A minor for Two Violins
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.863216 Composed by Jordan G…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.863216 Composed by Jordan Grigg. Baroque,Concert,Standards. 6 pages. Jordan Grigg #3386583. Published by Jordan Grigg (A0.863216).
$2.95
2.64 €
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2 Violons (duo)
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Jordan Grigg
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Concerto in A minor for Two Violins
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Jordan Grigg
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SheetMusicPlus
Vivaldi Cello Concerto in A Minor RV419
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.974456 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.974456 Composed by Antonio Vivaldi. Arranged by Tom Christie. Baroque. Score and parts. 24 pages. Tom Christie #6064395. Published by Tom Christie (A0.974456). Vivaldi was certainly a prolific composer, and he wrote a grand total of more than 500 concertos for different instruments. This is one of those concertos. I recently listened to this music and found myself captivated by its baroque simplicity, and how it still contains such depth of thought and style. This is Vivaldi's cello concerto in A Minor, RV419. The arrangement includes all movements. I have arranged it for solo cello accompanied by two violins and a cello, which cuts down on instrumentation meaning that less sheet music is used, and also less people are needed to play the music :) Have fun!
$13.99
12.54 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Antonio Vivaldi
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Tom Christie
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Vivaldi Cello Concerto in A Minor RV419
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Tom Christie
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SheetMusicPlus
Vivaldi - Violin Concerto in A minor RV 357 Op.4 No.4 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.516902 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.516902 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 31 pages. Santino Cara #2961011. Published by Santino Cara (A0.516902). Version for String Quartet of the Concerto in A minor RV 357for violin solo and string orchestra composed in 1714 by Antonio Vivaldi. Dedicated to the Venetian nobleman Mr. Vettor Delfino and published for first time in 1716 in La Stravaganza Op.4 No.4. With the complete score of the concert, they are inserted also the separate instrumental parts. Movements: 1. Allegro, 2. Grave e cantabile, 3. Allegro This concerto is a personal reconstruction of Santino Cara made from the manuscript kept in the National Library of Turin, and is cataloged in the transcriptions of Santino Cara with the code: CS2156. There are two other versions of this concerto, the original version for violin solo and string orchestra, and the version for violin and piano, both published on my Sheet Music Plus page. http://www.sheetmusicplus.com/publishers/Santino-Cara/1492 .
$14.40
12.91 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto in A minor RV 357 Op.4 No.4 for String Quartet
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Santino Cara
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SheetMusicPlus
Vivaldi - Double Concerto in A minor RV 523 for Two Violins and Cembalo or Piano
2 Violons, Piano
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano,Violin - Level 4 - Digital Dow…
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.517523 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 35 pages. Santino Cara #6047973. Published by Santino Cara (A0.517523). Complete score and parts of the Double Concerto in A minor RV 523 for Two Violins and Cembalo (or Piano). Composed in 1728 by Antonio Vivaldi. Transcribed by Santino Cara.
$18.90
16.94 €
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2 Violons, Piano
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Double Concerto in A minor RV 523 for Two Violins and Cembalo or Piano
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Santino Cara
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SheetMusicPlus
Violin Concerto in G minor BWV 1056R
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1364204 Composed by Johann …
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1364204 Composed by Johann Sebastian Bach. Arranged by Francisco Holanda. Baroque,Chamber,Classical,Early Music,Easter. 20 pages. Francisco Holanda #948501. Published by Francisco Holanda (A0.1364204). The middle movement is probably from an oboe concerto in F major; is also the sinfonia to the cantata Ich steh mit einem Fuß im Grabe, BWV 156; and closely resembles the opening Andante of a Flute Concerto in G major (TWV 51:G2) by Georg Philipp Telemann in that the soloists play essentially identical notes for the first two-and-a-half measures. Although the chronology cannot be known for certain, Steven Zohn has presented evidence that the Telemann concerto came first, and that Bach intended his movement as an elaboration of his friend Telemann's original.Notes: https://en.wikipedia.org/wiki/Keyboard_concertos_by_Johann_Sebastian_Bach#Concerto_No._5_in_F_minor,_BWV_1056#Bach #BWV1056#BWV1056R.
$1.99
1.78 €
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2 Violons (duo)
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Johann Sebastian Bach
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Francisco Holanda
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Violin Concerto in G minor BWV 1056R
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Francisco Holanda
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SheetMusicPlus
Vivaldi Concerto in A Minor, 1st Mvt. for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.732719 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.732719 Composed by Antonio Vivaldi. Arranged by Dave Prudon. Baroque,Christmas,Easter,Wedding. Score and parts. 13 pages. Prudon String Ensembles #5309277. Published by Prudon String Ensembles (A0.732719). This arrangement of Vivaldi's classic concerto for two violins makes it possible for String Quartets to enjoy playing it. Â This arranger has taken the time to carefully craft some beautiful harmony parts which nicely compliment the two violin parts. Â Perfect when used as music for a wedding reception or any other festive event.To see hundreds of other beautiful arrangements for strings, visit: Prudon String Ensembles Sheet Music.
$10.99
9.85 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Antonio Vivaldi
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Dave Prudon
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Vivaldi Concerto in A Minor, 1st Mvt. for String Quartet
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Prudon String Ensembles
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SheetMusicPlus
CONCERTO IN F MINOR, WINTER, 2st. Mov. (Largo), String Quartet, Intermediate Level for 2 violins, vi
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.521690 Composed by Antonio Vivaldi. Arranged by Sherry Lewis. Baroque,Holiday,Multicultural,Wedding,World. 10 pages. Sherry Lewis Publishing #6365729. Published by Sherry Lewis Publishing (A0.521690). CONCERTO IN F MINOR, WINTER, 2st. Mov. (Largo) String Quartet, Intermediate Level for 2 violins, viola and celloScore: 3 pagesParts: 4 pages Time: 2'00MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
5.83 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Antonio Vivaldi
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Sherry Lewis
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CONCERTO IN F MINOR, WINTER, 2st. Mov.
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Sherry Lewis Publishing
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SheetMusicPlus
CONCERTO IN F MINOR, WINTER, 1st. Mov. (Allegro con molto) by Vivaldi, String Quartet, Intermediate
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.521686 Composed by Antonio Vivaldi. Arranged by Sherry Lewis. Classical,Holiday,Multicultural,Wedding,World. 28 pages. Sherry Lewis Publishing #6362735. Published by Sherry Lewis Publishing (A0.521686). CONCERTO IN F MINOR, WINTER, 1st. Mov. (Allegro con molto) by Vivaldi, String Quartet of 2 violins, viola and celloScore: 8 pagesParts: 12 pages Time: 3'50MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$8.99
8.06 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Antonio Vivaldi
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Sherry Lewis
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CONCERTO IN F MINOR, WINTER, 1st. Mov.
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Sherry Lewis Publishing
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SheetMusicPlus
Torelli: Concerto Grosso in G minor (Christmas Concerto) Op.8 No.6 Mvt.1 - string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1463113 Composed by Giuseppe Torelli. Arranged by Ray Thompson. Baroque,Christmas. 10 pages. RayThompsonMusic #1041866. Published by RayThompsonMusic (A0.1463113). Alternative Title: Concerto à Quattro, in forma di Pastorale per il Santo NataleOften known as his Christmas ConcertoArranged standard string quartet.Giuseppe Torelli (1658–1709) wrote numerous and often imposing symphonies for use in the San Petronio Cathedral in Bologne well before the turn of the century. Furthermore, he was the first composer to write a concerto for solo violin and string orchestra (published at Augsburg, 1698), and his Concerti Grossi Op 8, which appeared in print shortly after his death, are the very first concertos for two solo violins. It is the sixth of these that contains the Christmas music. A solemn ‘Grave’ sets the scene for the Pastorale, marked ‘Vivace’ and cast in 12/8 metre, the two solo violins carrying much of the melodic interest. A meditative Largo leads to another ‘Vivace’ which is a Gavotte en Musette in all but name, its held bass notes strongly suggesting the drone of the shepherds’ pipes.This is my arrangement of the 1st movement.
$9.95
8.92 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Giuseppe Torelli
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Ray Thompson
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Torelli: Concerto Grosso in G minor
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RayThompsonMusic
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SheetMusicPlus
Torelli" Concerto Grosso in G minor Op.8 No.6 (Christmas Concerto) Mvt.III Vivace - string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1469357 Composed by Giuseppe Torelli. Arranged by Ray Thompson. Baroque,Christmas. 8 pages. RayThompsonMusic #1045632. Published by RayThompsonMusic (A0.1469357). Alternative Title: Concerto à Quattro, in forma di Pastorale per il Santo NataleOften known as his Christmas ConcertoArranged standard string quartet.Giuseppe Torelli (1658–1709) wrote numerous and often imposing symphonies for use in the San Petronio Cathedral in Bologne well before the turn of the century.Furthermore, he was the first composer to write a concerto for solo violin and string orchestra (published at Augsburg, 1698), and his Concerti Grossi Op 8, which appeared in print shortly after his death, are the very first concertos for two solo violins. It is the sixth of these that contains the Christmas music. A solemn ‘Grave’ sets the scene for the Pastorale, marked ‘Vivace’ and cast in 12/8 metre, the two solo violins carrying much of the melodic interest. A meditative Largo leads to another ‘Vivace’ which is a Gavotte en Musette in all but name, its held bass notes strongly suggesting the drone of the shepherds’ pipes.This is my arrangement of the 3rd movement.
$11.95
10.71 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Giuseppe Torelli
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Ray Thompson
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Torelli" Concerto Grosso in G minor Op.8 No.6
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RayThompsonMusic
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SheetMusicPlus
Vivaldi - Double Concerto in A minor RV 523 for Two Violins, Strings and Cembalo
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.517522 Composed by Antonio V…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.517522 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 84 pages. Santino Cara #6047969. Published by Santino Cara (A0.517522). Complete score and parts of the Double Concerto in A minor RV 523 for Two violins concertanti, Strings and Cembalo. Composed in 1728 by Antonio Vivaldi. Reconstructed and elaborated by Santino Cara from the copy of the manuscript kept in the Manuscripts Room of the University Library of Turin.
$18.80
16.85 €
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Orchestre de chambre
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Double Concerto in A minor RV 523 for Two Violins, Strings and Cembalo
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Santino Cara
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SheetMusicPlus
Vivaldi - Flute Concerto in A minor RV 108 for Flute, Two violins, Cellos and Cembalo
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.517141 Composed by Antonio V…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.517141 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 43 pages. Santino Cara #3511721. Published by Santino Cara (A0.517141). Complete score and parts of the Flute Concerto in A minor RV 108 for Flute, Two violins, Cellos and Cembalo, by Antonio Vivaldi. Reconstructed and elaborated by Santino Cara.
$16.40
14.7 €
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Orchestre de chambre
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Flute Concerto in A minor RV 108 for Flute, Two violins, Cellos and Cembalo
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Santino Cara
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SheetMusicPlus
Vivaldi - 12 Double Concertos for Two Violins and Cembalo (or Piano) - Scores and Parts
Violon et Piano
Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano,Violin - Level 4 - Digital Downlo…
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Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano,Violin - Level 4 - Digital Download SKU: A0.1232342 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. 465 pages. Santino Cara #828028. Published by Santino Cara (A0.1232342). Complete scores and parts of 12 Double concertos for Two Violins and Cembalo or Piano. Composed in Venice between 1711 and 1720 by Antonio Vivaldi. Transcribed over the years by Santino Cara.12 Concertos:1.  Concerto No.3 in D major from Op.12   RV 1242.  Concerto in C major   RV 5053.  Concerto in C major   RV 5084.  Concerto in C minor   RV 5095.  Concerto in D major   RV 5116.  Concerto in D minor   RV 5147.  Concerto in G major   RV 5168.  Concerto in G minor   RV 5179.  Concerto in A major   RV 52110.Concerto in A minor   RV 52311. Concerto in B flat major RV 52912. Concerto No.9 in B flat major from “La Cetra†Op.9   RV 530Other Vivaldi's works for violin and harpsichord or piano:Vivaldi - 23 Concertos for Violin and PianoVivaldi - L'Estro Armonico Op.3 - 12 Concertos for 2 Violins and Piano - Scores and PartsVivaldi - La Stravaganza Op.4 - 12 Concertos for Violin and PianoVivaldi - Six Violin Concertos for Violin and Piano Op.6 - Scores and violin partVivaldi - 10 Violin Concertos Op.7 for Violin and Cembalo (or Piano) - Scores and PartVivaldi - Il Cimento dell'Armonia e dell'Invenzione Op.8 - 12 Concertos for Violin and PianoVivaldi - La Cetra Op.9 - 12 Concertos for Violin and Piano - Full scores and Violin partVivaldi - Six Violin Concertos Op.11 for Violin and Cembalo (or Piano) - Full scores and partVivaldi - Six Concertos for Violin and Piano Op.12 - Complete scores and Part
$32.40
29.05 €
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Violon et Piano
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Santino Cara
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Santino Cara
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Vivaldi - 12 Double Concertos for Two Violins and Cembalo
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Santino Cara
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SheetMusicPlus
Aria from Concerto Grosso, Op.6-12 HWV330 for Two Violins & Viola
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.777995
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String Quartet String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.777995 Composed by George Frideric Handel. Arranged by Kamada, Mikio. Baroque. Score and parts. 5 pages. ACORDO Sheet Music #4764883. Published by ACORDO Sheet Music (A0.777995). Handel's Concerto Grosso in B minor, Op.6-12 is for solo parts (2 Violins and Violoncello) and string orchestra. The movement III, Aria, is played in tutti of three voices without solos. It consists of a pastoral and beautiful theme and a vibrant variation. It is very enjoyable to play.
$6.20
5.56 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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George Frideric Handel
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Kamada, Mikio
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Aria from Concerto Grosso, Op.6-12 HWV330 for Two Violins & Viola
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ACORDO Sheet Music
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SheetMusicPlus
Aria from Concerto Grosso, Op.6-12 HWV330 for Two Violins & Violoncello
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Violin - Level 3 - Digital Download SKU: A0.777994
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String Quartet Cello,String Quartet,Violin - Level 3 - Digital Download SKU: A0.777994 Composed by George Frideric Handel. Arranged by Kamada, Mikio. Baroque. Score and parts. 5 pages. ACORDO Sheet Music #4764881. Published by ACORDO Sheet Music (A0.777994). Handel's Concerto Grosso in B minor, Op.6-12 is for solo parts (2 Violins and Violoncello) and string orchestra. The movement III, Aria, is played in tutti of three voices without solos. It consists of a pastoral and beautiful theme and a vibrant variation. It is very enjoyable to play.
$6.20
5.56 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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George Frideric Handel
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Kamada, Mikio
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Aria from Concerto Grosso, Op.6-12 HWV330 for Two Violins & Violoncello
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ACORDO Sheet Music
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SheetMusicPlus
Vivaldi Cello Concerto in A Minor RV419 solo part
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.974455 Composed by Antonio Vivaldi.…
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Cello Solo - Level 4 - Digital Download SKU: A0.974455 Composed by Antonio Vivaldi. Arranged by Tom Christie. Baroque. Individual part. 6 pages. Tom Christie #6064963. Published by Tom Christie (A0.974455). I have arranged this concerto (Vivaldi Cello Concerto in A Minor RV419) for solo cello accompanied by two violins and a cello. That arrangement is also available on my SMP page, however this is just the solo part, incase anyone wants to be able to read the music easier, and have less page turns.
$5.99
5.37 €
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Violoncelle
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Antonio Vivaldi
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Tom Christie
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Vivaldi Cello Concerto in A Minor RV419 solo part
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Tom Christie
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SheetMusicPlus
Concerto in b minor, Op. 35, for four violins
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.909640 Composed by Oskar Rieding. …
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Violin Solo - Level 2 - Digital Download SKU: A0.909640 Composed by Oskar Rieding. Arranged by Christopher A. Sforza. 20th Century,Romantic Period,Standards. 75 pages. Christopher A. Sforza #6655699. Published by Christopher A. Sforza (A0.909640). The Concerto in b minor by Oskar Rieding is a well-known and often studied piece for beginning violin players of all ages. This three-movement work originally for solo violin and piano is a wonderful introduction into more mature and advanced violin literature. This arrangement for four violins is crafted as true chamber music without the need of piano accompaniment. Two versions are included: Version A keeps the original solo violin part completely in the first violin, while the other parts accompany. Version B disperses the solo material throughout all four parts, making each equally balanced melodically, harmonically, and in difficulty.
$4.95
4.44 €
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Violon
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Oskar Rieding
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Christopher A
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Concerto in b minor, Op. 35, for four violins
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Christopher A. Sforza
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SheetMusicPlus
Vivaldi : Concerto pour deux violons n° 8 en la mineur, Opus 3 - I. Allegro (Violon 1) (arr. Tivadar Nachez)
Violon
Téléchargez la partition Violon Concerto pour deux violons n° 8 en la mi…
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Téléchargez la partition Violon Concerto pour deux violons n° 8 en la mineur, Opus 3 - I. Allegro (Violon 1) (arr. Tivadar Nachez) de Vivaldi. Partition pour Duo (Violon-Piano) -- Classique
5.99 €
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Violon
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Vivaldi
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Concerto pour deux violons n°
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Tomplay
Vivaldi : Concerto pour deux violons n° 8 en la mineur, Opus 3 - I. Allegro (Violon 2) (Arr. Tivadar Nachez)
Violon
Téléchargez la partition Violon Concerto pour deux violons n° 8 en la mi…
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Téléchargez la partition Violon Concerto pour deux violons n° 8 en la mineur, Opus 3 - I. Allegro (Violon 2) (Arr. Tivadar Nachez) de Vivaldi. Partition pour Duo (Violon-Piano) -- Classique
5.99 €
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Violon
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Vivaldi
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Concerto pour deux violons n°
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Tomplay
Vivaldi : Concerto pour deux violons n° 8 en la mineur, Opus 3 - III. Allegro (Violon 1) (Arr. Tivadar Nachez)
Violon
Téléchargez la partition Violon Concerto pour deux violons n° 8 en la mi…
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Téléchargez la partition Violon Concerto pour deux violons n° 8 en la mineur, Opus 3 - III. Allegro (Violon 1) (Arr. Tivadar Nachez) de Vivaldi. Partition pour Duo (Violon-Piano) -- Classique
5.99 €
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Violon
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Vivaldi
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Concerto pour deux violons n°
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Tomplay
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