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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Concerto op. 20
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32
Piano & claviers
Piano seul
15
Orgue
1
Guitares
Ligne De Mélodie, (Paroles) et Accords
1
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Vents
Flûte traversière et Piano
11
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6
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5
Clarinette Basse, Piano
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Saxophone Baryton, Piano
5
Clarinette et Piano
5
Saxophone Soprano et Piano
5
Hautbois, Piano (duo)
4
Cor anglais, Piano
3
Quatuor de Flûtes : 4 flûtes
2
Clarinette
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Ensemble à vent
1
2 Flûtes traversières (duo)
1
Piccolo, Piano
1
+ 10 instrumentations
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Trombone et Piano
5
Cor et Piano
4
Euphonium, Piano (duo)
4
Cor anglais, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Tuba et Piano
1
Trompette, Piano
1
Trompette
1
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Violon et Piano
9
Alto, Piano
7
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4
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2
2 Violons (duo)
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HAUTBOIS
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Concerto op. 20
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Vivaldi - 10 Concertos (Book 2) for Violin solo, Strings and Cembalo - Scores and Parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1222699 By Santino Cara. By …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1222699 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and Parts. 861 pages. Santino Cara #818968. Published by Santino Cara (A0.1222699). Complete scores and parts of 10 Concertos - Book 2 - for Violin solo, Strings and Cembalo. Composed in Venice between 1717 and 1730 by Antonio Vivaldi. Reconstructed and elaborated over the years by Santino Cara.Sources: National University Library of Turin, the National Library of Bologna, the Italian Antonio Vivaldi Institute – Giorgio Cini Foundation directed by Francesco Fanna, the Saxony State University Library in Dresden, and some copied manuscripts from Vivaldi's period by Johann Georg Pisendel.Concertos:11 - Violin Concerto in E minor RV 27312 - Violin Concerto in E minor RV 27813 - Violin Concerto in G minor RV 32314 - Violin Concerto in A major RV 34015 - Violin Concerto in A major RV 35216 - Violin Concerto in B flat major RV 36417 - Violin Concerto in B flat major RV 36718 - Violin Concerto in B flat major RV 37519 - Violin Concerto in B minor RV 38620 - Violin Concerto in B minor RV 388Other works by Vivaldi for Violin, Strings and Harpsichord:Vivaldi - L'Estro Armonico Op.3 Book 1 - 6 Concertos for Violins, Cello, Strings and HarpsichordVivaldi - L'Estro Armonico Op.3 Book 2 - 6 Concertos for Violins, Cello, Strings and HarpsichordVivaldi - La Stravaganza Op.4 - 12 Concertos for Violin solo, Strings and Cembalo - Full scores andVivaldi - Six Concertos Op.6 for Violin, Cello, Strings and Harpsichord - Scores and PartsVivaldi - 10 Violin Concertos Op.7 for Violin, Strings and Cembalo - Scores and PartsVivaldi - Il Cimento dell'Armonia e dell'Invenzione Op.8 - 12 Concertos for Violin, strings and HarpsichordVivaldi - La Cetra Op.9 - 12 Concertos for Violin, Strings and Cembalo - Scores and PartsVivaldi - Six Violin Concertos Op.11 for Violin, Strings and Cembalo - Full scores and PartsVivaldi - Six Concertos Op.12 for Violin, Strings and Cembalo - Full scores and Parts
$80.40
74.12 €
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Orchestre de chambre
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Santino Cara
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Santino Cara
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Vivaldi - 10 Concertos
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Santino Cara
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SheetMusicPlus
Sonatine-Kuhlau.Op.20.No.1.- 1st.Mov.Piano Concerto
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1240544 By Dasol. By Samgon-K…
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String Orchestra - Level 2 - Digital Download SKU: A0.1240544 By Dasol. By Samgon-Kim. Arranged by Piano Sonatine for Piano Concertot. Children,Classical,Early Music,Instructional. Score and Parts. 12 pages. Dasol #835928. Published by Dasol (A0.1240544). Piano Sonatine for Piano Concertot악기는 현악4부.
$12.00
11.06 €
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Orchestre à Cordes
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Dasol
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Sonatine-Kuhlau.Op.20.No.1.- 1st.Mov.Piano Concerto
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Dasol
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SheetMusicPlus
Vivaldi - Violin Concerto No.2 in C major RV 188 Op.7 for Violin and Cembalo or Piano
Violon et Piano
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano,Violin - Level 3 - Digital Dow…
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.517672 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 20 pages. Santino Cara #6402159. Published by Santino Cara (A0.517672). Complete score and part of the Violin Concerto No.2 in C major RV 188 for Violin and Cembalo (or Piano). Composed in Venice in 1719 by Antonio Vivaldi. Transcribed in Rome in 2002 by Santino Cara from 12 Concertos Op.7
$16.40
15.12 €
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Violon et Piano
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto No.2 in C major RV 188 Op.7 for Violin and Cembalo or Piano
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Santino Cara
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SheetMusicPlus
First Concerto C Major, op. 20
Piano with 2 oboes, 2 horns and strings - intermediate - Digital Download SKU: S9.Q1642…
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Piano with 2 oboes, 2 horns and strings - intermediate - Digital Download SKU: S9.Q16427 Composed by Johann Franz Xaver Sterkel. This edition: score. Concertino. Downloadable, Score. Op. 20. Duration 25 minutes. Schott Music - Digital #Q16427. Published by Schott Music - Digital (S9.Q16427). Key: C major.This work rewarding for soloist and orchestra is a revealing contribution to the development of the piano concerto at the end of the 18th century.
$22.99
21.19 €
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Johann Franz Xaver Sterkel
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First Concerto C Major, op. 20
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Schott Music - Digital
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SheetMusicPlus
Sonatine-Kuhlau.Op.20.No.3.-Piano Concerto
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1240290 By Dasol. By Friedric…
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String Orchestra - Level 2 - Digital Download SKU: A0.1240290 By Dasol. By Friedrich Kuhlau. Arranged by Samgon-Kim. 19th Century,Children,Classical,Early Music. Score and Parts. 16 pages. Dasol #835659. Published by Dasol (A0.1240290). Friedrich Kuhlau: Sonatina Op. 20 No 3 in F Major 1st.Mov.를 현악4ë¶€íŽ¸ì„±ì˜ ì‹¤ë‚´ì•…ê³¼ 함께하는 협주곡형태로 편곡.피아노는 ì›ê³¡ì˜ 형태를 ìœ ì§€í•˜ê³ í˜„ì•…ê¸°ê°€ 반주하는 ì „í†µì ê³ ì „í˜•ì‹ìœ¼ë¡œ 편곡.
$12.00
11.06 €
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Orchestre à Cordes
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Dasol
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Samgon-Kim
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Sonatine-Kuhlau.Op.20.No.3.-Piano Concerto
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Dasol
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SheetMusicPlus
Vivaldi Violin Concerto Op. 3 No. 3
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.736782 Composed by Antonio Vivaldi…
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Violin Solo - Level 3 - Digital Download SKU: A0.736782 Composed by Antonio Vivaldi. Arranged by Paul Wood. Baroque,Standards. 20 pages. MyMusicScores.com #6190683. Published by MyMusicScores.com (A0.736782). Vivaldi's Violin Concerto Op. 3 No. 3 arranged for violin and piano.
$6.99
6.44 €
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Violon
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Antonio Vivaldi
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Paul Wood
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Vivaldi Violin Concerto Op. 3 No. 3
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MyMusicScores.com
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SheetMusicPlus
Larghetto from Violin Concerto Op.61
String Ensemble,String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.…
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String Ensemble,String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.751154 Composed by Ludwig van Beethoven. Arranged by Benedikt Brydern. Contemporary. Score and parts. 20 pages. ConSordino Music Publishing #6080029. Published by ConSordino Music Publishing (A0.751154). The beautiful Larghetto from Beethoven's violin concerto in Dmajor opus 61 set for solo violin and string quartet ( 2 violins, viola, violoncello) by award winning composer and violinist Benedikt Brydern.This allows to perform this piece in smaller settings and experience the beauty of the piece besides the traditional piano/violin arrangement for recitals etc.
$9.99
9.21 €
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Ludwig van Beethoven
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Benedikt Brydern
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Larghetto from Violin Concerto Op.61
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ConSordino Music Publishing
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SheetMusicPlus
Rondo (from Concerto for Bassoon, Op. 75)
Bassoon - Grade 5 SKU: HL.4476936 Bassoon Solo with Piano - Grade 5. Compose…
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Bassoon - Grade 5 SKU: HL.4476936 Bassoon Solo with Piano - Grade 5. Composed by Carl Maria von Weber. Arranged by H. Voxman. Rubank Solo/Ensemble Sheet. Classical, Concerto, Contest. 20 pages. Rubank Publications #RUBX276. Published by Rubank Publications (HL.4476936). UPC: 073999769364. 9x12 inches.
$4.95
4.56 €
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Carl Maria von Weber
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H
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Rondo
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Rubank Publications
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SheetMusicPlus
Tchaikovsky - Swan Lake, Op. 20, Act II, No. 10 - LEAD SHEET
Ligne De Mélodie, (Paroles) et Accords
Small Ensemble C Instrument - Digital Download SKU: A0.601860 Composed by Pyotr Tch…
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Small Ensemble C Instrument - Digital Download SKU: A0.601860 Composed by Pyotr Tchaikovsky. Arranged by Andre Maaker. Children,Instructional,Romantic Period,Standards. Lead Sheet / Fake Book. 2 pages. SheetMusicHub #6712257. Published by SheetMusicHub (A0.601860). This is a lead sheet style (melody/chords/form) notation of classical ballet music by Tchaikovsky.Pyotr Ilyich Tchaikovsky 7 May 1840 – 6 November 1893 was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, several symphonies, and the opera Eugene Onegin.
$4.00
3.69 €
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Ligne De Mélodie, (Paroles) et Accords
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Pyotr Tchaikovsky
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Andre Maaker
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Tchaikovsky - Swan Lake, Op. 20, Act II, No. 10 - LEAD SHEET
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SheetMusicHub
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SheetMusicPlus
Concerto F# minor
Piano et Orchestre
Piano and orchestra - Digital Download SKU: S9.Q4634 Composed by Alexander Scriabin…
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Piano and orchestra - Digital Download SKU: S9.Q4634 Composed by Alexander Scriabin. This edition: study score. Ernst Eulenburg - Orchestra. Eulenburg Miniature Scores. Downloadable, Study score. Op. 20. Duration 30 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4634. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4634). Key: F sharp minor.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$10.99
10.13 €
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Piano et Orchestre
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Alexander Scriabin
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Concerto F# minor
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Vivaldi - La Cetra Op.9 - 12 Concertos for Violin, Strings and Cembalo - Scores and Parts
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.517080 Composed by Antonio V…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.517080 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 638 pages. Santino Cara #3408245. Published by Santino Cara (A0.517080). Complete scores and parts of the “12 Violin Concertos - La Cetra Op.9 by Antonio Vivaldi†for Violin solo, Strings and Cembalo. Reconstructed and elaborated over the last 20 years by Santino Cara.Source: All the concerts included in this book have been reconstructed from the manuscripts deposited at the National Library of Turin, the Italian Institute Antonio Vivaldi, and from the Library of the State of Saxony in Dresden.Concertos: 1. Violin Concerto in C major, RV 181, 2. Violin Concerto in A major, RV 345, 3. Violin Concerto in G minor, RV 334, 4. Violin Concerto in E major, RV 263, 5. Violin Concerto in A minor, RV 358, 6. Violin Concerto in A major, RV 348, 7. Violin Concerto in B-flat major, RV 359, 8. Violin Concerto in D minor, RV 238, 9. Violin Concerto for 2 Violins in B-flat major, RV 530, 10. Violin Concerto in G major, RV 300, 11. Violin Concerto in C minor, RV 198, 12. Violin Concerto in B minor, RV 391
$74.00
68.22 €
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Orchestre de chambre
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Antonio Vivaldi
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Santino Cara
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Vivaldi - La Cetra Op.9 - 12 Concertos for Violin, Strings and Cembalo - Scores and Parts
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Santino Cara
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van…
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String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
46.05 €
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Orchestre à Cordes
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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jmsgu3
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.549869 Compo…
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Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
46.05 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
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jmsgu3
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95
46.05 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
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jmsgu3
#
SheetMusicPlus
11 Concertos and Sonatas 'Book 2' for Viola and Piano - Scores and Part
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1297519 By Santino Cara. By Variou…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1297519 By Santino Cara. By Various. Arranged by Santino Cara. Baroque,Romantic Period. Score and part. 300 pages. Santino Cara #887562. Published by Santino Cara (A0.1297519). Complete scores and Part of 11 Concertos and Sonatas - BOOK 2 for Viola and Piano. Composed by: G.P. Telemann - H. Vieuxtemps - A. Vivaldi. Transcribed in Rome over the years by Santino Cara.Transcriber's contact details: cara.santinocara.santino@gmail.com16. Â Â Viola Concerto in G major TWV 51-G917. Â Â Ouverture (Suite) in D major TWV 55-D618. Â Â Viola Concerto in D major TWV 51D119. Â Â Sonata in E minor TWV 41-e520. Â Â Elegy in F minor Op.3021. Â Â Viola Concerto in G major RV39222. Â Â Viola Concerto in F minor RV39323. Â Â Viola Concerto in F sharp minor RV39424. Â Â Viola Concerto in F sharp minor RV39525. Â Â Viola Concerto in C major RV39626. Â Â Viola Concerto in D minor RV39715 Concertos and Sonatas 'Book 1' for Viola and Piano - Scores and Part
$38.40
35.4 €
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Alto, Piano
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Santino Cara
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Santino Cara
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11 Concertos and Sonatas 'Book 2' for Viola and Piano - Scores and Part
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Santino Cara
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SheetMusicPlus
Beethoven - Piano Concerto No.4 in G major Op.58 - Piano Version
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1283068 By Santino Cara. By Ludwing…
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Piano Solo - Level 5 - Digital Download SKU: A0.1283068 By Santino Cara. By Ludwing van Beethoven. Arranged by Santino Cara. Romantic Period. Score. 48 pages. Santino Cara #874360. Published by Santino Cara (A0.1283068). Complete score of the Piano Concerto No.4 in G major Op.58 for Piano Solo. Composed in 1805 by Ludwig van Beethoven. Transcribed in Rome in 2019 by Santino Cara.3 Movements: 1. Allegro moderato 2. Andante con moto, 3. Rondo (Vivace)Other Works for Piano solo:Beethoven - Violin Concerto in D major Op.61 - Piano VersionSymphony no.5 for piano op.67 - Full, L.v.BeethovenMozart - 22 Piano Concertos for Piano Solo - Complete scoresMozart - 20 String Quartets - Piano VersionMozart - 18 Piano Sonatas - Complete ScoresMozart - Complete Symphony in G minor No.40 K.550 for Piano solo
$20.40
18.81 €
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Piano seul
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Santino Cara
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Santino Cara
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Beethoven - Piano Concerto No.4 in G major Op.58 - Piano Version
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Santino Cara
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SheetMusicPlus
Brescianello - Oboe Concerto No.11 in A major Op.1 for Oboe and Cembalo or Piano
Instrumental Duet Harpsichord,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: …
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Instrumental Duet Harpsichord,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.517145 Composed by Brescianello Giuseppe Antonio. Arranged by Santino Cara. Baroque. Score and parts. 20 pages. Santino Cara #3515589. Published by Santino Cara (A0.517145). Complete score and part of the Oboe Concerto No.11 in A major for Oboe and Cembalo. Transcribed by Santino Cara from 6 Concertos and 6 Simphonies Op.1 by Giuseppe Antonio Brescianello.
$16.40
15.12 €
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Brescianello Giuseppe Antonio
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Santino Cara
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Brescianello - Oboe Concerto No.11 in A major Op.1 for Oboe and Cembalo or Piano
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Santino Cara
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SheetMusicPlus
Adagio Sostenuto from "Piano Concerto No. 2" for Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1226139 Composed by Serge…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1226139 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 20 pages. Diego Marani #822167. Published by Diego Marani (A0.1226139). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for alto sax with piano of the marvelous and very famous second movement includes two different keys: C major and Bb major. It is suitable for classroom, repertoire and recital.
$9.99
9.21 €
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Saxophone Alto et Piano
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Sergei Rachmaninoff
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Diego Marani
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Adagio Sostenuto from "Piano Concerto No. 2" for Alto Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Adagio Sostenuto from "Piano Concerto No. 2" for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1223077 Composed by Se…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1223077 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 20 pages. Diego Marani #819267. Published by Diego Marani (A0.1223077). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for soprano sax with piano of the marvelous and very famous second movement includes two different keys: C major and D major. It is suitable for classroom, repertoire and recital.
$9.99
9.21 €
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Saxophone Soprano et Piano
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Sergei Rachmaninoff
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Diego Marani
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Adagio Sostenuto from "Piano Concerto No. 2" for Soprano Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.38 €
#
Felix Mendelssohn
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James M
#
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.38 €
#
Clarinette Basse, Piano
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Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelsso…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.38 €
#
Flûte traversière et Piano
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mende…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.38 €
#
Euphonium, Piano (duo)
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Felix Mendelssohn
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James M
#
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.38 €
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Flûte traversière et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.38 €
#
Clarinette
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Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
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