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Crtitères actifs :
Connecticut Avenue SUVs
Partitions à imprimer
3 partitions trouvées
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1
Connecticut Avenue SUVs
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Ensemble Jazz
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AVANCÉ
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Roger Aldridge
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Connecticut Avenue SUVs
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.979653 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 10 pages. Roger Aldridge #441219....
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.979653 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 10 pages. Roger Aldridge #441219. Published by Roger Aldridge (A0.979653). Shifting time funk (for 5 wind instruments and rhythm section)! The title expresses my disdain for contending with monster SUVs when driving on Connecticut Avenue in Washington, DC. As I envision this music, it is funky and adventurous. The piece is a minimalist composition -- the melody is only 16 bars. However, it has expanded improvisation concepts for the soloist and the ensemble. The ensemble's collective improvisation is to sound like music coming out of car windows in traffic. The sounds change quickly. Different kinds of music come, go, and overlap. Radios (or electronics) may be used for additional layers of sound. The soloists use four chord progression patterns. Each soloist determines which patterns to play and their sequence. The patterns can be played in any order. Ideally, the patterns are determined within a performance instead of before. The soloist communicates the patterns, and when to shift to a new pattern, to the ensemble by hand signals. The ensemble (including horn players) can improvise backgrounds and interactions with the soloist. Music styles can also shift within a solo. Performers can take the music in any creative direction they want to go with it. Note: There are differences between the score and the demo recording. The small group recording was made (from a lead sheet) several years before my mid-size ensemble score was written. For this new recording, the horn parts from my score were added to the earlier recording. The video syncs the pages of the score with the recording as closely as possible. PARTS: The set of parts is available at CONNECTICUT AVENUE SUVS PARTS (S0.84821). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI VIDEO: https://youtu.be/82TWCuIcjso WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
$10.00
Connecticut Avenue SUVs Parts
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Roger Aldridge
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Connecticut Avenue SUVs Parts
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.979659 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 24 pages. Roger Aldridge #455679....
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.979659 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 24 pages. Roger Aldridge #455679. Published by Roger Aldridge (A0.979659). The download PDF file contains a full set of parts for Connecticut Avenue SUVs (S0.83703) composed by Roger Aldridge. See Connecticut Avenue SUVs for details.
$10.00
Connecticut Avenue SUVs
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Jazz combo
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Roger Aldridge
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Connecticut Avenue SUVs
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Roger Aldridge
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SheetMusicPlus
Jazz Combo - SKU: A0.979668 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 5 pages. Roger Aldridge #546393. Published by Roger Aldridge...
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Jazz Combo - SKU: A0.979668 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 5 pages. Roger Aldridge #546393. Published by Roger Aldridge (A0.979668). Shifting time funk (for 5 wind instruments and rhythm section)! The title expresses my disdain for contending with monster SUVs when driving on Connecticut Avenue in Washington, DC. As I envision this music, it is funky and adventurous. The piece is a minimalist composition -- the melody is only 16 bars. However, it has expanded improvisation concepts for the soloist and the ensemble. The ensemble's collective improvisation is to sound like music coming out of car windows in traffic. The sounds change quickly. Different kinds of music come, go, and overlap. Radios (or electronics) may be used for additional layers of sound. The soloists use four chord progression patterns. Each soloist determines which patterns to play and their sequence. The patterns can be played in any order. Ideally, the patterns are determined within a performance instead of before. The soloist communicates the patterns, and when to shift to a new pattern, to the ensemble by hand signals. Music styles can also shift within a solo. Performers can take the music in any creative direction they want to go with it. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011.
$3.00
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Connecticut Avenue SUVs