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Consider the Tale - Choir Version
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The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
39.63 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital …
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Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. 240 pages. Stanleymhoffman.com #1015206. Published by stanleymhoffman.com (A0.1435098). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$60.00
55.31 €
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Stanley M Hoffman
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Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
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stanleymhoffman.com
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SheetMusicPlus
Der fliegende Holländer
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. …
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
44.24 €
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Opera Scenes for Women
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1353635 Composed by Philip S…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1353635 Composed by Philip Seward. 21st Century,Broadway,Chamber,Contemporary,Musical/Show,Opera. Score. 79 pages. Music Anon #938378. Published by Music Anon (A0.1353635). Music by Philip Seward • Libretti by Joan Mazzonelli & Philip SewardThis volume offers four scenes for women singers for use in opera scene study and performance. There are a wide range of characters represented and various musical styles. The first is from High Fidelity which has been adapted from Anton Chekhov’s The Bear and George Bernard Shaw’s How He Lied to Her Husband. There are also references to Wolfgang Amadeus Mozart’s Cosà fan tutte later in the score. In this opening scene, Aurora Wentworth is practicing the mourning she believes society expects of her while her cousin, Georgina, from Milwaukee arrives to spice up the summer morning.The second scene from Dorabella’s Daughters finds Anabella trapped in a woodsman’s cottage the day after her wedding. The opera opens at the wedding reception for her stepsister Cinderella where Annabella is particularly spiteful. In a fury, she marries the next man who walks in the room — as it happens,  a woodsman — or so she thinks. In this scene she is mourning her fate. Her younger sister, Brendella comes to visit and the two are joined later by their very happy stepsister, Cinderella.The third scene from The Passion of John presents three women with their own perspectives on Jesus in this stylized presentation of the Gospel of John. The first singer offers the perspective of the gospel, the second presents a firsthand narrative of the Samaritan woman and the third is the woman who was accused of adultery. All three are accompanied by a women’s choral ensemble, flute, classical guitar and cello.The final scene in this collection comes from The Proposal. The opera is composed as two loosely joined acts where the first is sung by four women and the second by three men. The action concerns the aftermath of a proposal of marriage where the woman, Eve, asks for time to consider. The unexpected response sends Sam into a bit of a tailspin. In this scene, from the end of the first act Eve is arguing with three versions of herself in the middle of the night: the romantic, the maternal and the one focused on career. The scene opens right after Eve-Romantic has just waxed poetic about the perfect fairytale romance.
$45.00
41.48 €
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Piano, Voix
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Philip Seward
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Opera Scenes for Women
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Music Anon
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SheetMusicPlus
Ti Amo - Piano Solo
Piano seul
Piano Solo - Intermediate - Digital Download By Umberto Tozzi. Arranged by Mario Stal…
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Piano Solo - Intermediate - Digital Download By Umberto Tozzi. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
<br> With this sheet music, you get an accurate piano arrangement of the full song which is playable, and sounds fantastic!<br> <br> The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.<br> <br> "Ti Amo" is a song from Umberto Tozzi's 1977 album "È nell'aria ... ti amo".<br> A Spanish version ("Te Amo") of the song was released as well.<br> <br> "Ti Amo" became one of Tozzi's biggest hits and was covered countless times, including a German version by Howard Carpendale, a French cover by Dalida, an English version by Laura Branigan, and another Spanish version by Sergio Dalma.<br> <br> "Ti Amo" also prominently appeared in the Netflix series "La casa de papel" (Money Heist).<br> <br> It's also a great song to play on the piano!<br> <br> If you like this arrangement, please consider leaving a review - it would mean a lot.<br> <br> #######################################<br> <br> Ecco come suonare "Ti Amo" di Umberto Tozzi al pianoforte!<br> <br> Con questo spartito, otterrai una disposizione accurata del piano dell'intero brano riproducibile e suona in modo fantastico!<br> <br> La melodia completa è inclusa nella parte del piano, quindi costituisce una perfetta cover strumentale (piano solo).<br> <br> "Ti Amo" è una canzone dell'album "È nell'aria ... ti amo" di Umberto Tozzi del 1977.<br> È stata anche pubblicata una versione spagnola ("Te Amo") della canzone.<br> <br> "Ti Amo" è diventato uno dei più grandi successi di Tozzi ed è stato coperto innumerevoli volte, tra cui una versione tedesca di Howard Carpendale, una copertina francese di Dalida, una versione inglese di Laura Branigan e un'altra versione spagnola di Sergio Dalma.<br> <br> "Ti Amo" è apparso in primo piano anche nella serie Netflix "La casa de papel" (Money Heist).<br> <br> È anche un'ottima canzone da suonare al piano!<br> <br> Se ti piace questo accordo, ti preghiamo di considerare di lasciare una recensione - significherebbe molto.
$4.99
4.6 €
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Piano seul
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Umberto Tozzi
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Mario Stallbaumer
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Ti Amo - Piano Solo
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Mario Stallbaumer
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SheetMusicPlus
A JAZZY O CHRISTMAS TREE (early intermediate)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.835601 Composed by Traditiona…
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String Orchestra - Level 2 - Digital Download SKU: A0.835601 Composed by Traditional German Carol. Arranged by Vincent Vitale. Christmas. Score and parts. 10 pages. Vincent Vitale #6549403. Published by Vincent Vitale (A0.835601). A JAZZY O CHRISTMAS TREE is arranged using modern jazz chords and is suitable for early intermediate students or beyond. Present it by itself or pair it up with any of the following: God Rest Ye Merry Gents #649097, Deck The Halls #171965, Jolly Old St. Nick #912323, Jingle Bells #901835, or Holly And The Ivy #209571. I do hope you, your students and audience enjoy this modern version of O Christmas Tree. If this composition appeals to you please review others in this series by typing VINCENT VITALE in the search bar. I wish you and your students much musical success. As always I thank you very much for your loyalty and consideration…..Copyright 2021 .
$15.00
13.83 €
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Orchestre à Cordes
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Traditional German Carol
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Vincent Vitale
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A JAZZY O CHRISTMAS TREE
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Vincent Vitale
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SheetMusicPlus
Non, Je Ne Regrette Rien - Piano Solo
Piano seul
Piano Solo - Intermediate - Digital Download By Edith Piaf. Arranged by Mario Stallba…
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Piano Solo - Intermediate - Digital Download By Edith Piaf. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here’s how to play the famous French chanson “Non, je ne regrette rien” on piano!<br> <br> This is a beautiful piano arrangement of “Non, je ne regrette rien”, in the famous version by French singer Édith Piaf (recorded in 1960).<br> <br> "Non, je ne regrette rien" was composed in 1956 by Charles Dumont (to lyrics by Michel Vaucaire), and it became one of the most famous French chansons, and one of Edith Piaf’s signature songs.<br> <br> The full melody is included in the piano part of this arrangement, so it makes for a perfect instrumental (piano solo) cover.<br> <br> If you like this arrangement, please consider leaving a review - it would mean a lot!<br> <br> <br> ###############################<br> <br> Voici comment jouer la célèbre chanson française «Non, je ne regrette rien» au piano!<br> <br> Il s'agit d'un bel arrangement pour piano de «Non, je ne regrette rien», dans la célèbre version de la chanteuse française Édith Piaf (enregistrée en 1960).<br> <br> "Non, je ne regrette rien" a été composé en 1956 par Charles Dumont (aux paroles de Michel Vaucaire), et il est devenu l'une des chansons françaises les plus célèbres, et l'une des chansons emblématiques d'Edith Piaf.<br> <br> La mélodie complète est incluse dans la partie piano de cet arrangement, ce qui en fait une couverture instrumentale parfaite (piano solo).<br> <br> Si vous aimez cet arrangement, pensez à laisser un commentaire - cela signifierait beaucoup!
$4.99
4.6 €
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Piano seul
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Edith Piaf
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Mario Stallbaumer
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Non, Je Ne Regrette Rien - Piano Solo
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Mario Stallbaumer
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SheetMusicPlus
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