Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Contemplation on Passion Chorale
Piano & claviers
Orgue
1
Guitares
Voix
Chorale SATB
4
Chorale 3 parties
2
Vents
Cuivres
Cordes
Trio à Cordes: 2 violons, violoncelle
1
2 Violons (duo)
1
Violon, Violoncelle (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Orchestre & Percussions
Orchestre de chambre
1
Orchestre
1
Cloches
1
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Play-along
Idées Cadeaux Partitions
Les artistes les plus consultés du mois de novembre
Artistes Francophones
1 - Charles Aznavour
2 - Edith Piaf
3 - Maurane
4 - Michel Legrand
5 - Emma Daumas
6 - Sophie Daumier
7 - Jean Jacques Goldman
8 - Barbara
9 - Georges Brassens
10 - Céline Dion
11 - Yann Tiersen
12 - Jacques Brel
13 - Mylene Farmer
14 - Dalida
15 - Richard Cocciante
Liste complète Francophone
Artistes Internationaux
1 - John Williams
2 - Astor Piazzolla
3 - The Beatles
4 - Camille Saint-Saens
5 - Dan Coates
6 - Leonard Bernstein
7 - George Gershwin
8 - Andrew Lloyd Webber
9 - Bela Bartok
10 - John Rutter
11 - Mark Hayes
12 - Scott Joplin
13 - Lloyd Larson
14 - Maurice Ravel
15 - Taylor Swift
16 - Ralph Vaughan Williams
17 - Erik Satie
18 - Irving Berlin
19 - Christopher Norton
20 - Jérôme Naulais
21 - Sergei Rachmaninoff
22 - Dmitri Shostakovich
23 - Henry Mancini
24 - Benjamin Britten
25 - Aaron Copland
Liste complète Internationale
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
12
Partitions Numériques
14
Librairie Musicale
16
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Contemplation on Passion Chorale
Partitions à imprimer
14 partitions trouvées
<
1
Contemplation on Passion Chorale
#
Cloches
#
INTERMÉDIAIRE
#
Sondra K
#
Sondra K
#
Contemplation on Passion Chora
#
Chorister's Guild - Digital
#
SheetMusicPlus
3, 4, or 5 octaves handbells - Level 3 - SKU: C7.CGB1042 O Sacred Head, ,Now Wounded. Composed by Sondra K. Tucker. Arranged by Sondra K. Tucker....
(+)
3, 4, or 5 octaves handbells - Level 3 - SKU: C7.CGB1042 O Sacred Head, ,Now Wounded. Composed by Sondra K. Tucker. Arranged by Sondra K. Tucker. Lent, Holy Week. With 3 octaves handchimes. Score. 8 pages. Chorister's Guild - Digital #CGB1042. Published by Chorister's Guild - Digital (C7.CGB1042). UPC: 749193026823.Originally written for handbells and harp, this arrangement of the tune Ellacombe can be played by two handbell or handchime choirs, or one handbell or handchime choir with harp or piano. This piece is a duet between the two parts, with each part carrying the melody at different times. This would be a wonderful opportunity to get together with another handbell choir, or to have two choirs at one church play together, one choir playing bells and one choir playing chimes.
$4.95
The Palm and the Passion – Anthem for Palm Sunday
#
Chorale 3 parties
#
Musique Sacrée
#
Edward David Zeliff
#
The Palm and the Passion &ndas
#
Edward David Zeliff
#
SheetMusicPlus
Choral Choir (SAB) - SKU: A0.888275 Composed by Edward David Zeliff. Christian,Easter,Sacred. Octavo. 5 pages. Edward David Zeliff #4792403. Published b...
(+)
Choral Choir (SAB) - SKU: A0.888275 Composed by Edward David Zeliff. Christian,Easter,Sacred. Octavo. 5 pages. Edward David Zeliff #4792403. Published by Edward David Zeliff (A0.888275). Palm Sunday is also known as Passion Sunday, and this piece was written as an opening to the service after the pastor read a Gospel account of Jesus' entry into Jerusalem. However, later in the service is the Passion Reading, and while I had music for that specifically, I felt compelled to acknowledge that after the celebratory acceptance by the populace on the day of His entry into the city, Christ in the garden prayed and contemplated the ordeal He was to endure the next day. This anthem, written for a small choir of SAB, captures the essence of both events and sets up the Passion which is to follow. The part writing varies between unison/octave strength, three part texture, and often moves smoothly from one sonority to another, allowing the voices to blend and the lines to converge into one.
$2.00
Meditation on "O Sacred Head, Now Wounded", Op. 105 (Organ Solo) - Vidas Pinkevicius (2022)
#
Orgue
#
DÉBUTANT
#
Vidas Pinkevicius
#
Meditation on "O Sacred H
#
Vidas Pinkevicius
#
SheetMusicPlus
Organ - Level 1 - SKU: A0.909358 Composed by Vidas Pinkevicius. Contemporary,Easter,Sacred. Score. 3 pages. Vidas Pinkevicius #6876291. Published by Vid...
(+)
Organ - Level 1 - SKU: A0.909358 Composed by Vidas Pinkevicius. Contemporary,Easter,Sacred. Score. 3 pages. Vidas Pinkevicius #6876291. Published by Vidas Pinkevicius (A0.909358). In this accessible yet effective meditation on the hymn tune O Sacred Head, Now Wounded (Passion Chorale) gentle refrain alternates with the colourful chorale phrases. This composition will supplement Lent, Good Friday liturgy and recital programs very well when one needs contemplative music.
$4.99
A Cross Against The Sky
#
Chorale SATB
#
DÉBUTANT
#
Musique Sacrée
#
Ray Markham
#
A Cross Against The Sky
#
Ray Markham
#
SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.1025082 Composed by Ray Markham. Christian,Easter,Sacred. Octavo. 4 pages. Ray Markham #4280517. Published by Ra...
(+)
Choral Choir (SATB) - Level 1 - SKU: A0.1025082 Composed by Ray Markham. Christian,Easter,Sacred. Octavo. 4 pages. Ray Markham #4280517. Published by Ray Markham (A0.1025082). Contemplate the Passion of Jesus with Ray Markham’s A Cross Against The Sky. The words provide a vivid description of events from betrayal to crucifixion, focusing on their impact on Jesus and the price he paid to bring salvation to the world. The evocative music lifts and gives expression to the words in a powerful and engaging way. Ideal for your Easter service or concert.(For more easy-to-learn Easter pieces, see He Is Risen, Only Your Love and Resurrection Glorious by the same composer.)
$1.99
O Domine Jesu Christe
#
Chorale 3 parties
#
Classique
#
Claudio Monteverdi
#
O Domine Jesu Christe
#
Oxford University Press Digital
#
SheetMusicPlus
SSA chorus unaccompanied - SKU: OX.9780193557000 Composed by Claudio Monteverdi. Sheet music. Octavo. 4 pages. Oxford University Press Digital #97801935...
(+)
SSA chorus unaccompanied - SKU: OX.9780193557000 Composed by Claudio Monteverdi. Sheet music. Octavo. 4 pages. Oxford University Press Digital #9780193557000. Published by Oxford University Press Digital (OX.9780193557000). ISBN 9780193557000.For SSA unaccompanied. This motet in two parts is devotional in character, with each section opening with homophonic writing before elaborating on close imitative polyphonic lines. The text is based on the first two stanzas of a prayer attributed to Pope Gregory I that contemplates the Passion of Our Lord.
$2.85
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach and Neth
#
Flavio Regis Cunha
#
Bach: Aria 'Mache dich, mein H
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
When I Survey the Wondrous Cross
#
Chorale SATB
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Isaac Watts / Lowell Mason
#
Robert Myers
#
When I Survey the Wondrous Cro
#
WheatMyer Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pag...
(+)
Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
Missa Solemnis, op. 27 (vocal score)
#
Chorale SATB
#
AVANCÉ
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
(+)
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
O Sacred Head, Now Wounded (for String Trio – 2 Violins and 1 Cello)
#
Trio à Cordes: 2 violons, violoncelle
#
FACILE
#
Musique Sacrée
#
Sharon Wilson
#
Sharon Wilson
#
O Sacred Head, Now Wounded
#
Sharon Wilson
#
SheetMusicPlus
String Ensemble,String Trio Cello,Violin - Level 2 - SKU: A0.565646 By Sharon Wilson. By Johann Sebastian Bach. Arranged by Sharon Wilson. Baroque,Class...
(+)
String Ensemble,String Trio Cello,Violin - Level 2 - SKU: A0.565646 By Sharon Wilson. By Johann Sebastian Bach. Arranged by Sharon Wilson. Baroque,Classical,Easter,Praise & Worship,Sacred. Score and parts. 7 pages. Sharon Wilson #5041791. Published by Sharon Wilson (A0.565646). The ancient tune PASSION CHORALE which first appeared as a hymn in 1613 is presented here as a string trio arrangement (for 2 VIOLINS and 1 CELLO). The familiar lyrics we know as O Sacred Head, Now Wounded were added sometime around 1656. Though over 300 years old, this song continues to add inspiration and contemplation to worship services during the season of Lent and Easter. The melody is played by the VIOLIN 1 throughout. An optional repeat is provided in case a longer musical selection is needed. All notes for both VIOLIN parts and the CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The purchase price includes a 3-page combined score with all three parts on each page plus separate 1-staff scores for the VIOLIN 1, VIOLIN 2, and CELLO (1 page each).This arrangement is one of the 10 songs in the collection titled Easy String Trios: Easter Hymns (A Collection of 10 Easy Trios for 2 Violins and 1 Cello). Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
O Sacred Head, Now Wounded (for String Duet – Violin and Cello)
#
Violon, Violoncelle (duo)
#
FACILE
#
Musique Sacrée
#
Sharon Wilson
#
Sharon Wilson
#
O Sacred Head, Now Wounded
#
Sharon Wilson
#
SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.565644 By Sharon Wilson. By Hans Leo Hassler. Arranged by Sharon Wilson. Baroque,Cl...
(+)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.565644 By Sharon Wilson. By Hans Leo Hassler. Arranged by Sharon Wilson. Baroque,Classical,Easter,Praise & Worship,Sacred. Score and parts. 5 pages. Sharon Wilson #5041777. Published by Sharon Wilson (A0.565644). The ancient tune PASSION CHORALE which first appeared as a hymn in 1613 is presented here as a string duet arrangement (for VIOLIN and CELLO). The familiar lyrics we know as O Sacred Head, Now Wounded were added sometime around 1656. Though over 300 years old, this song continues to add inspiration and contemplation to worship services during the season of Lent and Easter. The melody is played by the VIOLIN throughout. An optional repeat is provided in case a longer musical selection is needed. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The purchase price includes a 2-page combined score with both parts on each page plus separate 1-staff scores for the VIOLIN and CELLO (1 page each).This arrangement is one of the 10 songs in the collection titled Easy String Duets: Easter Hymns (A Collection of 10 Easy Violin and Cello Duets). Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
O Sacred Head, Now Wounded (for String Trio – Violin, Viola, and Cello)
#
Trio à Cordes: violon, alto, violoncelle
#
FACILE
#
Musique Sacrée
#
Sharon Wilson
#
Sharon Wilson
#
O Sacred Head, Now Wounded
#
Sharon Wilson
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.565645 By Sharon Wilson. By Johann Sebastian Bach. Arranged by Sharon Wilson. Baroque...
(+)
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.565645 By Sharon Wilson. By Johann Sebastian Bach. Arranged by Sharon Wilson. Baroque,Classical,Easter,Praise & Worship,Sacred. Score and parts. 7 pages. Sharon Wilson #5041787. Published by Sharon Wilson (A0.565645). The ancient tune PASSION CHORALE which first appeared as a hymn in 1613 is presented here as a string trio arrangement (for VIOLIN, VIOLA, and CELLO). The familiar lyrics we know as O Sacred Head, Now Wounded were added sometime around 1656. Though over 300 years old, this song continues to add inspiration and contemplation to worship services during the season of Lent and Easter. The melody is played by the VIOLIN throughout. An optional repeat is provided in case a longer musical selection is needed. All notes for each instrument (VIOLIN, VIOLA, and CELLO) are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The purchase price includes a 3-page combined score with all three parts on each page plus separate 1-staff scores for the VIOLIN, VIOLA, and CELLO (1 page each).This arrangement is one of the 10 songs in the collection titled Easy String Trios: Easter Hymns (A Collection of 10 Easy Trios for Violin, Viola, and Cello). Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
O Sacred Head, Now Wounded (for Violin Duet)
#
2 Violons (duo)
#
FACILE
#
Musique Sacrée
#
Sharon Wilson
#
Sharon Wilson
#
O Sacred Head, Now Wounded
#
Sharon Wilson
#
SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.565665 By Sharon Wilson. By Johann Sebastian Bach. Arranged by Sharon Wilson. Baroque,Classical,Easter,Praise & W...
(+)
Violin Duet Violin - Level 2 - SKU: A0.565665 By Sharon Wilson. By Johann Sebastian Bach. Arranged by Sharon Wilson. Baroque,Classical,Easter,Praise & Worship,Sacred. 5 pages. Sharon Wilson #5199905. Published by Sharon Wilson (A0.565665). The ancient tune PASSION CHORALE which first appeared as a hymn in 1613 is presented here as a string duet arrangement (for 2 VIOLINS). The familiar lyrics we know as O Sacred Head, Now Wounded were added sometime around 1656. Though over 300 years old, this song continues to add inspiration and contemplation to worship services during the season of Lent and Easter. The melody is played by the VIOLIN 1 throughout. An optional repeat is provided in case a longer musical selection is needed. All notes for both VIOLIN parts are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The purchase price includes a 2-page combined score with both parts on each page plus separate 1-staff scores for each VIOLIN (1 page each).This arrangement is one of the 10 songs in the collection titled Easy String Duets: Easter Hymns for 2 Violins (A Collection of 10 Violin Duets). Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
Sorrow Like His
#
Chorale SATB
#
Musique Sacrée
#
Larry Shackley
#
Sorrow Like His
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
SATB choir, a cappella - SKU: LX.10-4949L Composed by Larry Shackley. Sacred Anthem, Holy Week, Palm/Palm-Passion Sunday. Octavo. 8 pages. Lorenz Publis...
(+)
SATB choir, a cappella - SKU: LX.10-4949L Composed by Larry Shackley. Sacred Anthem, Holy Week, Palm/Palm-Passion Sunday. Octavo. 8 pages. Lorenz Publishing - Digital Sheet Music #e10/4949L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-4949L). ISBN 9780787758882.This powerful, soulful piece, based on the scripture verse “behold, and see if there be any sorrow like unto my sorrow,†asks the listener to consider the events of Christ’s betrayal, trial, and crucifixion. Set in the style of a spiritual, this a cappella anthem is ideal for contemplative Holy Week services.
$2.40
Missa Solemnis, op. 27 - Score Only
#
Orchestre
#
AVANCÉ
#
Adrian Gagiu
#
Missa Solemnis, op. 27 - Score
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
(+)
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
<
1
Contemplation on Passion Chorale