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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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débutant
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expert
avec audio
avec vidéo
avec play-along
Non classifié
31930
PIANO & CLAVIERS
Piano seul
38061
Piano, Voix et Guitare
10880
Piano, Voix
9615
Piano Facile
7370
Orgue
3061
Accompagnement Piano
1478
Instruments en Do
1127
1 Piano, 4 mains
684
Piano grosses notes
489
Piano Trio: piano, violon, violoncelle
363
2 Pianos, 4 mains
222
Accordéon
173
Piano (partie séparée)
135
Piano Quatuor: piano, 2 violons, violoncelle
84
Piano Quatuor: piano, violon, alto, violoncelle
81
Clavecin
73
Piano Quintette: piano, 2 violons, alto, violoncelle
69
Orgue, Trompette (duo)
59
Orgue, Piano (duo)
51
Ligne De Mélodie, Piano
17
Accordéon, Voix
16
2 Pianos, 8 mains
15
1 Piano, 6 mains
13
Ensemble d'Accordéons
12
2 Orgues (duo)
11
Instrument seul et Orgue
6
Orgue, Voix
5
Accordéon, Corde(s)
3
Clavier
3
2 Accordéons
2
Accordéon, Piano
2
Ensemble de Pianos
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
4975
Ligne De Mélodie, (Paroles) et Accords
1986
Guitare
1684
Basse electrique
670
Ukulele
483
2 Guitares (duo)
172
Piano, Guitare (duo)
163
Dulcimer
114
Guitare Pedal Steel
100
4 Guitares (Quatuor)
59
Ensemble de guitares
56
Paroles et Accords
46
Mandoline
45
3 Guitares (trio)
37
Guitare (partie séparée)
31
Banjo
18
2 Dulcimers (duo)
17
Guitare, Violon, Violoncelle (trio)
8
2 Ukuleles
7
Mandoline, Guitare (duo)
7
Mandoline, Piano (duo)
4
Ukulele Baryton
3
Guitare, Orchestre
3
Cithare
1
Basse électrique (partie séparée)
1
2 Mandolines (duo)
1
Ensemble de Ukulélés
1
Instrumentations suivantes
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VOIX
Chorale SATB
10917
Chorale 2 parties
3533
Chorale 3 parties
3330
Chorale TTBB
2902
Voix duo, Piano
1713
Chorale Unison
1401
Chorale SSAA
1339
Voix duo
465
Chorale
272
Voix seule
149
Voix Soprano, Piano
106
Voix haute
100
Voix moyenne, Piano
77
Voix Tenor
36
Voix Alto, Piano
33
Voix Tenor, Piano
30
Voix basse, Piano
27
Voix, Guitare
25
Voix Soprano
20
Voix basse
14
Chorale, Orgue
11
Voix Mezzo-Soprano, Piano
11
Voix Baryton, Piano
8
Male Voice
6
Chorale SSAATTBB
6
Chorale SSATB
5
Chorale SSATBB
5
Chorale SSAB a cappella
4
Voix (avec Boîtes d'Accords)
4
Chorale SSATTB
3
Chorale SSAB, Piano
2
Chorale SSAATB
1
Chorale SATBB
1
Voix Moyenne
1
Voix Baryton
1
Voix duo, Orgue
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
2307
Quatuor de Saxophones: 4 saxophones
2273
Saxophone (partie séparée)
1581
Flûte, Hautbois, Clarinette, Basson
1557
Flûte traversière
1458
Clarinette et Piano
1447
Saxophone Alto et Piano
1296
Hautbois, Piano (duo)
1287
Clarinette
1215
Saxophone Alto
1185
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1149
Saxophone Tenor et Piano
953
Quatuor de Clarinettes: 4 clarinettes
803
2 Saxophones (duo)
786
Hautbois (partie séparée)
633
2 Flûtes traversières (duo)
570
Saxophone Soprano et Piano
528
2 Clarinettes (duo)
490
Quatuor de Flûtes : 4 flûtes
464
Flûte et Guitare
384
Quintette de Saxophone: 5 saxophones
352
Ensemble de Clarinettes
348
Clarinette (partie séparée)
279
3 Clarinettes (trio)
272
3 Saxophones (trio)
267
Trio de Flûtes: 3 flûtes
256
Flûte, Clarinette (duo)
225
Saxophone Tenor
221
Ensemble de Flûtes
217
Cor anglais, Piano
194
Ensemble de saxophones
193
Saxophone Baryton, Piano
184
Flute (partie séparée)
182
2 Hautbois (duo)
148
Quintette de Clarinettes: 5 clarinettes
135
Clarinette, Guitare (duo)
133
Flûte, Violon
125
Saxophone, Clarinette (duo)
124
2 Flûte à bec (duo)
123
Clarinette, Violon (duo)
117
Hautbois, Basson (duo)
108
Flûte, Violoncelle, Piano (trio)
86
Clarinette Basse, Piano
86
Hautbois, Flûte
80
Saxophone Soprano
80
Clarinette, Harpe (duo)
78
Clarinette, Trompette (duo)
74
Saxophone et Piano
70
Quintette de Flûte : 5 flûtes
69
Flûte, Clarinette, Piano (trio)
67
Cor Anglais
66
Hautbois, Clarinette (duo)
64
Quatuor de Flûtes à bec
61
Flûte, Violoncelle
59
Flûte, Saxophone (duo)
59
Flûte, Clarinette et Basson
59
Clarinette et Alto
58
Saxophone et Guitare
54
Instruments en Mib
52
Flûte, Hautbois, Basson
52
Hautbois, Clarinette, Basson (trio d'anches)
51
Hautbois
51
Flûte, Hautbois, Clarinette (trio)
48
2 Saxophones, Piano
47
Flûte, Alto (duo)
44
Cor anglais, Guitare (duo)
42
Flûte à bec Soprano
42
Flûte à Bec
41
Flûte, Violon, Piano
41
Clarinette, Basson (duo)
39
Flûte, Violon et Violoncelle
37
Flûte, Trompette (duo)
35
Flûte, alto et harpe
33
Piccolo
27
Flûte, Harpe et Violoncelle
26
Cornemuse
25
2 Flûtes traversières, Piano
25
Clarinette, Violoncelle, Piano (trio)
24
3 Hautbois
23
Flûte à bec Tenor
23
Flûte à bec Alto
23
Clarinette, Violoncelle (duo)
23
2 Clarinettes, Piano
22
Flûte, Basson et Piano
22
Flûte, Violon, Violoncelle et Piano
21
Ensemble De Flûte à bec
19
3 Flûtes à bec (trio)
19
Saxophone et Orgue
18
Hautbois, Guitare (duo)
17
Clarinette, Trombone (duo)
17
Flûte, Hautbois (duo)
16
2 Clarinettes, Basson
15
Saxophone Baryton
15
Flûte, Trombone (duo)
14
Clarinette, Basson, Piano (trio)
14
Flûte, Alto et Piano
12
Flûte à bec Soprano, Piano
12
Flûte, Violoncelle, Guitare
11
4 Hautbois
11
Clarinette, Orgue
10
Flûte, Clarinette, Cor, Basson (Quartet)
9
Flûte, Hautbois, Violon
9
Flûte, Hautbois, Piano (trio)
9
Flute, harpe et violon
9
Clarinette Basse
9
Cor anglais et Harpe (duo)
8
Harmonica
8
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
8
5 Flûtes à bec
8
Piccolo, Piano
7
Hautbois, Violoncelle
7
Quintette de Clarinette: Clarinette, Quatuor à Cordes
7
Clarinette, Alto et Piano (trio)
6
Flûte, trombone et piano
6
Flûte et Trio à cordes
6
Saxophone, Tuba (duo)
6
Flûte traversière, Orgue (duo)
6
Flûte à bec Alto, Piano
6
Saxophone
6
2 Cors Anglais Et Pianoforte
6
Harmonica, Piano
5
Hautbois, Harpe
5
Saxophone et Harpe
4
Flûte, Clarinette, Violon (trio)
4
Flûte à Bec, Piano
4
Hautbois, violon (duo)
4
Clarinette, trompette et piano
4
Hautbois, Violoncelle et Piano
3
Flûte à bec, Guitare (duo)
3
Ocarina
3
Flûte traversière, Orchestre
3
Clarinette, Quatuor à cordes et Piano
3
Ensemble à vent
3
Hautbois, Basson et Piano
3
Ensemble de Hautbois
2
Flûte, Violon, Guitare
2
Flute, Cor (duo)
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
2 Hautbois et Cor anglais
2
Clarinette, Orchestre
2
Hautbois et alto (duo)
2
Clarinette, Saxophone, Piano
2
Flûte et Quatuor à Cordes
1
Hautbois, Violon, Piano
1
Hautbois et Orchestre
1
Hautbois, Orgue
1
3 Flûtes à bec, Piano
1
Hautbois, Clarinette, Basson et Piano
1
2 Flûtes à bec, Piano
1
Clarinette, Contrebasse (duo)
1
Saxophone, Violon (duo)
1
2 Hautbois, Piano
1
Flûte à bec, Harpe
1
Flûte irlandaise
1
Clarinette, Tuba
1
Flûte, Tuba (duo)
1
Instrumentations suivantes
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1286
Trompette, Piano
1285
Trompette
1043
Trombone et Piano
935
Trombone
817
Cor et Piano
801
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
798
Cor
570
Trompette (partie séparée)
449
Trombone (partie séparée)
383
Quatuor de Cuivres
282
2 Trompettes (duo)
279
Quatuor de Cuivres: 2 trompettes, Cor, trombone
271
2 Trombones (duo)
250
Tuba
236
Tuba et Piano
226
Cor anglais, Piano
194
Euphonium, Piano (duo)
178
Cor (partie séparée)
159
2 Cors (duo)
158
Quatuor de cuivres: 4 trombones
141
Trompette, Saxophone (duo)
141
Euphonium
129
Trompette, Trombone (duo)
122
Trio de Cuivres
82
Quatuor de cuivres: 4 cors
80
Instruments en Sib
67
Cor Anglais
66
2 Tubas (duo)
66
Bass Clef Instruments
57
Ensemble de Trombones
57
Ensemble de Trompettes
48
Trompette, Cor (duo)
48
3 Trompettes (trio)
42
Cor anglais, Guitare (duo)
42
3 Trombones (trio)
36
Ensemble de Cors
33
Quatuor de cuivres: 2 trompettes, 2 trombones
28
Tuba (partie séparée)
27
Euphonium, Tuba (duo)
26
4 Tubas
26
Quatuor de cuivres: 4 trompettes
21
2 Euphoniums et 2 Tubas
20
2 Euphoniums (duo)
19
Trompette, Tuba (duo)
18
Trombone, Orgue
16
Tuba et Orgue
16
Trombone, Tuba (duo)
16
Trombone basse et Piano
11
3 Cors (trio)
10
2 Trompettes, Clavier (piano ou orgue)
9
Cor et Harpe
9
2 Trombones, Piano
9
Clarinette, Cor (duo)
9
Trombone basse
9
Cor anglais et Harpe (duo)
8
Cor, Tuba (duo)
8
Trompette, Violoncelle et Piano
7
Cor et Orgue
6
Trompette, Harpe
6
2 Cors Anglais Et Pianoforte
6
Trompette, Trombone, Piano
5
Trombone, Cor (duo)
5
4 Euphoniums
5
Trompette, violon (duo)
4
Cornet et Piano
2
Trombone, Violon (duo)
2
Euphonium Ou Saxhorn Et Piano
2
Cor, Violoncelle (duo)
2
Trombone et orchestre
2
Ensemble de Tubas
2
Trompette, Orchestre
1
Cor, Orchestre
1
Trompette, Basson (duo)
1
Bugle
1
Tuba ou Euphonium ou Saxhorn
1
Cor, Violoncelle et Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette, Violoncelle (duo)
1
3 Tubas (trio)
1
3 Euphoniums
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
6451
Violon et Piano
2908
Harpe
2707
Violon
2365
Violoncelle, Piano
1699
Alto, Piano
1362
Violoncelle (partie séparée)
1114
Violon, Violoncelle (duo)
900
Alto seul
761
Trio à Cordes: violon, alto, violoncelle
745
Alto (partie séparée)
432
2 Violons (duo)
429
Violoncelle
412
2 Violoncelles (duo)
390
Violon (partie séparée)
326
Violon, Alto (duo)
256
Quintette à cordes: 2 violons, alto, violoncelle, basse
249
Contre Basse
233
Harpe, Flûte (duo)
228
Contrebasse (partie séparée)
206
2 Altos (duo)
189
Trio à Cordes: 2 violons, violoncelle
174
Contrebasse, Piano (duo)
169
Violon, Guitare (duo)
164
Piano Trio: Violon, Alto, Piano
152
Alto, Violoncelle (duo)
119
Violoncelle , Guitare (duo)
118
4 Violoncelles
116
2 Harpes (duo)
110
Alto, Guitare (duo)
93
Harpe, Violon (duo)
88
Harpe (partie séparée)
73
Trio à Cordes: 3 violoncelles
64
Violoncelle, Contrebasse (duo)
58
2 Contrebasses (duo)
47
Trio à cordes: 3 violins
40
Trio à Cordes: 2 violons, alto
29
Trio à cordes
28
Quatuor à cordes: 4 violons
24
Violon, Clarinette, Piano (trio)
23
2 Violons, Piano
17
Harpe, Violoncelle (duo)
17
Harpe et Piano
16
Violoncelle, Orgue
14
Violon, Orgue
14
Quatuor à cordes : 4 altos
13
2 Violoncelles, Piano
12
3 Harpes
12
Trio à cordes: 3 altos
11
Ensemble de Violoncelles
10
Alto et Harpe
10
Harpe, Voix
9
2 Altos, Piano
8
Harpe, Violon, Violoncelle
8
Flûte, Contrebasse (duo)
8
Ensemble de Violons
7
Ensemble d'Altos
6
Harpe et mandoline
6
Violon, Basson (duo)
5
4 Contrebasses
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto, Orgue
5
Harpe, Trombone (duo)
4
Violon, Violoncelle, Clarinette
4
Violon, Basse continue
2
Harpe, Orchestre
2
Violoncelle, Orchestre
2
2 Violons et Basse continue
1
Violon, Trompette et Piano
1
Violon, Tuba (duo)
1
Harpe, Quatuor à cordes
1
Alto et orchestre
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
3982
Orchestre
3360
Orchestre à Cordes
1899
Ensemble de cuivres
1527
Ensemble Jazz
1333
Orchestre de chambre
1033
Cloches
535
Ensemble de Percussions
525
Fanfare
459
Jazz combo
447
Batterie
296
Percussion (partie séparée)
171
Marimba
139
Vibraphone
73
Piano et Orchestre
52
Batterie (partie séparée)
36
Quintette à Vent
31
Xylophone, Piano
30
Percussion
21
Timbales (partie séparée)
18
Xylophone
17
Instrumentation Flexible
11
Vibraphone et Marimba
10
Timbales
8
Quatuor à Vent : 4 instruments à vents
7
Marimba, Piano (duo)
6
Marimba et Orgue
5
Caisse Claire
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
2 Marimbas
4
Orchestre, Violon
4
3 Marimbas
3
Trio à Vent: 3 instruments à vents
2
Marimba ou Xylophone et Piano
1
Caisse Claire, Piano
1
Quintette de Cuivres: autres combinaisons
1
Xylophone ou Marimba ou Vibraphone
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
4
Théorie de la musique
2
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Orchestre de chambre
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1026
Nightwalk for Piano and Chamber Orchestra (Includes Score and Solo Piano with Piano Accompaniment)
Orchestre de chambre
Small Ensemble - Level 4 - Digital Download SKU: A0.864812 Composed by Lisa Donovan …
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Small Ensemble - Level 4 - Digital Download SKU: A0.864812 Composed by Lisa Donovan Lukas. Contemporary. Score and parts. 82 pages. Lisa Donovan Lukas Music (ASCAP) #4326117. Published by Lisa Donovan Lukas Music (ASCAP)
Nightwalk for Piano and Chamber Orchestra is an ideal piece of music for the late intermediate/early advanced piano student. Nightwalk is a dramatic and fiery showcase piece of music. The music serves as a terrific piece for students wishing to highlight their ensemble abilities, and looking to play contemporary piano/orchestral repertoire. This package includes the Orchestral Score, a set of all orchestral parts, Solo Piano part, and Solo Piano with Piano Accompaniment part. To listen to more of Lisa's original piano compositions, please check out Lisa's original piano music at Piano Pronto's Composers Community. https://www.youtube.com/watch?v=9JbU0shOcP8
$9.99
9.32 €
#
Orchestre de chambre
#
Lisa Donovan Lukas
#
Nightwalk for Piano and Chamber Orchestra
#
Lisa Donovan Lukas Music
#
SheetMusicPlus
The Star-Spangled Banner (US National Anthem)
Orchestre de chambre
Contemporary Classical, Contemporary Christian, Spiritual, General Worship. 19 pages. Publ…
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Contemporary Classical, Contemporary Christian, Spiritual, General Worship. 19 pages. Published by James Gilbert Music (S0.217671). - - Contemporary Classical,Contemporary Christian,Spiritual,General Worship - James Gilbert Music
$8.99
8.39 €
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Orchestre de chambre
#
The Star-Spangled Banner
#
James Gilbert Music
#
SheetMusicPlus
Nearer My God To Thee
Orchestre de chambre
Composed by Sir Arthur Seymour Sullivan (1842-1900). Arranged by James Gilbert. Contempora…
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Composed by Sir Arthur Seymour Sullivan (1842-1900). Arranged by James Gilbert. Contemporary Classical, Contemporary Christian, Sacred, General Worship. Score, Set of Parts. 21 pages. Published by James Gilbert Music (S0.217669). - Score,Set of Parts - Contemporary Classical,Contemporary Christian,Sacred,General Worship - James Gilbert Music
$9.99
9.32 €
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Orchestre de chambre
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Sir Arthur Seymour Sullivan
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James Gilbert
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Nearer My God To Thee
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James Gilbert Music
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin ⢠German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of âletting goâ. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: âI will return the key of my doorâ. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though âin an oceanâ of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: âSo teach us to number our days, that we may apply our hearts unto wisdomâ. This cannot be expressed more plainly.I have begun the requiem with a solo boyâs voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent âlux aeternaâ. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: âEntreià dich, Seele, nun der Zeit, entreià dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgenâ [âTear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ] and later: âUnd die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu lebenâ [âAnd the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: âUnd meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Hausâ [âAnd my soul spread its wings wide. Flew through the still country as if homeward bound.â]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethovenâs late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my ârenewedâ occupation with the âoldâ country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a âhomecomerâ. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
52.24 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
African American Symphonic Poem (Orchestra overture)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.982671 Composed by Michael Dryver, Com…
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Chamber Orchestra - Digital Download SKU: A0.982671 Composed by Michael Dryver, Composer. Contemporary. Score and parts. 23 pages. Contemporary Choral Series #5214655. Published by Contemporary Choral Series (A0.982671). Orchestra overture to the Death of Emmett Till Requiem.
$17.00
15.86 €
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Orchestre de chambre
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Michael Dryver, Composer
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African American Symphonic Poem
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Contemporary Choral Series
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SheetMusicPlus
Agnus Dei (Mamie Solo from Requiem of Emmett Till movement 13)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.982669 Composed by Michael Dryver, Com…
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Chamber Orchestra - Digital Download SKU: A0.982669 Composed by Michael Dryver, Composer. Contemporary. Score and parts. 16 pages. Contemporary Choral Series #4848517. Published by Contemporary Choral Series (A0.982669). Agnus Dei, 4th movement of Requiem, the anguished, determined mother of Emmett (Bobo) Mamie sings out her mournful sorrow for her poor son. An Solo and orchestral setting... .
$8.00
7.46 €
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Orchestre de chambre
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Michael Dryver, Composer
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Agnus Dei
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Contemporary Choral Series
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SheetMusicPlus
Introit (from Requiem of Emmett Till Movement No 1)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.982654 Composed by Michael Dryver, Com…
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Chamber Orchestra - Digital Download SKU: A0.982654 Composed by Michael Dryver, Composer. Contemporary. Score and parts. 8 pages. Contemporary Choral Series #4829537. Published by Contemporary Choral Series (A0.982654). Requiem Introit/movement No 1 of 16 SATB Chorus and Orchestra .
$2.00
1.87 €
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Orchestre de chambre
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Michael Dryver, Composer
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Introit
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Contemporary Choral Series
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SheetMusicPlus
Lacrimosa (Requiem of Emmett Till Ballet Score)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.982668 Composed by Michael Dryver, Com…
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Chamber Orchestra - Digital Download SKU: A0.982668 Composed by Michael Dryver, Composer. Contemporary,Spiritual. Score and parts. 26 pages. Contemporary Choral Series #4841649. Published by Contemporary Choral Series (A0.982668). Requiem Ballet. Dance ballet piece of victory over death through God and salvation. Symbolic of resurrection on many levels; spiritual, memory of the tragic murder, the injustice of the trial procedures, the victimized innocence under Jim Crow law. Emmett (Bobo) Till, risen from the death is as a live as ever until justice is served. At the conclusion of the Lacrimosa Emmett's voice encourages us to weep no more for his cause but learn to love each other for our differences. .
$17.00
15.86 €
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Orchestre de chambre
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Michael Dryver, Composer
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Lacrimosa
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Contemporary Choral Series
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, âAve Maris Stellaâ (2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute â as both an important American composer and a significantcontributor to Americaâs contemporary musical life.The workâs basic source material is the plainchant Ave maris stella (âHail, star of the seaâ) âappropriate because of Duquesneâs standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe workâs tone â becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as âan underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.â The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up â as in a pentimento.At various points, one can begin to hear the original plainchant âpeek outâ in subtle ways.The opening section of the movement obsesses again and again on what sounds like aâbeginningâ â as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked âsinister.â After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at theâbeginningâ again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly â in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movementâstransformations, and âmotetâ sections â using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
24.21 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clarinet Quintet. Martin Glenn Clarinet and String Quartet.
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.809153 Composed by Glenn Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.809153 Composed by Glenn Martin. 20th Century,Concert,Contemporary,Graduation,Standards. Score and parts. 23 pages. Cornelius edition #3055647. Published by Cornelius edition (A0.809153). The slow movement from Martin's Clarinet Quintet for Clarinet in Bb and string quartet. 20th century contemporary classical. The beginning of this movement is reminiscent of the English style of Elgar, Ralph Vaughan Williams and Delius with mellifluous clarinet phrases played over rich string tones. A quintessentially English pastoral style and suitable for any chamber music concert, recital or special occasion.
$4.99
4.66 €
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Orchestre de chambre
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Glenn Martin
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Clarinet Quintet. Martin Glenn Clarinet and String Quartet.
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Cornelius edition
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SheetMusicPlus
Passacaglic Conversations for Solo Percussion and Orchestra (Full Score)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.945578 Composed by Tony Matt…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.945578 Composed by Tony Matthews. Contemporary. Score and parts. 42 pages. Archway Publications #6331845. Published by Archway Publications (A0.945578). A Short Percussion Concerto. A dialogue between the un-pitched percussion soloist at the pitched orchestra. A kind of pitched battle... Work was premiered at All Ears Festival in London, UK on the 27th September 2008Parts are available at:https://smppress.sheetmusicplus.com/p/manage-products/1008605Soloist : Gerard Rundle Orchestra:London Contemporary Chamber OrchestraConductor: Alan TaylorOriginally written, by request, for solo percussion. That version proved impossible to play. However, it seemed a shame to waste the material, so, this version was born. The melodic parts (vibraphone, marimba, glockenspiel) were used as the basis of the orchestral parts.Orchestral parts are available at:https://www.sheetmusicplus.com/title/21997631
$4.99
4.66 €
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Orchestre de chambre
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Tony Matthews
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Passacaglic Conversations for Solo Percussion and Orchestra
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Archway Publications
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SheetMusicPlus
Asphixivision (Score & Parts)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.976911 Composed by Sabrina P…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.976911 Composed by Sabrina Pena Young. 20th Century,Contemporary,Latin,Standards. 32 pages. Sabrina Peña Young #3425603. Published by Sabrina Peña Young (A0.976911). Lively rhythmic 21st century string quartet work. Score and parts included. Ideal piece for advanced high school students, small orchestra or string ensemble, college string ensembles, professional string quartets, and community groups. Written by award-winning Cuban-Dominican composer. Feel free to contact composer directly for any questions. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60Ã60 and Lee Scottâs interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the worldâs first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.39 €
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Orchestre de chambre
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Sabrina Pena Young
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Asphixivision
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Sabrina Peña Young
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SheetMusicPlus
Quiet Times - Solo Flugelhorn Feature for Studio Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.817154 Composed by Richard D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.817154 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Jazz,Pop. 41 pages. Charles Decker Music Press #5740917. Published by Charles Decker Music Press (A0.817154). This very accessible and moderately difficult original jazz-influenced, lush sounding ballad for studio orchestra featuring solo flugelhorn creates lasting memories for performers and audiences. New York State School Music News review: This slow ballad has an effective legato flow with remarkably colorful orchestration ⦠a very original and playable creation. The audio file is an actual studio orchestra performance of the entire work and not a computer playback of the score. See also the piano reduction accompaniment for Quiet Times at Charles Decker Music Press. See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.
$18.95
17.68 €
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Orchestre de chambre
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Richard Decker
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Quiet Times - Solo Flugelhorn Feature for Studio Orchestra
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Charles Decker Music Press
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SheetMusicPlus
Sinfonia #4
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1151419 Composed by Steven K…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1151419 Composed by Steven Kudlo. 20th Century,Classical,Contemporary. Score and parts. 52 pages. Steven Mark Kudlo #751606. Published by Steven Mark Kudlo (A0.1151419). For chamber orchestra in three movements; rather romantic, with contemporary melodic rhythms.
$8.99
8.39 €
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Orchestre de chambre
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Steven Kudlo
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Sinfonia #4
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Steven Mark Kudlo
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SheetMusicPlus
Ignotis Manibus (The Unseen Hand) - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.734876 Composed by Joseph Ha…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.734876 Composed by Joseph Hasper. 20th Century,Contemporary,Instructional. Score and parts. 47 pages. Joseph Hasper #4281747. Published by Joseph Hasper (A0.734876). A contemporary classical piece for small orchestra (2-0-2-2, 2-2-2-0, timp, 3 percussion, strings) with a duration of 11'00.The score uses a number of indeterminate techniques that make each performance a one-of-a-kind experience, but is structured with enough guidelines that beginners to modern music will feel comfortable.Moderate woodwind and brass ranges throughout. First violin goes to high G, second violin to high D. A complete set of parts for digital download is available at SMP Press. Printed parts in 9x12 concert size, sent by US mail, are available from the composer. Please inquire at info@jazz-charts.com .
$5.00
4.67 €
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Orchestre de chambre
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Joseph Hasper
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Ignotis Manibus
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Joseph Hasper
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SheetMusicPlus
Downward Spiral
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976917 Composed by Sabrina P…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976917 Composed by Sabrina Pena Young. 20th Century,Contemporary. 7 pages. Sabrina Peña Young #3425623. Published by Sabrina Peña Young (A0.976917). Beautiful adagio work for strings. Can be adapted to string quartet, string orchestra or string ensemble. Intermediate to advanced 21st century work. Written by award-winning composer. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60Ã60 and Lee Scottâs interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the worldâs first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.39 €
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Orchestre de chambre
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Sabrina Pena Young
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Downward Spiral
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Sabrina Peña Young
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SheetMusicPlus
Sinfonia #7
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1150844 Composed by Steven K…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1150844 Composed by Steven Kudlo. 20th Century,Classical,Contemporary. Score and parts. 50 pages. Steven Mark Kudlo #751028. Published by Steven Mark Kudlo (A0.1150844). A three-movement work for the chamber orchestra; Uses contemporary rhythms in a classical context; a tranquil work of about 7 1/2 mins. in length.
$8.99
8.39 €
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Orchestre de chambre
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Steven Kudlo
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Sinfonia #7
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Steven Mark Kudlo
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SheetMusicPlus
Tasto
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.962364 Composed by Ser. Contemporary,W…
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Chamber Orchestra - Digital Download SKU: A0.962364 Composed by Ser. Contemporary,World. Score and parts. 56 pages. Sergio Roberto de Oliveira #5992129. Published by Sergio Roberto de Oliveira (A0.962364). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$35.72
33.33 €
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Orchestre de chambre
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Ser
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Tasto
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Sergio Roberto de Oliveira
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SheetMusicPlus
Ignotis Manibus (The Unseen Hand) - complete score and parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.734877 Composed by Joseph Ha…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.734877 Composed by Joseph Hasper. 20th Century,Contemporary. Score and parts. 137 pages. Joseph Hasper #4293601. Published by Joseph Hasper (A0.734877). A contemporary classical piece for small orchestra (2-0-2-2, 2-2-2-0, timp, 3 percussion, strings) with a duration of 11'00.The score uses a number of indeterminate techniques that make each performance a one-of-a-kind experience, but is structured with enough guidelines that beginners to modern music will feel comfortable.Moderate woodwind and brass ranges throughout. First violin goes to high G, second violin to high D. A complete set of printed parts in 9x12 concert size, sent by US mail, are available from the composer. Please inquire at info@jazz-charts.com.
$65.00
60.65 €
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Orchestre de chambre
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Joseph Hasper
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Ignotis Manibus
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Joseph Hasper
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SheetMusicPlus
Serenata for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.814732 Composed by Richard E…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.814732 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 121 pages. Dacker Music #2993111. Published by Dacker Music (A0.814732). Serenata for Chamber Orchestra is a contemporary style work in five movements. Scored for flute, oboe, clarinet, bassoon, 2 horns, trumpet, trombone, 2 percussion, and strings.1. Prologue 2. Scherzo 3. Nocturne 4. Tarantella 5. Epilogue The price includes license to make as many string parts as necessary.Grade 5+ - Duration 10:00
$45.00
41.99 €
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Orchestre de chambre
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Richard E Brown
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2
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Serenata for Chamber Orchestra
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Dacker Music
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SheetMusicPlus
Pr'os lados do Piaui, entre a Turquia e a Alemanha
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.962358 Composed by Sergio Roberto de O…
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Chamber Orchestra - Digital Download SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto de Oliveira #5011347. Published by Sergio Roberto de Oliveira (A0.962358). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.58
46.26 €
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Orchestre de chambre
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Sergio Roberto de Oliveira
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Pr'os lados do Piaui, entre a Turquia e a Alemanha
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Sergio Roberto de Oliveira
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas â Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composerâs notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: ××××ש â פ×ר×ש â ש×××ר â ××פ×ש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato âsta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato âsta el hijo del rey (The Kingâs Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha BâAv along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
50.38 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
Mechanik - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1043482 Composed by Timothy …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1043482 Composed by Timothy Sullivan. Classical,Contemporary,Contest,Festival,New Age. Score and parts. 45 pages. SullivanWorks #648166. Published by SullivanWorks (A0.1043482). Mechanik is a bold and energetic contemporary musical work. Constructed in the manner of a chamber concerto grosso, it is difficult to believe, in hearing Mechanik that there are only seven instruments playing! The richness of the musical ideas, orchestration, and pitch material makes for a thrilling aural experience.
$20.00
18.66 €
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Orchestre de chambre
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Timothy Sullivan
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Mechanik - Score Only
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SullivanWorks
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SheetMusicPlus
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