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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Contrabassoon Sonata
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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Vous avez sélectionné:
Contrabassoon Sonata
SheetMusicPlus
Partitions à imprimer
28 partitions trouvées
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Horn Sonata No.3 (TWV 82a)
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Cor et Piano
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Thomas McConochie
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Horn Sonata No.3
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Thomas McConochie
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SheetMusicPlus
French Horn,Piano - SKU: A0.1024735 Composed by Thomas McConochie. 20th Century,Contemporary. Score and part. 27 pages. Thomas McConochie #6857551. Publ...
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French Horn,Piano - SKU: A0.1024735 Composed by Thomas McConochie. 20th Century,Contemporary. Score and part. 27 pages. Thomas McConochie #6857551. Published by Thomas McConochie (A0.1024735). The music is inspired by video game music (and a little bit of funk music as well). Mvt I is inspired by modern open-world games like Zelda: Breath of the Wild. Mvt II is inspired by classic games like Castlevania, Metroid, Super Mario Bros. etc. Mvt III is inspired by funk music (and video game music) generally.This horn sonata (TWV 82a) is an arrangement of my Contrabassoon Sonata (TWV 82), and the contrabassoon sonata is actually an arrangement of my Tuba Sonata (TWV 50).This is definitely a low horn sonata! ;) The horn part is an octave higher than the contrabassoon version and perfect 5th higher than the tuba version.The tuba, contrabassoon, and horn are all awesome instruments and they need more solo repertoire!
$15.00
Contrabassoon Sonata
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Barbara York
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Contrabassoon Sonata
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Cimarron Music Press - Digital
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SheetMusicPlus
Contrabassoon solo with piano - SKU: CX.CM2459 Composed by Barbara York. 32 pages. Published by Cimarron Music Press - Digital (CX.CM2459).
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Contrabassoon solo with piano - SKU: CX.CM2459 Composed by Barbara York. 32 pages. Published by Cimarron Music Press - Digital (CX.CM2459).
$22.00
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Contrabassoon Duo
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Six Sonatas Op. 5 No
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jmsgu3
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SheetMusicPlus
Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.612801 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged ...
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Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.612801 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score and parts. 59 pages. Jmsgu3 #221995. Published by jmsgu3 (A0.612801). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - AllegroSonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. GavottSonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95
Sammartini: Sonata Op. 1 No. 2 for Contrabassoon Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Duet Contrabassoon,Instrumental Duet - Level 3 - SKU: A0.1082305 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie....
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Instrumental Duet Contrabassoon,Instrumental Duet - Level 3 - SKU: A0.1082305 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #686455. Published by jmsgu3 (A0.1082305). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Sammartini: Sonata Op. 1 No. 1 for Contrabassoon Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 1
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.1083439 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie....
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Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.1083439 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #687634. Published by jmsgu3 (A0.1083439). Sammartini Op. 1 No. 1 Sonata. Score: 10 pages. Duration: 8:43 I. Andante II. Allegro III. AllegroGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Sonata for Contrabassoon and Piano
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Daniel Baldwin
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Sonata for Contrabassoon and P
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Imagine Music - Digital
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SheetMusicPlus
Contrabassoon & Piano - SKU: IZ.IMS203 Composed by Daniel Baldwin. Score and Parts. 43 pages. Imagine Music - Digital #IMS203. Published by Imagine Musi...
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Contrabassoon & Piano - SKU: IZ.IMS203 Composed by Daniel Baldwin. Score and Parts. 43 pages. Imagine Music - Digital #IMS203. Published by Imagine Music - Digital (IZ.IMS203). 9 x 12 inches.This Sonata for contrabassoon and piano was commissioned by Richard Meek, with a generous additional contribution from Susan Nigro. It was premiered at the 2019 International Double Reed Convention by Richard Meek.
$32.00
Loeillet: Sonata No 1 for Contrabassoon Duo
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Jean-Baptiste Loeillet
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James M
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Loeillet: Sonata No 1 for Cont
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jmsgu3
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SheetMusicPlus
Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.540231 Composed by Jean-Baptiste Loeillet. Arranged by James M. Guthrie. Baroque,C...
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Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.540231 Composed by Jean-Baptiste Loeillet. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 8 pages. Jmsgu3 #150371. Published by jmsgu3 (A0.540231). Jean Baptiste Loeillet: Sonata No 1 for Contrabassoon Duo Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. Allegro.
$24.95
Loeillet: Sonata No. 2 for Contrabassoon Duo
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Jean-Baptiste Loeillet
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James M
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Loeillet: Sonata No. 2 for Con
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jmsgu3
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SheetMusicPlus
Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.546294 Composed by Jean-Baptiste Loeillet. Arranged by James M. Guthrie. Baroque,C...
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Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.546294 Composed by Jean-Baptiste Loeillet. Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional. Score and parts. 12 pages. Jmsgu3 #156351. Published by jmsgu3 (A0.546294). Jean Baptiste Loeillet: Sonata No. 2 for Contrabassoon Duo Duration: 16:00, Score: 12 pages 1. Largo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. Giga.
$24.95
Loeillet: Sonata No. 3 for Contrabassoon Duo
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Sonata No. 3 for Con
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jmsgu3
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SheetMusicPlus
Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.555428 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged ...
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Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.555428 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score and parts. 14 pages. Jmsgu3 #165044. Published by jmsgu3 (A0.555428). Jean Baptiste Loeillet: Sonata No. 3 for Contrabassoon Duo Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - Allegro.
$24.95
Loeillet: Sonata No. 4 for Contrabassoon Duo
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Sonata No. 4 for Con
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jmsgu3
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SheetMusicPlus
Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.556043 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged ...
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Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.556043 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score and parts. 10 pages. Jmsgu3 #165514. Published by jmsgu3 (A0.556043). Jean Baptiste Loeillet: Sonata No. 4 for Contrabassoon Duo Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. Allegro.
$24.95
Loeillet: Sonata No. 5 for Contrabassoon Duo
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Sonata No. 5 for Con
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jmsgu3
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SheetMusicPlus
Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.587882 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged ...
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Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.587882 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score and parts. 7 pages. Jmsgu3 #197166. Published by jmsgu3 (A0.587882). Jean Baptiste Loeillet: Sonata No. 5 for Contrabassoon Duo Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. Gavott.
$24.95
Loeillet: Sonata No. 6 for Contrabassoon Duo
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Sonata No. 6 for Con
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jmsgu3
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SheetMusicPlus
Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.612725 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged ...
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Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.612725 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. Score and parts. 8 pages. Jmsgu3 #221918. Published by jmsgu3 (A0.612725). Jean Baptiste Loeillet: Sonata No. 6 for Contrabassoon Duo Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$24.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Stan...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Sonata K498 in G minor for Bassoon Trio MP3
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3 Bassons
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Domenico Scarlatti
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Cristiano Vecchi
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parts, mp3, on this website
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Sonata K498 in G minor for Bas
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Cristiano Vecchi
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SheetMusicPlus
Contrabassoon - SKU: A0.1066282 Composed by Domenico Scarlatti. Arranged by Cristiano Vecchi. Baroque,Children,Holiday,Instructional,Standards. Full Per...
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Contrabassoon - SKU: A0.1066282 Composed by Domenico Scarlatti. Arranged by Cristiano Vecchi. Baroque,Children,Holiday,Instructional,Standards. Full Performance. Duration 191. Cristiano Vecchi #4846543. Published by Cristiano Vecchi (A0.1066282). A dynamical and hypnotical Sonata by Domenico Scarlatti, arranged for: Bassoons 1&2 - Contrabassoon .Duration: 3'00''Transposed in G minor from the original in B minor for an easier performance.SCORE and PARTS also available on this website.Also available for Woodwind Trio (Flute or Oboe, Clarinet in Bb, Bassoon): score & parts, mp3, on this website.
$1.99
Sonata for Contrabassoon and Piano
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David Baker
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Sonata for Contrabassoon and P
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Forton Music - Digital
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SheetMusicPlus
Cbsn. Pft. - Intermediate-Advanced - SKU: F2.FM681 Composed by David Baker. Written in 2007, this sonata was inspired by playing alongside a series of a...
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Cbsn. Pft. - Intermediate-Advanced - SKU: F2.FM681 Composed by David Baker. Written in 2007, this sonata was inspired by playing alongside a series of amazing contra bassoonists; Nick Lander, Alex Moss, Luke Whitehead and Sarah Nixon, who made me realise it's amazing potential as a solo instrument. Whilst the outer movements ar. Score and Parts. 29 pages. Forton Music - Digital #FM681. Published by Forton Music - Digital (F2.FM681). ISBN 9790570485802.
$12.95
Pathetique Sonata
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Orchestre
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Joshua Choe
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Pathetique Sonata
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.783034 Composed by Ludwig van Beethoven. Arranged by Joshua Choe. Classical. Score and parts. 243 pages. JMJ Arrangem...
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Full Orchestra - Level 5 - SKU: A0.783034 Composed by Ludwig van Beethoven. Arranged by Joshua Choe. Classical. Score and parts. 243 pages. JMJ Arrangements #390394. Published by JMJ Arrangements (A0.783034). Beethoven's famous Sonata No. 8 in c minor, also known as his Pathetique Sonata, arranged for full orchestra. Bassoon 2 plays Contrabassoon whenever indicated in the score. Full YouTube playlist: https://www.youtube.com/playlist?list=PLO4xN_gsnPdqYCgfGBEpCxJEOA-kczxbk.
$44.99
Sonata K498 in G minor for Bassoon Trio
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3 Bassons
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INTERMÉDIAIRE
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Domenico Scarlatti
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Cristiano Vecchi
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Sonata K498 in G minor for Bas
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Cristiano Vecchi
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon - Level 3 - SKU: A0.963354 Composed by Domenico Scarlatti. Arranged by Cristiano Vecchi. Baroque,Children,Holida...
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Woodwind Ensemble,Woodwind Trio Bassoon - Level 3 - SKU: A0.963354 Composed by Domenico Scarlatti. Arranged by Cristiano Vecchi. Baroque,Children,Holiday,Instructional,Standards. 11 pages. Cristiano Vecchi #4846535. Published by Cristiano Vecchi (A0.963354). A dynamical and hypnotical Sonata by Domenico Scarlatti, arranged for: Bassoons 1&2 - Contrabassoon .Duration: 3'00''Transposed in G minor from the original in B minor for an easier performance.SCORE and PARTS. MP3 also available on this website.Also available for Woodwind Trio (Flute or Oboe, Clarinet in Bb, Bassoon): score & parts, mp3, on this website.
$5.99
Sonata K498 in A minor for Flute Trio
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Trio de Flûtes: 3 flûtes
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INTERMÉDIAIRE
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Domenico Scarlatti
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Cristiano Vecchi
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parts, mp3, on this website
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Sonata K498 in A minor for Flu
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Cristiano Vecchi
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Flute - Level 3 - SKU: A0.963359 Composed by Domenico Scarlatti. Arranged by Cristiano Vecchi. Baroque,Children,Holiday,...
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Woodwind Ensemble,Woodwind Trio Flute - Level 3 - SKU: A0.963359 Composed by Domenico Scarlatti. Arranged by Cristiano Vecchi. Baroque,Children,Holiday,Instructional,Standards. 11 pages. Cristiano Vecchi #4851021. Published by Cristiano Vecchi (A0.963359). A dynamical and hypnotical Sonata by Domenico Scarlatti, arranged for: Piccolo - Flute - Bass Flute .Duration: 3'00''Transposed in A minor from the original in B minor for an easier performance.SCORE and PARTS. MP3 also available on this website.Also available for Woodwind Trio (Flute or Oboe, Clarinet in Bb, Bassoon), Bassoon Trio (2 Bassoons, Contrabassoon): score & parts, mp3, on this website.
$5.99
Sonata K498 in A minor for Flute Trio MP3
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Trio de Flûtes: 3 flûtes
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Domenico Scarlatti
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Cristiano Vecchi
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parts, mp3, on this website
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Sonata K498 in A minor for Flu
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Cristiano Vecchi
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SheetMusicPlus
Flute - SKU: A0.1066287 Composed by Domenico Scarlatti. Arranged by Cristiano Vecchi. Baroque,Children,Holiday,Instructional,Standards. Full Performance...
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Flute - SKU: A0.1066287 Composed by Domenico Scarlatti. Arranged by Cristiano Vecchi. Baroque,Children,Holiday,Instructional,Standards. Full Performance. Duration 191. Cristiano Vecchi #4851023. Published by Cristiano Vecchi (A0.1066287). A dynamical and hypnotical Sonata by Domenico Scarlatti, arranged for: Piccolo - Flute - Bass Flute .Duration: 3'00''Transposed in A minor from the original in B minor for an easier performance.SCORE and PARTS also available on this website.Also available for Woodwind Trio (Flute or Oboe, Clarinet in Bb, Bassoon) and for Bassoon Trio (2 Bassoons, Contrabassoon): score & parts, mp3, on this website.
$1.99
Sonata in Eb Minor for 2 Bassoons
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2 Bassons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Hunter Mauer
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Sonata in Eb Minor for 2 Basso
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Hunter Mauer
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 4 - SKU: A0.1033349 Composed by Hunter Mauer. Contemporary. Score and parts. 22 pages. Hunter Mauer ...
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Instrumental Duet Bassoon,Instrumental Duet - Level 4 - SKU: A0.1033349 Composed by Hunter Mauer. Contemporary. Score and parts. 22 pages. Hunter Mauer #6367195. Published by Hunter Mauer (A0.1033349). A 3 movement Sonata written as a Bassoon solo with a Bassoon accompaniment.I've found that substituting a Contrabassoon for 2nd Bassoon is fantastic, so feel free to play around with that idea!If you have any questions regarding my piece, or are a teacher, please email me at mauer.compositions@gmail.com.© 2021 Hunter Mauer. Any illegal reproduction without written consent from Hunter Mauer will result in legal action.
$4.99
Beethoven Moonlight Sonata Movement Two
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Ludvig Beethoven
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Dallin Christiansen
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Beethoven Moonlight Sonata Mov
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Dallin Christiansen
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SheetMusicPlus
Small Ensemble - SKU: A0.500870 Composed by Ludvig Beethoven. Arranged by Dallin Christiansen. Children,Classical,Renaissance,Romantic Period,Traditiona...
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Small Ensemble - SKU: A0.500870 Composed by Ludvig Beethoven. Arranged by Dallin Christiansen. Children,Classical,Renaissance,Romantic Period,Traditional. Score and parts. 51 pages. Published by Dallin Christiansen (A0.500870). This delightful bite is a wonderful addition to any woodwind quintet's repertoire, provided they have a contrabassoonist available for the couple of notes that extend below the range of the bassoon.
$23.00
Andante, Op. 5, Mvt. 2 (Double Reed Choir + Piccolo & 2 Flutes)
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Classique
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Richard Byrnes
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Richard Byrnes
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Andante, Op. 5, Mvt. 2
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Richard Byrnes
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SheetMusicPlus
Large Ensemble Contrabassoon,English Horn,Flute,Oboe,Piccolo - SKU: A0.1047895 By Richard Byrnes. By Johannes Brahms. Arranged by Richard Byrnes. Romant...
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Large Ensemble Contrabassoon,English Horn,Flute,Oboe,Piccolo - SKU: A0.1047895 By Richard Byrnes. By Johannes Brahms. Arranged by Richard Byrnes. Romantic Period. Score and parts. 92 pages. Richard Byrnes #652340. Published by Richard Byrnes (A0.1047895). Johannes Brahms (1833-1897) was a German composer who crafted his works using the techniques of musical counterpoint within traditional forms. Within those strictures he created many beautiful and powerful works. Barely 20 years old, Brahms wrote this in 1853. It is the second of five movements. Being his last piano sonata, it is his biggest solo piano work. This movement begins with a quotation from a poem by Otto Inkermann: Through evening's shade, the pale moon gleams While rapt in love's ecstatic dreams Two hearts are fondly beating. This is an arrangement by Richard Byrnes for Piccolo, 3 Oboes, 2 English Horns, 4 Bassoons, & 2 Contrabassoons. In addition to works by Brahms, we offer works by J.S. Bach, Debussy, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$65.99
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Stan...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462151. Published by jmsgu3 (A0.549205). Minimum instrumentation: 8 double reeds (or multiples) arranged in 2 antiphonal choirs. 4 oboes, 2 English horns, 1 bassoon, 1 contrabassoon (or 2 bassoons). Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Andante, Op. 5, Mvt. 2 (Saxophone Choir + Piccolo & 2 Flutes)
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Classique
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Johannes Brahms
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Richard Byrnes
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Contrabassoon
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Andante, Op. 5, Mvt. 2
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Richard Byrnes
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SheetMusicPlus
Alto Saxophone,B-Flat Bass Saxophone,Baritone Saxophone,Contrabassoon,Flute,Piccolo,Soprano Saxophone,Tenor Saxophone - SKU: A0.1048563 Composed by Joha...
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Alto Saxophone,B-Flat Bass Saxophone,Baritone Saxophone,Contrabassoon,Flute,Piccolo,Soprano Saxophone,Tenor Saxophone - SKU: A0.1048563 Composed by Johannes Brahms. Arranged by Richard Byrnes. Romantic Period. 92 pages. Richard Byrnes #652969. Published by Richard Byrnes (A0.1048563).  Johannes Brahms (1833-1897) was a German composer who crafted his works using the techniques of musical counterpoint within traditional forms. Within those strictures he created many beautiful and powerful works.  Barely 20 years old, Brahms wrote this in 1853. It is the second of five movements. Being his last piano sonata, it is his biggest solo piano work.  This movement begins with a quotation from a poem by Otto Inkermann:  Through evening's shade, the pale moon gleams While rapt in love's ecstatic dreams Two hearts are fondly beating.  This is an arrangement by Richard Byrnes for Piccolo, 3 Soprano Saxes, 2 Alto Saxes, 2 Tenor Saxes, 2 Baritone Saxes, Bass Sax, & Contrabassoon.  In addition to many works by Brahms, we offer works by Bach, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$65.99
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renais...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
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Contrabassoon Sonata
