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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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FORMATION MUSI…
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9
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Vous avez sélectionné:
Crossing Over There
Partitions à imprimer
27 partitions trouvées
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26
Crossing Over There- SATB-Digital Download
Chorale SATB
Choral SATB choir - Digital Download SKU: H1.C5410DP Composed by Pepper Choplin. Ge…
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Choral SATB choir - Digital Download SKU: H1.C5410DP Composed by Pepper Choplin. General Worship, Assurance, Comfort, Eternal Life, Promise, Spiritual. Octavo. 8 pages. Hope Publishing - Digital #C5410DP. Published by Hope Publishing - Digital (H1.C5410DP). Joshua:1:2 - Psalms 116:15.Original anthem Set on the poetic banks of the Jordan River, this anthem expresses a yearning to cross over there. From the difficulties and pains of life, the song wistfully looks forward to the promise of heaven's bliss. The middle section speaks of the boat that crosses and the Captain who has already paid the fare. From there it develops into an expression of hope before suddenly returning to the quiet certainty that one day we will experience the peace of heaven.
$2.95
2.7 €
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Chorale SATB
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Pepper Choplin
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Crossing Over There- SATB-Digital Download
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Hope Publishing - Digital
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SheetMusicPlus
Crossing Over There
Rhythm instruments - Digital Download SKU: H1.C5410RDP Composed by Pepper Choplin. …
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Rhythm instruments - Digital Download SKU: H1.C5410RDP Composed by Pepper Choplin. General Worship, Assurance, Comfort, Eternal Life, Promise, Spiritual. Rhythm Parts. 5 pages. Hope Publishing - Digital #C5410RDP. Published by Hope Publishing - Digital (H1.C5410RDP). Joshua:1:2 - Psalms 116:15.Original anthem Set on the poetic banks of the Jordan River, this anthem expresses a yearning to cross over there. From the difficulties and pains of life, the song wistfully looks forward to the promise of heaven's bliss. The middle section speaks of the boat that crosses and the Captain who has already paid the fare. From there it develops into an expression of hope before suddenly returning to the quiet certainty that one day we will experience the peace of heaven.
$22.95
20.99 €
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Pepper Choplin
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Crossing Over There
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Hope Publishing - Digital
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SheetMusicPlus
Over The Waves (Sobre Las Olas) - guitar duet
2 Guitares (duo)
Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.850624 By Various. By…
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Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.850624 By Various. By Juventino Rosas. Arranged by Derek Hasted. Classical,Film/TV,Standards. 15 pages. Derek Hasted #457295. Published by Derek Hasted (A0.850624). OVER THE WAVES - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.There is also a version for Flute and Guitar published separatelyThis is the tune that everyone has heard, and no-one knows its name... It makes it perfect for concerts!Derek Hasted writes It’s featured in Octopussy and Mary Poppins, it’s been on Sesame Street, it’s famous for being Trapeze Music in circus scenes. You might even recognise it from a Chet Atkins guitar record, on which this arrangement is styled.This arrangement is based on one I wrote for my Guitar Workshop - it's really easy to play...There are two versions of the Part Score in this edition...Version 1 is ideal for a Student/Teacher duet - the Teacher plays the chords, and the student takes the tune.Version 2 is great for a performance at any level between two players with comparable tone and volume - it’s written as a Call & Response version, which, just like the circus trapeze artists, move from left to right, crossing over in mid-air...I always keep fingering to a minimum, but skilled players will find the melody line fits almost perfectly into VII position.I hope you enjoy playing this piece
$2.99
2.73 €
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2 Guitares (duo)
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Various
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Derek Hasted
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Over The Waves
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Derek Hasted
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SheetMusicPlus
Unchained Melody
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1453414 By Al Hibbler. By Alex Nort…
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Lever Harp - Level 2 - Digital Download SKU: A0.1453414 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Carrie Tollett and Christy-Lyn Dosé. Contemporary,Soul. Score. 4 pages. Learning the Harp #1032647. Published by Learning the Harp (A0.1453414). The arrangement is a fun way to solidify your basic harp technique and practice crossing over with the two hands. It’s fun to play, and people will be pleasantly surprised to hear it on the harp!Difficulty Level and Skills Required: Early-Intermediate. There are a lot of crossing-over hands in this piece, with the right hand bringing out most of the melody notes and jumping between registers. The left hand has a lot of 4-2-1 shapes with some rolled chords.Type of Harp: For big and small harps, 26 strings or larger.Range: Lowest note is C, one octave below middle C. Highest note is G, two and a half octaves above middle C. Levers/Pedals: In the key of C major. No lever changes throughout.
$5.00
4.57 €
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Harpe
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Al Hibbler
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Unchained Melody
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Learning the Harp
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SheetMusicPlus
Have You Ever Seen The Rain?
Fanfare
Marching Band - Level 1 - Digital Download SKU: A0.1188797 By Creedence Clearwater …
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Marching Band - Level 1 - Digital Download SKU: A0.1188797 By Creedence Clearwater Revival. By John Fogerty. Arranged by Tim Show. Rock. Score and parts. 26 pages. Tim Show #788411. Published by Tim Show (A0.1188797). 'Have You Ever Seen the Rain' is a timeless rock and roll classic from John Fogerty and Creedence Clearwater Revival. This arrangement is primarily targeted for young bands and for students getting their first experiences playing pep tunes in the stands and on the field. There are many educational opportunities that you will find in this arrangement including a clarinet part that explores playing over the break and under the break, but not constantly crossing over it, and reinforcing the students ability to correctly interpret a roadmap with first and second endings, a D.S., and Coda. Also, this arrangement includes a bass clarinet part, uses a unison bass drum part, and trumpet high range is limited to 4th space 'E'Written as a Grade 1 or Easy level arrangement.
$50.00
45.73 €
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Fanfare
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Creedence Clearwater Revival
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Tim Show
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Have You Ever Seen The Rain?
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Tim Show
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SheetMusicPlus
Black & White Blues - Slow Blues - Piano Solo
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.961554 Composed by Olly Wedgwood. B…
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Piano Solo - Level 3 - Digital Download SKU: A0.961554 Composed by Olly Wedgwood. Blues,Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #4794423. Published by OllysPianoSheets (A0.961554). Black & White Blues is a classic 12 bar slow blues in the key of C, written for intermediate pianists at about grade 3 ABRSM standard.The key to this piece is to relax into the 4-groups of 3 quarter note feel (12-8 time signature). It can be very tempting to rush - but this is the blues, so think relaxed and laid-back.As it's name suggests, there are quite a few chromatic moments throughout the piece, giving a thorough tour of the piano keys! The right hand melody is echoed by the left hand in the second half of the piece and for a challenge there is a fun 'hands crossing over' moment in the closing bars.Black & White Blues comes with a bluesy play-along backing track to enjoy (also available at SheetMusicPlus), once you've got the hang of it!
$3.95
3.61 €
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Piano seul
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Olly Wedgwood
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White
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Black & White Blues - Slow Blues - Piano Solo
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OllysPianoSheets
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SheetMusicPlus
Songs of the Spirit
Harpe
Harp - Level 3 - Digital Download SKU: A0.797428 Composed by Barbara Semmann. New A…
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Harp - Level 3 - Digital Download SKU: A0.797428 Composed by Barbara Semmann. New Age. Score. 33 pages. Afghan Press Music for the Harp #4841133. Published by Afghan Press Music for the Harp (A0.797428). Nine original compositions that are great for background music, worship, or therapeutic settings. There are no lever changes within the pieces. The selections in this particular book require solid technique as there is a fair amount of running eighth notes and also some left and right hand crossing over.
$10.00
9.15 €
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Harpe
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Barbara Semmann
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Songs of the Spirit
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Afghan Press Music for the Harp
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SheetMusicPlus
Unchained Melody
Harpe
Lever Harp - Level 4 - Digital Download SKU: A0.1453416 By Al Hibbler. By Alex Nort…
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Lever Harp - Level 4 - Digital Download SKU: A0.1453416 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Carrie Tollett and Christy-Lyn Dosé. Contemporary,Soul. Score. 9 pages. Learning the Harp #1032649. Published by Learning the Harp (A0.1453416). This classic love ballad is a staple to add to your repertoire. People will be so pleasantly surprised to hear it played on the harp! The arrangement captures the bittersweet atmosphere of the song well and feels so comfortable to play. One of the biggest challenges in this piece is playing it up to tempo while allowing it to sound relaxed and effortless.Difficulty Level and Skills Required: The right hand plays the melody line, and the left hand has 4 finger brackets with a lot of continuous placing. There’s some jumping around the registers, crossing over hands, and quick lever changes.Type of Harp: Big harp version is for 33 strings or larger. The small harp version works for 26 strings or larger.Range: For big harps: Lowest note is D, almost two octaves below middle C. Highest note is E, two and a half octaves above middle C. For small harps: Lowest note is F, below middle C. Highest note is G, two and a half octaves above middle C.Levers/Pedals: In the key of C major. Many Bflat and Eflat lever changes throughout.
$5.00
4.57 €
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Harpe
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Al Hibbler
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Unchained Melody
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Learning the Harp
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SheetMusicPlus
Six Progressive Christmas Carols for Clarinet
Clarinette
Clarinet Solo - Level 3 - Digital Download SKU: A0.913625 Composed by James Marshal…
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Clarinet Solo - Level 3 - Digital Download SKU: A0.913625 Composed by James Marshall. Arranged by James Marshall Music. Christmas,World. Individual part. 7 pages. James Marshall Music #6102031. Published by James Marshall Music (A0.913625). Six Progressive Christmas Carols for Clarinet are in the mid and upper register of the instrument. They are suitable for developing young students and leisurely adult players alike.These lyrical traditional Carols, enhanced by the melodious tone of the clarinet,follow my Clarinet Low Register Christmas Carols (lst year level).Both sets are a perfect companion to my Tone and Technique Studies for the Novice Clarinetist distributed by Mel Bay Music.O Come, O Come Emmanuel is in G minor and opens with the light tones ofG, Bb, D crossing over the break. Throughout there is a chance to utilize Left Hand C.Joy to the World is in the Key of F, The Holly and the Ivy in D minor.Bring a Torch Jeanette Isabella and Deck the Halls are in the key of C
$4.99
4.56 €
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Clarinette
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James Marshall
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James Marshall Music
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crossing over the break
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Six Progressive Christmas Carols for Clarinet
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James Marshall Music
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SheetMusicPlus
THE LITTLE BUD CAR THAT COULD FOR YOUNG STRING ORCHESTRA
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1286980 Composed by Garth M. …
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String Orchestra - Level 1 - Digital Download SKU: A0.1286980 Composed by Garth M. Williams (Socan). Children,Comedy,Instructional,Traditional. Score and Parts. 12 pages. Garth M. Williams (Socan) #877984. Published by Garth M. Williams (Socan) (A0.1286980). The Little Bud Car originally ran from Victoria to Courtenay on Vancouver Island. This piece is a nostalgic rememberance in music. The musicians play their music as if they are crossing over various different patterns of track.  As is the case with all of these pieces from The Scampering Scarecrow teachers will find that a third violin has been added for those students who are not quite ready to handle second violin. There is also a piano accompaniment which can be used for rehearsal purposes. A fun piece to play.
$25.50
23.32 €
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Orchestre à Cordes
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Garth M
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THE LITTLE BUD CAR THAT COULD FOR YOUNG STRING ORCHESTRA
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Garth M. Williams
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SheetMusicPlus
Uncertainty
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.503704 By Emma Drew. By Emma Drew. …
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Piano Solo - Level 4 - Digital Download SKU: A0.503704 By Emma Drew. By Emma Drew. Classical,Romantic Period. Score. 4 pages. Emma Louise Drew #115788. Published by Emma Louise Drew (A0.503704). 3 sections to the song. Starts with a feel of uncertainty in 4/4 time but transitions into a flowing 6/8 melody for the second. There is a variation of the second theme with the right hand 1st and 2nd fingers accentuating the melody amidst a semiquaver pattern. The third section continues in 6/8 times with the left hand crossing over and back with the right, leading to a resolved ending.
$5.99
5.48 €
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Piano seul
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Emma Drew
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Uncertainty
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Emma Louise Drew
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SheetMusicPlus
On This Day
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.816522 Composed by Personent Hodie.…
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Easy Piano - Level 1 - Digital Download SKU: A0.816522 Composed by Personent Hodie. Arranged by Patricia Hurlbutt. Christian,Christmas,Concert,Renaissance,Standards. Score. 4 pages. Patricia Hurlbutt #2837121. Published by Patricia Hurlbutt (A0.816522). 2016 Easy Piano Contest Entry This Medieval tune, also known as Personent Hodie, has three verses, with RH and LH each playing the melody. There is much use of fifths with some passages of thirds. Various five finger positions are used throughout. The piece is effective at either a slower (audio sample) or faster tempo. And as an option, the LH has opportunities to play its chord in the treble clef, by crossing over the RH. Also available as part of a collection, Three in D for Christmas.
$2.50
2.29 €
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Piano Facile
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Personent Hodie
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Patricia Hurlbutt
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On This Day
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Patricia Hurlbutt
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SheetMusicPlus
Theme from Piano Concerto - Level 3 piano arrangement
Piano seul
Easy Piano - Level 2 - Digital Download SKU: A0.902459 Composed by Amy Beach (1867-…
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Easy Piano - Level 2 - Digital Download SKU: A0.902459 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996609. Published by Cameron E Smith (A0.902459). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 3, Early IntermediateDetailed Description:Piano Concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the intermediate beginner. Arranged by Cameron Smith.This is an early intermediate level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 20 measures. Right hand plays the melody and left hand accompanies in broken arpeggios. Eighth-notes, dotted quarter-notes, quarter-notes, half-notes, dotted half-notes and whole notes.Technique: Fingering crossing over and under the thumb is introduced. Sharps and flats are mixed. There are also level 1, 2, and 4 arrangements of this piece available. History: This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's.Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
1.82 €
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Piano seul
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Amy Beach
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Cameron Smith
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Theme from Piano Concerto - Level 3 piano arrangement
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Cameron E Smith
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SheetMusicPlus
Havana
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.896061 By Camila Cabello. By Adam F…
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Easy Piano - Level 2 - Digital Download SKU: A0.896061 By Camila Cabello. By Adam Feeney, Alexandra Leah Tamposi, Ali Tamposi, Andrew Watt, Andrew Wotman, Brandon Perry, Brian Dong Ho Lee, Brian Lee, Brittany Hazzard, Camila Cabello, Jeffery Lamar Williams, Kaan Gunesberk, Louis Bell, Pharrell, Ramon Ayala, and etc. Arranged by Jim Lansing. Instructional,Multicultural,Pop,Rock,World. Score. 3 pages. Jim Lansing #5292957. Published by Jim Lansing (A0.896061). Early Intermediate level arrangement transposed to Dm (from Gm) to keep melody on the treble staff. Black key notes (Bb & C#) are presented as accidentals (not key signature). Offbeat entrances in melody preceeded by LH playing on the beat to help player feel the rhythmic pulse. Syncopation has been simplified; once notes are learned, encourage player to use their ear to fix rhythms to match the artist's recording.   LH plays in A/Am position. It remains in same position the entire arrangement. RH has movement. Chorus has RH 1 covering two notes (D & E) with other fingers stationery. In verse, there is movement about every 2 measures. I suggest two fingering options at m.21; if your student can handle crossing the 2 finger over the thumb, it prevents an awkward stretch from 2-5 fingers. Â
$4.99
4.56 €
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Piano Facile
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Camila Cabello
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Jim Lansing
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Havana
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Jim Lansing
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SheetMusicPlus
King Of The Road
Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.747086 By Randy Tr…
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Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terrett #6426723. Published by Keith Terrett (A0.747086). An arrangement of the classic King of the Road for Wind Dectet.King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, Trailers for sale or rent. This would become the opening line of the song.The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright & Teddy Thompson, Giant Sand, Peligro, John Williamson (singer) & Adam Harvey, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James The King Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV. Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, If there was any justice in the world, Roger Miller should be able to sue for what we did to this song.King of the Road was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.The song appears in Wim Wenders's 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The Proclaimers' version is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is Roger Miller, King of Plugs.Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.A send-up version by English entertainer Billy Howard was a British chart hit in 1976.A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$16.99
15.54 €
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Randy Travis
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Keith Terrett
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English title
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King Of The Road
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Keith Terrett
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SheetMusicPlus
VAMPIRE'S DANCE
Violon et Piano
Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.10127…
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Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.1012747 Composed by Monica Bergo. Contemporary. Score and parts. 40 pages. Moni Bergo #5743663. Published by Moni Bergo (A0.1012747). Music and song composed by meVampire's dance I live between two worlds Between trash and slums This is a dream or reality ? The lie or the truth? While I wait for sunsets I look at the sun and horizons And breathe freedom and my immortality Desire for the infinite, Who has not ever tried ? That need to know that the stronger we are Invincible and powerful without the burden of age Over the centuries and the millennia Always gorgeous 20 years old And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night And then dance The senses amplified sharp teeth let's see who can stop us around the fire like wolves, red eyes, a bit 'fierce, we move in packs, invisible and fast , we are thieves thoughts ,so forgotten who you were or roots or ties ,no land limits And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night And then dance The senses amplified sharp teeth let's see who can stop us The mania destroys Hunger afflicts us But it will not be the food that will satisfy Torments and regrets, sad feelings, Nightime falling erase them We are shadows at night ,The heart that no beats We languid slaves the Voodoo rituals The pale faces, The ambiguous smiles Put the cross, you will not need Strange characters So wild and free ,But in this society ,Nothing scarier ago I donate my blood every day to The state or the government the Vampires are we ,There are monsters and vultures Those imprisoned vampires, In the faded pages Elegant, charming, So beautiful and in high places and in they I recognize that mania that is also mine My hunger to know ,With food can not be satisfied And then dance ,And crossing that border Now there is an end to what I can imagine And then dance, I sad renegade I lost soul, Who do not know who to give my heart And then dance ,If you are not anyone ,If you lost in the journey You can not find a post to be filled Look in the mirror You can see my reflection? This is a dream or reality? The lie or the truth? Monica Bergo
$5.00
4.57 €
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Violon et Piano
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Monica Bergo
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VAMPIRE'S DANCE
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Moni Bergo
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SheetMusicPlus
Prelude Op. 2, No. 20 in C minor
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.950917 Composed by Terrence Niska. …
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Piano Solo - Level 4 - Digital Download SKU: A0.950917 Composed by Terrence Niska. 20th Century,Contemporary. Score. 4 pages. Niska Music Publishing #6361485. Published by Niska Music Publishing (A0.950917). A very dramatic work from the opening dissonant chords in the right hand to the final, unresolved chord at the end. The middle section offers a little relief from the dark tone of the piece and makes wonderful use of hand crossing technique, as the left hand crosses over the right to play in the upper register. As it reaches a peak, there is a sudden pause, followed by a twisting descent back to the opening material and one last unanswered question.
$3.99
3.65 €
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Piano seul
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Terrence Niska
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Prelude Op. 2, No. 20 in C minor
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Niska Music Publishing
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SheetMusicPlus
Fugue No. 22 In B Flat Minor, Bwv 867
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.5460…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.546077 Composed by Johann Sebastian Bach. Arranged by Nathan Wollmann. This edition: Interactive Download. Classical. Score and parts. 18 pages. Duration 155. Nathan Wollmann #7jW1lNU2qFmYeJg9K7pQhT. Published by Nathan Wollmann (A0.546077). Key: Bb minor.This fugue is very chorale-like. It is a five voice fugue and so this arrangement is one voice per instrument. Fugues with less voices are often arranged for quintet because keyboard instruments don't have the limitations like breathing and the difficulty of large jumps. The rhythmic simplicity of this fugue though lends itself better to one fugue-voice, one instrument arrangement. Breathing and range may still be a challenge. I believe that Bach voiced fugues and put them in certain keys for good reason, and thus those elements haven't been altered. But there is a lot of voice-crossing in this fugue and I favored comfortable range over maintaining fugue-voice to keep the individual parts as simple as possible.
$4.00
3.66 €
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Johann Sebastian Bach
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Nathan Wollmann
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Fugue No. 22 In B Flat Minor, Bwv 867
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Nathan Wollmann
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SheetMusicPlus
Prelude Op. 2, No. 15 in Db major
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.950911 Composed by Terrence Niska. …
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Piano Solo - Level 4 - Digital Download SKU: A0.950911 Composed by Terrence Niska. 20th Century,Contemporary. Score. 8 pages. Niska Music Publishing #6361465. Published by Niska Music Publishing (A0.950911). This prelude is bursting with joy and hope! The rising and falling swells in the left hand reflect the sun coming up over the ocean waves, lapping at the shore. A majestic eagle takes to the sky, witnessing the glory of a new day. From a technique standpoint, there is a great deal of crossing of hands requiring an almost ballet-like choreography between the hands.
$3.99
3.65 €
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Piano seul
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Terrence Niska
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Prelude Op. 2, No. 15 in Db major
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Niska Music Publishing
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SheetMusicPlus
Leap Froggin'
Piano seul
Piano Solo - Digital Download SKU: A0.767933 Composed by Yvonne Johnson. Instructio…
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Piano Solo - Digital Download SKU: A0.767933 Composed by Yvonne Johnson. Instructional,Standards. Score. 2 pages. Yvonne Johnson #2950207. Published by Yvonne Johnson (A0.767933). A buoyant and lively Level 3 study depicting the game of 'Leap Frog'. This fun piece helps students gain fluency in crossing LH over RH. There is also some chromatic work for students to tackle in the RH.
$1.99
1.82 €
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Piano seul
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Yvonne Johnson
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Leap Froggin'
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Yvonne Johnson
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SheetMusicPlus
At Least We Tried
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1135354 By Giveon. By Brandon Campb…
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Piano Solo - Level 4 - Digital Download SKU: A0.1135354 By Giveon. By Brandon Campbell, Britten Newbill, Giveon Evans, and Simon Gebrelul. Arranged by Steve Burks. Contemporary,Hip-Hop,Pop,R & B. Score. 6 pages. Steven L. Burks #735397. Published by Steven L. Burks (A0.1135354). This solo piano arrangement of the gorgeous ballad, At Least We Tried, performed by Giveon, is ideal for upper-intermediate and advanced players who like R&B music, and who are looking to augment their classical, jazz, and Broadway repertoire. The arrangement emulates the recording closely, which aids listeners in recognizability. It follows the form of the recording. Rehearsal numbers correspond with song sections. The performance time is approximately 3:39. There is a passage that recurs in measures 43-45, 88-90, and 125-131, which will require hand shifting and crossing; predetermined fingering and hand assignment are recommended. Also make note of the periodic clef changes on the upper stave. It is advised that players listen to the recording of the song while reading the score in order to get an overall feel for how it translates. I am a member of ASCAP. You can contact me at steve@steveburksmusic.com. Thanks.
$8.99
8.22 €
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Piano seul
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Giveon
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Steve Burks
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At Least We Tried
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Steven L. Burks
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SheetMusicPlus
5 Valentine's Hymns - Boundless Love
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1373611 Composed by Adoniram J. Gor…
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Piano Solo - Level 2 - Digital Download SKU: A0.1373611 Composed by Adoniram J. Gordon, Frederick H. Lehman, Traditional, and William B. Bradbury. Arranged by Amanda Tero. Christian,Holiday,Religious,Sacred,Traditional. Score. 29 pages. Amanda Tero #957915. Published by Amanda Tero (A0.1373611). Do you need Valentine's Hymns for church services in February? These 5 hymns cover God's love to us, Jesus's love to us, and our love to Him.Written in the key of C, these 5 early intermediate piano solos have simple patterns that are easy for the intermediate pianist to sightread.These early intermediate hymn solos are equivalent to most Level 2 and 3 curricula.Ideal for church services (especially in February), Valentine’s banquets, conferences, recitals, and more!Arranged to be simple yet tasteful in style.Here is all the information you’ll need to decide if this collection of early intermediate sheet music is the level you’re looking for:·     All in the Key of C (What Wondrous Love is This? is in A Dorian—no accidentals in key signature)·     No key changes·     Basic format: intro, verse/chorus, interlude, verse/chorus, ending·     2 verses each·     Single-note melody in the right hand (brief LH melody in The Love of God)·     Mostly broken 5ths and triads in the left hand·     Repetitive patterns for easy learning·     Similar chords between verses·     Note reading up to 2 ledger lines·     Rhythm not faster than eighth notes·     Just 1 page turn each (exception: Oh, How I Love Jesus has 2) Jesus Loves Me is an old favorite, often seen as a “children’s song.†However, the words to this hymn of love are just as important for adults as for children. While a simple arrangement, this is not a childish sounding arrangement.·     Features an “echo†melody written 8va·     Left hand in treble clef for portions·     Ends with hand crossing My Jesus, I Love Thee begins unexpectedly with colorful chords that finally release tension into a calm first verse. There are slight jazz textures in this arrangement but also classical elements with scales and Alberti bass.·     Rich chord textures (just a hint of jazz/dissonance)·     Accidentals·     Right hand scales (ascending & descending) Oh, How I Love Jesus is a cheerful arrangement with just a hint of cinematic-style melodies. The chords are very similar between verse 1 and 2 in this arrangement, making it especially easy for the pianist to learn.·     6/8 meter·     Cinematic elements·     Chords repeat: open 5ths and 6ths or filled in triads/chords The Love of God starts with left hand melody, making this different from all the other arrangements. The goal is for this to be a seamless melody transition between the hands while the non-melody hand supports at a slightly lower volume.·     Left hand melody for part·     Right hand chords for part·     Left hand repeats in different octaves for broader sound What Wondrous Love is This? is a haunting conclusion to the collection. It is predominantly arranged with open 5ths in the left hand and repeating patterns in the right hand. It ends with slow, four-note chords that are very hymn-like.·     A Dorian mode·     Very easy left hand (repeating open 5ths)·     Sounds harder than it really is.
$14.99
13.71 €
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Piano seul
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Adoniram J
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Amanda Tero
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5 Valentine's Hymns - Boundless Love
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Amanda Tero
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SheetMusicPlus
Colors of Italy
Harpe
Harp - Intermediate - Digital Download Composed by William Mahan. Repertoire, European, …
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Harp - Intermediate - Digital Download Composed by William Mahan. Repertoire, European, Recital. 34 pages. Published by Afghan Press Music for the Harp
Gentle and flowing, you'll find a lyric right hand melody supported by lush chords. Truly inspired, these compositions can be used for any type of situation: for yourself, for healing music, for background music, for recitals. The music is not difficult, but the left hand does require some crossing over and under. True to the Italian flavor, some of the melodies incorporate triplet and mordent ornamentation. There are a few lever changes, some fingerings are included. All music is written in keys of either C or G. The final tune, All the Colors of Rome, a 5-minute plus performance piece, is gorgeous. Titles: Bellagio Blue, Warm Sienna, Sicilian Scarlet, Tuscan Gold, Venetian Red, Naples Yellow, Vatican Violet, All the Colors of Rome.
$16.00
14.63 €
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Harpe
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William Mahan
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Colors of Italy
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.94 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
King Of The Road for Classical Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged …
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Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged by Keith Terrett. Individual Part, Score, Set of Parts. 8 pages. Published by Music for all Occasions
An arrangement of the evergreen top hit song from 1964 ''King of the Road'', set for classical Brass Quintet. "King of the Road" is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a "man of means by no means"), revels in his freedom, describing himself humorously and cynically as the "king of the road". It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, "Trailers for sale or rent".[6] This would become the opening line of the song. The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright and Teddy Thompson, Giant Sand, Peligro, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James "The King" Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV.[7] Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, "If there was any justice in the world, Roger Miller should be able to sue for what we did to this song." "King of the Road" was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony. The song is featured in Wim Wenders' 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The recording by The Proclaimers is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is "Roger Miller, King of Plugs". Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground. A send-up version by English entertainer Billy Howard was a British chart hit in 1976. A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$14.99
13.71 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Randy Travis, Roger Miller
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Keith Terrett
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King Of The Road for Classical Brass Quintet
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Music for all Occasions
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SheetMusicPlus
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