Concerto in D for trumpet, strings & continuo
Music by Giuseppe Torelli (IT, 1658 - 1715)
Arrangement by Frédéric Quinet (FR, 1985)

For "Atelier de Musique de Baroque de l'Université Laval" Quebec, QC.
Watch and listen all the live performance on Youtube https://www.youtube.com/watch?v=9E4tWp8yH0A

Pachelbel's Canon is the common name for an accompanied canon by the German Baroque composer Johann Pachelbel in his Canon and Gigue for 3 violins and basso continuo (German: Kanon und Gigue für 3 Violinen mit Generalbaß) (PWC 37, T. 337, PC 358), sometimes referred to as Canon and Gigue in D or Canon in D. Neither the date nor the circumstances of its composition are known (suggested dates range from 1680 to 1706), and the oldest surviving manuscript copy of the piece dates from the 19th century.

Pachelbel's Canon, like his other works, although popular during his lifetime, went out of style, and remained in obscurity for centuries. A 1968 arrangement and recording of it by the Jean-François Paillard chamber orchestra gained popularity over the next decade, and in the 1970s the piece began to be recorded by many ensembles; by the early 1980s its presence as background music was deemed inescapable. From the 1970s to the late 2010s, elements of the piece, especially its chord progression, were used in a variety of pop songs. Since the 1980s, it has also been used frequently in weddings and funeral ceremonies in the Western world.

The canon was originally scored for three violins and basso continuo and paired with a gigue. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne.

A celebrated Baroque work, Pachelbel's "Canon in D" radiates warmth, beauty and serenity, all in a stylishly flowing, timeless way. A favorite for concerts, recitals and especially weddings (as a prelude, unity candle music, a bridal march, bridesmaid processional or wedding recessional), this version is arranged as a trio for two violins and piano. This arrangement also makes a moving prelude, postlude or offertory for traditional church services and other worship events. Key: D major. 13 pages of music (that includes separate pullout pages for Violin 1 and Violin 2).

This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.

Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.

Oboe I and II parts, plus Oboe score of the "Concerto for Two Oboes in D Major, Op. 9, No. 12 and String Orchestra", composed/first edition in 1722 by T. Albinoni, arranged by D Werdick.

Movements: 1. Allegro 2. Adagio 3. Allegro

Time: 9 minutes, 0 seconds

During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance.

This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music. 2021 Chamber Ensemble of Minnesota, Inc. Publishing

The Concerto for Oboe and Strings in D minor, attributed to Alessandro Marcello, is one of the most performed oboe concertos in the repertory. It was written in the early 18th century and has become Marcello's most famous work. Bach wrote a keyboard transcription of the concerto. Here we offer an arrangement for Violoncello solo and piano based on Bach's transcription.

The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, S Z799, was written down.

Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.



This arrangement was written for Piano Solo.

The Concerto for Oboe and Strings in D minor, attributed to Alessandro Marcello, is one of the most performed oboe concertos in the repertory. It was written in the early 18th century and has become Marcello's most famous work. Bach wrote a keyboard transcription of the concerto. Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.

Pachelbel's Canon in D. Arrangement for Violin and Piano in a simple version for beginners. With Full Score. Enjoy it!

This file DOES NOT contain Individual Parts. Full Score only.

Johann Pachelbel (1653 ? 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.

Bach's Badinerie from Suite No. 2, BWV 1067 is one of the most well-known Baroque melodies and has become a real show-piece for many instruments. The meaning of "badinerie" comes from the French word badiner "to jest". This lively dance is a perfect solo to add as an encore to a concert or recital.

Keith Terrett has arranged this movement in various formats for Trumpet solo and Piano, this one being in the lowest key of D minor with no range or endurance problems at all and perfect for the moderately advanced performer.

A celebrated Baroque work, Pachelbel's "Canon in D" exudes warmth, beauty and serenity, all in a stylishly flowing, romantic way. A favorite for recitals, concerts and especially weddings (as a prelude, unity candle music, a bridal march or a bridesmaid processional), this version is a woodwind trio for flute, oboe and bassoon. Also makes a moving prelude or offertory for church services and other worship events. Key: Bb major. 12 pages of music (that includes the score and separate two-page pullout parts for each instrument).

A celebrated Baroque work, Pachelbel's "Canon in D" radiates warmth, beauty and serenity, all in a stylishly flowing, timeless way. A favorite for concerts, recitals and weddings (as a bridal march, a bridesmaid processional, unity candle music or a prelude), this version is a trio for flute, guitar and piano. Also makes a moving prelude or offertory for church services and other worship events. Key: C major. 14 pages of music (that includes separate two-page pullout parts for flute and guitar).

The celebrated CANON IN D by Johann Pachelbel (1653-1706) is one of the most beloved pieces in the Baroque repertoire. Its serene dignity and grandeur make it a perfect complement to occasions as diverse as weddings and funerals. This arrangement for solo pedal harp can be heard on the CD (also available at iTunes) "A Beautiful Classic Wedding Vol. 1" by Lace & Roses Music (featuring Stephanie Bennett, harp). Fingerings are included, and all technique indications are thoroughly explained. There are only 8 pedal changes. There are 4 pages of music; if printed out, there is only one page turn.

Canon in D it is one of the most famous songs from the Baroque period. Perfect for weddings or any occasion. This is an intermediate version for organ.

45 New Classical Guitar Arrangements in Open D Tuning

Theclassical guitar book in open D guitar tuning presents a new, and I think, additionalway of approaching classical guitar repertoire. Tuning to an open chord, in this case, DADF#AD can have itsbenefits. The most obvious is that amajor chord can be played with a single finger, or in the key of D, with openstrings.

Everyattempt has been made to keep true to the original manuscripts, butoccasionally the tune is transposed from the original, or the odd note has beenaltered to make the pieces playable. Ihave kept the arrangements primarily in the keys of D, G or A to take fulladvantage of the open strings in D tuning. In short, this book may not be for the classical guitar purist butdoes expand the repertoire that is lacking with open tunings.

There is agood selection of graded pieces from prominent classical guitar composers like Aguado,Sor, Giuliani, Carcassi and Carulli, plus other well-known works by Bach, Dowland,Satie, Beethoven, de Visee, Diabelli, Grieg, Haydn, O?Carolan, Pachelbel,Paganini, Petzold, Sanz, Schumann and Vivaldi.

I also adapted24 of the Giuliani right-hand exercises, major and minor scales and arpeggios, plusfretboard charts to further develop your knowledge and technique in Open D. Each piece has notation, tablature in Open Dtuning, right- and left-hand fingerings, and performance markings. Audio tracks online.

Look for the audio tracks on my website in the guitar bookssection:

https://brentrobitaille.com/product/classical-guitar-book-in-open-d-tuning/

or,

https://brentrobitaille.com/product-category/guitar-books/

or,

https://brentrobitaille.com/

The Concerto for Oboe and Strings in D minor, attributed to Alessandro Marcello, is one of the most performed oboe concertos in the repertory. It was written in the early 18th century and has become Marcello's most famous work. Bach wrote a keyboard transcription of the concerto.

The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, S Z799, was written down.

Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.

Gigue from Violin Partita 2 (BWV 1004) by Johann Sebastian Bach transcribed for solo classical or electric guitar. Includes 5-page score with tablature, plus 3-page guitar part without tabs.

Also by Johann Sebastian Bach:

Air in D Major: S0.693725
Allemande in D Minor, S0.546076
Courante in D Minor, S0.904351
Prelude in G Major, S0.361231
Sarabande in D Minor, S0.422145