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D Half Diminished Scale
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Crtitères actifs :
D Half Diminished Scale
Partitions à imprimer
7 partitions trouvées
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1
D Half Diminished Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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D Half Diminished Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1286528 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1286528 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #877587. Published by Danny Crocome Music (A0.1286528). This info sheet shows guitarists 4 different ways to play the D Half Diminished Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe D Half Diminished scale is the sixth mode of the F Melodic Minor scale.The sheet also shows how to play the diatonic chords of the D Half Diminished Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
D# Half Diminished Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
#
Traditional
#
Danny Crocome
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D# Half Diminished Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1286533 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1286533 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #877592. Published by Danny Crocome Music (A0.1286533). This info sheet shows guitarists 4 different ways to play the D# Half Diminished Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe D# Half Diminished scale is the sixth mode of the F# Melodic Minor scale.The sheet also shows how to play the diatonic chords of the D# Half Diminished Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
B Half Diminished Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
#
Traditional
#
Danny Crocome
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B Half Diminished Scale
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Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1287560 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1287560 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #878582. Published by Danny Crocome Music (A0.1287560). This info sheet shows guitarists 4 different ways to play the B Half Diminished Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe B Half Diminished scale is the sixth mode of the D Melodic Minor scale.The sheet also shows how to play the diatonic chords of the B Half Diminished Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
D Tetrad Arpeggios for Guitar
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Traditional
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Danny Crocome
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D Tetrad Arpeggios for Guitar
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1486697 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Instructional,Jazz,Pop,Rock. Guitar Tab. 6 pages. Da...
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Guitar - Level 3 - SKU: A0.1486697 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Instructional,Jazz,Pop,Rock. Guitar Tab. 6 pages. Danny Crocome Music #1063764. Published by Danny Crocome Music (A0.1486697). This series teaches guitarists how to play 3-octave arpeggios and corresponding chords for the following 12 kinds of 4-note D chords:1. D62. D minor 63. D major 74. D minor 75. D dominant 76. D diminished 77. D minor 7 flat 5 (a.k.a. D half diminished 7th)8. D minor major 79. D major 7 #510. D dominant 7 #511. D dominant 7 flat 512. D dominant 7 sus4.Each exercise includes the notes and scale construction info for each 4-note chord. Note names, fingering and picking written into the score. In standard notation and TAB. An incredible resource for guitarists looking to further their knowledge of the more advanced chord types used in the jazz, classical, and progressive rock genres.
$8.99
4-Note Arpeggios for Guitar (Root Note D)
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Traditional
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Danny Crocome
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4-Note Arpeggios for Guitar
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1486652 Composed by Traditional. Arranged by Danny Crocome. Classical,Contemporary,Instructional,Jazz,Rock. Guitar Tab. 6 pag...
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Guitar - Level 4 - SKU: A0.1486652 Composed by Traditional. Arranged by Danny Crocome. Classical,Contemporary,Instructional,Jazz,Rock. Guitar Tab. 6 pages. Danny Crocome Music #1063717. Published by Danny Crocome Music (A0.1486652). This 6-page product shows guitarists how to play 3-octave arpeggios and corresponding chords for the following 12 kinds of 4-note D chords:1. D62. D minor 63. D major 74. D minor 75. D dominant 76. D diminished 77. D minor 7 flat 5 (a.k.a. D half diminished 7th)8. D minor major 79. D major 7 #510. D dominant 7 #511. D dominant 7 flat 512. D dominant 7 sus4.Each exercise includes the notes and scale construction info for each 4-note chord. Note names, fingering and picking written into the score. In standard notation and TAB. An incredible resource for guitarists looking to further their knowledge of the more advanced chord types used in the jazz, classical, and progressive rock genres.
$8.99
Sonata in a Simple Scale for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
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Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
The Concise String Method, Book 2- Teacher's Score
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Orchestre à Cordes
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FACILE
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Methodes
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Mark W
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The Concise String Method, Boo
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Mark Wayne Music, LLC
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.808194 Composed by Mark W. Huxhold. Instructional. Score and parts. 68 pages. Mark Wayne Music, LLC #3489363. Publi...
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String Orchestra - Level 2 - SKU: A0.808194 Composed by Mark W. Huxhold. Instructional. Score and parts. 68 pages. Mark Wayne Music, LLC #3489363. Published by Mark Wayne Music, LLC (A0.808194). Developed by a String Specialist for the String Specialist by Mark W. Huxhold (Who's Who Among America's Teachers- 2000, 2005, 2006) I developed this method over a 20 year period as a school orchestra teacher faced with ever diminishing classroom instructional time. My goal was to preserve and articulate the scope and sequence of the curriculum in a concise and efficient manner. This method is intended to foster music reading skills from the beginning when used in conjunction with teacher initiated rote and modeling teaching techniques. Book 2 continues in standard portrait format at 100% scale. Curriculum Scope & Sequence Prerequisite: Book 1 or 1st position (bass 1st & 3rd pos.) on A and D strings. D major, Common time. Eighth, quarter and half notes. Detáche and whole bowing. Technique: Position:violin/viola-1st position (viola half pos.), cello- 1st and extended position, bass- half, 1st, 2nd, 3rd, 3 1/2 position. Bowing: Slurs, Richochet Keys: G, C, F/d, Bb/g, Eb/c, A/f#, b, e, a Rhythm Time signatures: 2/4, 3/4, 6/8 Notes/Rests: whole, eight, dotted half, sixteenth, dotted quarter & eight, eighth & quarter triplets Concerning the Double BassMy experience as a classroom teacher and a bassist has convinced me that a beginning bassist develops best in a heterogeneous string class when playing the same contour as the other instruments. This is achieved by introducing the bassist to 3rd position when the other instruments learn C# and D on the A string. I do advocate marking 3rd position on the fingerboard. Another benefit is that the bassist is able to develop good tone production and intonation more easily on the higher 2 strings.
$3.99
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D Half Diminished Scale