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D Major Pentatonic Scale
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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D Major Pentatonic Scale
Partitions à imprimer
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D Major Pentatonic Scale (Five Positions)
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1170476 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1170476 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #770845. Published by Danny Crocome Music (A0.1170476). This info sheet shows guitarists five separate positions for playing the notes of the D Major Pentatonic Scale.1. Starting from the root note (D)2. Starting from the 2nd (E)3. Starting from the 3rd (F#)4. Starting from the 5th (A)5. Starting from the 6th (B).
$2.00
1.84 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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D Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
The Big Book of Pentatonics & Fourths
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,P…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.829078 Composed by Eric Bolvin. Blues,Instructional,Jazz. Score and parts. 92 pages. ERIC V BOLVIN #3580507. Published by ERIC V BOLVIN (A0.829078). The Big Book of Pentatonics & Fourths is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion.DescriptionA pentatonic scale is any group of five notes that cover the span of an octave. There are literally hundreds of pentatonic scales in Western music, and hundreds more that use alternate tunings.The Big Book of Pentatonics & Fourths will focus on the most common pentatonic scale, the major pentatonic and its relative minor. In the key of C the notes of the major pentatonic are: C D E G A. If you start on C and go up in perfect 5ths, you will get all the notes of the major pentatonic. The relative minor scale in A minor is A C D E G. If you start on E and go up in perfect 4ths, you will get the minor pentatonic in A.This book is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion. You should watch the video that goes with this book for more detailed instruction on how to properly practice the exercises.
$19.95
18.39 €
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Eric Bolvin
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The Big Book of Pentatonics & Fourths
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ERIC V BOLVIN
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SheetMusicPlus
C# Major Pentatonic Scale (Five Positions)
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1171271 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1171271 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #771610. Published by Danny Crocome Music (A0.1171271). This info sheet shows guitarists five separate positions for playing the notes of the C# Major Pentatonic Scale.1. Starting from the root note (C#)2. Starting from the 2nd (D#)3. Starting from the 3rd (E#)4. Starting from the 5th (G#)5. Starting from the 6th (A#).
$2.00
1.84 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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C# Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
Bb Major Pentatonic Scale (Five Positions)
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1171283 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1171283 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #771622. Published by Danny Crocome Music (A0.1171283). This info sheet shows guitarists five separate positions for playing the notes of the Bb Major Pentatonic Scale.1. Starting from the root note (Bb)2. Starting from the 2nd (C)3. Starting from the 3rd (D)4. Starting from the 5th (F)5. Starting from the 6th (G).
$2.00
1.84 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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Bb Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
F Major Pentatonic Scale (Five Positions)
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1171274 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1171274 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #771613. Published by Danny Crocome Music (A0.1171274). This info sheet shows guitarists five separate positions for playing the notes of the F Major Pentatonic Scale.1. Starting from the root note (F)2. Starting from the 2nd (G)3. Starting from the 3rd (A)4. Starting from the 5th (C)5. Starting from the 6th (D).
$2.00
1.84 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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F Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
B Major Pentatonic Scale (Five Positions)
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1170958 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1170958 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #771297. Published by Danny Crocome Music (A0.1170958). This info sheet shows guitarists five separate positions for playing the notes of the B Major Pentatonic Scale.1. Starting from the root note (B)2. Starting from the 2nd (C#)3. Starting from the 3rd (D#)4. Starting from the 5th (F#)5. Starting from the 6th (G#).
$2.00
1.84 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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B Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
G Major Pentatonic Scale (Five Positions)
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1170475 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1170475 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #770844. Published by Danny Crocome Music (A0.1170475). This info sheet shows guitarists five separate positions for playing the notes of the G Major Pentatonic Scale.1. Starting from the root note (G)2. Starting from the 2nd (A)3. Starting from the 3rd (B)4. Starting from the 5th (D)5. Starting from the 6th (E).
$2.00
1.84 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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G Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
F# Major Pentatonic Scale (Five Positions)
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1171253 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1171253 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #771591. Published by Danny Crocome Music (A0.1171253). This info sheet shows guitarists five separate positions for playing the notes of the F# Major Pentatonic Scale.1. Starting from the root note (F#)2. Starting from the 2nd (G#)3. Starting from the 3rd (A#)4. Starting from the 5th (C#)5. Starting from the 6th (D#).
$2.00
1.84 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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F# Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
5 Scale Forms for Guitar
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1177429 Composed by Bri…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1177429 Composed by Brian Streckfus. Arranged by Brian Streckfus. Instructional. Tablature. 13 pages. Brian Streckfus #777440. Published by Brian Streckfus (A0.1177429). Major/Minor/Pentatonic Forms for Guitar (Sheet Music + Tab + Fretboard)Learn every key on guitar with very few pages. Pages: 13Bonus Pages:1. A Major Scale across the full neck (to see how they all combine resulting in knowing the full neck)2. Blank scale chart to add in memorization and making alterations.Scales included:1. F Major2. C Major3. G Major4. D Major5. A MajorTips:1. There is a reason why it is not 12 or 24 scales. Since these scales are easy to move higher or lower, just these 5 Major will lead to all 24 major/minor keys throughout the entire fretboard. Therefore, making a C# Major scale chart is uneccessary, and if you are doing so, you may be over thinking music. Instead, it is better to ask yourself how do I play C major but 1 pitch higher and use previous work you have done to your advantage. 2. These scales do not end on the home note. This is a disadvantage in this way, however, knowing large portions of the scale neck in one position will allow you to play a key throughout the fretboard with no gaps in notes. In otherwords, learning one ocatave scales can have concise music theory, but it's impossible to know the scale in every part of the neck completely that way. Features:1. Color coding. Blue notes are home (tonic) notes. Red notes are away (dominant) notes. Simplifying harmony this much can often make you more creative not less since you are crafting the harmonies yourself. 2. Left hand fingerings added. Don't mistake these for fingering numbers.3. Letter names to aid in memorization.Notes:I realize that the hand written font doesn't look the most professional, however this is intentional. I tried making these in photo editors, but since every shape was perfect they were actually harder to memorize from (kind of living driving in a tunnel with no landmarks).
$1.99
1.83 €
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Guitare notes et tablatures
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Brian Streckfus
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Brian Streckfus
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5 Scale Forms for Guitar
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Brian Streckfus
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SheetMusicPlus
Chinese canon for oboe d'amore and cello
Instrumental Duet Cello,Instrumental Duet,Oboe d'Amore - Level 1 - Digital Download SKU…
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Instrumental Duet Cello,Instrumental Duet,Oboe d'Amore - Level 1 - Digital Download SKU: A0.580444 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and parts. 2 pages. David Warin Solomons #4736805. Published by David Warin Solomons (A0.580444). Simple Chinese canon (in the major pentatonic scale).
$8.00
7.38 €
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David Warin Solomons
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Chinese canon for oboe d'amore and cello
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David Warin Solomons
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SheetMusicPlus
Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis
Trompette
Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etu…
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Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etudes and Exercises, General Instructional, Technique Training. 65 pages. Published by Tiger Music
Trumpet Pro Pentatonic Tonalization Introduction Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series. Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a \"jazz thing.\" Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians. That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let\'s look at the C pentatonic as an example: E - A - D - G - C Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale: C - D - E - G - A For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale. Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales. Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.Trumpet Pro Pentatonic Tonalization
Introduction
Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series.
Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a \"jazz thing.\" Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians.
That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let\'s look at the C pentatonic as an example:
E - A - D - G - C
Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale:
C - D - E - G - A
For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale.
Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales.
Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.
$14.99
13.82 €
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Trompette
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Eddie Lewis
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Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis
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Tiger Music
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SheetMusicPlus
C Major Pentatonic Scale - Five Positions for the C Major Pentatonic Scale (C D E G A)
Guitare notes et tablatures
Composed by Traditional. Arranged by Danny Crocome. 20th Century, Contemporary, Inst…
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Composed by Traditional. Arranged by Danny Crocome. 20th Century, Contemporary, Instructional, Rock, Traditional. Guitar Tab. 1 pages. Danny Crocome Music #770821. Published by Danny Crocome Music
$2.00
1.84 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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C Major Pentatonic Scale - Five Positions for the C Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
101 Blues Riffs and Solos in Open D Guitar Tuning (DADF#AD)
Guitare notes et tablatures
Guitar Tab - Early Intermediate - Digital Download Composed by Brent C Robitaille. …
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Guitar Tab - Early Intermediate - Digital Download Composed by Brent C Robitaille. Blues, Etudes and Exercises, Technique Training, Rock, Country. Individual Part, Solo Part, Tablature. 188 pages. Published by Brent C Robitaille
Item Number: S0.952777<br> <br> Master the Blues in Open D Guitar Tuning<br> <br> Take your Open D guitar playing to the next level with 101Blues Riffs & Solos in Open D Guitar Tuning. The most complete instructional book everwritten exclusively for DADF#AD tuning. This book is great for beginners and excellentfor intermediate and advanced guitarists looking to enrich their creative, opentuning knowledge. <br> <br> A complete course on its own, the book covers a wide rangeof essential lessons to play blues in multiple styles, including traditional, Delta,rock, funk and jazz blues. Begin by studyingthe 40 stylistic riffs in several keys, then move on to the 25 practical oneand two bar riffs. Next, you can learnthe rhythm guitar riffs, the fingerstyle patterns, and finish with the longerriffs and solos. <br> <br> Using a combination of slide, fingerstyle and pick playing,you will cover all the bases needed to develop a solid technique in open Dguitar. The extensive scale charts showthe blues, major, minor, modal and pentatonic scales with useful diagrams. Chords and arpeggios are also covered with theessential blues chords and variations on blues chord progressions presented inall keys.<br> <br> If you want to explore the world of open D, then you are inthe right place. Everything you need tomaster the blues with essential lessons for DADF#AD guitar tuning!<br> <br> Audio tracks are available on the author's website: brentrobitaille.com. 185 pgsItem Number: S0.952777<br> <br> Master the Blues in Open D Guitar Tuning<br> <br> Take your Open D guitar playing to the next level with 101Blues Riffs & Solos in Open D Guitar Tuning. The most complete instructional book everwritten exclusively for DADF#AD tuning. This book is great for beginners and excellentfor intermediate and advanced guitarists looking to enrich their creative, opentuning knowledge. <br> <br> A complete course on its own, the book covers a wide rangeof essential lessons to play blues in multiple styles, including traditional, Delta,rock, funk and jazz blues. Begin by studyingthe 40 stylistic riffs in several keys, then move on to the 25 practical oneand two bar riffs. Next, you can learnthe rhythm guitar riffs, the fingerstyle patterns, and finish with the longerriffs and solos. <br> <br> Using a combination of slide, fingerstyle and pick playing,you will cover all the bases needed to develop a solid technique in open Dguitar. The extensive scale charts showthe blues, major, minor, modal and pentatonic scales with useful diagrams. Chords and arpeggios are also covered with theessential blues chords and variations on blues chord progressions presented inall keys.<br> <br> If you want to explore the world of open D, then you are inthe right place. Everything you need tomaster the blues with essential lessons for DADF#AD guitar tuning!<br> <br> Audio tracks are available on the author's website: brentrobitaille.com. 185 pgs
$19.99
18.43 €
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Guitare notes et tablatures
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Brent C Robitaille
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101 Blues Riffs and Solos in Open D Guitar Tuning
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Brent C Robitaille
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SheetMusicPlus
THE DEEP for solo DOUBLE BASS
Contre Basse
Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Ed…
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Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932722. Published by Alan Edgar Ted Moon (A0.1347908). Jacques Cousteau, Father of the Aqualung, wrote: The sea, once it casts its spell, holds one in its net of wonder for ever.This piece, for virtuoso double bass, imagines a scuba-diver encountering large animals, and consists of a suite of short depictions of animals in the form of variations on a melody plus a recurrent new melody representing the diver's smooth movements and bubbles. The variations are: Lobster Jazz Waltz, Sea-anemone Belly-dance, Tuna Tune, Luminous Light Show, Dolphin Fling, Jaws Serial and Blues Whale Pavane.The piece lasts about eight minutes with repeats.TECHNICAL NOTE The C harmonics will be a pip flat--they are only bursting bubbles anyway!Scuba Fins tries to feel the quiet calmness and agelessness of the underwater world, using the ancient and universal major pentatonic scale C,D,E, G,A ,C. The rhythm is mostly steady and simple, but triplets indicate the occasional extra effort. Now and again, he glances down at the infinite depths. Tintinnabulation and soft staccatissimo arpeggios represent the bubbles. Lobster Waltz is a jazz waltz with many staccato notes and leaps representing the many appendages and the tangle of lively giant crustaceans.Sea-anemone Belly-Dance pictures the soft body and tentacles swaying under the waves, using the Arabic scale Shad 'Araban, roughly G,Ab, B,C,D,Eb,F#,G and influenced by a dance to the folk tune known as Bint El-Salabiya.Tuna Tune is a quick moto perpetuo in the cheerful major mode, septuple time, the rapid rise and fall of the phrases and of volume reflecting the powerful shoal's unpredictable, ceaseless movements, approaching and retreating.Dolphin Fling is a stathspey, or highland fling, using the major mode and typical dance rhythms including the Scotch snap to depict the weighty but intelligent dolphins enjoying their leisure time and perhaps dancing with the diver.Jaws Serial reminds us of the fear a shark generates, using the dissonant 12-note serial mode and unpredictable leaps and pauses. The opening slow trill will chill you as it invokes the Jaws film theme by John Williams. You might even hear the diver's heart sink and the snap pizzicato of the teeth snapping. The prime row is the nearest possible to the original theme: Bb, Ab, F, Eb, B, C, E, G, Db, D, Gb.A, but I have followed the contours of the main themes. Blues Whale is a pavane, a slow, stately processional incorporating the typical renaissance drum rhythm. and using a blues scale, G, A, Bb, C, C#, D, F, G, and an implied 12-bar minor blues harmony.
$20.00
18.44 €
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Contre Basse
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Alan Edgar
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THE DEEP for solo DOUBLE BASS
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Alan Edgar Ted Moon
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SheetMusicPlus
Trumpet Hymn Duets eBook by Eddie Lewis
2 Trompettes (duo)
Trumpet Duet - Intermediate - Digital Download Composed by Various. Arranged by Eddie…
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Trumpet Duet - Intermediate - Digital Download Composed by Various. Arranged by Eddie Lewis. Christian, Sacred, General Worship, Christmas, Easter. Score. 69 pages. Published by Tiger Music
Trumpet Pro Pentatonic Tonalization<br> Introduction<br> Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series.<br> <br> Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a "jazz thing." Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians.<br> <br> That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let's look at the C pentatonic as an example:<br> <br> E - A - D - G - C<br> <br> Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale:<br> <br> C - D - E - G - A<br> <br> For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale.<br> <br> Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales.<br> <br> Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.Trumpet Pro Pentatonic Tonalization<br> Introduction<br> Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series.<br> <br> Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a "jazz thing." Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians.<br> <br> That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let's look at the C pentatonic as an example:<br> <br> E - A - D - G - C<br> <br> Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale:<br> <br> C - D - E - G - A<br> <br> For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale.<br> <br> Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales.<br> <br> Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.
$19.95
18.39 €
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2 Trompettes (duo)
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Various
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Trumpet Hymn Duets eBook by Eddie Lewis
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Tiger Music
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SheetMusicPlus
Sails in a Philippine Sunset - Flute & Piano
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.573935 Composed by James Michael Stevens. Ar…
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Flute,Piano - Digital Download SKU: A0.573935 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Wedding,World. Score and part. 7 pages. James M Stevens Music ASCAP #6197847. Published by James M Stevens Music ASCAP (A0.573935). Written December 12, 2020, this an original flute & piano composition in the key of A major and an etude on the use of the A major and D minor pentatonic scales and the harmonic use of perfect 4ths and 5ths. There is a separate flute part in the score and the piano part as seen can serve as an independent solo. The piano accompaniment as heard is available under Sails in a Philippine Sunset Piano Track.
$6.99
6.44 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Sails in a Philippine Sunset - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Sails in a Philippine Sunset - Violin & Piano
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.573934 Composed by James Michael …
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Piano,Violin - Level 4 - Digital Download SKU: A0.573934 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Wedding,World. 7 pages. James M Stevens Music ASCAP #6197835. Published by James M Stevens Music ASCAP (A0.573934). Written December 12, 2020, this an original violin & piano composition in the key of A major and an etude on the use of the A major and D minor pentatonic scales and the harmonic use of perfect 4ths and 5ths. There is a separate violin part in the score and the piano part as seen can serve as an independent solo. The piano accompaniment as heard is available under Sails in a Philippine Sunset Piano Track.
$6.99
6.44 €
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Violon et Piano
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James Michael Stevens
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James Michael Stevens
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Sails in a Philippine Sunset - Violin & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1124411 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 55 pages. RayThompsonMusic #725159. Published by RayThompsonMusic (A0.1124411). Arranged double wind quintet/bass The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This is my arrangement of the 4th movement: Finale (Vivace ma non troppo) It is in a traditional rondo form, A–B–A–C–A–B–A. The main melody is pentatonic. The B section is more lyrical, but continues in the spirit of the first theme. The C section is a chorale theme. I have adapted the string music for winds, and included some sustained horn chords. It has a similar feel to the finale of Dvorak’s wind serenade in D minor op.44.
$14.95
13.78 €
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (w…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
4.56 €
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Guitare notes et tablatures
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Dan Jones
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Three Pieces for Beginner Guitarists
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DanJonesGuitarist
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SheetMusicPlus
Auriga
Piano seul
Piano Solo - Digital Download SKU: A0.507260 Composed by Heather Cattanach. 20th Ce…
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Piano Solo - Digital Download SKU: A0.507260 Composed by Heather Cattanach. 20th Century,Contemporary,Instructional,Multicultural,World. Score. 10 pages. Published by Heather Cattanach (A0.507260). Auriga is an Advanced Piano Solo from “88 Constellations†a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Auriga, the Charioteer was catalogued by Ptolemy in the second century, and is associated with several Greek myths. It is also part of an ancient Chinese constellation representing the chariots of the five Emperors. Moving through the keys of D major, A minor, Eb major, F# major and A major reflects the legendary characters of the Emperors. The opening melodic theme of the Yellow Emperor uses the scale of the seven stringed Chinese instrument the guqin (Pentatonic), and appears in all the other Emperor’s sections. Performance Time 4 1/2 minutes. 9 pages. (General Instructional, Modern, Repertoire, Recital, 21st Century).
$7.99
7.37 €
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Piano seul
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Heather Cattanach
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Auriga
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Heather Cattanach
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SheetMusicPlus
A Chinese Love Song
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.818498 Composed by Thomas Ling Swee…
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Piano Solo - Level 3 - Digital Download SKU: A0.818498 Composed by Thomas Ling Swee Chin. Pop,Wedding,World. Score. 2 pages. Thomas Swee Chin #5742103. Published by Thomas Swee Chin (A0.818498). The Melody is made up of notes from the pentatonic scale with occasional leading notes. The harmony is in the style of a Chinese pop song.There’s a harmonic twist from D Major to E flat major. It is to be played in a relaxing tempo. .
$4.99
4.6 €
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Piano seul
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Thomas Ling Swee Chin
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A Chinese Love Song
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Thomas Swee Chin
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SheetMusicPlus
Heavy Metal for Balinese gamelan and chamber ensemble
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Comp…
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Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00
23.05 €
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Christine Southworth
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Heavy Metal for Balinese gamelan and chamber ensemble
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Airplane Ears Music
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SheetMusicPlus
Peaceful Times - Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.573855 Composed by James Michael S…
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Flute,Piano - Level 3 - Digital Download SKU: A0.573855 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Sacred,Wedding,World. Score and part. 8 pages. James M Stevens Music ASCAP #6098967. Published by James M Stevens Music ASCAP (A0.573855). Written October 24, 2020 this is an original flute and piano composition with ambient orchestration in the bright key of A major and draws all the notes from the pentatonic scales of A major and D minor with gives it a certain Asian feeling. There is a separate flute part in the score and the piano part as seen can serve as a stand alone solo. The track as heard can be found under Peaceful Times Accompaniment Track.
$6.99
6.44 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Peaceful Times - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
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