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Vous avez sélectionné:
D. Tarn
Partitions à imprimer
5 partitions trouvées
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The Lord Of The Dance
Woodwind Ensemble - Digital Download SKU: A0.1031224 Composed by Ronan Hardiman. Ar…
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Woodwind Ensemble - Digital Download SKU: A0.1031224 Composed by Ronan Hardiman. Arranged by Dan R. Ranter. Contemporary. 13 pages. D. Tarn #4992795. Published by D. Tarn (A0.1031224). An arrangement of Lord Of The Dance arranged for 8 part wind.
$12.99
11.88 €
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Ronan Hardiman
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Dan R
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The Lord Of The Dance
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D. Tarn
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SheetMusicPlus
Etude Op.25 No.7 in e minor for Viola & Piano
Alto, Piano
Piano,Viola - Digital Download SKU: A0.777967 Composed by Frédéric Chopin (18…
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Piano,Viola - Digital Download SKU: A0.777967 Composed by Frédéric Chopin (1810-1849) - Alexander Glazunov (1865-1936). Arranged by Mikio Kamada. Romantic Period. Score and part. 6 pages. ACORDO Sheet Music #4609011. Published by ACORDO Sheet Music (A0.777967). Etude Op. 25, No. 7 in C-sharp minor composed by Frédéric Chopin is for a piano technical study. The melody part is played by the left hand. It is sometimes called Cello as a term of endearment. There are several arrangement for Cello solo accompanied by Piano. The arrangements by Auguste Franchomme (1808-1884), Jules de Swert (1843-1891), and Władysław Tarnowski (1836-1878) are in d minor. On the other hand, the arrangement by Alexander Konstantinovich Glazunov (1865-1936) is in e minor, which is the most poplar one. This score is a transcription for Viola and Piano.
$6.20
5.67 €
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Alto, Piano
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Frédéric Chopin
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Mikio Kamada
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Etude Op.25 No.7 in e minor for Viola & Piano
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ACORDO Sheet Music
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SheetMusicPlus
To Cassandra for spoken voice and bassoon
Instrumental Duet Bassoon,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.576771 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 2 pages. David Warin Solomons #431373. Published by David Warin Solomons (A0.576771). Setting of my father's translation of Ronsard's poem A Cassandre for speaking voice and bassoon In the sound sample the poem is spoken by my father S N Solomons The bassoon part is based on the song To Cassandra for alto and guitar, which is also available on this site [English translation by SN Solomons] Darling, come see the rose so red, Which this morn timidly had spread Her mantle to the eye of day. Come see if she has lost this e'en Her crimson pleated robe's soft sheen, That same blush which on your cheek plays. See how in but a paltry hour She has let fall her ailing flower. Her beauty lies there in the dust! Alas! How cruel is Mother Nature, Since such a blossom can endure Only from trembling dawn to dusk. Darling you must indeed believe, Whilst innocence within you cleaves The bud and blooms in purity, Garner the gifts of tender youth, For, like this flower, age in sooth Will sadly spoil and tarnish beauty. [Ronsard's original poem] Mignonne, allons voir si la rose Qui ce matin avoit desclose Sa robe de pourpre au Soleil, A point perdu ceste vesprée Les plis de sa robe pourprée, Et son teint au vostre pareil. Las ! voyez comme en peu d'espace, Mignonne, elle a dessus la place Las ! las ses beautez laissé cheoir ! Ô vrayment marastre Nature, Puis qu'une telle fleur ne dure Que du matin jusques au soir ! Donc, si vous me croyez, mignonne, Tandis que vostre âge fleuronne En sa plus verte nouveauté, Cueillez, cueillez vostre jeunesse : Comme à ceste fleur la vieillesse Fera ternir vostre beauté.
$8.00
7.32 €
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David Warin Solomons
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To Cassandra for spoken voice and bassoon
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David Warin Solomons
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SheetMusicPlus
A Cassandre for spoken voice and bassoon
Instrumental Duet Bassoon,Instrumental Duet,Voice - Digital Download SKU: A0.576770…
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Instrumental Duet Bassoon,Instrumental Duet,Voice - Digital Download SKU: A0.576770 Composed by David Warin Solomons. Contemporary,Renaissance. Score and parts. 2 pages. David Warin Solomons #429021. Published by David Warin Solomons (A0.576770). Setting of Ronsard's poem A Cassandre for speaking voice and bassoon In the sound sample the poem is spoken in modern French by my father S N Solomons who also created an English version as shown below The bassoon part is based on the song To Cassandra for alto and guitar, using my father's translation, which is also available on this site Mignonne, allons voir si la rose Qui ce matin avoit desclose Sa robe de pourpre au Soleil, A point perdu ceste vesprée Les plis de sa robe pourprée, Et son teint au vostre pareil. Las ! voyez comme en peu d'espace, Mignonne, elle a dessus la place Las ! las ses beautez laissé cheoir ! Ô vrayment marastre Nature, Puis qu'une telle fleur ne dure Que du matin jusques au soir ! Donc, si vous me croyez, mignonne, Tandis que vostre âge fleuronne En sa plus verte nouveauté, Cueillez, cueillez vostre jeunesse : Comme à ceste fleur la vieillesse Fera ternir vostre beauté. [English translation by SN Solomons] Darling, come see the rose so red, Which this morn timidly had spread Her mantle to the eye of day. Come see if she has lost this e'en Her crimson pleated robe's soft sheen, That same blush which on your cheek plays. See how in but a paltry hour She has let fall her ailing flower. Her beauty lies there in the dust! Alas! How cruel is Mother Nature, Since such a blossom can endure Only from trembling dawn to dusk. Darling you must indeed believe, Whilst innocence within you cleaves The bud and blooms in purity, Garner the gifts of tender youth, For, like this flower, age in sooth Will sadly spoil and tarnish beauty.].
$8.00
7.32 €
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David Warin Solomons
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A Cassandre for spoken voice and bassoon
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David Warin Solomons
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SheetMusicPlus
Unaccompanied Tuba Suite #3: Rhapsody in A
Tuba
Tuba Solo - Level 5 - Digital Download SKU: A0.991806 Composed by Jason Allie. Roma…
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Tuba Solo - Level 5 - Digital Download SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba LLC (A0.991806). Description Total Duration: 11 minutes. A vigorous, advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. In an enjoyable and delightful manner, tubists will build dexterity, endurance, expressiveness, effective volume and range (going up to D/C# above the staff). This work will charm, captivate, and rouse/impress audiences. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba in whole or in part. Please send feedback, praises and more to contact@joaba.com. Performance Notes from the Composer Édesen Édesen translates to sweetly in Hungarian, and is this movement’s purpose: to be a centering, calming moment before the following tumult.The first 10 bars serve as an introduction to warm up to the melody. The melody has three contrasting articulations that must be respected: staccato, legato, and normal. The melody easily leads to high and low range notes-excellent for beginner/intermediate tubists to expand and solidify their range. Give more air for the range’s extremities so pitches don’t become too thin or muddled. The second theme in the dominant (E major) should be played with luscious legato and bright staccato. LassanLassan translates to slowly in Hungarian usually conveying stateliness or seriousness. This argumentative movement breaks the former’s idyll and sets the case for the next movement’s defiance and victory.The first section is to be played serious and strong. Increase air support for the higher pitches. Make the descending scales resound and bounce off the lowest notes. The second theme starting at 81 should be played with great charm and ease. For the solo passages, show-off but slow the tempo into the fermatas: (m77-80, m102-103, and m132-133). Friska Friska translates to fresh in Hungarian and in this case, it’s a duality of turbulence and final elation.Start the piece fast, but not too boisterous-embellishments are added in the repeat demanding boisterousness. Epitomizing the turbulence, the con moto sections (at m161 & m260) emphasize a 1 beat per measure feel-accelerate the tempo as is comfortable. The digressionary, crab-like sections (at m176 & m275) should be played as light as possible to help build up to the elated sections. The first elated section (m188) should be played as if gleefully discovered but not yet won; the second elated section (m291), with a victorious finality that cannot be diminished or tarnished.
$12.99
11.88 €
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Tuba
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Jason Allie
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Unaccompanied Tuba Suite #3: Rhapsody in A
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Joaba LLC
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SheetMusicPlus
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