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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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DOS AMANTES
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1
Sobredosis De Tv
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1491681 By Soda …
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1491681 By Soda Stereo. By Gustavo Adrian Cerati. Arranged by Thec P. Pop,Punk,Rock. 19 pages. Thec P #1068355. Published by Thec P (A0.1491681). Este arreglo para cuarteto de cuerdas transforma la emblemática canción Sobredosis de T.V. de Soda Stereo en una pieza clásica contemporánea. Manteniendo la esencia y energía del tema original compuesto por Gustavo Cerati, esta versión está cuidadosamente elaborada para cuerdas, resaltando la melodía y los contrastes rítmicos característicos de la banda. Ideal para presentaciones en vivo, recitales o proyectos educativos, este arreglo ofrece una interpretación única que conectará tanto con fanáticos de Soda Stereo como con amantes de la música de cámara. This string quartet arrangement transforms the iconic song Sobredosis de T.V. by Soda Stereo into a contemporary classical piece. Preserving the essence and energy of the original track composed by Gustavo Cerati, this version is carefully crafted for strings, highlighting the melody and rhythmic contrasts characteristic of the band. Perfect for live performances, recitals, or educational projects, this arrangement offers a unique interpretation that will resonate with both Soda Stereo fans and chamber music enthusiasts.
$12.99
11.76 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Soda Stereo
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Thec P
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Sobredosis De Tv
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Thec P
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SheetMusicPlus
DOS AMANTES
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1018625 Composed by IAN LYFORD. Fi…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1018625 Composed by IAN LYFORD. Film/TV,Latin,Spiritual,World. Individual part. 6 pages. Ian d Lyford #12311. Published by Ian d Lyford (A0.1018625). BEAUTIFUL DUET OF SPANISH GUITARS.
$3.99
3.61 €
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Guitare
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IAN LYFORD
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DOS AMANTES
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Ian d Lyford
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SheetMusicPlus
Cantilena da aurora
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1025635 Composed by Farlley Derze. …
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Piano Solo - Level 3 - Digital Download SKU: A0.1025635 Composed by Farlley Derze. Contemporary,Sacred,World. Score. 2 pages. Farlley Derze #4896539. Published by Farlley Derze (A0.1025635). This composition is appropriate for schools and students. It provides solutions to increase the independence between the left and right hands. Also, it may be of interest to Brazilian music lovers. I am a Brazilian composer and pianist. My social media channels and contact information: facebook (farlleyderzepianist), tweeter (@farlleyderze), e-mail (info@farlleyderze.com).Essa composição é apropriada para escolas e alunos. Ela fornece soluções para aumentar a independência entre as mãos esquerda e direita.Além disso, pode ser de interesse dos amantes da música brasileira.Sou compositor e pianista brasileiro. Meus canais de mÃdia social e informações de contato são: facebook (farlleyderzepianist), tweeter (@farlleyderze), e-mail (info@farlleyderze.com).
$4.99
4.52 €
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Piano seul
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Farlley Derze
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Cantilena da aurora
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Farlley Derze
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.87 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
Pequena despedida
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1025637 Composed by Farlley Derze. …
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Piano Solo - Level 3 - Digital Download SKU: A0.1025637 Composed by Farlley Derze. Contemporary,Sacred,World. Score. 3 pages. Farlley Derze #4896543. Published by Farlley Derze (A0.1025637). This composition is appropriate for schools and students. It provides solutions to increase the independence between the left and right hands. Also, it may be of interest to Brazilian music lovers. I am a Brazilian composer and pianist. My social media channels and contact information: facebook (farlleyderzepianist), tweeter (@farlleyderze), e-mail (info@farlleyderze.com).Essa composição é apropriada para escolas e alunos. Ela fornece soluções para aumentar a independência entre as mãos esquerda e direita.Além disso, pode ser de interesse dos amantes da música brasileira.Sou compositor e pianista brasileiro. Meus canais de mÃdia social e informações de contato são: facebook (farlleyderzepianist), tweeter (@farlleyderze), e-mail (info@farlleyderze.com).
$4.99
4.52 €
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Piano seul
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Farlley Derze
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Pequena despedida
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Farlley Derze
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SheetMusicPlus
Como um sonho
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1025636 Composed by Farlley Derze. …
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Piano Solo - Level 3 - Digital Download SKU: A0.1025636 Composed by Farlley Derze. Contemporary,Sacred,World. Score. 3 pages. Farlley Derze #4896541. Published by Farlley Derze (A0.1025636). This composition is appropriate for schools and students. It provides solutions to increase the independence between the left and right hands. Also, it may be of interest to Brazilian music lovers. I am a Brazilian composer and pianist. My social media channels and contact information: facebook (farlleyderzepianist), tweeter (@farlleyderze), e-mail (info@farlleyderze.com).Essa composição é apropriada para escolas e alunos. Ela fornece soluções para aumentar a independência entre as mãos esquerda e direita.Além disso, pode ser de interesse dos amantes da música brasileira.Sou compositor e pianista brasileiro. Meus canais de mÃdia social e informações de contato são: facebook (farlleyderzepianist), tweeter (@farlleyderze), e-mail (info@farlleyderze.com).
$4.99
4.52 €
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Piano seul
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Farlley Derze
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Como um sonho
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Farlley Derze
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SheetMusicPlus
Volver a empezar
Piano seul
Piano Solo - Digital Download SKU: A0.1005924 By Aml Albajara. By Aml Albajara. Con…
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Piano Solo - Digital Download SKU: A0.1005924 By Aml Albajara. By Aml Albajara. Contemporary. Score. 6 pages. Aml Albajara #6272923. Published by Aml Albajara (A0.1005924). Composición para piano de Aml Albajara, Ana Albajara de Madrid, España. Compositora , pianista y locutora de Radio.Dos composiciones Volver a Empezar y la segunda parte. Para los amantes de la música de films, teatro... Cada partitura es una historia que se puede vivir interpretando.amlelvbeat@gmail.com.
$5.00
4.52 €
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Piano seul
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Aml Albajara
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Volver a empezar
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Aml Albajara
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SheetMusicPlus
Hallelujah
Fanfare
Marching Band - Level 3 - Digital Download SKU: A0.1456178 By Leonard Cohen. By Leo…
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Marching Band - Level 3 - Digital Download SKU: A0.1456178 By Leonard Cohen. By Leonard Cohen. Arranged by Paulo Henrique Prates de Tarço. Blues,Christian,Christmas,Religious. 29 pages. Paulo de Tarço #1035328. Published by Paulo de Tarço (A0.1456178). Sinta a Emoção Profunda com a Música Hallelujah!Apresentamos um arranjo exclusivo da música Hallelujah, uma obra-prima que tocou corações em todo o mundo. Este arranjo foi cuidadosamente criado para capturar a beleza melódica e a profundidade emocional da canção original.Com este arranjo, você poderá experimentar a poderosa emoção que Hallelujah inspira. Cada nota ressoa com a paixão e a dor expressas na letra, levando você em uma jornada musical que é ao mesmo tempo cativante e comovente.Este arranjo é perfeito para os amantes da música, fãs de Hallelujah, ou qualquer pessoa que aprecie composições que falam ao coração. É uma peça que certamente irá encantar e inspirar todos que a ouvirem.Não perca a oportunidade de possuir um arranjo desta música icônica. Adquira seu arranjo de Hallelujah hoje mesmo e deixe a música tocar sua alma de maneiras que você nunca imaginou!
$49.99
45.24 €
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Fanfare
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Leonard Cohen
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Hallelujah
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Paulo de Tarço
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SheetMusicPlus
Ave María Fantasía en Trémolo Opus 5 para Guitarra Solista por JUAN CARLOS CORTÉS A.
Guitare
Guitar - Digital Download SKU: A0.1070307 Composed by Juan Carlos Cortés Aguirre…
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Guitar - Digital Download SKU: A0.1070307 Composed by Juan Carlos Cortés Aguirre. 20th Century,Holiday,Instructional,Wedding. Full Performance. Duration 293. Juan Carlos Cortés Aguirre #4316841. Published by Juan Carlos Cortés Aguirre (A0.1070307). Trémolo para Guitarra Clásica (Guitarra Acústica). Composición musical por JUAN CARLOS CORTÉS. Puesto previamente una consideración para su interpretación, concepto y aprobación; siendo después elogiado favorablemente por algunos de los más aclamados Guitarristas del mundo como: Christopher Parkening, David Rusell, Ernesto Bitetti, Göran Söllscher, Carlos Posada Ramos y muchos más. Apropiado para los amantes del repertorio latinoamericano o neo clásico donde se demuestra un gran lucimiento técnico del trémolo para guitarra. Su nombre describe las campanas que presentan los armónicos iniciales, invocando a la oración, que se presenta luego reflexiva con el canto melodioso del trémolo, invitando al reconocimiento y la paz espiritual.
$2.25
2.04 €
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Guitare
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Juan Carlos Cortés Aguirre
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Ave María Fantasía en Trémolo Opus 5 para Guitarra Solista por JUAN CARLOS CORTÉS A.
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Introducción a la Obertura de Las Leandras por Francisco Alonso para Piano Solo
Piano seul
Piano - Digital Download SKU: A0.1070300 Composed by Francisco Alonso López. Arr…
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Piano - Digital Download SKU: A0.1070300 Composed by Francisco Alonso López. Arranged by Juan Carlos Cortés Aguirre. 20th Century,Instructional,Wedding. Full Performance. Duration 58. Juan Carlos Cortés Aguirre #4316825. Published by Juan Carlos Cortés Aguirre (A0.1070300). Transcripción para piano solo por: JUAN CARLOS CORTÉS A. Basada en la versión de la Orquesta de Cámara de Madrid, dirigida por el maestro Daniel Montorio y Enrique Navarro para Discos Montilla, en el año de 1958, acompañados por los Coros LÃricos de España. Muy apropiado para los amantes de la música española,
$1.99
1.8 €
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Piano seul
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Francisco Alonso López
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Juan Carlos Cortés Aguirre
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Introducción a la Obertura de Las Leandras por Francisco Alonso para Piano Solo
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Entrecuerdas
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.1005915 By Aml Albajara. By Aml Alb…
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Piano Solo - Level 1 - Digital Download SKU: A0.1005915 By Aml Albajara. By Aml Albajara. Contemporary,Multicultural,World. Score. 4 pages. Aml Albajara #6264693. Published by Aml Albajara (A0.1005915). Partitura para piano solo, fácil de tocar. Compuesta por Aml Albajara, Ana Albajara.Compositora , pianista y Locutora, presentadora de Radio. Natural de Madrid, España.Para iniciados al piano o para amantes de la música sencilla y cercana.Â
$3.00
2.71 €
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Piano seul
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Aml Albajara
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Entrecuerdas
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Aml Albajara
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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