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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Dance Again - Baritone T.C.
Piano & claviers
Instruments en Do
2
Guitares
Voix
Chorale TTBB
1
Vents
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 2 violons, violoncelle
1
Orchestre & Percussions
Orchestre d'harmonie
2
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Dance Again - Baritone T.C.
Partitions à imprimer
10 partitions trouvées
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Ding Dong Merrily on High: (wp) B-flat Tuba T.C.
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Orchestre d'harmonie
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Noël
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Michael Story and Robert W
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Ding Dong Merrily on High:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001170_WPTBBTC (wp) B-flat Tuba T.C.. Arranged by Michael Story and Robert W. Smith. Instructional. World Part. 1 p...
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Concert Band - SKU: AX.00-PC-0001170_WPTBBTC (wp) B-flat Tuba T.C.. Arranged by Michael Story and Robert W. Smith. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001170_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001170_WPTBBTC). UPC: 038081306896.Based on a traditional French dance melody, this popular holiday favorite has been scored for performance after only a few months of instruction. Arranged to accompany Band Expressionsa,,C/ Book One, it is attainable for students in the middle of any first-year method. Perfect for your first holiday program again and again. This title is available in SmartMusic.
$3.00
30 Medieval and Renaissance Dance Tunes (bass cleef+guitar chords)
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Instruments en Do
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INTERMÉDIAIRE
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Noël
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Traditional
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Klas Krantz
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30 Medieval and Renaissance Da
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Amadeus Music
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1099420 Composed by Traditional. Arranged by Klas Krantz. Classical,Early Music,Medieval,Renaissance,Traditional. Lead ...
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C Instrument - Level 3 - SKU: A0.1099420 Composed by Traditional. Arranged by Klas Krantz. Classical,Early Music,Medieval,Renaissance,Traditional. Lead Sheet / Fake Book. 12 pages. Amadeus Music #703312. Published by Amadeus Music (A0.1099420). Medival and renaissance dance music suitable for any bass cleef C-instrument (cello, bassoon, bass recorder...) Most tunes have guitar chords!C O N T E N T : 1. Edi beo thu, 2. Virelai (Amiens), 3. Autumn Song (Muset), 4 . In vernali, 5. In dulci jubilio, 6. Le forze, d’Hercole, 7. La cornetta, 8. Courant (Praetorius) 9. Gavott II (Praetorius) 10. Mistress Winter’s Jump (Dowland), 11. When the King Enjoys His Own Again, 12. Branle del la Torche (Praetorius), 13. Spagnoletta (Zanetti), 14. Trotto (anon, Italy), 15. Greensleeves to a Ground and variations, 16. La rosetta (Praetorius), 17. Bravade (van Eyck), 18. Black Adder, 19. Adeste fidelis, 20. Gather ye Rosebuds (Lawes), 21. The King of Denmark’s Galliarde (Dowland), 22. French Drinking Song, 23. Pass e medio (Susato), 24. All in a Garden Green, 25. Kemp's Jig, 26. I Saw Three Ships, 27. Pilgrim Song, 28. Tourdion, 29. Menuett (Hervelois), 30. Cotillion. +Cover Page.
$6.95
30 Medieval and Renaissance Dance Tunes (bass cleef+guitar chords)
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Instruments en Do
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INTERMÉDIAIRE
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Noël
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Various
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Klas Krantz
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30 Medieval and Renaissance Da
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Amadeus Music
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1099980 Composed by Various. Arranged by Klas Krantz. Classical,Early Music,Folk,Medieval,Renaissance. Lead Sheet / Fak...
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C Instrument - Level 3 - SKU: A0.1099980 Composed by Various. Arranged by Klas Krantz. Classical,Early Music,Folk,Medieval,Renaissance. Lead Sheet / Fake Book. 12 pages. Amadeus Music #703850. Published by Amadeus Music (A0.1099980). Medival and renaissance dance music suitable for any bass cleef C-instrument, Bb keyes (cello, bassoon, bass recorder...) Most tunes have guitar chords!C O N T E N T : 1. Edi beo thu, 2. Virelai (Amiens), 3. Autumn Song (Muset), 4 . In vernali, 5. In dulci jubilio, 6. Le forze, d’Hercole, 7. La cornetta, 8. Courant (Praetorius) 9. Gavott II (Praetorius) 10. Mistress Winter’s Jump (Dowland), 11. When the King Enjoys His Own Again, 12. Branle del la Torche (Praetorius), 13. Spagnoletta (Zanetti), 14. Trotto (anon, Italy), 15. Greensleeves to a Ground and variations, 16. La rosetta (Praetorius), 17. Bravade (van Eyck), 18. Black Adder, 19. Adeste fidelis, 20. Gather ye Rosebuds (Lawes), 21. The King of Denmark’s Galliarde (Dowland), 22. French Drinking Song, 23. Pass e medio (Susato), 24. All in a Garden Green, 25. Kemp's Jig, 26. I Saw Three Ships, 27. Pilgrim Song, 28. Tourdion, 29. Menuett (Hervelois), 30. Cotillion. +Cover Page.
$6.95
Themes from the Beach Euphonium T.C.
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Peter Westin
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Themes from the Beach Euphoniu
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Peter's Publishing House
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1011738 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449677. Published ...
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Concert Band - Level 4 - SKU: A0.1011738 Composed by Peter Westin. Contemporary. Score and parts. 5 pages. Peter's Publishing House #3449677. Published by Peter's Publishing House (A0.1011738). Themes from the Beach is a multi movement composition released in 2017 that captures wonderful scenes while hanging out on the Beach. The First Movement, Atmospheres, is a beautiful tranquil setting in the key of C major while the beauty portrays the humidity. The Second Movement, is a dance like movement of the scene while people are strolling in Paradise. The Key signature contrast is from D minor to D major and then to D minor once again. The last two movements are in the Key of F major. The third movement displays of what it is like to chill out in the sunlight. This deeply moving ballad is so beautiful and will portray the longest movement of the piece. The last and fourth movement is a 6/8 Dance of getting yourself exposed to the sunlight.The Euphonium T.C. Part. 5 pages long and is listed in the following movements. I - Atmospheres, II - Strolling in Paradise, III - Chillin Ballad, IV - Exposed to the Sunlight. Of Moderate to Advanced Difficulty. Separate part only (conductors Score purchased separately).
$3.99
Can't Get You Out Of My Head
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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DÉBUTANT
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Pop musique
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Kylie Minogue
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Des McNutty
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Can't Get You Out Of My Head
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Des Press
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 1 - SKU: A0.1328844 By Kylie Minogue. By Cathy Dennis and Rob Davis. Arranged by Des McNutty. Disc...
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String Quintet Cello,Double Bass,Viola,Violin - Level 1 - SKU: A0.1328844 By Kylie Minogue. By Cathy Dennis and Rob Davis. Arranged by Des McNutty. Disco,Pop. 28 pages. Des Press #916865. Published by Des Press (A0.1328844). Can't Get You out of My Head was sung by Kylie Minogue on her 8th album, Fever. It was released in 2001 and charted at number one in 40 countries. Can't Get You out of My Head is an example of a perfect pop song. Classified by some as Neo-Disco, it draws heavily on influences from Trance and Electronic Dance Music (EDM) styles but with its own twists, making the heavily synthesized production sound both fresh and familiar. The melodies and lyrics sound deceptively simple and the hook is just la la la. All of this is again matched perfectly with the performer; Minogue's veneer of naïve vacuity that belies the consummate behind. In addition to all this, the entire main vocal part fits in the five-note starting position for piano students - c, d, e, f, g - making this song an absolute gift for music teachers. Well, 20-odd years ago at least. This arrangement for String Quintet is a relatively straight-forward idiomatic transcription in the same tonality as the original recording, so you could even play along with it for fun. The optional beginners' parts use only open strings. There are no bar numbers. Rehearsal marks are there for navigation. Level: Easy/Intermediate plus beginners. Enjoy!
$12.99
Can't Get You Out Of My Head
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Kylie Minogue
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Des McNutty
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Can't Get You Out Of My Head
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Des Press
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1327246 By Kylie Minogue. By Cathy Dennis and Rob Davis. Arranged by Des McNutty. D...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1327246 By Kylie Minogue. By Cathy Dennis and Rob Davis. Arranged by Des McNutty. Disco,Pop. 17 pages. Des Press #915307. Published by Des Press (A0.1327246). Can't Get You out of My Head was sung by Kylie Minogue on her 8th album, Fever. It was released in 2001 and charted at number one in 40 countries. Can't Get You out of My Head is an example of a perfect pop song. Classified by some as Neo-Disco, it draws heavily on influences from Trance and Electronic Dance Music (EDM) styles but with its own twists, making the heavily synthesized production sound both fresh and familiar. The melodies and lyrics sound deceptively simple and the hook is just la la la. All of this is again matched perfectly with the performer; Minogue's veneer of naïve vacuity that belies the consummate behind. In addition to all this, the entire main vocal part fits in the five-note starting position for piano students - c, d, e, f, g - making this song an absolute gift for music teachers. Well, 20-odd years ago at least. This arrangement for String Quartet is a relatively straight-forward idiomatic transcription in the same tonality as the original recording, so you could even play along with it for fun. There are no bar numbers because each part has repeats in different places. Rehearsal marks are there for navigation. The score has no repeats. Level: Intermediate Enjoy!
$12.99
If I Can't Have You
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Shawn Mendes
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Sarah Cellobat Chaffee
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If I Can't Have You
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.526097 By Shawn Mendes. By Nate Mercereau, Scott Harris, Shawn Mendes, and Teddy Geiger. Arranged by Sarah ...
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String Trio Cello,Violin - Level 3 - SKU: A0.526097 By Shawn Mendes. By Nate Mercereau, Scott Harris, Shawn Mendes, and Teddy Geiger. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 12 pages. Sarah Cellobat Chaffee #4795147. Published by Sarah Cellobat Chaffee (A0.526097). *INSTRUMENTATION: 2 VIOLINS & CELLO*If I Can't Have You, the hit single from Canadian singer Shawn Mendes, has reached the top five on the pop charts in 11 different countries, and it's obvious why - this song is upbeat, fun, and sing-along-able, and once you listen to it, its catchy hook won't get out of your head! With its signature lyric Everything means nothing if I can't have you, this love song is sure to be requested for wedding ceremonies, receptions, and cocktail hour, and will also be great for parties, corporate events, solo & ensemble contests and any other occasion in need of some good vibes. This arrangement for two-violin and cello trio captures the soul of the original song with its lyrical melody lines and driving syncopated beat, and also adds layers of beautiful harmonies and some back-and-forth between the parts for a chart that's just as much fun to play as it is to listen to! This is an intermediate level arrangement that will be easily learnable for students and sightreadable for professionals. (There are a few double stops - all easy 5ths in the cello part, and all against an open string in the v2 part.) Sarah Cellobat Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their Deuces Are Wild residency at The Park MGM Theater, and she regularly performs at Allegiant Stadium as a member of the house band for the Las Vegas Raiders football team. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a world-renowned 14-piece dance band, and she plays regularly for Premiere Wedding Music, Bella Electric Strings, and the Femmes Of Rock. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Michael Bublé, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at: http://www.cellobat.com http://www.instagram.com/cellobat http://www.youtube.com/c/SarahCellobatChaffee
$14.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
MANX LIFE SUITE for STRING QUARTET
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Folklorique/Traditionel
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Trad & Alan Edgar
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MANX LIFE SUITE for STRING QUA
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Alan Edgar Ted Moon
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1334145 Composed by Trad & Alan Edgar. Folk,Traditional. 36 pages. Alan Edgar Ted Moon #920362. Publis...
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String Quartet String Quartet - Level 2 - SKU: A0.1334145 Composed by Trad & Alan Edgar. Folk,Traditional. 36 pages. Alan Edgar Ted Moon #920362. Published by Alan Edgar Ted Moon (A0.1334145). Here'a suite about life in the Isle of Man based on Manx folk tunes and religious music.  All the harmonies and some decorations are mine. There are 5 movements. I MAINLY CELEBRATIONS:  I found all the melodies in The Mona Melodies, a group of traditional tunes (probably heard in Douglas) collected in 1820.  Hunt the Wren is a surprising, lively, traditional event on St Stephen's Day when villagers dance and sing round the town hoping for gifts. This tune is dorian.  A Lullaby in aeolian follows, then In Praise of Wine, in ionian, while at the same time fragments of the Lullaby are heard from inside a home.  The Wren group return.II FAITH Religious music  I assume could have been heard in Manx churches.  Two supposedly Celtic-style antiphon melodies from a 13th-century breviary from Caen  (a) The Holy Cross (b)  The Saints.  I made them into parallel organum with a drone.  Between them is an elaborate ancient melody (labelled Martyrs) for Psalm 80 (Lord, come and save us), which I found with Gaelic words.  I accompany with 3 more parts.  The whole movement is in dorian mode.III EMOTIONS:  Mourning for a Prince is a mixolydian tune also found in The Mona Melodies.  I give the tune to the viola.  In Praise of Beauty is sung by the cello in C major.  This tune is also found in The Mona Melodies, as Brown Oxen (Berry Dowin).  William Brown (Illiam Dhoan) (should be Dhone, I believe) is the air used for Love Lost and Found: again from The Mona Melodies.  I made it C minor at first (love lost) , then  the original version in F major (love found).IV CAR JUAN NAN (Let's All Dance) is a reel, from which I took a few bars and made it into a round.  My source was the book Ed. Colin Jerry Kiaull yn Theay 1:  Manx music and songs for folk instrumentsV WORK, REST and PLAY.  The Spinning Song is major/ionian, the Milking Song is major pentatonic, but my mooing bass part does not respect that: I found those tunes in  Kiaull yn Theay.  The Harvest Celebration Dance (Yn Mheillea) is from manxmusic.com.  The Goodnight Song (Arrane Oie Vie) was traditionally sung after a Christmas Eve event in the church, after more formal proceedings and after the singing of many gloomy vaguely religious songs there and a visit to the pub.  Collected from Mr E, Corteen and Mr T.  Taggart of Malew:  my source:  manxmusic.com.DURATION: 15 minutes.
$25.00
Misirlou - Pulp Fiction - Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Film/TV
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trad
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Thomas Graf
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Misirlou - Pulp Fiction - Bras
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Thomas Graf - the-hit- factory.com
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SheetMusicPlus
Brass Quintet, Brass Choir or Ensemble, Drums - Intermediate - Digital Download Composed by trad. Arranged by Thomas Graf. Movies, World, Folk, Europ...
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Brass Quintet, Brass Choir or Ensemble, Drums - Intermediate - Digital Download Composed by trad. Arranged by Thomas Graf. Movies, World, Folk, European. Score, Set of Parts. 25 pages. Published by Thomas Graf - the-hit- factory.com
This Greek folk song and dance gained great popularity, when director Quentin Tarantino used it in his 1994 film Pulp Fiction, and again when it was sampled in the Black Eyed Peas' song "Pump It" (2006). Have fun!
Instrumentation: Tpt 1/2 in Bb, Horn in F/Eb, Trombone C/Bb, Tuba/Bass in Bb/Eb, Drums (opt.)
Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!
$18.99
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Dance Again - Baritone T.C.
