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25
2 Altos (duo)
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15
4 Violoncelles
13
Alto seul
11
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Contrebasse, Piano (duo)
9
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Harpe
9
2 Harpes (duo)
8
Quatuor à cordes: 4 violons
8
Contre Basse
7
Violon (partie séparée)
5
Alto (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violoncelle (partie séparée)
2
4 Contrebasses
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Orchestre d'harmonie
216
Orchestre à Cordes
58
Orchestre
54
Cloches
20
Ensemble Jazz
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4
Batterie
4
Fanfare
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Dance to the Music - Trumpet 4
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RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.13 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.13 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Colores (Let the Children Teach Us)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.12…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00
31.73 €
#
Lon W
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Colores
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LCS Productions
#
SheetMusicPlus
The Snowdrift Galop (or is it Jingle Bells?)
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1329286 By Hugh Levey. By Charles Coote Jnr. Arranged by Hugh Levey. 19th Century,Chamber,Children,Christmas,Holiday. 23 pages. Woodwindly.com #917264. Published by woodwindly.com (A0.1329286). Clarinet Quartet (4 Clt. or 3 Clt. + Bass Clt.) Looking for some familiar, yet very different Christmas Music? Look no further than the Snowdrift Galop written by British composer, Charles Coote Jnr. It starts off just like Jingle Bells - and the Jingle Bells theme keeps coming back, but is it actually Jingle Bells? It also has a march-like theme and a lovely Trio section. All players get to play important melodic material in this arrangement.Snowdrift Galop was published in London in 1868 in a small collection of works by various composers. The opening theme is immediately recognisable as the popular holiday favourite, Jingle Bells, which was published 11 years earlier, yet the composer gives no reference or credit to the earlier work. Although the opening theme is the same as Jingle Bells, we get a stately march instead of the familiar Jingle Bells chorus. A lovely Trio introduces another new tune which is played by clarinet 3, then bass clarinet before returning to the opening section.Charles Coote Jnr (1831-1916) was a prolific English composer of popular music, including quadrilles, waltzes and galops. His music was written for society balls and subsequently published for piano, so that others could play them at local dances or in their ownhomes. He was the son of composer and bandmaster, Charles Coote (1809-1880). Coote Snr worked for the 6th Duke of Devonshire for 30 years, conducted his private orchestra, and was referred to by the Duke as his ‘personal pianist’. Growing up in this environment would have ensured that Coote Jnr was well connected with British ‘society’.Duration - 4 minutes.
$12.75
11.56 €
#
Quatuor de Clarinettes: 4 clarinettes
#
Hugh Levey
#
Hugh Levey
#
The Snowdrift Galop
#
woodwindly.com
#
SheetMusicPlus
The Snowdrift Galop (or is it Jingle Bells?) - Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1329389 By…
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Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1329389 By Hugh Levey. By Charles Coote Jnr. Arranged by Hugh Levey. 19th Century,Chamber,Children,Christmas,Holiday. 23 pages. Woodwindly.com #917372. Published by woodwindly.com (A0.1329389). Sax Quartet (SATB or AATB)Looking for some familiar, yet very different Christmas Music? Look no further than the Snowdrift Galop written by British composer, Charles Coote Jnr. It starts off just like Jingle Bells - and the Jingle Bells theme keeps coming back, but is it actually Jingle Bells? It also has a march-like theme and a lovely Trio section. All players get to play important melodic material in this arrangement.Snowdrift Galop was published in London in 1868 in a small collection of works by various composers. The opening theme is immediately recognisable as the popular holiday favourite, Jingle Bells, which was published 11 years earlier, yet the composer gives no reference or credit to the earlier work. Although the opening soprano sax theme is the same as Jingle Bells, we get a stately march instead of the familiar Jingle Bells chorus. A lovely Trio introduces another new tune which is played by tenor, then baritone sax, before returning to the opening section on Alto.Charles Coote Jnr (1831-1916) was a prolific English composer of popular music, including quadrilles, waltzes and galops. His music was written for society balls and subsequently published for piano, so that others could play them at local dances or in their ownhomes. He was the son of composer and bandmaster, Charles Coote (1809-1880). Coote Snr worked for the 6th Duke of Devonshire for 30 years, conducted his private orchestra, and was referred to by the Duke as his personal pianist. Growing up in this environment would have ensured that Coote Jnr was well connected with British society.Duration - 4 minutes.
$12.75
11.56 €
#
Quatuor de Saxophones: 4 saxophones
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Hugh Levey
#
Hugh Levey
#
The Snowdrift Galop
#
woodwindly.com
#
SheetMusicPlus
FOUR ARABIC SKETCHES - FLEXIBLE 4 PARTS WITH OPTIONAL PERCUSSION FOR BEGINNERS ENSEMBLE
Large Ensemble - Level 1 - Digital Download SKU: A0.1129904 Composed by Wajdi Abou …
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Large Ensemble - Level 1 - Digital Download SKU: A0.1129904 Composed by Wajdi Abou Diab. Arranged by Wajdi Abou Diab. Children,Classical,Folk,Multicultural,Traditional,World. Score and parts. 215 pages. W. Abou Diab #730313. Published by W. Abou Diab (A0.1129904). This collection of four short concert pieces for beginners is intended to introduce the new musicians, as well as the audience, to the world of Arabic music in a fun and enjoyable way, and is designed to make the ensemble practice easy and productive. Every piece introduces a scene from Arabic folklore, inviting the little musicians to discover the beauty of Arabic traditions and cultures. In some pieces, the musicians will be asked to perform some simple body percussion, and say some Arabic words, which will add some magic to the music! The first piece titled Dabkeh is a traditional Levantine dance that is still performed at weddings and public events in Arabic countries, in which the dancers hold their hands together and form a circle showing a scene of solidarity and unity. It is a high-energy dance that demands a great amount of physical effort and is usually performed by both men and women. The second piece takes us to a very special period for Arab people, called Ramadan. For a complete month, people enjoy gathering for the Iftar when the sun sets, after long fasting, then attending public events, and organizing cultural gatherings. The third piece is titled Raqsa, which means simply A Dance. The Arabic dance, mainly performed by a female dancer, is full of energy and beauty. Usually accompanied by hand clapping and percussion instruments, and sometimes singing too. The fourth piece takes us to the traditional Arabic wedding ceremonies, which sometimes continue for more than 5 consecutive days. At an Arabic traditional wedding, all the village gathers in the bride's or groom's home, participating in all the details of the preparations for the wedding, bringing food and gifts, and celebrating joyfully with music, songs, and dances.
$80.00
72.54 €
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Wajdi Abou Diab
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Wajdi Abou Diab
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FOUR ARABIC SKETCHES - FLEXIBLE 4 PARTS WITH OPTIONAL PERCUSSION FOR BEGINNERS ENSEMBLE
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W. Abou Diab
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SheetMusicPlus
Teddy Music
1 Piano, 4 mains
Piano (4 hands) - easy - Digital Download 10 Easy Pieces. Composed by Hermann Regner …
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Piano (4 hands) - easy - Digital Download 10 Easy Pieces. Composed by Hermann Regner (1928-). This edition: performance score. Downloadable. Duration 10 minutes. Schott Music - Digital #Q7193. Published by Schott Music - Digital
Hermann Regner, one of the most successful music teachers of the 20th century and pupil of Carl Orff, was dedicated to the fusion of instrumental education and contemporary music. Thanks to his practical compositions, he helped children, young people and amateur musicians gain access to modern music. 'Teddy Music' is a collection of 10 easy pieces for piano duet. A teddy bear leads the musician through the colourful collection in amusing illustrations. The pieces have been written for pupils and teacher, with the pupil's part being very easy and designed for the first or second year. The teddy bear can do a lot of things: he dances, swings, rides, dreams, tells stories and occasionally gets annoyed. A cheerful collection for the first steps in piano duet playing.
$13.99
12.68 €
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1 Piano, 4 mains
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Hermann Regner
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Teddy Music
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Schott Music - Digital
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SheetMusicPlus
Songs and Dances of Atlantis for Piano Duet (Book 1)
1 Piano, 4 mains
Piano Duet - Early Intermediate - Digital Download Composed by Colin Kirkpatrick. A…
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Piano Duet - Early Intermediate - Digital Download Composed by Colin Kirkpatrick. Anniversary, Graduation, Recital. 24 pages. Published by Colin Kirkpatrick Publications
Songs and Dances of Atlantis for Piano Duet (Book 1)<br> Twenty elementary to intermediate piano duets - four hands on one piano.<br> <br> The legend of Atlantis is one of the oldest and most enduring mysteries which remain in popular culture to this day. It has captivated the imaginations of people for centuries. Songs and Dances of Atlantis (Book 1) is a collection of ten easy to moderate piano duets which celebrate this famous legend.<br> These duets would be ideal for any piano recital event especially in schools or colleges. They could be useful in the piano lesson for both sight-reading exercises and ensemble practice. Of course, ensemble playing is an essential element of musical development, though most piano students rarely get the opportunity to make music with others. Ensemble playing encourages the performers to listen to each other as well as themselves and it encourages them to “keep together” rhythmically. Perhaps most importantly, it enables students to share musical decisions and work towards a common musical goal. Apart from that, playing duets can be great fun and can add an extra dimension to the piano lessons.<br> Most of the pieces contain short passages that offer opportunities for improvisation in the Primo part though rhythmic and harmonic guidelines are provided for those who require them. The Primo and Secondo parts are traditionally printed on separate sheets and the melodic material is shared between both parts. Book 2 contains a few easy pieces but pushes the boundaries a bit further and requires rather more advanced technical skills.<br> Book 1 contains the following pieces: (1) Song from the Northern Forest, (2) Ancient Song from Crane River, (3) Hymn to the Golden Sky, (4) Lullaby of the Sea Gypsies, (5) Song from Dragon Island, (6) Dance to the Temple Spirits, (7) Evening Song from the Cloud Lakes, (8) Round Dance from Ikrania (9) Slow Dance from the Eastern Hills and (10) Children’s Dance to the Sun. The audio demo features numbers 1, 2, 3, 5, 6, 8 and 10.
$11.95
10.84 €
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1 Piano, 4 mains
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Colin Kirkpatrick
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Songs and Dances of Atlantis for Piano Duet
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Colin Kirkpatrick Publications
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SheetMusicPlus
Tropical Cafe - at the Resort for Sxophone Quartet (optional Piano & Percussion)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1477423 Composed by Mari Miura. Arranged by Katsuo Mizushina. Classical,Contest,Festival. 79 pages. FOSTERMUSIC.JP Digital Publishing #1054001. Published by FOSTERMUSIC.JP Digital Publishing (A0.1477423). Tropical Cafe - at the Resort This piece is originally in a flute duet and piano version, arranged by Katsuo Mizushina for saxophone quartet.The suite is inspired by a story in a café at a resort, but can also be performed as excerpts.We would also be happy if the performers could freely enjoy the piece by adding piano and percussion instruments for optional parts and ad-libbing.Please imagine your favorite café and play it. (Mari Miura)Click here for piano accompaniment sound files.A clear blue sky.Reflected in a sea of sapphire.Waves lapping on the dazzling white of the beach glimmer in the sunlight.The Tropical Cafe, a charming building full of tourists on the shore.It has a mysterious power that transports you into the world of whatever you order.Word of its power soon spread, and now business is booming.But who will visit today? I.Bossa Nova on the Beach Today’s first customers are a group of girls who came to the beach for a holiday.“We need something to match our excitement!”“What could capture the radiance of the sun reflecting on the beach?”They’re having the time of their lives as they decide what to order.“This would be perfect!”One of the girls points out the Beach Bossa Nova. II.Anniversary Waltz At high noon, an elderly couple walks in.“Today is our wedding anniversary.”“We always talked about returning to this beach after we got married here, but we never got round to it.”“Until today!”The sun shining. Seagulls soaring across the sky. Waves gently lapping the shoreline.It was exactly as they’d remembered.Just like the waltz they danced at their wedding, they order the Anniversary Waltz. III.Songs of Nostalgia As the sun begins to set in the west, a customer dressed in unfamiliar clothes enters the cafe.“I wonder where this sea leads to.”The sun shines on half of his face, casting a long shadow.Thinking of his hometown, he gazes at the menu. His eyes tinged with sorrow, he comes across the Song of Nostalgia. IV.Happy Samba Flaming torches are lit as the sun falls beyond the horizon.When you feel a little lonesome as an exciting day draws to a close, treat yourself to the cafe’s most uplifting item.The Happy Samba!May tomorrow be filled with happiness.Click here for other works by Mari Miura.
$49.99
45.33 €
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Quatuor de Saxophones: 4 saxophones
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Mari Miura
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Katsuo Mizushina
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Tropical Cafe - at the Resort for Sxophone Quartet
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
For 4 Hands
1 Piano, 4 mains
Piano (4 hands) - easy - Digital Download SKU: S9.Q7212 Composed by Barbara Heller.…
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Piano (4 hands) - easy - Digital Download SKU: S9.Q7212 Composed by Barbara Heller. This edition: Sheet music. Downloadable. Duration 20 minutes. Schott Music - Digital #Q7212. Published by Schott Music - Digital (S9.Q7212). Barbara Heller's collection 'For 4 Hands' contains short pieces for piano duet. The entertaining little pieces were created in Munich in 1962 during her time as teacher at the Youth Music School. The cycle offers numerous opportunities to work on the subtleties of dynamics and articulation with second-year pupils, and for first experiences in ensemble playing. The primo and secondo parts correspond to the same level of difficulty. 'For 4 Hands' is therefore also suitable for group lessons. Both parts play the catchy tunes alternately and are therefore equally enjoyable to practise. From cheerful via pensive, sad, swinging and wild to dance-like, the concise little pieces provide the opportunity for many different types of expression. An entertaining musical experience for two piano players.
$13.99
12.68 €
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1 Piano, 4 mains
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Barbara Heller
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For 4 Hands
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Schott Music - Digital
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SheetMusicPlus
Scarf Dance Op 37 (Pas des Echarpes, troisième air de ballet symphonique Callirhoë Op. 37)
Quatuor de Saxophones: 4 saxophones
Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Le…
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Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764652 Composed by Cecile Chaminade. Arranged by James Pybus. 20th Century,Contest,Festival. 26 pages. James Pybus #35431. Published by James Pybus (A0.764652). Cécile Louise Stéphanie Chaminade (8 August 1857 – 13 April 1944) was a French composer and pianist. Born in Paris, she studied at first with her mother, then with Félix Le Couppey on piano, Marie Gabrie Augustin Savard, Martin Pierre Marsick on violin, and Benjamin Godard in music composition, but not officially, since her father disapproved of her musical education. Her teacher, Benjamin Goddard gave her an assignment to complete, a ballet symphonique, Callirhoë, Op. 37 (1888) that enjoyed many performances which added to its success. Movements from this work were extracted and fashioned for solo piano, namely Pas des écharpes, (Scarf Dance) and Pas des amphores, (Amphora Dance), both of which became popular staples of the piano repertory. This arrangement written in 2014 is playable by either SATB or AATB saxophone quartet. The original key has been changed to a more saxophone-friendly key. Thank you to my friend Mr. Freddy Gruenebaum, leader of the Saxophonia Quartet, based in Huntington Beach, California, for suggesting this wonderful composer’s work to me. Duration 4:13 contact me at james.pybus56@gmail.com.
$15.00
13.6 €
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Quatuor de Saxophones: 4 saxophones
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Cecile Chaminade
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James Pybus
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Scarf Dance Op 37
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James Pybus
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SheetMusicPlus
PAPA'S FAMOUS DANCES PART 2
Saxophone Tenor et Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876455 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 82 pages. JoeCopio Music LLC #53355. Published by JoeCopio Music LLC (A0.876455). PAPA’S FAMOUS DANCES - PART 2 Back to School 2015 From A Collection Of Six Dances As Combo Music EMMA’S BLUES JOEY’S READY WILSON’S BOOGIE WOOGIE PAPA’S FAMOUS DANCES PART 2 is a collection of 3 Dances as combo music composed and arranged by Joe Procopio for a small ensemble, band, stage band or combo with flexible instrumentation. These works may be performed with only two Saxes (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of the dances makes them unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, each dance has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. These works have been performed by College and High School students in many major concert events along the East Coast with great success. They are published separately and in sets PAPA’S FAMOUS DANCES Part 1 and PAPA’S FAMOUS DANCES Part 2 with each Part containing 3 Dances. I have adapted the audio here for synthesizer so that they may be previewed. The works are named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$9.99
9.06 €
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Saxophone Tenor et Piano
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Joe Procopio
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the vocalist/bassist I
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PAPA'S FAMOUS DANCES PART 2
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JoeCopio Music LLC
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SheetMusicPlus
Slavonic Dance G minor, Op. 46/8
1 Piano, 4 mains
Piano (4 hands) - easy to intermediate - Digital Download Composed by Antonin Dvorak …
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Piano (4 hands) - easy to intermediate - Digital Download Composed by Antonin Dvorak (1841-1904). Edited by Monika Twelsiek. This edition: Sheet music. Edition Schott - Single Edition. Copyright 2007 Schott Music GmbH & Co. KG, Mainz. Downloadable. Op. 46/8. Schott Music - Digital #Q15389. Published by Schott Music - Digital
It is with the 'Slavonic Dances' Op. 46 that Antonin Dvorak won international breakthrough in 1878. Apart from Symphony No. 9, 'From the New World', and Cello Concerto Op. 104, they are among the best-known works by Dvorak.<br> Unlike Brahms in his 'Hungarian Dances', Dvorak did not use any original melodies but incorporated characteristic elements of Slavonic dance music in his own melodic invention.
$4.99
4.52 €
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1 Piano, 4 mains
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Antonin Dvorak (1841-1904)
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Co
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Slavonic Dance G minor, Op. 46/8
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Schott Music - Digital
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SheetMusicPlus
Music for Children
Voice, recorder and percussion - Digital Download Minor: Dominant and Subdominant Tri…
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Voice, recorder and percussion - Digital Download Minor: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff- Schulwerk. Downloadable. Op. 5. Schott Music - Digital #Q49516. Published by Schott Music - Digital
English.<br> <br> Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided. it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this fifth volume: Songs and pieces making further use of the modes introduced in Vol. 4, with the addition of the more usual forms of the minor scale with the sharpened seventh. The settings of short dramatic scenes concludes the book.
$21.99
19.94 €
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
The Four Seasons in the Basque Country
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Cen…
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
90.67 €
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque Country
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Musica Nova USA
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SheetMusicPlus
La Feria-clarinet quartet
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet, 4 Bb Clarinets - Advanced Intermediate - Digital Download Compose…
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Clarinet Quartet, 4 Bb Clarinets - Advanced Intermediate - Digital Download Composed by Paul Lacome. Arranged by Phil Beaman. Romantic Period, European, Recital. Score, Set of Parts. 39 pages. Published by Phil Beaman
La Feria (The Fair) is a Spanish fiesta! All the sights and sounds of a traditional Spanish street festival. <br> Paul Lacome wrote mostly operas-bouffes, light comic operas. That same drama and delight comes through in this piece. Originally written for orchestra, there have been many popular arrangements for band. I have arranged it for Clarinet Quartet without losing any of the Spanish tradition or dramatic character of the piece. <br> The Suite is in 3 sections. The first is entitled Los Toros (The Bulls). The running of the bulls is a tradition of nearly every Spanish fair. This highly energetic and rhythmic section is traditional Spanish fiesta music at its best. The second section is entitled La Reja (loosely-The Gate). This one is in the form of a Serenade. Every fair has a street barred off with a special archway entrance or gate. Inside, tents are set up serving local wine. Strolling street musicians will visit each tent and serenade. This section is scaled back dynamically and also in texture to imitate the solo or duo strolling musician. For the B theme of this section I move the melody to the Clarinet 3 part down low. I like to amuse myself and think of this brief growling melody as a tipsy patron of the tent singing back to the musicians. The street musicians then quickly resume their original song. The final section is entitled La Zarzuela. The Zarzuela is a uniquely Spanish comic opera that is heavy on dance and spoken dialogue. It has much in common with the American vaudeville shows. This section is in the form of a brisk waltz, another high energy rhythmic dance where Clarinet 2 takes the B theme melody. <br> This piece is of Advanced Intermediate difficulty due to constant movement, articulations, rhythm, and range. Clarinet 1 in particular uses the full range of the instrument. <br> 21 page score, 4 pages @ part, 38 pages total booklet<br> 4:30 minutes<br> temporary MIDI recording
$18.95
17.18 €
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Quatuor de Clarinettes: 4 clarinettes
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Paul Lacome
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Phil Beaman
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La Feria-clarinet quartet
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Phil Beaman
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SheetMusicPlus
Ceilidh Music - Gay Gordons - For Accordion
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1289648 By Traditional. By Tradit…
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C Instrument - Level 3 - Digital Download SKU: A0.1289648 By Traditional. By Traditional. Arranged by Martin Hay. 19th Century,Celtic,Irish,Multicultural,Traditional,Wedding,World. Lead Sheet / Fake Book. 2 pages. Martin Hay #880353. Published by Martin Hay (A0.1289648). The Gay Gordons is a lively Scottish country dance that is popular at social gatherings and ceilidhs (traditional Scottish dances). It is a partner dance that involves a combination of skipping steps and waltz-like moves. The dance is typically done in a circular formation with couples facing each other. Here is a basic description of how the Gay Gordons dance is performed:1. **Starting Position:** Couples stand facing each other in a large circle, holding hands. The dance begins with partners side by side, with the man's right hand holding the woman's left hand.2. **Skipping Steps:** The dance starts with a series of skipping steps, where couples move in a circle to the right, taking small skipping steps.3. **Turns:** After a few rounds of skipping, couples will turn 180 degrees to face the opposite direction, still holding hands.4. **Waltz Hold:** Once turned, couples adopt a waltz hold, with the man's right hand around the woman's waist, and the woman's left hand on the man's shoulder. The other hands are joined together.5. **Waltz:** Couples then waltz around the dance floor in a clockwise direction, often taking a few spins.6. **Repeat:** The dance continues with more skipping steps, turns, and waltzing. It is a joyful and energetic dance that is typically danced to traditional Scottish music.The songs in this Gay Gordons set are:**1. The Thistle of Scotland:**The Thistle of Scotland is not a widely recognized or specific song title in Scottish music. Scotland has a rich musical tradition with many songs that celebrate its culture, history, and symbols. The thistle is the national emblem of Scotland, so there may be various songs that reference it indirectly.**2. Mhairi's Wedding:**Mhairi's Wedding is a popular Scottish folk song often played at weddings and celebrations. It tells the story of a wedding celebration and is known for its catchy melody and lyrics that celebrate the joyous occasion of Mhairi's wedding.**3. The Barren Rocks of Aden:**The Barren Rocks of Aden is a famous Scottish military march. It is often played by bagpipe bands and has a distinctive and stirring melody. The tune is associated with the British Army and is a common choice for military processions and parades.**4. Scotland the Brave:**Scotland the Brave is another well-known Scottish patriotic song and march. It is often played at national and sporting events in Scotland. The song celebrates the beauty and spirit of Scotland and is characterized by its uplifting and proud melody. It is a favorite among bagpipers and is often performed with great enthusiasm.These songs are all part of Scotland's rich musical heritage and are played at various occasions to celebrate its culture and history.
$3.99
3.62 €
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Instruments en Do
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Traditional
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Martin Hay
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Ceilidh Music - Gay Gordons - For Accordion
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Martin Hay
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SheetMusicPlus
Bear's Dance
1 Piano, 4 mains
Piano (4 hands) - easy - Digital Download SKU: S9.Q7249 Composed by Robert Schumann…
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Piano (4 hands) - easy - Digital Download SKU: S9.Q7249 Composed by Robert Schumann. Edited by Bernhard R. Appel / Joachim Draheim. This edition: Sheet music. Edition Schott - Single Edition. Copyright 2010 Schott Music GmbH & Co. KG, Mainz. Downloadable. Schott Music - Digital #Q7249. Published by Schott Music - Digital (S9.Q7249). Prompted by the extraordinary success of his Album for the Youth Op. 68 which was published at the end of 1848 and sold like hot cakes, Schumann started to work on a cycle for piano duet in September 1849 which, like the Album, is aimed at young piano players. A friend of the Schumanns said about a home performance of the Bear's Dance contained therein: 'He played the Bear's Dance with exquisite humour, smiling roguishly while imitating with his hands the clumsy movements of the bear,...'. The editions are based on Vol. III/2/1 (RSA 1023) of the Robert Schumann Complete Edition.
$4.99
4.52 €
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1 Piano, 4 mains
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Robert Schumann
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Bear's Dance
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Schott Music - Digital
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SheetMusicPlus
LILLY'S DANCE (THE TUMBLER)
Saxophone Tenor et Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.
$4.99
4.52 €
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Saxophone Tenor et Piano
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Joe Procopio
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the vocalist/bassist I
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LILLY'S DANCE
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JoeCopio Music LLC
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SheetMusicPlus
Raqs Julia: Original Belly Dance Music
Violon
Violin Solo - Digital Download SKU: A0.785047 Composed by Dorothy van Joolen Barth.…
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Violin Solo - Digital Download SKU: A0.785047 Composed by Dorothy van Joolen Barth. Standards,World. 2 pages. Dorothy van Joolen Barth #5789639. Published by Dorothy van Joolen Barth (A0.785047). New music for an ancient dance! This evocative slow belly dance tune is composed for solo violin and can be accompanied by an improvising drummer familiar with belly dance rhythms. Raqs Julia is composed as a veil dance in the classic American cabaret belly dance rumba bolero style and is named in honor of a prominent Southern California dancer and costume designer. This music will also be enjoyed by violinists interested in exploring world music genres. Looking to play more original music for belly dance? Check out my other compositions: (1) Muse Dance: Original Belly Dance Music; (2) Songs from Euterpe, an anthology which includes the Muse Dance tunes; (3) Theodora, a lively beledi tune; (4) Full Bloom Beledi; (5) Gemma, a veil dance; (6) Leah, a veil dance; (7) Laleh, another veil dance; and (8) Raqs Rebecca, a lively dance in 4/4, beledi, with short taqsim. About the composer: Dorothy van Joolen Barth is a violinist and recorder player. Born in Amsterdam, she now resides and performs in California. She has arranged six volumes of Celtic traditional music for two instruments and has composed three volumes of original music. She studied and performed oriental dance for several decades, which inspired her to compose this original music. Interest by dancers and musicians in these compositions will encourage her to create more!
$4.00
3.63 €
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Violon
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Dorothy van Joolen Barth
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Raqs Julia: Original Belly Dance Music
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Dorothy van Joolen Barth
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SheetMusicPlus
The Nutcracker Suite COMPLETE (for Clarinet Quartet)
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet - Advanced - Digital Download Composed by Peter Ilyich Tchaikovsky (…
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Clarinet Quartet - Advanced - Digital Download Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Kenneth Abeling. Romantic Period, European, Christmas, Recital. Score, Set of Parts. 106 pages. Published by LINCOLN MUSIC PUBLICATIONS
This is an advancedtranscription of the entire eight movements of Tchaikovsky’s Nutcracker Suiteand this version is for Clarinet Quartet. The Titles include: 1. Ouverture miniature, 2. Marche, 3. Dance of theSugar-Plum Fairy, 4. Russian Dance, (Trépak), 5. Arab Dance, 6. Chinese Dance,7. Dance of the Reed Flutes, 8. Waltz of the Flowers. A Score Cover, theConductor’s Score and all Instrumental parts are included in the price. Toview and listen to this suite in its entirety AND PURCHASE AT A DISCOUNTEDPRICE please visit www.lincolnmusicpublications.com. Playing Time approximately: 20:00
$49.99
45.33 €
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Quatuor de Clarinettes: 4 clarinettes
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Peter Ilyich Tchaikovsky
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Kenneth Abeling
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The Nutcracker Suite COMPLETE
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
fardanceCLOSE
Piano seul
Piano - difficult - Digital Download SKU: S9.Q11142 For piano. Composed by C…
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Piano - difficult - Digital Download SKU: S9.Q11142 For piano. Composed by Chaya Czernowin. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q11142. Published by Schott Music - Digital (S9.Q11142). What dance is this? Is it the dance coming from afar, its remnants too entangled to decipher, one which was brought by a gust of wind, as you stand alone and listen to a far away party in the night? Or is the one so close that the heavy beating keeps the ears grounded onto a distorted repeated detail? Neither is danceable to the legs – but both would like to dance with the imagination, leading notions of distance and closeness astray. The level of difficulty from 1-5 (5 being most difficult) is in terms of technicality around 3.7 and in terms of artistic expression and complexity of text around 4.5. – Chaya Czernowin.
$9.99
9.06 €
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Piano seul
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Chaya Czernowin
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fardanceCLOSE
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Schott Music - Digital
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SheetMusicPlus
Songs and Dances of Atlantis for Piano Duet (Book 2)
1 Piano, 4 mains
Piano Duet - Early Intermediate - Digital Download Composed by Colin Kirkpatrick. A…
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Piano Duet - Early Intermediate - Digital Download Composed by Colin Kirkpatrick. Anniversary, Graduation, Recital. 26 pages. Published by Colin Kirkpatrick Publications
Songs and Dances of Atlantis for Piano Duet (Book 2)<br> <br> Twenty elementary to intermediate piano duets - four hands on one piano.<br> The legend of Atlantis is one of the oldest and most enduring mysteries which remain in popular culture to this day. It has captivated the imaginations of people for centuries.<br> Songs and Dances of Atlantis (Book 2) follows on the first book and is a collection of ten fairly easy to intermediate level piano duets which celebrate this famous legend.<br> These duets would be ideal for any piano recital event especially in schools or colleges. They could be useful in the piano lesson for both sight-reading exercises and ensemble practice. Of course, ensemble playing is an essential element of musical development, though most piano students rarely get the opportunity to make music with others. Ensemble playing encourages the performers to listen to each other as well as themselves and it encourages them to “keep together” rhythmically. Perhaps most importantly, it enables students to share musical decisions and work towards a common musical goal. Apart from that, playing duets can be great fun and can add an extra dimension to the piano lessons.<br> Most of the pieces contain short passages that offer opportunities for improvisation in the Primo part though rhythmic and harmonic guidelines are provided for those who require them. The Primo and Secondo parts are traditionally printed on separate sheets and the melodic material is shared between both parts. Book 2 contains the following titles: (1) Song from the Western Hills, (2) Twilight Dance, (3) Shepherd Song from Zanakh, (4) Circle Dance of the Elders, (5) Dance to the New Moon, (6) Midnight Dance from Khortakh, (7) Dance to the Air Spirits, (8) Zaronian Whirling Dance, (9) Slow Dance from the High Hills and (10)Village Dance from Kratah. The audio sample contains numbers 1, 2, 4, 5, 6,7 and 10.
$11.95
10.84 €
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1 Piano, 4 mains
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Colin Kirkpatrick
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Songs and Dances of Atlantis for Piano Duet
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Colin Kirkpatrick Publications
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SheetMusicPlus
Diversions for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Advanced - Digital Download Composed by Elizabeth Raum (1945-). 21st …
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Trombone Quartet - Advanced - Digital Download Composed by Elizabeth Raum (1945-). 21st Century, 20th Century, Contemporary Classical, Modern, Neo- Classical. Score, Set of Parts. 22 pages. Published by Cherry Classics Music
Diversions is a work by Canadian composer Elizabeth Raum for Trombone quartet written in 1998 for the Aurora Trombone Quartet. Elizabeth Raum's writing is influenced by the school of the tone poem in that her music seems often to tell a story. Diversions consists of several sections, each with its own personality. It opens with a signal call from the first trombone that is answered in turn by each of the others. This leads to the first rather contrapuntal theme combining the Baroque with the Romantic; then a bridge consisting of variations on the signal brings us to the second theme of three muted trombones playing a lively dance-like accompaniment to the open sound of the first trombone. The continuity of the dance is interrupted by occasional asides or "diversions." Finally, all four instruments, unmuted, join together bringing the piece to a rousing finish. This work of about 6 1/2 minutes in length is appropriate for advanced performers.
$27.50
24.93 €
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Quatuor de cuivres: 4 trombones
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Elizabeth Raum (1945-)
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Diversions for Trombone Quartet
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Cherry Classics Music
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SheetMusicPlus
Bach: French Suite No. 4, BWV 815, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1405778 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1405778 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 16 pages. Jmsgu3 #988834. Published by jmsgu3 (A0.1405778). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Despite the misleading title, Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike.The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.
$32.95
29.88 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
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Bach: French Suite No. 4, BWV 815, for Saxophone Quartet - Score Only
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jmsgu3
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SheetMusicPlus
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