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TRI ET FILTRES
Tri et filtres :
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Vous avez sélectionné:
Dangerous dance!
Partitions à imprimer
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Dangerous dance!
Violon et Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1032465…
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Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1032465 Composed by Vlad Cristian. Contemporary. Score and parts. 4 pages. Vlad Cristian #4834767. Published by Vlad Cristian (A0.1032465). Dangerous dance:protect the queen! it's a mini song that describe a dance between a prince and a princess dancing at a ball.They are followed by her stepmother who looks at them from shadow!In a second,a murder placed by the step mother to kill them,raise the sword and try to kill the prince!The prince avoids the attack letting the killer to kill himself!The prince and the princess run away disappearing into the crowd,leaving her step mother in an ocean of anger!The step mother swears that the next time she will sing at them funeral!
$10.00
9.24 €
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Violon et Piano
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Vlad Cristian
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Dangerous dance!
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Vlad Cristian
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SheetMusicPlus
Dance of the Sylphs
Piano seul
Piano - intermediate - Digital Download SKU: S9.Q13329 From: Lyric Pieces, op. 1…
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Piano - intermediate - Digital Download SKU: S9.Q13329 From: Lyric Pieces, op. 12. Composed by Edvard Grieg. Edited by Monika Twelsiek. This edition: Sheet music. Copyright 2011 Schott Music GmbH & Co. KG, Mainz. Downloadable. 2 pages. Schott Music - Digital #Q13329. Published by Schott Music - Digital (S9.Q13329). German • English • French.Digital publication of the piece found in the following print music collection: Tempo! Tempo! - 40 fast and furious, wild and tempestuous, dynamic and dangerous, artistic and impressive, scintillating and dazzling, bright and brilliant virtuoso original pieces for the piano.
$2.99
2.76 €
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Piano seul
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Edvard Grieg
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Dance of the Sylphs
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Schott Music - Digital
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SheetMusicPlus
Robert Schumann: Fantasy Dance, from Album Leaves, Op. 124 - piano solo
Piano seul
Instantly printable sheet music by Robert Schumann for piano solo of EASY/MEDIUM skill lev…
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Instantly printable sheet music by Robert Schumann for piano solo of EASY/MEDIUM skill level. Contents: Tempo! Tempo!, 40 fast and furious, wild and tempestuous, dynamic and dangerous, artistic and impressive, scintillating and dazzling, bright and brilliant virtuoso original pieces for the piano / classical
$5.99
5.53 €
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Piano seul
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Robert Schumann
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Virtualsheetmusic
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Flowers of Edinburgh, Celtic Song Arranged by Gustavo Fuentes
Woodwind Ensemble - Digital Download SKU: A0.900410 Composed by Traditional. Arrang…
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Woodwind Ensemble - Digital Download SKU: A0.900410 Composed by Traditional. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 3 pages. Gustavo Fuentes #3637565. Published by Gustavo Fuentes (A0.900410). Flowers of Edinburgh. Scotish music song, arranged for three voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, harmonic or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The hornpipe is a traditional dance in Ireland and Scotland. The legend says that sailors used to dance the hornpipe before setting sail. It makes sense that they would dance atop bar tables until their legs gave out: after all, on each journey they put their lives at risk. Dancing is a way to face one’s fears and find the happiness that lies within. It is a way to find hope amidst uncertainty.We should dance when we are happy, so we can be happier. We should dance when we are sad, so our sadness can be soothed. We should dance like our sailor ancestors once did, so that we can know that even though the journey might be dangerous, if we are tired from dancing, nothing can go wrong. Canción tradicional escocesa, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, armónica o violÃn, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. El hornpipe es una danza muy tradicional en Irlanda y Escocia. Cuenta la leyenda que lo bailaban los marineros antes de embarcar. Y suena lógico que zapatearan hasta el cansancio sobre las mesas de los bares porque en cada viaje ellos arriesgaban sus vidas. Bailar es una forma de ponerle el cuerpo al miedo, de ahuyentar los fantasmas, de conectarnos con nuestra alegrÃa más profunda. Bailar es un modo de encontrar esperanza cuando el porvenir nos llena de incertidumbre.Bailemos cuando estemos felices, porque aumentará nuestra felicidad. Bailemos cuando estemos tristes, porque atenuará nuestra tristeza. Bailemos como lo hacÃan nuestros ancestros marineros, para tomar conciencia de que aunque el viaje puede ser peligroso, si nuestro cuerpo está cansado de felicidad, nada saldrá mal.
$4.99
4.61 €
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Traditional
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Gustavo Fuentes
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Flowers of Edinburgh, Celtic Song Arranged by Gustavo Fuentes
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Gustavo Fuentes
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SheetMusicPlus
Maria
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1170787 By Ricky Martin. By K.C. Porter, Luis Gomez Escolar, and Robi Rosa. Arranged by Chris Gorman. Latin,Pop. Brass Band. 79 pages. Chris Gorman #771126. Published by Chris Gorman (A0.1170787). MarÃa is a song recorded by Puerto Rican singer Ricky Martin for his third studio album, A Medio Vivir (1995). The song was written by Ian Blake, Luis Gómez Escolar, and KC Porter, while the production was handled by Porter, Tom Vickers, and Steve Berkowitz. It was released by Sony Music Mexico as the second single from the album on November 21, 1995. A Spanish language flamenco, dance, and salsa song, it is about an attractive but dangerous woman called MarÃa. The song has received highly positive reviews from music critics, who complimented its production and catchy rhythm. The remix was ranked as one of the Greatest Latin Pop Songs of All Time by Rolling Stone, and was listed among the 11 remixes of classic Latin hits by Billboard. It is known as the song that launched the Latin and dance music crossover of the '90s. MarÃa was also commercially successful, becoming Martin's breakthrough song and his first international hit. It topped the charts in 20 countries and has sold over five million physical copies worldwide, earning the Guinness World Record for the biggest Latin hit. It has received several certifications, including diamond in France. This arrangement is a must for those Bands who want to be progressive.
$35.00
32.32 €
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Ricky Martin
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Chris Gorman
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Maria
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Chris Gorman
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SheetMusicPlus
Dangerous [advanced] by Piano Tutorial Easy - Piano Solo
Piano seul
Performed by: Piano Tutorial Easy: Dangerous [advanced] Digital Sheetmusic - instantly dow…
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Performed by: Piano Tutorial Easy: Dangerous [advanced] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Instrumental Pop~~Contemporary Instrumental~~Solo Instrumental~~Club/Dance~~Dance-Pop~~Electronica~~EDM
$6.99
6.46 €
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Piano seul
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Piano Tutorial Easy
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Piano Solo
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Musicnotes
Dangerous by Yaroslav Oliinyk - Piano Solo
Piano seul
Performed by: Yaroslav Oliinyk: Dangerous Digital Sheetmusic - instantly downloadable shee…
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Performed by: Yaroslav Oliinyk: Dangerous Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 6 pages -- Instrumental Pop~~Solo Instrumental~~Club/Dance~~Dance-Pop~~Electronica~~EDM
$7.99
7.38 €
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Piano seul
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Yaroslav Oliinyk
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Piano Solo
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Musicnotes
Dangerous by David Guetta feat. Sam Martin - String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
Performed by: David Guetta feat. Sam Martin: Dangerous Digital Sheetmusic plus an interact…
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Performed by: David Guetta feat. Sam Martin: Dangerous Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: String Quartet;Score & Parts, instruments: Violin 1;Violin 2;Viola;Cello; 23 pages -- Instrumental Pop~~Contemporary Instrumental~~Club/Dance~~Dance-Pop~~Chamber Music~~Electronica~~Classical Pop~~EDM
$19.99
18.46 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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David Guetta feat. Sam Martin
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String Quartet
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Musicnotes
Dangerous by David Guetta - Piano/Vocal/Guitar, Singer Pro
Piano, Voix et Guitare
Performed by: David Guetta: Dangerous Digital Sheetmusic - instantly downloadable sheet mu…
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Performed by: David Guetta: Dangerous Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar;Backup Vocals; 8 pages -- Electronic~~Club/Dance~~Dance-Pop~~EDM
$5.99
5.53 €
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Piano, Voix et Guitare
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David Guetta
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Piano/Vocal/Guitar, Singer Pro
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Musicnotes
Dangerous by Michael Jackson - Piano/Vocal/Guitar
Piano, Voix et Guitare
Performed by: Michael Jackson: Dangerous Digital Sheetmusic - instantly downloadable sheet…
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Performed by: Michael Jackson: Dangerous Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 8 pages -- R & B~~Club/Dance~~Dance-Pop~~Pop Rock
$5.75
5.31 €
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Piano, Voix et Guitare
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Michael Jackson
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Piano/Vocal/Guitar
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Musicnotes
Dangerous by David Guetta - Easy Piano
Piano Facile
Performed by: David Guetta: Dangerous Digital Sheetmusic - instantly downloadable sheet mu…
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Performed by: David Guetta: Dangerous Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Piano;Voice; 6 pages -- Electronic~~Club/Dance~~Dance-Pop~~EDM
$5.79
5.35 €
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Piano Facile
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David Guetta
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Easy Piano
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Musicnotes
Dangerous by David Guetta - Leadsheet
Ligne De Mélodie, (Paroles) et Accords
Performed by: David Guetta: Dangerous Digital Sheetmusic - instantly downloadable sheet mu…
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Performed by: David Guetta: Dangerous Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Lyrics/Melody/Chords;Leadsheet, instruments: Voice;C Instrument;Backup Vocals; 5 pages -- Electronic~~Club/Dance~~Dance-Pop~~EDM
$3.99
3.68 €
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Ligne De Mélodie, (Paroles) et Accords
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David Guetta
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Leadsheet
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Musicnotes
Russian Roulette
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856187 By Rihanna. By Char…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856187 By Rihanna. By Charles Harmon and Shaffer Smith. Arranged by Liz Garnett. Dance,Pop,R & B. Octavo. 4 pages. Liz Garnett #3918939. Published by Liz Garnett (A0.856187). This is a compelling and dark song from Rihanna's 2009 album Rated R. It uses the game of Russian Roulette as a metaphor for the experience of a dangerous relationship, capturing the vulnerability but also the perceptive self-knowledge of the woman who finds herself thus entangled.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: A3 - E5Lead: A3 - C#5Bari: A3 - A4Bass: D3 - D#4www.HelpingYouHarmonise.com
$2.99
2.76 €
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Chorale SSAA
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Rihanna
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Liz Garnett
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Russian Roulette
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Liz Garnett
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SheetMusicPlus
New York Mining Disaster 1941
Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0…
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Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802652 By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 13 pages. Peet du Toit #6198683. Published by Peet du Toit (A0.802652). New York Mining Disaster 1941 is the debut American single by the British-Australian pop group the Bee Gees, released on 14 April 1967. It was written by Barry and Robin Gibb.Barry and Robin Gibb wrote the song while sitting on a darkened staircase at Polydor Records following a power cut. The song recounts the story of a miner trapped in a cave-in. He is sharing a photo of his wife with a colleague (Mr. Jones) while they hopelessly wait to be rescued. According to the liner notes for their box-set Tales from the Brothers Gibb (1990), this song was inspired by the 1966 Aberfan mining disaster in Wales. According to Robin, there actually had also been a mining disaster in New York in 1939, but not in 1941, and he thought New York sounded more glamourous.In the second and third verses, the lyrical lines get slower and slower, as if to indicate that life is about to end for the miners.The darker sounds of the Flügelhorn, harmonised by the French Horn, depict the dangerous alleys of death miners are facing every day. A potential fatality is lurking every day. The sustained notes of the muted trumpet and the trombone symbolise the sirens and alarms down under - as warning signs. The simple bass drum effect denotes the time that goes by during the unknown and the working pace. The tuba part suggests moving forward, despite the daunting situation.I hope to have captured some of the context and story in this arrangement by a super group. Enjoy!
$18.00
16.62 €
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Bee Gees
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Peet du Toit
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New York Mining Disaster 1941
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Peet du Toit
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SheetMusicPlus
Toxic
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.910805 By Britne…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.910805 By Britney Spears. By Cathy Dennis, Christian Karlsson, Henrik Jonback, and Pontus Winnberg. Arranged by Matias Reimondez. Film/TV. Score and parts. 18 pages. Reimale #6491615. Published by Reimale (A0.910805). An original arrangement meant to exploit the possibilities of the string quartet, wich will blend very well given the synthetized strings that the original song already has.Toxic is a song recorded by American singer Britney Spears, for her fourth studio album, In the Zone (2003). It was written and produced by Bloodshy & Avant, with additional writing from Cathy Dennis and Henrik Jonback. Released as the second single from In the Zone, the song was initially offered to Kylie Minogue for her album Body Language, but she turned it down. After trying to choose between (I Got That) Boom Boom and Outrageous to be the second single, Spears selected Toxic instead. A dance-pop and techno-pop song with elements of bhangra music, Toxic features varied instrumentation, such as drums, synthesizers and surf guitar. It is accompanied by high-pitched Bollywood strings, sampled from Lata Mangeshkar and S. P. Balasubrahmanyam's Tere Mere Beech Mein (1981), and breathy vocals. Its lyrics draw an extended metaphor of a lover as a dangerous yet addictive drug.
$14.99
13.84 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Britney Spears
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Matias Reimondez
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Toxic
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Reimale
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SheetMusicPlus
Flûte en suite
Flûte traversière et Piano
Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and …
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Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99
51.71 €
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Flûte traversière et Piano
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Man-O'-War (Caprice on an Old Sea Chanty for Concert Band)
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.942836 Composed by Carl Stephen H…
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Concert Band - Level 4 - Digital Download SKU: A0.942836 Composed by Carl Stephen Hammer. 20th Century,Contemporary,Folk,Jazz. Score and parts. 330 pages. Carl Hammer #6404629. Published by Carl Hammer (A0.942836). Man-O'-War derives its primary melody from the old sea chanty Blow the Man Down. This Caprice takes that tune, tosses it about in the wind, submerges it under the waves, dances with it on the shore, and vigorously transforms it into something wild, joyful - and a bit dangerous.
$120.00
110.82 €
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Orchestre d'harmonie
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Carl Stephen Hammer
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Man-O'-War
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Carl Hammer
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SheetMusicPlus
Dangerous Game by Gloria Estefan - Piano/Vocal/Guitar, Singer Pro
Piano, Voix et Guitare
Performed by: Gloria Estefan: Dangerous Game Digital Sheetmusic - instantly downloadable s…
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Performed by: Gloria Estefan: Dangerous Game Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Singer Pro;Piano/Vocal/Guitar, instruments: Guitar;Piano;Voice; 6 pages -- Latin Pop~~Adult Contemporary~~Dance-Pop
$5.50
5.08 €
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Piano, Voix et Guitare
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Gloria Estefan
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Piano/Vocal/Guitar, Singer Pro
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Musicnotes
Dangerously in Love by Beyonc - Piano/Vocal/Guitar
Piano, Voix et Guitare
Performed by: Beyonc: Dangerously In Love Digital Sheetmusic - instantly downloadable shee…
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Performed by: Beyonc: Dangerously In Love Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 12 pages -- Dance-Pop~~R & B~~Contemporary R & B
$6.99
6.46 €
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Piano, Voix et Guitare
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Beyonc
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Piano/Vocal/Guitar
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Musicnotes
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