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Composed by Johann Sebastian Bach (1685-1750). Arranged by Daniel Clark. Baroque Perio…(+)

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Daniel Clark

Solo Guitar - Level 5 - Digital Download SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #6435265. Published by Daniel Clark (A0.982523). This is a full transcription of Bachâ€™s second violin partita for classical guitar, including the Allemanda, Corrente, Sarabanda, Giga, and the Ciaccona.Â The transcription is authentic to the original has been made strictly to the original violin manuscript. The partita has been arranged in D-tuning to take advantage of the resonance of the guitar, though the lower D on the guitar is never played since it is below the dynamic range of the violin, (taking into account the octave difference).Â Bachâ€™s Ciaccona, or Chaconne, in d-minor for solo violin from the second partita is well known on the guitar thanks to Segoviaâ€™s arrangement. However, Segoviaâ€™s version takes a number of liberties in his arrangement that have the effect of blurring the contrapuntal voices through his decision to harmonise the chords into 6-strings wherever possible. This current arrangement takes the contrary position that it is better to clearly retain the different voices.Â The working dynamic range of the classical guitar and violin are similar, albeit with an octave difference in pitch. The fact that the classical guitar notation is written an octave higher than it is in relation to the notation for other instruments makes transcribing the violin work for guitar relatively straightforward. Â Consequently, I have made no changes to the violin version. This transcription is exact, in the sense that the manuscript for the violin has been used as a basis for the transcription.Â The articulation of the arpeggios is suggested at the beginning of these sections, which are arranged to be idiomatic to the violin. These realisations can also be adopted on the guitar, though I have not written these out and leave it to the performer to interpret these passages.Â Â Â

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Prelude (BWV1006) in E major transcribed for guitar
Guitare

Solo Guitar - Level 5 - Digital Download SKU: A0.982528 Composed by Johann Sebastia…(+)

Solo Guitar - Level 5 - Digital Download SKU: A0.982528 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 8 pages. Daniel Clark #6437311. Published by Daniel Clark (A0.982528). This is a transcription of the prelude from Bach's third solo violin partita. The transcription has been made to be as close to the original violin partita as possible while still being playable (taking into account the octave difference between the instruments). The key changes made are transposition by an octave of pedal notes, similar to lute versions.The main difference between this violin transcription version and the arrangements from lute is that the bass notes are not present. However, there are also some minor differences in melody which may be unfamiliar to guitarists familiar with the lute arrangements.
$2.00 1.83 € #Guitare #Johann Sebastian Bach #Daniel Clark #Prelude #Daniel Clark #SheetMusicPlus

Solo Guitar - Level 5 - Digital Download SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #6441461. Published by Daniel Clark (A0.982529). The work draws on original and early piano editions as well as the first guitar transcription made by Severino GarciÌa Fortea who introduced key innovations familiar to most classical guitarists. Guitarists are encouraged to use this arrangement in consultation with the transcriptions by GarciÌa Fortea, AndreÌs Segovia, and Stanley Yates. Asturias is known for its abrupt chord interruptions which gives it its distinctive character. In the original, less well known, transcription for guitar by GarciÌa Fortea, these were plucked with the thumb and three fingers simultaneously. Segovia expanded the chord to a full six strings which is strummed. This six-string variation is now adopted as standard in nearly all classical guitar versions and the work of GarciÌa Fortea has all but been forgotten. Stanley Yates was aware of GarciÌaâ€™s version, though seems to have been misdirected by Segovia and did not appear to get hold of GarciÌaâ€™s work before making his own transcription. A key difference between the piano versions and guitar versions is the fact that the pedal note is missing immediately following the chords played on the first notes of the bar. This seems to be a pragmatic decision made due to the technical challenge of articulating a chord on the guitar and then immediately following up with a pedal note. It may have been also a decision to more strongly emphasise the chord. However, the composer clearly indicated that the chord should be as short as all of the other notes and hence it is reasonable to strike the chord and immediately lose it and start the pedal note.

Composed by Johann Sebastian Bach (1685-1750). Arranged by Daniel Clark. Baroque Period. 48 pages. Published by Daniel Clark

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Violin partita III (BWV1006) in E major transcribed for guitar
Guitare

Guitar - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by …(+)

Guitar - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Daniel Clark. Baroque Period. 21 pages. Published by Daniel Clark
Contents: Preludio; Loure; Gavotte en Rondeau; Menuet I and II; Bourree; Gigue.
$8.00 7.32 € #Guitare #Johann Sebastian Bach # Daniel Clark #Violin partita III #Daniel Clark #SheetMusicPlus