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--INSTRUMENTS--
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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47 partitions trouvées
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26
Hoboecken Dans for Brass Octet, Organ and Percussion
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Tielman Susato
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Robert B
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Hoboecken Dans for Brass Octet
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Robert Oldroyd Music
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SheetMusicPlus
Small Ensemble Organ - Level 4 - SKU: A0.941787 Composed by Tielman Susato. Arranged by Robert B. Oldroyd. Concert,Graduation,Renaissance,Wedding. Score...
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Small Ensemble Organ - Level 4 - SKU: A0.941787 Composed by Tielman Susato. Arranged by Robert B. Oldroyd. Concert,Graduation,Renaissance,Wedding. Score and parts. 25 pages. Robert Oldroyd Music #5288549. Published by Robert Oldroyd Music (A0.941787). From the Danserye, this arrangement is intended for ceremony preludes. The organ is essential in this arrangement. The horn players are expected to sing and play percussion. The instrumentation is 3 trumpets, 2 horns (on claves and cowbell), 2 trombones, bass trombone/tuba, organ and percussion (3 triangles).
$12.00
3 Mouvements continus
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3 Mouvements continus
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SheetMusicPlus
Commissioned for the 7th edition of DROME DE GUJITARE, this piece was created at the theater of the city of Valencia, on October 27, 2023, under my direction by...
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Commissioned for the 7th edition of DROME DE GUJITARE, this piece was created at the theater of the city of Valencia, on October 27, 2023, under my direction by the D.D.G guitar orchestra.It pays tribute to the memory of my friend Roland Dyens.The 1st movement, quite brief (1 minute), emphasizes a motif which metamorphoses into a harmonious accompaniment of the themes of the 2nd movement (5 minutes) LIGHT, this in calm and serenity. This 2nd movement fades at the end to reveal a motif which accelerates to give a burlesque and clumsy dance: DANCE ELEPHANTASQUE (3 minutes) with an obsessive theme which concludes this work.Francis KleynjansCommandée pour la 7ème édition de « DROME DE GUJITARE », cette pièce fut créée au théâtre de la ville de Valence, le 27 octobre 2023, sous ma direction par l’orchestre de guitares D.D.G.Elle rend hommage à la mémoire de mon ami Roland Dyens.Le 1er mouvement, assez bref (1 minute), insiste sur un motif qui se métamorphose en accompagnement harmonieux des thèmes du 2e mouvement (5 minutes) « LUMIERE», cela dans le calme et la sérénité. Ce 2e mouvement s’estompe à la fin pour laisser apparaître un motif qui s’accélère pour donner une danse burlesque et pataude : « DANSE ELEPHANTASQUE » (3 minutes) avec un thème obsessionnel qui vient conclure cet œuvre.Francis Kleynjans
Song List
:
1. Mtamorphose
2. Lumire
3. Danse lphantasque
$14.95
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
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Renaissance
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Pierre Phalèse Jnr
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Colin Kirkpatrick
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Ungaresca & Almande Poussi
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Co...
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String Ensemble - Level 2 - SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #645901. Published by Colin Kirkpatrick Publications (A0.1041170). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Ungaresca evokes the atmosphere of street music rather than that of the court and the drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. As the name implies, the dance came from Hungary though it may have simply been a dance in the Hungarian style. Even so, the melody was tremendously popular during the fifteenth century though the author is unknown. The dance calls for a lively performance, and you can use plenty of percussion to enliven it. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, the rather wild Ungaresca is paired with the stately Almande Poussinghe. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
24 Regards sur les Tonalites en 24 Minutes
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Piano seul
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INTERMÉDIAIRE
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Gilles Mayzaud
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Instruments: 1 Solo Piano
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24 Regards sur les Tonalites e
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Solo Piano - Grade 3 - SKU: FX.FX073658 Composed by Gilles Mayzaud. Original Composition, Republished Master Piece. Classical, Educational. Solo Part. 5...
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Solo Piano - Grade 3 - SKU: FX.FX073658 Composed by Gilles Mayzaud. Original Composition, Republished Master Piece. Classical, Educational. Solo Part. 51 pages. Duration 24 minutes. FLEX Editions - Digital Sheet Music #FX073658. Published by FLEX Editions - Digital Sheet Music (FX.FX073658). Je propose, dans ce recueil de parcourir toutes les tonalites en 24 minutes (ou presque). Je voulais des pieces courtes d'une minute, sans modulation, tenant sur la page de droite, et les explications sur l'autre, permettant a l'eleve (avec peut-etre l'aide de son professeur) de commencer le travail sans trop de difficultes. En complement des exercices a travailler dans toutes les tonalites que nous trouvons dans la plupart des methodes (Cortot, Long, Beringer, pour ne citer qu'eux), je propose ces courtes pieces. Si une tonalite est totalement inconnue d'un eleve, il pourra ainsi rencontrer cette nouvelle armure, sans pour autant s'engager dans un trop long travail. L'objectif est d'etre simple, rapide et efficace. - Gilles MAYZAUD ; Instruments: 1 Solo Piano.
$10.95
Danses MenekÅŸe
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Clarinette et Alto
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Classique
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J
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Danses MenekÅŸe
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J. Randolph Hall
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Viola - Interactive Download SKU: A0.482453 Composed by J. Randolph Hall. This edition: Interactive Download...
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Instrumental Duet Clarinet,Instrumental Duet,Viola - Interactive Download SKU: A0.482453 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score and parts. 17 pages. Duration 542. Published by J. Randolph Hall (A0.482453). The title means Violet Dances and is pronounced Dahns meh-nehk-sheh. Danse is French and menekşe is Turkish for violet, as the group this piece is composed for is called Violet (Viola + Clarinet). Approximate time is 8.5 - 9 minutes. I. The first movement is in the Locrian mode. Sections A and B have themes that go TRIP-el-et DOU-ble. Sections D (B theme) and E (A theme) return to the first two themes but now with the rhythm of DOU-ble TRIP-el-et. Section C jostles the rhythmic feel some what. This all creates a palindromic form. II. The second movement is in the synthetic key of Neapolitan Lydian. The clarinet plays the theme in the first 3 measures and then its inversion in the next 3. III. The third movement theme is seen in section G and I but swapping duplet/triplet pattern.The form is ABA. The key is once again Locrian. IV. The fourth movement's theme is in the Lydian mode. It starts off with monophony but then uses the viola's ability to slide in demonstrating Musical angles degrees [0°,45°,90°] and the form is semi-palindromic. J and O, K and N swap the triplet/duplet feel. L and M swap part between the duetists.
$5.00
Vision d'un autre monde dans un nouvel Univers...
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Violoncelle
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AVANCÉ
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Contemporain
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Christine JEANDROZ
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Vision d'un autre monde dans u
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ChristineJEANDROZ
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SheetMusicPlus
Cello Solo - Level 5 - SKU: A0.1103707 Composed by Christine JEANDROZ. Classical,Contemporary. Individual part. 2 pages. ChristineJEANDROZ #706982. Publ...
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Cello Solo - Level 5 - SKU: A0.1103707 Composed by Christine JEANDROZ. Classical,Contemporary. Individual part. 2 pages. ChristineJEANDROZ #706982. Published by ChristineJEANDROZ (A0.1103707). Une composition pour violoncelle solo pour les niveaux supérieurs et professionnels.
$10.00
Words From an Artist's Pallette for TTBB, a cappella, divisi with Tenor & Bass solos
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Chorale TTBB
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AVANCÉ
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Judith Cloud
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Words From an Artist's Pallett
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Judith Cloud
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - SKU: A0.981230 Composed by Judith Cloud. A Cappella,Contemporary. Octavo. 30 pages. Judith Cloud #6690583. Published by ...
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Choral Choir (TTBB) - Level 5 - SKU: A0.981230 Composed by Judith Cloud. A Cappella,Contemporary. Octavo. 30 pages. Judith Cloud #6690583. Published by Judith Cloud (A0.981230). Words From An Artist’s PaletteJudith Cloudfor the men of the Santa Fe Desert Chorale Michelangelo (1475-1564)Ad caelum scalas anima non invenit mea nisi per terrae pulchritudinem (My soul can find no staircase to Heaven unless it be through Earth's loveliness.) Leonardo da Vinci (1452-1519)La funzione dei moscoli è di tirare non di spingere, eccetto nel caso dei genitali e della lingua. (The function of muscle is to pull and not to push, except in the case of the genitals and the tongue.) Salvador Dali (1904-1989)Dejad que mis enemigos se devoren entre ellos. (Let my enemies devour each other. ) Camille Pissarro (1830-1903)Bénis sont ils qui voient de belles choses dans les endroits humbles où d'autres ne voient rien. (Blessed are they who see beautiful things in humble places where other people see nothing.) Georgia O'Keefe (1887-1986)I hate flowers - I paint them because they're cheaper than models and they don't move.
$4.99
Wolves of Winter
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Matthew Denman
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Wolves of Winter
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - SKU: ZZ.DZ-4321 Composed by Matthew Denman. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4321. Published by Les Productions d'OZ - Digita...
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Guitar - SKU: ZZ.DZ-4321 Composed by Matthew Denman. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4321. Published by Les Productions d'OZ - Digital (ZZ.DZ-4321). For, in the end, we will conserve only what we love. We will love only what we understand. We will understand only what we are taught. - Baba Dioum, Senegalese Environmentalist, 1968.I am driven by a profound passion to create music that celebrates and immortalizes the beauty and wonder of our national parks. These parks, with their unique charm, hold a special place in my heart and have been the backdrop for countless cherished memories. I hope my compositions will not only evoke the grandeur of these natural landscapes but also inspire my listeners to experience them firsthand. Wolves of Winter is set in Yellowstone National Park and the vibrant wildlife found in Lamar Valley.« Car, au final, nous ne conserverons que ce que nous aimons. Nous n’aimerons que ce que nous comprenons. Nous ne comprendrons que ce qu’on nous a enseigné. » - Baba Dioum, écologiste sénégalais, 1968.Je suis animé par une passion profonde pour créer une musique qui célèbre et immortalise la beauté et les merveilles de nos parcs nationaux. Ces parcs, avec leur charme unique, occupent une place particulière dans mon cœur et ont été la toile de fond d’innombrables souvenirs précieux. J’espère que mes compositions évoqueront non seulement la grandeur de ces paysages naturels, mais inspireront également mes auditeurs à les découvrir de première main. Wolves of Winter se déroule dans le parc national de Yellowstone et la faune vibrante de la vallée de Lamar.
$5.95
La Mere Michel. Quadrille Drolatique
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Piano seul
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Henri Bohlman Sauzeau
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(2) La Mere Michel
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La Mere Michel. Quadrille Drol
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.172 Composed by Henri Bohlman Sauzeau. Clothing & dress, Caricatures, Cats, Aged persons. Lester S. Levy Collection. 6 pages. Published ...
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Piano - SKU: LV.172 Composed by Henri Bohlman Sauzeau. Clothing & dress, Caricatures, Cats, Aged persons. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.172). La Mere Michel. Quadrille Drolatique. (1) A Mon Beau Chateau; (2) La Mere Michel; (3) Les Papas, Les, Mamans Les Chandelles; (4) As-Tu Vu Jeannette Coutar et Mouchette; (5) Galop Danse Coupeurs De Bleu. Par Henri Bohlman Sauzeau. Published [n.d.] by A. Fiot, No. 196 Chesnut St. in Philadelphia. Composition of five da capo movements with piano instrumentation. Subject headings for this piece include Clothing & dress, Caricatures, Cats, Aged persons. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Water Drop
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Piano seul
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INTERMÉDIAIRE
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Adorjan Horvát on October 16,
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Raphaël Novarina
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Water Drop
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Raphaël Novarina
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1423120 Composed by Raphaël Novarina. Children,Classical. Score. 4 pages. Raphaël Novarina #1004452. Published by Rapha...
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Piano Solo - Level 3 - SKU: A0.1423120 Composed by Raphaël Novarina. Children,Classical. Score. 4 pages. Raphaël Novarina #1004452. Published by Raphaël Novarina (A0.1423120). Performed by Maryna BukshaRaphaël Novarina is a French composer and Pianist born in Paris in 1980, that composes in a variety of musical styles and setting, but mainly focuses on contemporary classical piano. Novarina also manages a music label. Novarina has an extensive collection of albums. His Solo Piano series has over ten albums of original solo piano music. The style of each album varies, but Novarina’s compositional styles are always based in the rich European classical tradition of forms and harmonic and melodic developments. Each album contains solid playing and themed around various forms. For example, Solo Piano VIII, is comprised of ten Etudes. While Solo Piano VII is all Funeral Marches. Now Novarina is releasing Solo Piano X, which has a theme of suites. The album contains ten suites composed by Novarina. A suite, in Western classical music, is an ordered set of instrumental pieces. Originating in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude. The separate movements were often thematically and tonally linked. In the Baroque era, the suite was an important musical form, also known as Suite de danses, Partita or Ouverture (after the theatrical “overture” which often included a series of dances) as with the orchestral suites of Christoph Graupner and Telemann. By Adorjan Horvát on October 16, 2020 Staccatofy.
$1.99
Harmonie du Soir for alto and classical guitar (mp3)
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Contemporain
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András Csáki
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Harmonie du Soir for alto and
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 4 - SKU: A0.1387467 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Perf...
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Alto Voice,Guitar - Level 4 - SKU: A0.1387467 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Performance. Duration 259. David Warin Solomons #971321. Published by David Warin Solomons (A0.1387467). Poem by Baudelaire (from Les Fleurs du mal). The guitar part contains many tremolo and harmonics effects.Voici venir les temps où vibrant sur sa tigeChaque fleur s'évapore ainsi qu'un encensoir;Les sons et les parfums tournent dans l'air du soir;Valse mélancolique et langoureux vertige!Chaque fleur s'évapore ainsi qu'un encensoir;Le violon frémit comme un coeur qu'on afflige;Valse mélancolique et langoureux vertige!Le ciel est triste et beau comme un grand reposoir.Le violon frémit comme un coeur qu'on afflige,Un coeur tendre, qui hait le néant vaste et noir!Le ciel est triste et beau comme un grand reposoir;Le soleil s'est noyé dans son sang qui se fige.Un coeur tendre, qui hait le néant vaste et noir,Du passé lumineux recueille tout vestige!Le soleil s'est noyé dans son sang qui se fige...Ton souvenir en moi luit comme un ostensoir!The hour approacheth, when, as their stems incline,The flowers evaporate like an incense urn,And sounds and scents in the vesper breezes turn;A melancholy waltz — and a drowsiness divine.The flowers evaporate like an incense urn,The viol vibrates like the wailing of souls that repine.A melancholy waltz — and a drowsiness divine,The skies like a mosque are beautiful and stern.The viol vibrates like the wailing of souls that repine;Sweet souls that shrink from chaos vast and etern,The skies like a mosque are beautiful and stern,The sunset drowns within its blood-red brine.Sweet souls that shrink from chaos vast and etern,Essay the wreaths of their faded Past to entwine,The sunset drowns within its blood-red brine,Thy thought within me glows like an incense urn.— Cyril Scott, Baudelaire: The Flowers of Evil (London: Elkin Mathews, 1909).
$6.00
Harmonie du Soir for alto and classical guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Harmonie du Soir for alto and
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David Warin Solomons
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1373988 Composed by David Warin Solomons. 21st Century,Contemporary. Score. 8 pages. David Warin Solomons #...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1373988 Composed by David Warin Solomons. 21st Century,Contemporary. Score. 8 pages. David Warin Solomons #958555. Published by David Warin Solomons (A0.1373988). The pdf contains score and separate guitar partPoem by Baudelaire (from Les Fleurs du mal). The guitar part contains many tremolo and harmonics effects.Voici venir les temps où vibrant sur sa tigeChaque fleur s'évapore ainsi qu'un encensoir;Les sons et les parfums tournent dans l'air du soir;Valse mélancolique et langoureux vertige!Chaque fleur s'évapore ainsi qu'un encensoir;Le violon frémit comme un coeur qu'on afflige;Valse mélancolique et langoureux vertige!Le ciel est triste et beau comme un grand reposoir.Le violon frémit comme un coeur qu'on afflige,Un coeur tendre, qui hait le néant vaste et noir!Le ciel est triste et beau comme un grand reposoir;Le soleil s'est noyé dans son sang qui se fige.Un coeur tendre, qui hait le néant vaste et noir,Du passé lumineux recueille tout vestige!Le soleil s'est noyé dans son sang qui se fige...Ton souvenir en moi luit comme un ostensoir!The hour approacheth, when, as their stems incline,The flowers evaporate like an incense urn,And sounds and scents in the vesper breezes turn;A melancholy waltz — and a drowsiness divine.The flowers evaporate like an incense urn,The viol vibrates like the wailing of souls that repine.A melancholy waltz — and a drowsiness divine,The skies like a mosque are beautiful and stern.The viol vibrates like the wailing of souls that repine;Sweet souls that shrink from chaos vast and etern,The skies like a mosque are beautiful and stern,The sunset drowns within its blood-red brine.Sweet souls that shrink from chaos vast and etern,Essay the wreaths of their faded Past to entwine,The sunset drowns within its blood-red brine,Thy thought within me glows like an incense urn.— Cyril Scott, Baudelaire: The Flowers of Evil (London: Elkin Mathews, 1909)
$15.00
3 pièces de Guillaume de Machaut
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Guillaume de Machaut
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Dusan Bogdanovic
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3 pièces de Guillaume d
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Les Editions Doberman-Yppan
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SheetMusicPlus
Voice and guitar - Advanced - SKU: ZY.DO-1537 Composed by Guillaume de Machaut. Arranged by Dusan Bogdanovic. Score. 12 pages. Les Editions Doberman-Ypp...
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Voice and guitar - Advanced - SKU: ZY.DO-1537 Composed by Guillaume de Machaut. Arranged by Dusan Bogdanovic. Score. 12 pages. Les Editions Doberman-Yppan (digital) #DO 1537. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1537). Regarded as the most significant French composer and poet of the 14th century, Guillaume de Machaut was the central figure of the ars nova style in late medieval music. The three vocal pieces included in this collection are two rondeaux Ma fin est mon commencement, Rose, liz, printemps, verdure along with the motet Je suis aussi com cils qui est ravis. An additional curiosity, the iconic rondeau Ma fin est mon commencement (My end is my beginning) has a very intricate form built on palindromic form; while one voice reads the line from left to right, the other uses the same line in the opposite direction. Both voices meet in the middle of the piece, thus creating a mirror-symmetric form. While maintaining the principal upper part vocal, my arrangement relegates the two additional voices to the guitar.Considéré comme le compositeur et poète français le plus important du XIVe siècle, Guillaume de Machaut était la figure centrale du style ars nova dans la musique de la fin du Moyen Âge. Les trois pièces vocales incluses dans ce recueil sont deux rondeaux Ma fin est mon commencement, Rose, liz, printemps, verdure ainsi que le motet Je suis aussi com cils qui est ravis. Autre curiosité, l'emblématique rondeau Ma fin est mon commencement a une forme très complexe construite sur une forme palindromique ; tandis qu'une voix lit la ligne de gauche à droite, l'autre utilise la même ligne dans la direction opposée. Les deux voix se rencontrent au milieu de la pièce, créant ainsi une forme symétrique en miroir. Tout en conservant la partie supérieure vocale principale, mon arrangement relègue les deux voix supplémentaires à la guitare.
$7.95
EZ Blues in A
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Piano seul
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FACILE
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FunJazz Piano Lessons
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EZ Blues in A
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Funnelljazz Publishing
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1132655 By FunJazz Piano Lessons. By Jim Funnell. Blues,Instructional,Jazz. Score. 1 pages. Funnelljazz Publishing #73285...
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Piano Solo - Level 2 - SKU: A0.1132655 By FunJazz Piano Lessons. By Jim Funnell. Blues,Instructional,Jazz. Score. 1 pages. Funnelljazz Publishing #732854. Published by Funnelljazz Publishing (A0.1132655). 🇬🇧 “EZ Blues in A†is a fun little piece (for beginner/intermediate jazz pianists) that should help you with your shuffle/swing feel and hand independence. Make sure to “play the rests†correctly: lifting your right hand off the keyboard with good timing will greatly contribute to solidifying the sense of groove in your playing. Also pay attention to the points where the harmony changes in the left hand — these transitions have to be smooth and should be practiced at a particularly slow tempo. As an additional exercise, measures 11-12/13-14 (typical blues turnaround/ending) can be taken through all twelve keys using the circle of fifths.🇫🇷 “EZ Blues in A†est une courte pièce (pour pianistes de jazz débutants/intermédiaires) qui devrait vous aider à améliorer votre swing (rythme shuffle) ainsi que l’indépendance de vos mains. Assurez-vous de “jouer les silences†correctement : relever votre main droite du clavier au bon moment contribuera grandement à solidifier le sens du groove dans votre jeu. Faites également attention aux endroits où l’harmonie change à la main gauche – ces transitions doivent être fluides ! A pratiquer lentement donc… En guise d’exercice supplémentaire, les mesures 11-12/13-14 (turnaround/coda typique du blues) peuvent être reprises dans les douze tons en utilisant le cycle des quintes.
$1.99
Ungaresca and Almande Poussinghe (Pierre Phalèse Jnr, 1583) for Wind Instruments
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Unknown
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Ungaresca and Almande Poussing
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.522186 Composed by Unknown. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. 27 pages. ...
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Small Ensemble - Level 2 - SKU: A0.522186 Composed by Unknown. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. 27 pages. Colin Kirkpatrick Publications #6363609. Published by Colin Kirkpatrick Publications (A0.522186). These are two charming dances taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost all kinds of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century and who published his First Book of Dances in Leuven in 1571. The Antwerp publication of 1583 contains about half the dances from the original 1571 edition, together with some new titles, making a total of about seventy numbers.The 1583 collection contains a large selection of gaillardes, almandes and bransles which were all popular courtly dances of the time. The lively and well-known piece entitled Ungaresca appears on page 24 of the original publication. The drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. The name Ungaresca is a term used outside Hungary to denote a dance in the Hungarian style and this particular one probably first appeared in a 1578 dance collection for viol consort - Mainerio's Primo libro de balli. As a result, the music is sometimes attributed to Mainerio.In this arrangement, Ungaresca is paired with the delightful Almande Poussinghe which appears on page 16 of the original. This wonderful music of the 16th century still speaks to us today and this arrangement would be an ideal concert item, playable by virtually any combination of conventional wind instruments with optional percussion and keyboard parts. The optional keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. Some minor changes have been made to the inner parts to facilitate performance.This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. Most electronic keyboards have a harpsichord option. The score and set of parts come in a single PDF file.
$9.99
The Centipede - der Hundertfüssler - le Cent-pattes - for two voices
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Chorale SATB
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FACILE
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David Warin Solomons
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The Centipede - der Hundertf&u
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solo...
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Choral Choir (Mixed) - Level 2 - SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solomons #2027153. Published by David Warin Solomons (A0.575717). Duet based on the anonymous English poem about a centipede - the creature was quite happy with its hundred legs until a frog asked it to think about which leg comes after which... it then lay distracted in a ditch considering how to run... The sound sample is the English version, sung in B flat It can be sung by two solo voices or by a two part choir of any kind. Versions are available in English (B flat major and D major) German (F major and D major) and in French (F major and D major) the pdf file contains all of these versions. A video of the English original (in B flat) can be seen here: https://www.youtube.com/watch?v=Jo25CSSE5eU These are the words of my French version of the song Un cent-pattes était bien content Mais la grenouille l'interroge «Comment sais-tu quelle patte va avant C'est la gauche ou droite ou quoi?» ça lui fait penser, mais beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. Il commence un pas, s'arrête encore, Des pat-tes gauches se lèvent Il bouge ses droites en octuors Et trébuche comme dans un rêve oui ça fait penser, et beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. These are the words of my German version of the song Einem Hundertfüßler ging's ganz wohl Bis ein Frosch ihn schlau befragte Weisst du welcher Fuss nach vorne geht? Singen wir: rechts links links rechts! Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n Er versucht 'nen Tritt und blieb da steh'n Alle fünfzig linke Beine Kamen aufwärts und er stolperte Und die rechten folgten nicht Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n.
$2.99
Squall at Kilkee Bay, piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Amy J
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Squall at Kilkee Bay, piano so
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Amy J. Snyder
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.733625 Composed by Amy J. Snyder. Celtic,Concert,Folk,Holiday,World. Score. 7 pages. Amy J. Snyder #6320153. Published by...
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Piano Solo - Level 4 - SKU: A0.733625 Composed by Amy J. Snyder. Celtic,Concert,Folk,Holiday,World. Score. 7 pages. Amy J. Snyder #6320153. Published by Amy J. Snyder (A0.733625). Squall at Kilkee Bay is a lively, advanced intermediate piano solo, with a Celtic flavor. This arrangement has several keychanges, and helpful fingering. It's a great show-piece for recitals or just for fun. The title refers to an historic event, the shipwreck of the Edmond, in 1850 in Kilkee Bay, Ireland. The Edmond was battered by a fierce storm and pushed into the Bay, crashing against the rocks. A man by the name of Richard Russel was occupying a house on the bay. He was trying to secure his rattling bedroom window, when he spotted the distressed ship. He call the coastguard and then went down to the ship to try to help people to safety. He and 3 coastguards, James McCarthy, Timothy Hannigan, and Patrick Shannon rescued 100 passengers, men, women and children. Many others were not as fortunate. The 3 coastguards received silver medals for their heroic efforts. It's quite a story! Here is the link if you'd like to read it: http://www.clarelibrary.ie/.../wreck_of_edmond_kilkee.htm Written by Amy J. Snyder, copyright 2015 (original title White Water Rafting. Other compositions from Amy include The Charleston Rag, Shadow Valley, The South Carolina Blues, The Union Pacific Railroad Rag, The Sun Still Sets on the Mississippi River, Le Renard Dans La Neige (The Fox in the Snow), and more. Visit Amy at www.facebook.com/amyjsnyder7.
$4.25
Tender Serenade (inspired by Le Lac by Lamartine) for viola and classical guitar
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Alto, Guitare (duo)
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INTERMÉDIAIRE
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David Warin Solomons
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Tender Serenade
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David Warin Solomons
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SheetMusicPlus
Guitar,Instrumental Duet,Viola - Level 3 - SKU: A0.1507276 Composed by David Warin Solomons. 21st Century,Contemporary. 15 pages. David Warin Solomons #...
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Guitar,Instrumental Duet,Viola - Level 3 - SKU: A0.1507276 Composed by David Warin Solomons. 21st Century,Contemporary. 15 pages. David Warin Solomons #1082676. Published by David Warin Solomons (A0.1507276). Duo for viola and guitar originally inspired by the words and rhythms of Lamartine's famous poem Le Lac.The original poem begins as followsAinsi, toujours poussés vers de nouveaux rivages,Dans la nuit éternelle emportés sans retour,Ne pourrons-nous jamais sur l'océan des âgesJeter l'ancre un seul jour?Ô lac ! l'année à peine a fini sa carrière,Et près des flots chéris qu'elle devait revoir,Regarde ! je viens seul m'asseoir sur cette pierreOù tu la vis s'asseoir ![So driven onward to new shores forever,Into the night eternal swept away,Upon the sea of time can we not everDrop anchor for one day?O Lake! Scarce has a single year coursed past.To waves that she was meant to see again,I come alone to sit upon this stoneYou saw her sit on then.].
$10.00
5 Easy Studies, Opus 50
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5 Easy Studies, Opus 50
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SheetMusicPlus
Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer...
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Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title. Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of Farrenc’s melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées à s'inscrire aux cours de composition conventionnels au Conservatoire de Paris à l'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle à porter ce titre.Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces œuvres se prêtent assez bien au montage en duo de guitares. Même si j’ai rendu assez fidèlement toutes les mélodies de Farrenc, j’ai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques à la guitare. De même, de nombreux effets dont la guitare est capable ont été mis en œuvre d’une manière qui s’écarte de l’intention originale de l’étude. Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée à permettre à l'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi à cet égard pour le duo de guitares !Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimentés
Song List
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1. Andantino grazioso
2. Andantino
3. Allegretto
4. Poco allegro
5. Allegro moderato
$7.95
Baianidade Nago
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Chorale 2 parties
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FACILE
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Evandro Elias Souza Rodrigues
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Lanna Zita
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Baianidade Nago
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Lanna Zita
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SheetMusicPlus
Choral Choir,Choral,SA Chorus - Level 2 - SKU: A0.1454207 Composed by Evandro Elias Souza Rodrigues. Arranged by Lanna Zita. A Cappella,Folk,Latin,Multi...
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Choral Choir,Choral,SA Chorus - Level 2 - SKU: A0.1454207 Composed by Evandro Elias Souza Rodrigues. Arranged by Lanna Zita. A Cappella,Folk,Latin,Multicultural,Reggae,World. 6 pages. Lanna Zita #1033334. Published by Lanna Zita (A0.1454207). Si vous tombez sur cette partition, chef.fe de chœur ou choriste, c’est que vous aimez la musique brésilienne et ses chansons. Mais peut-être n’en connaissez vous que quelques unes du même style et voulez-vous trouver des pistes vers un autre Brésil en renouvelant votre répertoire ? Ou encore craignez-vous de chanter en chœur un genre réputé difficile du point de vue de la langue comme de son écriture rythmique ? Cet arrangement, pour 2 voix, est issu d'un recueil de 18 chansons incluant partitions et conducteurs, leurs textes et traductions, une partie Ressources et un CD (soundcloud accessible en lien) pour vous accompagner dans le chant brésilien.Découvrez Brasilear meu coro disponible sur commande à cantodomarais@gmail.com.
$2.00
Par Amour
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Piano Facile
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Contemporain
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Lara Fabian
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Jocelyn Forget
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Par Amour
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PianoMotifs
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SheetMusicPlus
Easy Piano - SKU: A0.956324 By Lara Fabian. By Kelly Paige Watson, Lara Crokaert, Mo Denebi, Mohammad Denebi, Sharon Vaugh, and Sharon Vaughn. Arranged ...
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Easy Piano - SKU: A0.956324 By Lara Fabian. By Kelly Paige Watson, Lara Crokaert, Mo Denebi, Mohammad Denebi, Sharon Vaugh, and Sharon Vaughn. Arranged by Jocelyn Forget. Contemporary. Score. 6 pages. PianoMotifs (JFpiano) #6205363. Published by PianoMotifs (JFpiano) (A0.956324). Un arrangement pour Piano Solo (la main droite joue la mélodie), de la chanson Par Amour, popularisée par Lara Fabian, adaptée pour un niveau débutant-intermédiaire, qui fait suite à l'arrangement du même nom, adaptée pour niveau débutant 2, donc avec une main gauche qui bouge un peu plus. Qui permet aux pianistes qui en sont encore à leur premiers mois de pratique du piano de pouvoir jouée cette chanson.La mélodie est ici aussi assez fidèle à l'originale, à l'exception de quelques figures de notes qui y sont adaptées pour ce niveau.Vous pouvez m'écrire si vous voulez me suggérer des pièces à arranger ou si vous aimez ou non quelques aspects de cet arrangement que vous aimeriez dans vos prochaines partitions.mon courriel: jfpiano@hotmail.com
$4.99
La visite --- Orchestral score with full parts --- Voice and piano part --- JCM 2008
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Contemporain
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Jean-Christophe Masson
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La visite --- Orchestral score
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Jean-Christophe Masson
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Horn,Piano Accompaniment,Trombone,Viola,Violin,Voice - SKU: A0.878729 Composed by Jean-Christophe Masson. Cont...
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Large Ensemble Cello,Clarinet,Double Bass,Horn,Piano Accompaniment,Trombone,Viola,Violin,Voice - SKU: A0.878729 Composed by Jean-Christophe Masson. Contemporary. Score and parts. 41 pages. Jean-Christophe Masson #3066927. Published by Jean-Christophe Masson (A0.878729). La visite --- Orchestral score with full parts --- Voice and piano part --- JCM 2008Chanson pour voix et orchestre (ou voix et piano : réduction voix et piano comprise dans le fichier pdf)Paroles de Livia Naas,Musique de Jean-Christophe Masson.Song for voice and Orchestra (also voice and piano).Livia Naas lyrics,Music by Jean-Christophe Masson.©Jean-Christophe Masson N° de membre SACEM 00623 9409 43 --- Droits de reproduction sonore réservés ---www.jcmasson.com
$14.99
La cigale et la fourmi (The Grasshopper and the ant) French narrator, Clarinet, Bassoon and Piano
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August, word of animal,
Bo
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David Warin Solomons
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La cigale et la fourmi
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David Warin Solomons
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SheetMusicPlus
Bassoon,Clarinet,Piano,Voice - Level 4 - SKU: A0.1370906 Composed by David Warin Solomons. 21st Century,Contemporary. 18 pages. David Warin Solomons #95...
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Bassoon,Clarinet,Piano,Voice - Level 4 - SKU: A0.1370906 Composed by David Warin Solomons. 21st Century,Contemporary. 18 pages. David Warin Solomons #955248. Published by David Warin Solomons (A0.1370906). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in French), clarinet, bassoon and pianoThe pdf file contains score and instrumental parts. The narrator should use the score.(A version with English narrator is also available on this site)La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,â€lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.â€La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?â€Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.â€â€œVous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.â€English translation by S N SolomonsThe Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.â€The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?â€She asked this impecunious sort.†To all who came, both day and nightI used to sing at every chance.â€â€œYou used to sing? That’s fine and right!Well now’s the very time – to dance!â€Â©S.N.Solomons.
$13.00
La Cigale et la Fourmi The Grasshopper and the Ant French narrator Clarinet Bassoon Piano (mp3)
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August, word of animal,
Bo
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David Warin Solomons
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La Cigale et la Fourmi The Gra
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David Warin Solomons
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SheetMusicPlus
Bassoon,Clarinet,Piano,Voice - Level 4 - SKU: A0.1370914 Composed by David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 189. Da...
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Bassoon,Clarinet,Piano,Voice - Level 4 - SKU: A0.1370914 Composed by David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 189. David Warin Solomons #955258. Published by David Warin Solomons (A0.1370914). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in French), clarinet, bassoon and piano(A version with English narrator is also available on this site)La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,â€lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.â€La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?â€Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.â€â€œVous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.â€English translation by S N SolomonsThe Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.â€The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?â€She asked this impecunious sort.†To all who came, both day and nightI used to sing at every chance.â€â€œYou used to sing? That’s fine and right!Well now’s the very time – to dance!â€Â©S.N.Solomons.
$5.50
The Grasshopper and the ant (La cigale et la fourmi) English narrator, clarinet, bassoon and piano
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August, word of animal,
Bo
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David Warin Solomons
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The Grasshopper and the ant
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David Warin Solomons
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SheetMusicPlus
Bassoon,Clarinet,Piano,Voice - Level 4 - SKU: A0.1370910 Composed by David Warin Solomons. 21st Century,Contemporary. 17 pages. David Warin Solomons #95...
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Bassoon,Clarinet,Piano,Voice - Level 4 - SKU: A0.1370910 Composed by David Warin Solomons. 21st Century,Contemporary. 17 pages. David Warin Solomons #955254. Published by David Warin Solomons (A0.1370910). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in English), clarinet, bassoon and pianoThe pdf file contains score and instrumental parts. The narrator should use the score.(A version with French narrator is also available on this site.)The Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.â€The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?â€She asked this impecunious sort.†To all who came, both day and nightI used to sing at every chance.â€â€œYou used to sing? That’s fine and right!Well now’s the very time – to dance!â€Â©S.N.SolomonsOriginal French version:La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,â€lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.â€La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?â€Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.â€â€œVous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.â€.
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