► Advanced piano solo from the TV soundtrack "The Blue Planet II" by Hans Zimmer, Jacob Shea, and Devid Fleming
► Other contemporary and movie arrangements: bit.ly/SMPmovies
► Other piano solos: bit.ly/SMPps

Duration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.

"When released as a single in 1973, it reached no. 3 in the UK and stayed on the chart for thirteen weeks. The song re-entered the UK charts at no. 55 over 30 years later, largely because of its use in the original British television series Life on Mars.[6] In June 2015, Neil McCormick of The Daily Telegraph ranked it as no. 1 in his "100 Greatest Songs of All Time" list,[7] describing it thus:

Gloriously strange sci-fi anthem. A stirring, yearning melody combines with vivid, poetic imagery to accomplish a trick very particular to the art of the song: to be at once completely impenetrable and yet resonant with personal meaning. You want to raise your voice and sing along, yet Bowie?s abstract cut-up lyrics force you to invest the song with something of yourself just to make sense of the experience, and then carries you away to a place resonant with intense, individual emotion. The magic and mystery of music and lyrics. It is something to behold.[7]

In a 2012 poll, "Life on Mars?" was voted Bowie's best song. Digital Spy, who conducted the poll, stated it has "perhaps become David's signature song ? filled with surreal cut-up lyrics inspired by William Burroughs, it married vivid imagery with a tender, heartbreaking melody".[8]

The song has appeared in several television series. The BBC television drama Life on Mars used both the name and the song itself as its basis. The song was used extensively throughout the programme and its spin-off, Ashes to Ashes. The song was used also in the American version of Life on Mars. In the episode "The Waters of Mars", of the British television show Doctor Who, takes place in the first human base on Mars, named "Bowie Base One".

Jessica Lange sang a rendition with a deep German accent on the fourth-season premiere of the FX television program American Horror Story: Freak Show.[10] Playing a character whose surname is Mars, Lange wears an ice-blue trouser suit and heavy matching eye shadow in her performance, echoing the Bowie video.[10] Both the song and the performance are anachronistic, given that the season takes place in 1952, nearly 20 years before Bowie released the song. She performs the song again in the episode "Pink Cupcakes", and an instrumental version is played at the end of the season finale, "Curtain Call", where Mars is getting ready to sing.

The song has also appeared in several film soundtracks. The original soundtrack of Lars von Trier's 1996 movie Breaking the Waves features "Life on Mars?" during the epilogue, although the song was replaced by Elton John's "Your Song" on the international DVD release for copyright reasons.[11] "Life on Mars?" is included on the soundtrack to the 2004 film The Life Aquatic with Steve Zissou, starring Bill Murray as Steve Zissou.[12] The song is played as Murray walks stoned to the bow of his boat in solitude as a party continues below deck. "Life on Mars?" is included in the 2005 film Loverboy, first being played on the radio during a conversation between the 10-year-old Emily and Mrs. Harker, and later being sung a cappella by 10-year-old Emily.[12] "Life on Mars?" is included on the soundtrack to the 2006 film Factory Girl.[12] "Life on Mars?" is used in the 2012 British film Hunky Dory, sung by the character Davey (Aneurin Barnard).

Green Day singer Billie Joe Armstrong has said that he would like either "Life on Mars?" or "Take This Job and Shove It" by Johnny Paycheck played at his funeral.[13]"-Wikipedia

The Lockdown Blues composed during the coronavirus outbreak of 2020 was commissioned to be used as the theme tune for the Sandi Toksvig broadcasts VOX TOX - a series of short talks recorded by Sandi during her self-isolation at home. For the duration of this crisis, 100% of any profits made from the sale of the sheet music will go to Women's Aid www.womensaid.org.uk

Women?s Aid is the nationalcharity working to end domestic abuse against women and children. Since 1974 theyhave been at the forefront of shaping and coordinating responses to domesticabuse, with survivors at the heart of their work. They are a federation of over 180organisations which provide just under 300 local lifesaving services to womenand children across the country.

Their support services, whichinclude their Live Chat Helpline and the Survivors Forum, help thousands of womenand children every year. They provide expert training, qualifications andconsultancy to a range of agencies and professionals working with survivors orcommissioning domestic abuse services. Their campaigns achieve change in policy,practice and awareness, encouraging healthy relationships and helping to builda future where domestic abuse is no longer tolerated.

When you donateto Women?s Aid you are supporting a movement that is committed to endingdomestic abuse, and ensuring violence against women is no longer tolerated.

ISBN 9781619118799.

Minor Blues Harmonica includes introductory material for new players on holding the harmonica, achieving a single note, and common techniques that sound great on the instrument. Not-so-new players will enjoy learning new songs at their current skill levels. Intermediate players will benefit from learning to play in 3rd Position to broaden their options while performing. Players at a more advanced level will learn to play in minor keysaa challenge for harmonica players, but less difficult in 3rd Position. In this book weall explore the killer sounds that 3rd Position has to offer, focusing on the following areas: 1) New players will learn to play single notes and moving around the harmonica with good tone. 2) Learning to improvise in 3rd Position in an intuitive way, even for beginners. 3) Learning astudya songs to play by yourself and at blues jams. These songs also provide valuable licks to help develop your own improvisational vocabulary. 4) An overview of music theory to help you understand whatas technically going on. (This is at the end of the book, so itas not required in order to play the examples.) 5) A chapter for the more advanced players to learn how to play the lower octave of the harmonica in 3rd Position (requires good bending skills). Youall need a C Major Diatonic Harmonica for this book and recording. Recordings of all the examples are played by author David Barrett. Includes access to online audio.

ISBN 9781610653039.

Blues Bass Level 1, within the School of the Blues Lesson Series, is an exciting method that contains the most common grooves used in blues bands today. Areas covered are: Tuning, Achieving Good Tone, Major & Minor Scales & Movable Scale Forms, 12 Bar Blues Progression, Major Blues Bass Lines, Jump Blues, Swing Blues, Box Patterns, Slow Blues, Chicago Shuffles, Two Beat, Rumba Beat, Tramp Beat, Minor Blues, Introductions, Turnarounds & Endings. This series is designed for students of other instruments to play together. If you have friends that play harmonica, guitar, keyboard or drums, tell them about this series so that you can play together.Book is accompanied by online audio recording of all examples (played by author Frank De Rose) along with the background music. For the beginning to intermediate bass player. Includes access to online audio.