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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Day That I Die
Non classifié
288
Piano & claviers
Piano seul
113
Piano, Voix et Guitare
49
Piano Facile
39
Piano, Voix
26
Instruments en Do
15
Orgue
7
Piano grosses notes
2
1 Piano, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
23
Guitare
19
Guitare notes et tablatures
16
Ukulele
3
Basse electrique
2
Mandoline
1
3 Guitares (trio)
1
Paroles et Accords
1
Banjo
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
54
Chorale 3 parties
17
Chorale TTBB
9
Chorale SSAA
6
Chorale Unison
5
Chorale 2 parties
5
Voix duo, Piano
3
Voix Alto, Piano
3
Voix haute
2
Voix Baryton, Piano
2
Voix Mezzo-Soprano, Piano
1
Voix Soprano, Piano
1
Voix Tenor
1
Chorale SSAATTBB
1
Chorale SSATTB
1
+ 10 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Quintette de Saxophone: 5 saxophones
24
Quatuor de Saxophones: 4 saxophones
22
2 Flûtes traversières (duo)
19
Clarinette
17
Hautbois (partie séparée)
15
Flûte, Hautbois, Clarinette, Basson
14
Ensemble de Clarinettes
13
2 Saxophones (duo)
10
Ensemble de saxophones
7
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette et Piano
5
Saxophone Alto
5
Saxophone Alto et Piano
5
Flûte traversière
5
Saxophone (partie séparée)
4
2 Clarinettes (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Ensemble de Flûtes
4
Saxophone Tenor
3
Flûte traversière et Piano
3
Hautbois, Piano (duo)
3
Saxophone Baryton, Piano
3
3 Saxophones (trio)
3
Flute (partie séparée)
2
Saxophone Tenor et Piano
2
Saxophone Soprano et Piano
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Violoncelle
1
Flûte, Clarinette (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette, Violoncelle (duo)
1
Hautbois, Basson (duo)
1
Saxophone et Orgue
1
Flûte, Clarinette, Piano (trio)
1
Trio de Flûtes: 3 flûtes
1
2 Flûte à bec (duo)
1
Flûte à bec Soprano
1
3 Clarinettes (trio)
1
+ 34 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Trompette
10
Trombone
7
Quatuor de cuivres: 4 trombones
7
Trombone et Piano
5
Ensemble de Trombones
5
Quatuor de Cuivres
4
Trio de Cuivres
4
Trompette, Piano
4
Cor
3
2 Trombones (duo)
3
Ensemble de Trompettes
3
Tuba
3
2 Trompettes (duo)
3
Tuba et Piano
2
Cor et Piano
2
Trompette (partie séparée)
1
2 Cors (duo)
1
Ensemble de Tubas
1
2 Tubas (duo)
1
Trompette, Trombone (duo)
1
2 Euphoniums (duo)
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
58
Harpe
23
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Violon et Piano
13
Trio à Cordes: violon, alto, violoncelle
12
2 Violons (duo)
11
Violon
10
Alto seul
6
Violon, Violoncelle (duo)
6
Violoncelle, Piano
6
Violoncelle
5
Harpe, Voix
4
Alto, Piano
3
2 Violoncelles (duo)
3
Contre Basse
3
Ensemble de Violons
3
Ensemble d'Altos
3
Contrebasse, Piano (duo)
2
Violon, Alto (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Harpe et Piano
1
Alto (partie séparée)
1
2 Altos (duo)
1
Alto et Harpe
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
31
Orchestre
20
Orchestre à Cordes
14
Ensemble de cuivres
12
Orchestre de chambre
9
Cloches
6
Ensemble Jazz
2
Fanfare
2
Ensemble de Percussions
2
Instrumentation Flexible
1
Piano et Orchestre
1
Batterie
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Day That I Die
Partitions à imprimer
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Rainy Days And Mondays
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE/AVANCÉ
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The Carpenters
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John Fries
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Rainy Days And Mondays
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.500244 By The Carpenters. By Paul Williams and Roger Nichols. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standa...
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C Instrument - Level 4 - SKU: A0.500244 By The Carpenters. By Paul Williams and Roger Nichols. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #113428. Published by John Fries (A0.500244). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Rainy Days and Mondays is a 1971 song by the Carpenters, with instrumental backing by L.A. session musicians from the Wrecking Crew, that went to number 2 on the Billboard Hot 100 chart. Rainy Days and Mondays was the duo's fourth number 1 song on the Adult Contemporary singles chart.
$3.99
Ani Maamin (I Believe) - A song of the Holocaust - string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Folk
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Yoel Epstein
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Ani Maamin
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Yoel Epstein
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.773335 Composed by Folk. Arranged by Yoel Epstein. Christian,Jewish,Sacred,World. Score and parts. 10 ...
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String Quartet String Quartet - Level 3 - SKU: A0.773335 Composed by Folk. Arranged by Yoel Epstein. Christian,Jewish,Sacred,World. Score and parts. 10 pages. Yoel Epstein #4286157. Published by Yoel Epstein (A0.773335). This song has become an icon of remembrance of the six million Jews who died in the Holocaust. It is traditionally played on Holocaust Day, which is on the 28th day of the Hebrew month of Nissan in Israel, or January 27th in the rest of the world. Ani Maamin (I Believe): The words to this simple song are of the Jewish prayer I believe with perfect faith in the coming of the Messiah. The tune is attributed to Azriel David Festig, a leading Warsaw hazzan (cantor) who died in the Holocaust. The song was performed after the war by Rabbi Shaul Yedidia Eliezer Taub, the Admor (Rabbinical leader) of the Modzitz Hassidic sect, and has become the iconic song of the remembrance in the Hassidic community. This is one of four songs for Holocaust Remembrance Day that I have arranged for string quartet. The set of songs is available for download at https://www.sheetmusicplus.com/title/four-songs-of-the-holocaust-arranged-for-string-quartet-digital... The other songs are Unter Dyne Vyse Shteren (Under the Starry Sky) was written by Avraham Sutskover, a leading Yiddish poet, while trapped in the ghetto of Vilna, in July 1943. Shtiller Shtiller (Hush Hush) was written by Alexander Volkovitzky, then a 12-year-old boy, in the Vilna Ghetto in the spring of 1943. Hatikva (the Hope) is Israel's national anthem. The words are by Naftali Zvi Imber, and the tune is a traditional eastern European tune. You are welcome to try some of my other arrangements. In addition to the songs offered on this site (you can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), I have arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.
$1.99
LOVE DREAM OF YESTURDAY
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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LOVE DREAM OF YESTURDAY
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066792 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 74. THEMIS KOUTRAS #5214063. Pu...
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Piano - SKU: A0.1066792 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 74. THEMIS KOUTRAS #5214063. Published by THEMIS KOUTRAS (A0.1066792). This song is about what happened in a dream GOD gave me i thought at that time i understood it and i did but not as much as when the dream actually took place after i wrote the song i end up passing away and taken in spirit by the holy spirit i was taken back in time to the days of JESUS CHRIST at the very old cross i saw him die i was in spirit joined to the holy spirit as 1 i followed him to his berrieal and it was i who prayed and the stone roled away and it was i who prayed again and my father JESUS CHRIST was risen alive he walked in my body and brought me to heaven where i saw him control the universe he bought me back here in our time the year around 2000 AD after praying i said what dose this all mean LORD he repplies he spent 3 days and nights of mans time in the grave then risen alive GOD said to me that in his time 1000 years is = to 1 day and 1 day is = to 1000 years thus it was the year 2000 and 2 or so in GODS time that i was sent back for the above mision JESUS CHRIST is here now in the return he is right in my heart so as GOD and the holy spirit as i can comunicate with him as offten as i like to or he likes to comunicate with me he said to me the kingdom of his has now been past on to me and appeared to me as he anointed me himself with a sword as KING ye true as i then saw lightning stuck from the east to the west in a perfectly straight line. ye bible prophesies points out to me all others saying they are the return are liers and no bible prophecy point to them I have four field most of its prophecy concerning the Christ in written in the book of revelation GOD says to me in due time I will four field the rest of it.
$3.99
Yesterday Once More
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Piano seul
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INTERMÉDIAIRE
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The Carpenters
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Timothy Stapay
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Then
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Yesterday Once More
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Song...
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Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310). A piano solo arrangement of Yesterday Once More; made famous by The Carpenters. Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce. It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.  It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.Lyrics:[Verse 1]When I was young, I'd listen to the radioWaitin' for my favorite songsWhen they played, I'd sing alongIt made me smile[Pre-Chorus 1]Those were such happy timesAnd not so long agoHow I wondered where they'd goneBut they're back againJust like a long-lost friendAll the songs I loved so well[Chorus 1]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineWhen they get to the partWhere he's breaking her heartIt can really make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang)(Shoobie-doo, lang, lang) [Verse 2]Lookin' back on how it was in years gone byAnd the good times that I hadMakes today seem rather sadSo much has changed[Pre-Chorus 2]It was songs of loveThat I would sing to themAnd I'd memorize each wordThose old melodiesStill sound so good to meAs they melt the years away[Chorus 2]Every sha-la-la-laEvery whoa, whoa-oh still shines(Only oldies, but goodies)Every shing-a-ling-a-lingThat they're starting to sing so fineAll my best memoriesCome back clearly to meSome can even make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang) [Outro]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineEvery sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fine...
$6.99
The Birthday Waltz
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Piano seul
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INTERMÉDIAIRE
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Sarah Bonsignore
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Sarah Bonsignore
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The Birthday Waltz
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Sarah Bonsignore
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1161083 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. Classical,Contemporary,Instructional,Roma...
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Piano Solo - Level 3 - SKU: A0.1161083 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. Classical,Contemporary,Instructional,Romantic Period,Video Game. Score. 5 pages. Sarah Bonsignore #761406. Published by Sarah Bonsignore (A0.1161083). Hi Pianists! Here is a new piece I composed just this morning. I was chatting to my mom in South Africa yesterday, and she requested some new music for her upcoming birthday(preferably me singing another aria), but I woke up with this in my head early this morning and so I got to work. It reminded me a little of all the Chopin waltzes I played many moons ago, and it made me sad that he died at the young age of 39, so I decided to call it The Birthday Waltz. Chopin's music really shaped the way I hear melody, and I love his body of work. And my mom has always been my biggest fan, coach and champion, so I hope she likes this piece, and I guess Ill go and record an aria for her now!!! ps I think this piece will be a great preparation for students who are eager to learn some Chopin Waltzes. It sounds harder than it is and I think it's fun to play (and even my husband loved hearing it all day). I hope you enjoy it too.
$4.99
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Chorale SATB
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FACILE
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Pub...
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Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
When I Look In The Mirror...
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Aaron Fonzi
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a loser and a failure
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When I Look In The Mirror...
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Publis...
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Concert Band - Level 4 - SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Published by Aaron Fonzi (A0.998358). A breathtaking new addition to wind band literature, Aaron Fonzi has composed a piece that will take your audience on an incredible, emotional journey. Inspired by his grandmother, Jacquie, Mr. Fonzi recalls:I remember vividly the conversations I had with Grandma Jacquie as a boy. She had a kind, gentle way of showing her steadfast resilience and passion for that which is good and just in the world. She didn't think it good and just that I always felt the need to make myself my worst enemy. One day, she asked me who I see in the mirror. I told her I saw an ugly boy who couldn't do anything right; a loser and a failure. She told me that she saw a handsome young man who can do anything and become whatever he puts his mind to, and that everyday I ought to look in the mirror and find that person.It took me almost 20 years to fully understand what she meant. But it's true: we can only bring the light out of others once we've truly brought it out within ourselves. So, this is for all of us who look in the mirror and see a monster or a failure. You are not a failure and your are not a monster. Let this piece remind you that you can do anything you put your mind to if you put faith in the person looking back at you.Give your ensemble and your audience an experience they will remember with this powerful work, When I Look In The Mirror....
$30.00
Yesterday, When I Was Young (hier Encore)
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Piano seul
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AVANCÉ
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Roy Clark
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Timothy Stapay
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Yesterday, When I Was Young
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Si...
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Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
$5.99
Yesterdays
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE/AVANCÉ
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Jerome Kern and Otto Harbach
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John Fries
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Yesterdays
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.499892 Composed by Jerome Kern and Otto Harbach. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standa...
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C Instrument - Level 4 - SKU: A0.499892 Composed by Jerome Kern and Otto Harbach. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113159. Published by John Fries (A0.499892). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Yesterdays is a 1933 song about nostalgia[composed by Jerome Kern with lyrics by Otto Harbach. They wrote the song for Roberta, a musical based on the novel Gowns by Roberta by Alice Duer Miller. Yesterdays was overshadowed by the musical's more popular song, Smoke Gets in Your Eyes, which was a number one hit for the Paul Whiteman orchestra.
$3.99
The Day the Savior Died for Me-SATB-Digital Download
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Chorale SATB
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Valerie Mackenzie
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The Day the Savior Died for Me
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB choir - SKU: H1.C6062DP Composed by Valerie Mackenzie. Piano Accompaniment. Lent, Holy Week, Good Friday. Octavo. 12 pages. Hope Publishing ...
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Choral SATB choir - SKU: H1.C6062DP Composed by Valerie Mackenzie. Piano Accompaniment. Lent, Holy Week, Good Friday. Octavo. 12 pages. Hope Publishing - Digital #C6062DP. Published by Hope Publishing - Digital (H1.C6062DP). Text: Valerie MacKenzie.Original anthem This compelling Good Friday anthem depicts Christ's suffering and crucifixion, reflecting on the enormity of our Savior's sacrifice. The drama builds to the poignant phrase - such agony he faced so that I might live in grace. Easily learned with straightforward vocal writing, this powerful anthem will be a compelling addition to any Holy Week service.
$2.95
I am The Bread of Life
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Instruments en Do
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DÉBUTANT
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Sr
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Sr
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I am The Bread of Life
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Steven See
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1500505 By Sr. Suzanne Toolan. By Sr. Suzanne Toolan. Arranged by Sr. Suzanne Toolan. Christian,Praise & Worship,Religi...
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C Instrument - Level 1 - SKU: A0.1500505 By Sr. Suzanne Toolan. By Sr. Suzanne Toolan. Arranged by Sr. Suzanne Toolan. Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Steven See #1076590. Published by Steven See (A0.1500505). I am the bread of life.He who comes to me shall not hunger;he who believes in me shall not thirst.No one can come to meunless the Father draw him.And I will raise him up,and I will raise him up,and I will raise him up on the last day.The bread that I will giveis my flesh for the life of the world,and he who eats of this bread,he shall live for ever,he shall live for ever.And I will raise him up,and I will raise him up,and I will raise him up on the last day.Unless you eatof the flesh of the Son of Manand drink of his blood,and drink of his blood,you shall not have life within you.And I will raise him up,and I will raise him up,and I will raise him up on the last day.I am the resurrection,I am the life.He who believes in meeven if he die,he shall live for ever.And I will raise him up,and I will raise him up,and I will raise him up on the last day.Yes, Lord, I believethat you are the Christ,the Son of God,who has comeinto the world.And I will raise him up,and I will raise him up,and I will raise him up on the last day.Suzanne Toolan.
$3.99
I Dream of You, to Wake (Mezzo-Soprano and Piano)
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Voix Mezzo-Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Hunter A
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I Dream of You, to Wake
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Hunter A. Brown
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SheetMusicPlus
Instrumental Solo,Medium Voice,Piano - Level 4 - SKU: A0.1013579 Composed by Hunter A. Brown. Concert,Contemporary. Score and individual part. 13 pages....
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Instrumental Solo,Medium Voice,Piano - Level 4 - SKU: A0.1013579 Composed by Hunter A. Brown. Concert,Contemporary. Score and individual part. 13 pages. Hunter A. Brown #6292317. Published by Hunter A. Brown (A0.1013579). I Dream of You, to Wake (mezzo-soprano and piano) is an art song adaption of the sonnet by Christina Rossetti (1830-1894). The poem comes from her sonnet of sonnets - Monna Innominata (unknown lady) - in which she laments her lack of religious compatibility with the man she loves.With a duration of 4'00 - this song is perfect for the adept singer, and would be ideal for a solo and ensemble contest or college recital.Key: E-flat major, E-flat minorRange: Bâ™4 - F5 I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText: I dream of you to wake: would that I might Dream of you and not wake but slumber on. In happy dreams I hold you full in night. I blush again who waking look so wan; Brighter than sunniest day that ever shone, In happy dreams your smile makes day of night. Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give; If thus to sleep is sweeter than to wake, To die were surely sweeter than to live, Though there be nothing new beneath the sun.
$9.99
I Dream of You, to Wake (Soprano or Tenor and Piano)
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Hunter A
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I Dream of You, to Wake
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Hunter A. Brown
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hu...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hunter A. Brown (A0.1013578). I Dream of You, to Wake (soprano and piano) is an art song adaption of the sonnet by Christina Rossetti (1830-1894). The poem comes from her sonnet of sonnets - Monna Innominata (unknown lady) - in which she laments her lack of religious compatibility with the man she loves.With a duration of 4'00 - this song is perfect for the adept soprano, and would be ideal for a solo and ensemble contest or college recital.Key: B major, F-sharp minorRange: C#4 - G#5 I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText: I dream of you to wake: would that I might Dream of you and not wake but slumber on. In happy dreams I hold you full in night. I blush again who waking look so wan; Brighter than sunniest day that ever shone, In happy dreams your smile makes day of night. Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give; If thus to sleep is sweeter than to wake, To die were surely sweeter than to live, Though there be nothing new beneath the sun.
$9.99
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
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Voix Alto, Piano
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INTERMÉDIAIRE
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
On That Cross (Piano part ONLY)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
On That Cross
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Chorale SSATTB
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FACILE
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
On That Cross (choir pack + piano part + licence)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
Day That I Die
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Guitare notes et tablatures
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Country
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Zac Brown Band
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Pop
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Day That I Die
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Zac Brown Band. Country; Pop. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Zac Brown Band. Country; Pop. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
I Don't Want To Miss A Thing
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Rock
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Aerosmith
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Sarah Cellobat Chaffee
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I Don't Want To Miss A Thing
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.526358 By Aerosmith. By Diane Warren. Arranged by Sarah Cellobat Chaffee. Film/TV,Pop,Rock. 9 pages. ...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.526358 By Aerosmith. By Diane Warren. Arranged by Sarah Cellobat Chaffee. Film/TV,Pop,Rock. 9 pages. Sarah Cellobat Chaffee #6561445. Published by Sarah Cellobat Chaffee (A0.526358). I Don't Want To Miss A Thing was recorded by Aerosmith for the smash hit 1998 film Armageddon, and it immediately became a huge success. The soulful power ballad debuted at #1 on the Billboard charts, where it remained for 4 weeks, and it remains the band's biggest hit to this day; and of course it's still a very popular request for slow dances and weddings. As the cellist for Aerosmith's Las Vegas residency show, I've performed this song with the band over 50 times, so this one has a special place in my heart! This arrangement for violin & cello duet maintains the beautiful harmonies, soaring melodies, driving beat, and dynamic passion of the original, for a chart that your audience will love listening to as much as you love playing it! Originally written for a wedding ceremony, this will also be perfect for receptions, proposals, pop concerts, or any other occasion that you need to pull on your audience's heartstrings. Rated advanced intermediate, mainly for a number of tricky rhythms and a few high notes in the violin parts. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$9.99
The Twelve Days of Christmas - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Ray Thompson
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Ray Thompson
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The Twelve Days of Christmas -
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1322945 Composed by Ray Thompson. Arranged by Ray Thompson. 21st...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1322945 Composed by Ray Thompson. Arranged by Ray Thompson. 21st Century,Chamber,Christmas. 16 pages. RayThompsonMusic #911217. Published by RayThompsonMusic (A0.1322945). An original composition based on the 12 Days of Christmas, for wind quintet.The Twelve Days of Christmas is an English Christmas carol. A classic example of a cumulative song, the lyrics detail a series of increasingly numerous gifts given to the speaker by their true love on each of the twelve days of Christmas (the twelve days that make up the Christmas season, starting with Christmas Day).This is NOT a standard play through of all 12 verses.It could be a challenge for your audience to sing along to, I suggest you tell them not to try!I have added/removed/inserted bars of different length, changed the timing of entry for each new day, and generally had fun.I started the piece in the key of Bb, modulating through C, Db, D and ending in Eb!I have also added syncopation in parts. This gives the piece more interest both for the player and the listener!!The melody is carried by varying members of the quintet at different times.
$19.95
The Twelve Days of Christmas - symphonic wind dectet/bass
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Noël
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Ray Thompson
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Ray Thompson
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The Twelve Days of Christmas -
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RayThompsonMusic
#
SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1322286 Composed by Ray Thompson. Arranged by Ray Thompson. 21st Century,Christmas. 25 ...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1322286 Composed by Ray Thompson. Arranged by Ray Thompson. 21st Century,Christmas. 25 pages. RayThompsonMusic #910631. Published by RayThompsonMusic (A0.1322286). An original composition based on the 12 Days of Christmas, for double wind quintet/bass.The Twelve Days of Christmas is an English Christmas carol. A classic example of a cumulative song, the lyrics detail a series of increasingly numerous gifts given to the speaker by their true love on each of the twelve days of Christmas (the twelve days that make up the Christmas season, starting with Christmas Day).This is NOT a standard play through of all 12 verses.It could be a challenge for your audience to sing along to, I suggest you tell them not to try!I have added/removed/inserted bars of different length, changed the timing of entry for each new day, and generally had fun.I started the piece in the key of Bb, modulating through C, Db, D and ending in Eb!I have also added syncopation in parts. This gives the piece more interest both for the player and the listener!!The melody is carried by varying members of the dectet at different times.
$24.95
Anonymous Soldier (for Guitar)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Emiliano Brunetti
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Anonymous Soldier
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Emiliano Brunetti
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1371167 Composed by Emiliano Brunetti. Chamber,Romantic Period. Individual part. 4 pages. Emiliano Brunetti #955418. Pub...
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Solo Guitar - Level 4 - SKU: A0.1371167 Composed by Emiliano Brunetti. Chamber,Romantic Period. Individual part. 4 pages. Emiliano Brunetti #955418. Published by Emiliano Brunetti (A0.1371167). Anonymous Soldier seeks to portray the fight between what you need to do and what you want to do. It reflects that battle against the Impostor Syndrome, which tells you how far you are from where you really belong. It is my everyday fight for my dreams, despite how hard they are to achieve, and despite the conflicting context I might be living in (writing classical music from my home of Argentina). This piece explores the use of tremolo effect, which is usually found in advanced pieces. As I am not able to play pieces like Recuerdos de la Alhambra (Tárrega) or Una Limosna por el Amor de Dios (Barrios), I tried to write a piece with this technique I enjoy listening to a lot, in a way that I can perform it while improving my playing.
$2.00
Hundertmelodienbuch
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Barbara Heller
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Hundertmelodienbuch
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Schott Music - Digital
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SheetMusicPlus
Recorder solo or other Melodieinstruments (flute, oboe, clarinet) - easy to intermediate - SKU: S9.Q16361 Composed by Barbara Heller. This edition: Shee...
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Recorder solo or other Melodieinstruments (flute, oboe, clarinet) - easy to intermediate - SKU: S9.Q16361 Composed by Barbara Heller. This edition: Sheet music. Die Ausgabe enthält tagebuchartig entstandene Stücke, die zum Teil alternativ auf der Alt- oder Sopranblockflöte gespielt werden können. Downloadable. Duration 100' 0. Schott Music - Digital #Q16361. Published by Schott Music - Digital (S9.Q16361). The pieces were written in the manner of diary entries, some can be played either on treble or descant recorder. “The recorder was my first instrument as a child and I learnt to play all manner of songs and melodies on it. Subsequently, I was rather less keen on the instrument: its timbre seemed too coarse and monotonous. Even later – when it was promoted to a ‘high art’ instrument in new music – I hated it. Nevertheless, in the early 90s, in an attempt to comply with the wishes of some recorder players, I composed a few pieces in the required manner, i. e. employing new playing techniques, but to this day they remain alien to me as they are terribly contrived. Subsequently, I couldn’t stop thinking about the recorder. I started spontaneously to jot down melodies that came to me in moments of leisure […] which is how, by and by, I learned to love the recorder again.†(Barbara Heller).
$21.99
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Day That I Die
