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TRI ET FILTRES
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Day at the Beach
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The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.66 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Five Australian Scenes for String Orchestra - 5. A Day at the Beach
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1414027 Composed by Martin La…
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String Orchestra - Level 3 - Digital Download SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Published by MA Lass & I Lass (A0.1414027). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing.Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring a few cello passages, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, “A Day at the Beach,†is set in Surfers Paradise on the Gold Coast in QLD. On a perfect summer day, one heads for the beach where fun and games, swimming, surfing, sun-baking, a picnic, and more games are the order of the day before heading home, full of sand, sun, food, and tired satisfaction.
$39.00
35.77 €
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Orchestre à Cordes
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Martin Lass
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Five Australian Scenes for String Orchestra - 5. A Day at the Beach
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MA Lass & I Lass
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SheetMusicPlus
A Day at the Beach for Solo Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.933273 Composed by Amy Stephens. Bl…
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Piano Solo - Level 3 - Digital Download SKU: A0.933273 Composed by Amy Stephens. Blues,Instructional,Jazz,Latin. Score. 28 pages. Amy Stephens #6453767. Published by Amy Stephens (A0.933273). A Day at the Beach (2021) is a suite for piano about the composer's favorite spots in Northern Coastal California--a gorgeous place with fascinating sights! Hope you enjoy these fully-notated jazz-style and Latin jazz-style songs as musical snapshots of life along the Pacific Ocean: 1. Skipping Rocks, 2. The Hang Gliders, 3. Tide Pools, 4. Riding the Waves, 5. Swimming with Dolphins. Appropriate for pianists level 4-5 and above. Also included are instructional pages on how each song is constructed with exercises for the pianist to improvise and/or compose. This suite won 1st place in the Composers Today 2022 competition. View the entire suite as played by the composer at the YouTube link provided and also at www.amystephens.comÂ
$10.00
9.17 €
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Piano seul
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Amy Stephens
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A Day at the Beach for Solo Piano
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Amy Stephens
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SheetMusicPlus
Island Cathedral
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.904869 Composed by Pam Asberry. 20t…
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Piano Solo - Level 3 - Digital Download SKU: A0.904869 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 3 pages. Pamela C Asberry #3385353. Published by Pamela C Asberry (A0.904869). Island Cathedral is a hymn-like piece inspired by the beautiful Alto Vista Chapel in Aruba. From the original solo piano album Seashells in My Pocket, released October 2017. Pam Asberry is off to a great start with this new phase of her musical career! (Kathy Parsons, MainlyPiano.com).Like shells plucked from the seashore and tucked into one's pocket as souvenirs from a magical day at the beach, these pieces evoke memories of beautiful islands and coastal cities. As you listen to her music, Pam's lifetime of playing experience shines ever-so-brilliantly through! I just love her 'right on time' pacing - it makes you feel like she's right there in your living room, telling her story of a walk along coastal shores! (Dick Metcalf, Contemporary Fusion Reviews). Pam's music can be heard on iTunes, Spotify, and Enlightened Piano Radio. For more information, visit www.pamasberry.com.
$5.50
5.04 €
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Piano seul
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Pam Asberry
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Island Cathedral
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Pamela C Asberry
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SheetMusicPlus
Tropical Cafe - at the Resort for Sxophone Quartet (optional Piano & Percussion)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1477423 Composed by Mari Miura. Arranged by Katsuo Mizushina. Classical,Contest,Festival. 79 pages. FOSTERMUSIC.JP Digital Publishing #1054001. Published by FOSTERMUSIC.JP Digital Publishing (A0.1477423). Tropical Cafe - at the Resort This piece is originally in a flute duet and piano version, arranged by Katsuo Mizushina for saxophone quartet.The suite is inspired by a story in a café at a resort, but can also be performed as excerpts.We would also be happy if the performers could freely enjoy the piece by adding piano and percussion instruments for optional parts and ad-libbing.Please imagine your favorite café and play it. (Mari Miura)Click here for piano accompaniment sound files.A clear blue sky.Reflected in a sea of sapphire.Waves lapping on the dazzling white of the beach glimmer in the sunlight.The Tropical Cafe, a charming building full of tourists on the shore.It has a mysterious power that transports you into the world of whatever you order.Word of its power soon spread, and now business is booming.But who will visit today? I.Bossa Nova on the Beach Today’s first customers are a group of girls who came to the beach for a holiday.“We need something to match our excitement!”“What could capture the radiance of the sun reflecting on the beach?”They’re having the time of their lives as they decide what to order.“This would be perfect!”One of the girls points out the Beach Bossa Nova. II.Anniversary Waltz At high noon, an elderly couple walks in.“Today is our wedding anniversary.”“We always talked about returning to this beach after we got married here, but we never got round to it.”“Until today!”The sun shining. Seagulls soaring across the sky. Waves gently lapping the shoreline.It was exactly as they’d remembered.Just like the waltz they danced at their wedding, they order the Anniversary Waltz. III.Songs of Nostalgia As the sun begins to set in the west, a customer dressed in unfamiliar clothes enters the cafe.“I wonder where this sea leads to.”The sun shines on half of his face, casting a long shadow.Thinking of his hometown, he gazes at the menu. His eyes tinged with sorrow, he comes across the Song of Nostalgia. IV.Happy Samba Flaming torches are lit as the sun falls beyond the horizon.When you feel a little lonesome as an exciting day draws to a close, treat yourself to the cafe’s most uplifting item.The Happy Samba!May tomorrow be filled with happiness.Click here for other works by Mari Miura.
$49.99
45.85 €
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Quatuor de Saxophones: 4 saxophones
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Mari Miura
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Katsuo Mizushina
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Tropical Cafe - at the Resort for Sxophone Quartet
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Day at the Beach
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1024542 Composed…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1024542 Composed by Art Peterson. Children,Contemporary,Film/TV,Holiday. Score and parts. 22 pages. Gypsy Records #3219129. Published by Gypsy Records (A0.1024542). Light Classical. .
$3.99
3.66 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Art Peterson
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Day at the Beach
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Gypsy Records
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SheetMusicPlus
The Four Seasons in the Basque Country
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Cen…
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
91.72 €
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque Country
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Musica Nova USA
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SheetMusicPlus
Day at the Beach
Chorale 3 parties
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1032096 Composed by Stephan…
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Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1032096 Composed by Stephanie Coldwell-Anderson. Arranged by Ruslan Kubovych. Children. Octavo. 24 pages. Stephanie Coldwell #4355881. Published by Stephanie Coldwell (A0.1032096). This song is great for elementary/middle school choirs - and challenges/works on rhythm as well as harmony. This song is 2mins 53 secs long.Performing Rights organization : SOCANYou can listen to this song on youtube https://www.youtube.com/watch?v=msoheLfX9igWebsite: www.stephaniecoldwellanderson.comThe original recording and Karaoke track for choir to sing to is available on iTunes.
$3.99
3.66 €
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Chorale 3 parties
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Stephanie Coldwell-Anderson
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Ruslan Kubovych
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Day at the Beach
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Stephanie Coldwell
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SheetMusicPlus
Song of the Sea
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1081132 Composed by Beth West. New …
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Piano Solo - Level 3 - Digital Download SKU: A0.1081132 Composed by Beth West. New Age. Score. 4 pages. Beth West #685070. Published by Beth West (A0.1081132). Gentle and soothing intermediate piano composition that evokes a peaceful day at the beach.
$4.99
4.58 €
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Piano seul
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Beth West
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Song of the Sea
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Beth West
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SheetMusicPlus
Scarborough at Sunset
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1365841 By MICHAEL TARRO. By MICH…
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C Instrument - Level 4 - Digital Download SKU: A0.1365841 By MICHAEL TARRO. By MICHAEL TARRO. Arranged by MICHAEL TARRO. Classical,Contemporary,Film/TV. Lead Sheet / Fake Book. 3 pages. Michael Tarro #950188. Published by michael Tarro (A0.1365841). This is a instrumental piece of music that was originally written for piano. Strings, woodwinds, and harp were added a bit later. It was composed  in a contemporary classical style, and was inspired by my childhood days at the beach! It is written for the intermediate/advanced pianist. Michael Tarro is a current author for Hal Leonard, and Satorella Publications. Additional pieces by Michael Tarro are available on this website.  https://www.sheetmusicplus.com/search?Ntt=michael+tarroThank you for your interst!
$4.99
4.58 €
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Instruments en Do
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MICHAEL TARRO
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MICHAEL TARRO
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Scarborough at Sunset
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michael Tarro
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SheetMusicPlus
Beach Spring (Easy Bowed Psaltery Solo with Piano Accompaniment)
Accompagnement Piano
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level…
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565910 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Easter,Folk,Holiday,Patriotic,Sacred. Score and individual part. 6 pages. Sharon Wilson #6574539. Published by Sharon Wilson (A0.565910). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic hymn tune BEACH SPRING. Many lyrics have been set to this tune attributed to Benjamin F. White, including Come, All Christians, Be Committed and God of Day and God of Darkness. The psaltery part was designed for a beginning psaltery player and is written in the key of F major with only 1 flat (B♠= A♯). The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation. The second solo part is identical to the standard music but includes the note names below each note (example A, B, C…). The PSALTERY plays the melody throughout. An optional repeat is included in case a longer song is desired. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Beach Spring (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is just over 1 octave. Also, the notes are written an octave lower on the staff so they are easier to read and learn for beginner musicians. The notated range for this song is C4 (middle C) to D5 (second D above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one in standard notation, one with alphabetic note names). The solo part could also be played by other instruments with the same range such as a violin.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
3.66 €
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Accompagnement Piano
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Sharon Wilson
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Sharon Wilson
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Beach Spring
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Sharon Wilson
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SheetMusicPlus
The Girl from Ipanema for Solo Trumpet & Piano
Trompette, Piano
By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Musi…
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By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.<br> <br> The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.<br> <br> Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.<br> <br> Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.<br> <br> <br> Helô Pinheiro, the woman who inspired the song, in 2006.<br> The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.<br> <br> During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.<br> <br> The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.<br> <br> In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone—it is a gift of life in its beautiful and melancholic constant ebb and flow."<br> <br> Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.<br> <br> The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bündchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.<br> <br> The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.<br> <br> Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.<br> <br> Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.<br> <br> <br> Helô Pinheiro, the woman who inspired the song, in 2006.<br> The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.<br> <br> During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.<br> <br> The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.<br> <br> In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone—it is a gift of life in its beautiful and melancholic constant ebb and flow."<br> <br> Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.<br> <br> The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bündchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.
$7.99
7.33 €
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Trompette, Piano
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Various
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Keith Terrett
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The Girl from Ipanema for Solo Trumpet & Piano
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Music for all Occasions
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SheetMusicPlus
The End of a Perfect Day - for C Instrument and Piano
Small Ensemble Flute,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.963842 …
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Small Ensemble Flute,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.963842 Composed by Amy Morales. Contemporary. Score and parts. 7 pages. Amy J Morales #6429385. Published by Amy J Morales (A0.963842). Beautiful piece for C instrument and piano. Peaceful and calming - inspired by waves at the beach. .
$2.50
2.29 €
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Amy Morales
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The End of a Perfect Day - for C Instrument and Piano
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Amy J Morales
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SheetMusicPlus
Afternoon at Casino Beach
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.866408 Composed by Catherine Crawle…
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Piano Solo - Level 4 - Digital Download SKU: A0.866408 Composed by Catherine Crawley. Romantic Period,Standards. Score. 3 pages. Catherine Crawley #2024637. Published by Catherine Crawley (A0.866408). This is a relaxing, light hearted piano solo written in the key of D flat major ( which falls easy under the fingers) for the late intermediate student. Afternoon at Casino Beach depicts a calm, but playful day at the beach.
$3.99
3.66 €
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Piano seul
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Catherine Crawley
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Afternoon at Casino Beach
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Catherine Crawley
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SheetMusicPlus
The Longest Day
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1159647 By Paul Anka. By Paul Ank…
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Concert Band - Level 4 - Digital Download SKU: A0.1159647 By Paul Anka. By Paul Anka. Arranged by Brad Willard. Film/TV,March. 78 pages. Brad Willard #759904. Published by Brad Willard (A0.1159647). The American epic war movie, The Longest Day, was released in 1962 and filmed in black and white, It is based on Cornelius Ryan's 1959 non-fiction book of the same name. It is about the D-Day landings at Normandy on June 6, 1944. The picture opens with a view of the beach and the sounds of the waves washing ashore. There is a lone helmet lying upside down on the beach, and over the sounds of the sea, we hear the motif from Beethoven's 5th Symphony, the dot-dot-dash of morse code signaling V, for victory. Throughout the film we hear variations on the theme of the march which culminates in the playing of the full march as the credits roll. Here scored for concert band is the march from The Longest Day, as written by Paul Anka.
$65.00
59.62 €
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Orchestre d'harmonie
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Paul Anka
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Brad Willard
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The Longest Day
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Brad Willard
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SheetMusicPlus
Daylight
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1452850 By Taylor Swift. By Taylor Swift. Arranged by Alison Gillies. Contemporary,Pop,Singer/Songwriter,Wedding. 16 pages. Quartetpad.com #1032134. Published by quartetpad.com (A0.1452850). Daylight by Taylor Swift arranged for string quartet by Alison Gillies.Another one for the Swifties! This time from Swift's 2019 Lover album.Everyone gets a bit of the melody in this arrangement, which is in the same key as the original track.Other Taylor Swift arrangements by quartetpad include:- …Ready For It?- Anti-Hero- Karma- Lavender Haze- Love Story- Lover- Snow On The Beach- King Of My Heart - Wildest Dreams- You Are In LoveSee more arrangements by Alison Gillies at quartetpad.comInstagramFacebookTikTok
$16.99
15.58 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Taylor Swift
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Alison Gillies
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Daylight
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quartetpad.com
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SheetMusicPlus
Children on the Beach (for 2 Pianos)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1144550 By Takeru …
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1144550 By Takeru Hirabayashi. By Takeru Hirabayashi. Classical,Holiday. Score. 6 pages. TAKeru Hirabayashi #744883. Published by TAKeru Hirabayashi (A0.1144550). The notes in the treble register represent splashing waves. After the lilting melody begins in the middle register, the children's play intensifies, culminating in the fortissimo at bar 19. The recapitulation section follows and at 39 their parents call them back home. The waves there continue to crash on the shore, and in the coda, both pianists play the sound of splashing waves.
$12.00
11.01 €
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2 Pianos, 4 mains
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Takeru Hirabayashi
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Children on the Beach
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TAKeru Hirabayashi
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SheetMusicPlus
Beach Spring (for Flute and Violin Duet with Piano Accompaniment)
Flûte, Violon, Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - Digital Download …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.565917 By Sharon Wilson. By Benjamin White and Traditional. Arranged by Sharon Wilson. Children,Easter,Folk,Holiday,Sacred. Score and parts. 14 pages. Sharon Wilson #6575327. Published by Sharon Wilson (A0.565917). Here is an easy instrumental trio arrangement (for FLUTE and VIOLIN duet with PIANO accompaniment) of the classic hymn tune BEACH SPRING. Many lyrics have been set to this tune composed by Benjamin F. White including Come, All Christians, Be Committed and God of Day and God of Darkness. Both the FLUTE and the VIOLIN get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The verse begins with each instrument playing a phrase independently followed by the FLUTE on melody and the VIOLIN on harmony. The song concludes with the VIOLIN on melody and the FLUTE on harmony. This cheerful and uplifting instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 2:00Though notated with FLUTE on part 1 and VIOLIN on part 2, the ranges are also accessible for other combinations of C instruments such as 2 VIOLINS. The range for each part is as follows: Part 1 (FLUTE) – F4 to A5; Part 2 (VIOLIN) – A3 to E5. For the violin on either part, all notes are playable in the first position making this piece an excellent choice for early intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (6 pages) with all parts on each page2. separate scores for the FLUTE and VIOLIN (1 page each) and PIANO (3 pages)3. a combined FLUTE and VIOLIN score (2 pages)Cover Image Credit: captured by the arranger’s son while living on the Micronesia island of Yap
$5.99
5.49 €
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Flûte, Violon, Piano
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Sharon Wilson
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Sharon Wilson
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Beach Spring
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Sharon Wilson
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SheetMusicPlus
On The Beach At Waikiki
Piano grosses notes
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.740109 This…
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.740109 This edition: scorch. E-Z Play Today. Folk,Pop,Standards. Score. 1 pages. Hal Leonard - Digital #11120. Published by Hal Leonard - Digital (HX.740109). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.74 €
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Piano grosses notes
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On The Beach At Waikiki
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Hal Leonard - Digital
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SheetMusicPlus
Reflections at Orange Beach
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.573958 Composed by James Michael St…
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Piano Solo - Level 3 - Digital Download SKU: A0.573958 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Score. 4 pages. James M Stevens Music ASCAP #6210183. Published by James M Stevens Music ASCAP (A0.573958). Written December 30, 2020, this is a original piano composition in a reflective and neoclassical style in the key of D minor. The MP3 is piano only while the YouTube video includes the sight and sounds of the waves at Orange Beach, Alabama which I took over the Christmas holidays.
$4.99
4.58 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Reflections at Orange Beach
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James M Stevens Music ASCAP
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SheetMusicPlus
A Day at the Beach
Small Ensemble - Digital Download SKU: A0.702816 Composed by Eric Bingham-Kumpf. Co…
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Small Ensemble - Digital Download SKU: A0.702816 Composed by Eric Bingham-Kumpf. Contemporary. Score and parts. 6 pages. Eric Bingham-Kumpf #238831. Published by Eric Bingham-Kumpf (A0.702816).
$6.00
5.5 €
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Eric Bingham-Kumpf
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A Day at the Beach
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Eric Bingham-Kumpf
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SheetMusicPlus
Sharktooth Frenzy
Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.10…
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Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00
4.59 €
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Christine Southworth
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Sharktooth Frenzy
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Airplane Ears Music
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SheetMusicPlus
Clouds By The Beach
Strings 1 Piano,4 Hands,Cello,Xylophone - Level 3 - Digital Download SKU: A0.1322483
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Strings 1 Piano,4 Hands,Cello,Xylophone - Level 3 - Digital Download SKU: A0.1322483 By Maestro. By Emmanuel Okorie. 21st Century,Classical,Film/TV,Holiday,Multicultural,World. Full Performance. Duration 417. Emmanuel Okorie #910784. Published by Emmanuel Okorie (A0.1322483). Laying on the seashore, we experience the still motion of the beach and the clouds moving over it. Listen to this audio to get a glimpse of how the ocean moves with the clouds and fall in line when next you are at the beach.
$3.80
3.49 €
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Maestro
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Clouds By The Beach
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Emmanuel Okorie
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SheetMusicPlus
Mother Imagined for Soprano and Piano
Voix Soprano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.976932 Composed by Sa…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.976932 Composed by Sabrina Pena Young. Contemporary,Film/TV,Holiday,Musical/Show,Opera. 1 pages. Sabrina Peña Young #3430809. Published by Sabrina Peña Young (A0.976932). A beautiful operatic solo for soprano from the groundbreaking animated opera Libertaria. Written by award-winning composer. Ideal for the Intermediate/Advanced student, college singer, or vocal professional. Quite heartwrenching and beautiful. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$6.99
6.41 €
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Voix Soprano
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Sabrina Pena Young
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Mother Imagined for Soprano and Piano
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Sabrina Peña Young
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SheetMusicPlus
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