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--INSTRUMENTS--
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Deadline
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--INSTRUMENTS--
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Vous avez sélectionné:
Deadline
Partitions à imprimer
34 partitions trouvées
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1
26
Deadline
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Jazz combo
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Chris Bandy
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Deadline
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Chris Bandy
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SheetMusicPlus
Jazz Combo - SKU: A0.921674 Composed by Chris Bandy. 20th Century,Contemporary,Jazz. Score and parts. 1 pages. Chris Bandy #4573157. Published by Chris ...
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Jazz Combo - SKU: A0.921674 Composed by Chris Bandy. 20th Century,Contemporary,Jazz. Score and parts. 1 pages. Chris Bandy #4573157. Published by Chris Bandy (A0.921674). Deadline is an afro-cuban jazz tune, easily adaptable to any combo setting.
$2.99
Trail of Tears, Op. 144
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Dr
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Trail of Tears, Op. 144
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.1489498 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Instructional,Multicultural,World. 17 pages. ...
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Brass Quintet - Level 3 - SKU: A0.1489498 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Instructional,Multicultural,World. 17 pages. Https://gildedmusicpress.com/ #1066363. Published by https://gildedmusicpress.com/ (A0.1489498). Rounding out the “American Trails” with the fifth composition in the collection, “Trail of Tears” is in reference to the heart-wrenching dark history of over 60,000 American Indians being expelled from their lands. During the period between 1830 and 1850, natives from five tribes were forcibly displaced from their homelands in what later became known as the American Deep South. These “Five Civilized Tribes” included the Cherokee, Chickasaw, Choctaw, Muscogee, and Seminole nations. Under the leadership of President Andrew Jackson, Congress passed the “Indian Removal Act” in 1830 which revoked all land ownership from all Native Americans in the Southeast. Although Jackson was not the originator of the movement to remove the Indians, it was his top legislative priority upon taking office. In his mind, they were a primary obstacle for the fulfillment of the Manifest Destiny and American national success. There were many opponents to the violent legislation, such as David Crockett of Tennessee and Catherine Beecher.The most brutal year of the Trail of Tears occurred in 1838 among the Cherokee who had resisted the Treaty of New Echota of 1836 through petitions and pleas to the US government. Despite their efforts, the expulsive treaty was ratified and the resistant Cherokee were compelled by militia to vacate all lands east of the Mississippi River. The heaviest death tolls occurred in the summer and winter months of 1838 after the deadline to depart had passed in May. Disease, exposure, starvation, and harassment by frontiersman compounded the physical exertion of the “death marches” that killed many.This composition extensively borrows the four-note motif from Beethoven’s Symphony No. 5. That symphony was composed in the early 1800s in Europe at the same time as the growth of the anti-Indian sentiment across the American frontier. Rather than primary thematic material, “Trail of Tears” uses the motif as a morose, plodding accompanimental pattern that adds depth of sorrow to the musical homage.
$19.95
Just In Time
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Zack Richards
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Just In Time
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Zack Richards
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.894373 Composed by Zack Richards. 20th Century,Contemporary. Individual part. 5 pages. Zack Richards #2113301. Publish...
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Clarinet Solo - Level 4 - SKU: A0.894373 Composed by Zack Richards. 20th Century,Contemporary. Individual part. 5 pages. Zack Richards #2113301. Published by Zack Richards (A0.894373). This solo is based on the octatonic scale, alternating between half steps and whole steps. The use of octave jumps is used to somewhat ground the piece in a tonality of B-flat in contrast to the more chromatic sounds of the octatonic scale. The title, Just In Time, refers to a couple aspects of the piece. Firstly, this was an assignment during my Graduate work in Composition and was finished just in time, only minutes before the deadline. Secondly, being a rhythmically complex piece, careful attention should be paid to playing the piece accurately and in time.
$3.99
The Doomsday Clock
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Blaze Scheuerman
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The Doomsday Clock
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Blaze Scheuerman
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1047338 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score. 10 pages. B...
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Piano Solo - Level 4 - SKU: A0.1047338 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score. 10 pages. Blaze Scheuerman #651896. Published by Blaze Scheuerman (A0.1047338). The Doomsday Clock is a piece that primarily shows anxiety and being overwhelmed. I composed this piece my senior year of high school. At the time I could feel the impending deadline of college piano auditions approaching, and this coupled with a hand injury caused me to be very stressed out and feel that I was unable to put in the time needed to practice and prepare. I chose the name “Doomsday Clock†as I felt that the event that was slowly creeping closer was actually going to be the destruction of my dreams. The intro starts up bleak as the main character feels lost and afraid. The baseline hints at something to come that keeps inching closer and closer. Then at measure 8 it hits him, the thing to come is inevitable and can’t be stopped. He tries to reason with it, but it does not budge. This forces him to go into a mad scuffle in order to keep up and be ahead, as seen in measure 13. What then proceeds is a series of highs and lows, such as in measure 24 where the main character is terrified of what is to come and in measure 33 where he begins to believe he can do it. The piece then modulates to C major, where the main character feels that he is ahead and going to be successful. But every time he states a confident line, it seems to deteriorate or break down. Eventually he leads back into the mad scuffle and reaches his lowest point in measure 74. Here he feels lost and is about to give up when something encourages him to keep on going. It manifests a childlike voice reminding him of why he started this journey in the first place, and it convinces him to not give up and instead keep on going (seen in the Eb major section in the style of the intro). He eventually reaches the end and makes it, almost collapsing at the finish.
$5.99
No Se Tu
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Piano seul
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FACILE
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Armando Manzanero Canche
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No Se Tu
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Unimusic Academy
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SheetMusicPlus
Piano - Level 2 - SKU: A0.1135065 Composed by Armando Manzanero Canche. Arranged by Unimusic Academy (Academia Unimusica). Latin,Pop,Rock. Score (Chords...
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Piano - Level 2 - SKU: A0.1135065 Composed by Armando Manzanero Canche. Arranged by Unimusic Academy (Academia Unimusica). Latin,Pop,Rock. Score (Chords/Lyrics). 3 pages. Unimusic Academy (Academia Unimusica) #735108. Published by Unimusic Academy (Academia Unimusica) (A0.1135065). Romance is the eighth studio album by Mexican singer Luis Miguel. It was released by WEA Latina on 19 November 1991. Although the production was originally intended as another collaboration with Juan Carlos Calderón, that plan was scrapped when Calderón was unable to compose songs for the album. Facing a new-material deadline in his recording contract, at his manager's suggestion Miguel chose bolero music for his next project. Mexican singer-songwriter Armando Manzanero was hired by WEA Latina to co-produce the album with Miguel. Recording began in August 1991 at Ocean Way Recording in Hollywood, California, with Bebu Silvetti the arranger.
$8.00
Overture "La serva padrona"
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Orchestre à Cordes
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Classique
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Giovanni Paisiello
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Paul Wood
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Overture "La serva padron
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - SKU: A0.736695 Composed by Giovanni Paisiello. Arranged by Paul Wood. Classical. Score and parts. 22 pages. MyMusicScores.com #177126...
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String Orchestra - SKU: A0.736695 Composed by Giovanni Paisiello. Arranged by Paul Wood. Classical. Score and parts. 22 pages. MyMusicScores.com #1771267. Published by MyMusicScores.com (A0.736695). The PDF contains the score and all parts. Imagine for a minute - your contract is coming up for renewal, your employer is just about to celebrate their wedding anniversary and they ask you to organise the entertainment for the big party. That's OK, you know you can do it under normal circumstances but they give you an impossibly short deadline to sort it out. I don't know about you but I think I might panic! Well, that's what happened to Paisiello. The Grand Duke Alexander needed a new opera for his wedding anniversary and pure Paisiello had to come up with the goods. Paisiello found a libretto, liked the story but needed it reworked. So not only did he manage to get the libretto rewritten but he also composed some great music. This Overture is just good old play! I hope you enjoy.
$9.99
Air Bells - Handbells - 2 Oct
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Cloches
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FACILE
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Contemporain
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Phil Day
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Air Bells - Handbells - 2 Oct
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Phil Day
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SheetMusicPlus
Handbell - Level 2 - SKU: A0.981393 Composed by Phil Day. Contemporary. Score. 10 pages. Phil Day #4764973. Published by Phil Day (A0.981393).
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Handbell - Level 2 - SKU: A0.981393 Composed by Phil Day. Contemporary. Score. 10 pages. Phil Day #4764973. Published by Phil Day (A0.981393). What do you get if you mix a spark of inspiration with a pressing deadline?
$3.95
Air Bells - Handbells - 5 Oct
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Cloches
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FACILE
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Contemporain
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Phil Day
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Air Bells - Handbells - 5 Oct
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Phil Day
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SheetMusicPlus
Handbell - Level 2 - SKU: A0.981390 Composed by Phil Day. Contemporary. Score. 10 pages. Phil Day #4764965. Published by Phil Day (A0.981390).
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Handbell - Level 2 - SKU: A0.981390 Composed by Phil Day. Contemporary. Score. 10 pages. Phil Day #4764965. Published by Phil Day (A0.981390). What do you get if you mix a spark of inspiration with a pressing deadline?
$4.75
Air Bells - Handbells - 3 Oct
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Cloches
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FACILE
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Contemporain
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Phil Day
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Air Bells - Handbells - 3 Oct
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Phil Day
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SheetMusicPlus
Handbell - Level 2 - SKU: A0.981391 Composed by Phil Day. Contemporary. Score. 10 pages. Phil Day #4764969. Published by Phil Day (A0.981391).
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Handbell - Level 2 - SKU: A0.981391 Composed by Phil Day. Contemporary. Score. 10 pages. Phil Day #4764969. Published by Phil Day (A0.981391). What do you get if you mix a spark of inspiration with a pressing deadline?
$4.25
Air Bells - Handbells - 12 Bell
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Cloches
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FACILE
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Contemporain
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Phil Day
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Air Bells - Handbells - 12 Bel
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Phil Day
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SheetMusicPlus
Handbell - Level 2 - SKU: A0.981392 Composed by Phil Day. Contemporary. Score. 7 pages. Phil Day #4764981. Published by Phil Day (A0.981392). ...
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Handbell - Level 2 - SKU: A0.981392 Composed by Phil Day. Contemporary. Score. 7 pages. Phil Day #4764981. Published by Phil Day (A0.981392). What do you get if you mix a spark of inspiration with a pressing deadline?
$3.75
Eine Kleine Nachtmusik: Serenade No. 13 in G Major, K 525
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Ensemble de cuivres
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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F
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Eine Kleine Nachtmusik: Serena
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.808710 Composed by Wolfgang Amadeus Mozart. Arranged by F. Leslie Smith. Classical,Film/TV,Wedding. Score and parts. ...
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Brass Ensemble - Level 5 - SKU: A0.808710 Composed by Wolfgang Amadeus Mozart. Arranged by F. Leslie Smith. Classical,Film/TV,Wedding. Score and parts. 112 pages. Sweetwater Brass Press #6566825. Published by Sweetwater Brass Press (A0.808710).     Eine Kleine Nachtmusik was composed in 1787 but remained unpublished until about a quarter century after Mozart’s death. Today, however, it is one of the composer’s best known compositions. Indeed, it probably qualifies as one of the best known compositions in all music, thanks in large part to its use in the 1984 Academy Award-winning film Amadeus.    At the time of composition, Mozart was trying to complete the second act of his opera, Don Giovanni. The opera was a commissioned work and the deadline for completion was looming. So why did he take the time to create this four-movement serenade? That remains, for the most part, an unanswered question.
$7.95
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Trombone or Euphonium and Piano
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0....
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B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0.1320503 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. Score and individual part. 9 pages. RBMusic #909019. Published by RBMusic (A0.1320503). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement (for solo trombone or euphonium and piano accompaniment) includes an alternative part for trombone/euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Clas...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 15 pages. RBMusic #913462. Published by RBMusic (A0.1325229). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for clarinet in E-flat and alto clarinet in E-flat. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
Orion
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Fanfare
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INTERMÉDIAIRE/AVANCÉ
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Metallica
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Jason Sullivann
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Orion
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Green Bicycle Music
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SheetMusicPlus
Marching Band - Level 4 - SKU: A0.1266023 By Metallica. By Cliff Burton, James Hetfield, and Lars Ulrich. Arranged by Jason Sullivann. Contest,Festival,...
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Marching Band - Level 4 - SKU: A0.1266023 By Metallica. By Cliff Burton, James Hetfield, and Lars Ulrich. Arranged by Jason Sullivann. Contest,Festival,March,Rock. Score and Parts. 117 pages. Green Bicycle Music #858759. Published by Green Bicycle Music (A0.1266023). For Advanced Marching band, Level 4-5. The concept of creating a Marching Band arrangement for a Metallica song actually had occurred to me several years ago. The announcement of the official competition spurred me to action, and Hey, Guess What? I still missed the deadline. Perhaps an underachiever of the Metallica Family, but a member nonetheless. The arrangement is based on my Piano version of ORION (available on this site, of course). It follows the original closely, with some embellishments added. Some of the soli playing is more challenging than many arrangements. The mood is more of a Concert piece for Marching Band, with plenty of energy, but more musical complexity. The PDF has been improved and replaced. The score is on Tabloid (11x17) size paper and the parts are on Letter (8.5x11) size. The parts will need to be trimmed for use. I believe it justly expresses the power of Metallica's music. This is not eligible for the 2023 competition. First: your group could play it anyway. Second: I will be on a quest to have it added for next year's version. I anticipate this year's competition will go very well.Â
$60.00
An Irish Lullaby
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Harpe
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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An Irish Lullaby
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Afghan Press Music for the Harp
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SheetMusicPlus
Harp - Level 3 - SKU: A0.797372 Arranged by Captain Francis O'Neill, arranged by Becky Baxter. Celtic,Folk. Score. 11 pages. Afghan Press Music for the ...
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Harp - Level 3 - SKU: A0.797372 Arranged by Captain Francis O'Neill, arranged by Becky Baxter. Celtic,Folk. Score. 11 pages. Afghan Press Music for the Harp #4830493. Published by Afghan Press Music for the Harp (A0.797372). From the arranger: In this non-traditional arrangement of an Irish lullaby from Francis O’Neill, my goal was to challenge my students to improve their ensemble skills and expression skills with keener listening and deeper attention to subtle dynamic contrasts. The most important goal was to enable my students to shape phrases artistically with drama and intensity. Oftentimes, students rush to learn music on a deadline with very little attention to the details. The markings in the music deepen the beauty of the sound and create a performance to savor and enjoy. The art is in the details.Part 1 can also be played as a solo.
$7.00
Intermezzo from "Cavalleria rusticana" (Mascagni) - Brass Quintet
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1321540 Composed by Pietro Mascagni. Arranged ...
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Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1321540 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 18 pages. RBMusic #910007. Published by RBMusic (A0.1321540). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$19.99
Two Nocturnes
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Piano Quatuor: piano, violon, alto, violoncelle
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Sir Peter Maxwell Davies
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Two Nocturnes
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Schott Music - Digital
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SheetMusicPlus
Pno-vln.va.vc piano, violin, viola and cello - SKU: S9.Q19143 For piano quartet. Composed by Sir Peter Maxwell Davies. This edition: score and pa...
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Pno-vln.va.vc piano, violin, viola and cello - SKU: S9.Q19143 For piano quartet. Composed by Sir Peter Maxwell Davies. This edition: score and parts. Downloadable, score and parts. Op. 307. Duration 5 minutes. Schott Music - Digital #Q19143. Published by Schott Music - Digital (S9.Q19143). The two nocturnes were composed immediately after major surgery, against a deadline, and, despite the music sounding unlike anything I have written before, I decided to keep them exactly as they turned out.2010 is a Chopin year, and I made this pair of nocturnes into a little tribute, after playing through and listening to most of his output. Never before had I composed under these drugged conditions – the musical dimensions were enormously exaggerated, with each interval and each phrase being elongated out of all proportion, and the whole few minutes filling the whole of time and space.The orchestration, for piano quartet, was influenced by the very neo-classical feel of the chamber version of the concertos, and the harmonic language very much the result of pondering Chopin’s very individual take on J.S Bach.They are dedicated to James MacMillan and Amelia Freedman respectively.Sir Peter Maxwell Davies (2010).
$12.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1315952 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 8 pages....
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Piano,Violin - Level 4 - SKU: A0.1315952 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 8 pages. RBMusic #904730. Published by RBMusic (A0.1315952). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
Roadtrip on a Motorway
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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L
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Roadtrip on a Motorway
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L.J Harding
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1028770 Composed by L.J Harding. Contemporary,Instructional,Standards. Score. 2 pages. L.J Harding #3921143. Published by...
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Piano Solo - Level 4 - SKU: A0.1028770 Composed by L.J Harding. Contemporary,Instructional,Standards. Score. 2 pages. L.J Harding #3921143. Published by L.J Harding (A0.1028770). This composition is a piano piece written in A major in the common time signature 4/4. The story behind ‘Roadtrip on a Motorway’ is from a personal experience of travelling to Galway from Dundalk to go to Pink Training, a national and life-changing weekend. The original phrase represents the rising hope of what the weekend could become and how exciting it is to be outside of college. This is quickly interrupted as during the journey the car breaks down on the motorway one hour away from Galway city. This is represented by fast, irregular rhythms with counterpoint to represent the disorientation, panic and fear from not knowing where we are or how we are going to get to Galway on time. The return of the original motif symbolises hope coming back to us as a woman stopped on the motorway and offered to drive us to Galway. A sense of panic and disorientation returns in the music as we begin to become stressed about whether we will meet the deadline for registration. The song finally resolves to the original theme, but developed as a nod to the journey that we had while we finally make it to registration on time.
$6.99
A Train Through Yorkshire - for Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Britt Andrew Burns
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A Train Through Yorkshire - fo
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Indie Classical Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.971801 Composed by Britt Andrew Burns. Contemporary. Score and parts. 71 pages. Indie Classical Publications #1932369. ...
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Concert Band - Level 3 - SKU: A0.971801 Composed by Britt Andrew Burns. Contemporary. Score and parts. 71 pages. Indie Classical Publications #1932369. Published by Indie Classical Publications (A0.971801). A TRAIN THROUGH YORKSHIRE is one of my earliest works for band. Composed in 2007, it was inspired by the train rides I took while studying abroad in Great Britain. The Yorkshire area is especially beautiful, and the music was inspired by my memory of sitting on a train with a tea in hand on a drizzly day. However, I was never fully satisfied with the work, as it felt incomplete. One reason was that I was rushed to meet a short deadline when composing this piece. It wasn't until the summer of 2018 that I decided to do it justice and revise it. This new and final version is a little shorter than the original and offers a better balanced orchestration. Level: grade 3+ (medium) Duration: About 5 minutes, 15 seconds
$25.00
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