English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
6
Partitions
Numériques
3
Librairie
Musicale
1
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1
PIANO & CLAVIERS
Piano seul
1
GUITARES
VOIX
VENTS
CUIVRES
CORDES
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1
AUTRES
Vous avez sélectionné:
Death of the New York Central
Partitions à imprimer
3 partitions trouvées
<
1
Rhapsody for Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. …
(+)
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
18.35 €
#
Orchestre d'harmonie
#
July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
#
Brock Lupton
#
Rhapsody for Concert Band
#
Brock Lupton
#
SheetMusicPlus
Death of the New York Central
Composed by Paul Henry Dallaire /Socan.ca. Performance. Published by Paul Henry Pub. SOCAN…
(+)
Composed by Paul Henry Dallaire /Socan.ca. Performance. Published by Paul Henry Pub. SOCAN.CA / U.S.Rep: ASCAP (S0.43537). - Performance - - Paul Henry Pub. SOCAN.CA / U.S.Rep: ASCAP
$1.99
1.83 €
#
Paul Henry Dallaire /Socan
#
Death of the New York Central
#
Paul Henry Pub. SOCAN.CA / U.S.Rep: ASCAP
#
SheetMusicPlus
Three Homages [piano solo]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.596596 Composed by Juan MarÃa So…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.596596 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 12 pages. Juan Maria Solare #5888527. Published by Juan Maria Solare (A0.596596). Three Homages for piano solo1 - Seduce us badly (to Claude Debussy)2 - Ave Verdi (to Giuseppe Verdi) 3 - Schubertango (to Franz Schubert)Three Homagesfor piano solo1) Seduce us badly is an anagram of Claude Debussy. Stephen Porter's project Re-Imagining Debussy required the work to interact in some way with the music or compositional spirit of Debussy. I answered by using some of his technical devices: chords parallelisms, whole-tone scales, brief melodic shapes, central notes and a broad multi-layered texture. 2) Ave VerdiA miniature composed on the death-day of Verdi (27th January 2013). The piece is based on the 7-tone scala enigmatica used by Giuseppe Verdi in his Ave Maria (1889, first from Quattro Pezzi Sacri) and its complement (the missing 5 notes), treated as twelve-tone field. The piece is dedicated to that other Giuseppe: Lupis. The scala enigmatica: [Do - Reb - Mi - Fa# - Sol# - La# - Si] Complement: [Re - Mib - Fa - Sol - La]Original Tone Row: 0 1 4 6 8 10 11 2 3 5 7 9 3) SchubertangoTango music has more to do with Franz Schubert than with any other classical composer. Harmonies and types of melody are extremely similar. Such similarities cease, at the latest, when we come to rhythm. This miniature shows how Schubert's melodies can be flawlessly integrated into the musical language of tango. If one doesn't know the original pieces, you will not even recognize at all that there is a quotation. In the score, the composer kindly tags the sources of the quotations; nevertheless, there is also a hidden quotation (or rather an allusion) that doesn't stem from Schubert: it is the chord progression (not the melody) of a very well known tango of the modern era. Do you find it? The Schubertango was composed in Bremen (Germany) on 28 November 2014 and has a duration of 1 minute. The piece is dedicated to pianist Stephen Porter, in the frame of his project Re-Imagining Schubert, hosted by Vox Novus (New York City) and their cycle Fifteen Minutes of Fame. Juan Maria Solare, born 1966 in Argentina, works currently in Germany as composer, pianist (contemporary & tango) and teaching at the University of Bremen and at the Hochschule fuer Kuenste Bremen. His music has been performed in five continents. Find his music on Spotify, Apple Music, Napster, etc. https://sptfy.com/jmsolare 
$3.00
2.75 €
#
Piano seul
#
Juan MarÃa Solare
#
Three Homages [piano solo]
#
Juan Maria Solare
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
