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AUTRES INST…
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BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
TUBA
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VIOLON
VIOLONCELLE
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
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FUNK
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Pertinence
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difficulté (tous)
débutant
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intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
738
PIANO & CLAVIERS
Piano seul
855
Piano, Voix
356
Piano Facile
145
1 Piano, 4 mains
37
Piano Trio: piano, violon, violoncelle
17
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Orgue
10
Instruments en Do
7
Piano, Voix et Guitare
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Accompagnement Piano
5
2 Pianos, 4 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
1
Piano grosses notes
1
2 Pianos, 8 mains
1
Instrumentations suivantes
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GUITARES
Guitare
36
Guitare notes et tablatures
26
2 Guitares (duo)
14
Ligne De Mélodie, (Paroles) et Accords
9
4 Guitares (Quatuor)
4
Basse electrique
4
Piano, Guitare (duo)
3
Guitare, Violon, Violoncelle (trio)
2
Ensemble de guitares
1
Mandoline
1
2 Ukuleles
1
Instrumentations suivantes
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VOIX
Voix seule
21
Chorale SATB
15
Voix Alto, Piano
5
Chorale 2 parties
4
Voix Soprano, Piano
3
Chorale
2
Voix haute
1
Voix basse, Piano
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
114
Flûte traversière et Piano
101
Quatuor de Saxophones: 4 saxophones
81
Flûte traversière
64
Clarinette
54
Clarinette et Piano
47
Saxophone Alto et Piano
39
Hautbois, Piano (duo)
39
Quatuor de Clarinettes: 4 clarinettes
36
Flûte, Hautbois, Clarinette, Basson
34
2 Saxophones (duo)
31
Quatuor de Flûtes : 4 flûtes
28
Saxophone Tenor et Piano
27
Saxophone (partie séparée)
27
Quintette de Flûte : 5 flûtes
25
Quintette de Saxophone: 5 saxophones
22
Ensemble de Clarinettes
21
Quintette de Clarinettes: 5 clarinettes
20
Ensemble de saxophones
19
Saxophone Soprano et Piano
19
Saxophone Alto
19
2 Flûtes traversières (duo)
17
Hautbois (partie séparée)
15
Flûte et Guitare
13
2 Clarinettes (duo)
11
Flûte, Clarinette (duo)
9
Saxophone Baryton, Piano
9
Clarinette (partie séparée)
8
3 Clarinettes (trio)
7
Flûte à bec Tenor
4
Clarinette, Guitare (duo)
4
Flûte à Bec
4
Ensemble de Flûtes
4
Trio de Flûtes: 3 flûtes
4
Flûte, Clarinette et Basson
4
Clarinette, Basson (duo)
4
Clarinette Basse, Piano
4
Piccolo, Piano
3
Flûte à bec Soprano
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, alto et harpe
3
3 Saxophones (trio)
3
2 Hautbois (duo)
3
Flûte, Hautbois (duo)
3
Quatuor de Flûtes à bec
3
Flûte à bec Alto
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, trombone et piano
2
Saxophone
2
Flûte, Violon, Piano
2
Saxophone Tenor
2
Cor anglais, Piano
2
Flute (partie séparée)
2
Flûte, Alto et Violoncelle
2
Hautbois, Basson (duo)
2
Hautbois
2
Clarinette, Violoncelle (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Soprano
1
2 Saxophones, Piano
1
3 Hautbois
1
2 Clarinettes, Piano
1
2 Flûtes traversières, Piano
1
4 Hautbois
1
Saxophone et Guitare
1
Clarinette, Violon (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Violon et Violoncelle
1
Flûte à bec, Guitare (duo)
1
Flûte, Basson et Piano
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
Ensemble De Flûte à bec
1
Saxophone Baryton
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
68
Quatuor de Cuivres : 2 trompettes, trombone, tuba
41
Trombone et Piano
32
Trompette, Piano
28
Cor et Piano
27
Trompette
23
Tuba et Piano
21
Ensemble de Trombones
19
Trombone
17
Cor
15
Quatuor de cuivres: 4 trombones
14
Euphonium, Piano (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Trombone (partie séparée)
9
Tuba
9
2 Trompettes (duo)
9
2 Trombones (duo)
7
2 Euphoniums et 2 Tubas
5
Quatuor de cuivres: 4 cors
5
Trompette (partie séparée)
5
Euphonium
4
Tuba (partie séparée)
4
2 Cors (duo)
4
Trio de Cuivres
3
Trompette, Trombone (duo)
3
4 Tubas
3
Trombone basse
2
Trompette, Cor (duo)
2
Cor (partie séparée)
2
Trombone, Cor (duo)
2
Quatuor de cuivres: 4 trompettes
2
Cor anglais, Piano
2
Trombone basse et Piano
2
Trombone, Tuba (duo)
1
3 Trombones (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Orchestre
1
4 Euphoniums
1
Trompette, Tuba (duo)
1
Quatuor de Cuivres
1
2 Tubas (duo)
1
3 Trompettes (trio)
1
Trompette et Guitare
1
2 Euphoniums (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
133
Violon et Piano
94
Violoncelle, Piano
74
Violon
64
Alto, Piano
50
Alto seul
45
Violon, Violoncelle (duo)
22
Violoncelle
22
Violoncelle (partie séparée)
22
2 Violons (duo)
15
Violon (partie séparée)
13
2 Violoncelles (duo)
10
Contrebasse, Piano (duo)
10
Harpe
10
Trio à Cordes: violon, alto, violoncelle
9
Contre Basse
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contrebasse (partie séparée)
4
2 Violons, Piano
4
Violon, Alto (duo)
4
Alto, Violoncelle (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Altos (duo)
4
Harpe, Violon (duo)
3
4 Violoncelles
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Guitare (duo)
3
Harpe, Flûte (duo)
3
Trio à cordes
2
2 Contrebasses (duo)
2
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes : 4 altos
2
Alto, Guitare (duo)
2
2 Altos, Piano
2
Alto (partie séparée)
2
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 3 violoncelles
1
3 Contrebasses
1
Violoncelle , Guitare (duo)
1
2 Violoncelles, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
104
Orchestre à Cordes
97
Orchestre d'harmonie
50
Orchestre de chambre
24
Ensemble de cuivres
12
Quintette à Vent
4
Cloches
4
Ensemble de Percussions
3
Vibraphone (partie séparée)
2
Percussion
2
Vibraphone
2
Timbales (partie séparée)
1
Marimba, Piano (duo)
1
Orchestre, Violon
1
Marimba
1
Batterie (partie séparée)
1
Percussion (partie séparée)
1
Vibraphone et Marimba
1
Instrumentations suivantes
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AUTRES
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
(+)
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussys friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédiers adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagners Tristan und Isolde are that none of the action takes place in Cornwal and that Isolde of the white hands is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its legendary character and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristans death. Even if he thought that Moureys poetry was not very lyrical and many passages do not exactly invite music, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, one of the 363 themes for the Roman de Tristan in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong Le Faucon. After a short atmospheric introduction, Debussys dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussys opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Moureys actual libretto has been lost and the project eventually foundered because Bédiers cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Moureys version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.62 €
#
Orchestre
#
Claude Debussy/Robert Orledge
#
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy: Sarabande (Pour le piano) (For the piano), L. 95- wind dectet
Orchestre
Large Ensemble - Digital Download Composed by Claude Debussy (1862-1918). Arranged by…
(+)
Large Ensemble - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century. Score and parts. 17 pages. RayThompsonMusic #6109107. Published by RayThompsonMusic
Pour le piano (For the piano), L. 95, is a suite for solo piano by Claude Debussy. It consists of three individually composed movements, Prélude, Sarabande and Toccata. The suite was completed and published in 1901. It was premiered on 11 January 1902 at the Salle Érard, played by Ricardo Viñes. Maurice Ravel orchestrated the middle movement.<br> <br> This is my arrangement of that movement.based on Ravel's orchestration.<br> <br> Regarded as Debussy's first mature piano composition, the suite has frequently been recorded.Arranged double wind quintet/double bass<br> Clarinet parts are for clarinets in A<br> Oboe 2 is for cor anglais
$14.95
13.95 €
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Orchestre
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Claude Debussy (1862-1918)
#
Ray Thompson
#
Debussy: Sarabande
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RayThompsonMusic
#
SheetMusicPlus
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussyâs death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussyâs keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravelâs Jeux dâeau, published in 1902. The opening movement, âPagodesâ, is Debussyâs first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussyâs use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as âPagodesâ was his first Oriental piece, so âLa soirée dans Grenadeâ was the first of Debussyâs evocations of Spain-that preternatural embodiment of an âimaginary Andalusiaâ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussyâs personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravelâs Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), âif this isnât the music they play in Granada, so much the worse for Granada!â-and there is no debate about the absolute authenticity of Debussyâs use of Spanish idioms here. Falla himself pronounced it âcharacteristically Spanish in every detailâ. âLa soirée dans Grenadeâ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. âJardins sous la pluieâ is based on the childrenâs song âNous nârons plus au boisâ (We shanât go to the woods): its original 1894 form was in fact entitled Quelques aspects de âNous nârons plus au boisâ. The two versions are really two distinct treatments of the same set of ideas, but in âJardins sous la pluieâ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second childrenâs song for treatment, âDo, do, lâenfant doâ) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.33 €
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Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
#
SheetMusicPlus
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussyâs death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussyâs keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravelâs Jeux dâeau, published in 1902. The opening movement, âPagodesâ, is Debussyâs first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussyâs use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as âPagodesâ was his first Oriental piece, so âLa soirée dans Grenadeâ was the first of Debussyâs evocations of Spain-that preternatural embodiment of an âimaginary Andalusiaâ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussyâs personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravelâs Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), âif this isnât the music they play in Granada, so much the worse for Granada!â-and there is no debate about the absolute authenticity of Debussyâs use of Spanish idioms here. Falla himself pronounced it âcharacteristically Spanish in every detailâ. âLa soirée dans Grenadeâ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. âJardins sous la pluieâ is based on the childrenâs song âNous nârons plus au boisâ (We shanât go to the woods): its original 1894 form was in fact entitled Quelques aspects de âNous nârons plus au boisâ. The two versions are really two distinct treatments of the same set of ideas, but in âJardins sous la pluieâ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second childrenâs song for treatment, âDo, do, lâenfant doâ) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.33 €
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Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
#
SheetMusicPlus
Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussyâs death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussyâs keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravelâs Jeux dâeau, published in 1902. The opening movement, âPagodesâ, is Debussyâs first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussyâs use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as âPagodesâ was his first Oriental piece, so âLa soirée dans Grenadeâ was the first of Debussyâs evocations of Spain-that preternatural embodiment of an âimaginary Andalusiaâ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussyâs personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravelâs Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), âif this isnât the music they play in Granada, so much the worse for Granada!â-and there is no debate about the absolute authenticity of Debussyâs use of Spanish idioms here. Falla himself pronounced it âcharacteristically Spanish in every detailâ. âLa soirée dans Grenadeâ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. âJardins sous la pluieâ is based on the childrenâs song âNous nârons plus au boisâ (We shanât go to the woods): its original 1894 form was in fact entitled Quelques aspects de âNous nârons plus au boisâ. The two versions are really two distinct treatments of the same set of ideas, but in âJardins sous la pluieâ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second childrenâs song for treatment, âDo, do, lâenfant doâ) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.33 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy â Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99
93.33 €
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Orchestre
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
C. Debussy - 3 Preludes,
Orchestre
Full Orchestra - Digital Download SKU: A0.1008416 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008416 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and Parts. 60 pages. Arkady Leytush #6417961. Published by Arkady Leytush (A0.1008416). âLa Sérénade Interrompueâ,#9(I)Sometimes an orchestral transcription of a program piece like this âInterrupted Serenadeâ turns into a kind of theatrical performance on the stage of the theater. By means of the orchestra, as in painting, you can try to reproduce the whole mysterious picture of such an episode full of passion, nocturnal rustles, fear of being discovered by the family of your beloved and even the sudden opening of the window, but in the end, a hasty escape by flight, without finishing the serenade to the end.La puerta del Vino,#3(II)While creating the orchestral version of this Debussy prelude, two things stood before my eyes -the seductive Habanera performed by an oriental beauty and the unforgettable beauty of Alhambra. General Lavine - eccentric,#6(II)Debussy creates the effect of three hands playing. Lavineâs clown acts were accompanied by trumpets and drums, often backstage. âStrident,â âspiritual and discreetâ: tongue-in-cheek. âSec,â a dry sound for staccato chords. Debussyâs transformation of the American popular tune, âCamp town Races.â Sudden dynamic changes suggest the juggling act of âGeneralâ Lavine, tossing large and small items at the same time.
$60.00
56 €
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Orchestre
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means of the orchestra, as in painting, you can try to reproduce the whole mysterious picture of such an episode full of passion, nocturnal rustles, fear of being discovered by the family of your beloved and even the sudden opening of the window, but in the end, a hasty escape by flight, without finishing the serenade to the end
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Claude Debussy
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A
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C. Debussy - 3 Preludes,
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Arkady Leytush
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SheetMusicPlus
Claude Debussy: Rhapsodie Mauresque for alto saxophone and orchestra, revised by Robert Orledge, sco
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534688 Composed by Claude Debus…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534688 Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 75 pages. Musik Fabrik Music Publishing #6215671. Published by Musik Fabrik Music Publishing (A0.534688). This new version of the Debussy Saxophone Rapsodie goes back to the two original autograph sources. Dr. Robert Orledge is one of the World's leading Debussy scholars and this new reworking represents his long years of work on Debussy's incomplete scores. Scored for 3(pic)2(EH)22/4331/timb/2perc/cel/hp/strings This is the orchestral score. The piano reduction with the solo part is also available for sale. Parts are on rental from the publisher. Includes complete notes.
$29.95
27.95 €
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Orchestre
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Claude Debussy/Robert Orledge
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Includes complete notes
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Claude Debussy: Rhapsodie Mauresque for alto saxophone and orchestra, revised by Robert Orledge, sco
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy/Robert Orledge : Sérénade for alto saxophone and orchestra - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1152389 By Asya Fateyeva. By Cl…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1152389 By Asya Fateyeva. By Claude Debussy/Robert Orledge. 19th Century,Classical,Romantic Period. 34 pages. Musik Fabrik Music Publishing #752612. Published by Musik Fabrik Music Publishing (A0.1152389). Taken from a sketch given by Debussy's wife to Joachim Nin, the work was complete and orchestred for 32(EH)23/2100/timp/1perc/hp/strings by the Debussy Scholar Robert Orledge for the saxophonist Asya Fateyeva. This item is the score plus the solo part. A version for saxophone and piano a the score of the version for saxophone and 17 instruments are available for sale. The parts are on rental from the publishe.
$18.95
17.69 €
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Orchestre
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Asya Fateyeva
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Claude Debussy/Robert Orledge : Sérénade for alto saxophone and orchestra - Score Only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy: Poème for violin and orchestra, full score and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534580 Composed by Claude Debus…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534580 Composed by Claude Debussy/Robert Orledge. 20th Century,Standards. Score and parts. 59 pages. Musik Fabrik Music Publishing #4347323. Published by Musik Fabrik Music Publishing (A0.534580). This is the work that Debussy intended to write for the American violinist Arthur Hartmann for a projected tour of the US that never happened. Dr. Robert Orledge found five sketches that Debussy wrote between 1910 and 1914 and was able to complete this work using those sketches. The orchestration is for 21EH22/4200/timp/1perc/hp/strings (minimum 12.10.8.6.4). The work lasts aproximately ten minutesThis version the full score and solo part The piano reduction is available for sale as a seperate item. The parts are on rental from the publisher. Hear this work on Soundcloud: https://soundcloud.com/dylan-lindo/poeme-for-violin-and-orchestraPremiere (original form): Friday 5 February 2010 by Edmond Agopian (vln) with the Calgary University and Calgary Youth Orchestra, conducted by Daniel Bartholomew. Rosza Theatre, University of Calgary, Canada.
$29.95
27.95 €
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Orchestre
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Claude Debussy/Robert Orledge
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Claude Debussy: Poème for violin and orchestra, full score and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
C. Debussy: The Complete Preludes, #6 (II), "General Lavine - eccentric", Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008400 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008400 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 19 pages. Arkady Leytush #6246337. Published by Arkady Leytush (A0.1008400). Debussy creates the effect of three hands playing. Lavineâs clown acts were accompanied by trumpets and drums, often backstage. Strident, spiritual and discreet: tongue-in-cheek. Sec, a dry sound for staccato chords. Debussyâs transformation of the American popular tune, Camp town Races. Sudden dynamic changes suggest the juggling act of General Lavine, tossing large and small items at the same time.This is a new orchestra transcription.
$20.00
18.67 €
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Orchestre
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Claude Debussy
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A
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C. Debussy: The Complete Preludes, #6
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Arkady Leytush
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SheetMusicPlus
C. Debussy - The Complete Preludes, #2 (II) Feuilles mortes, Orchestrated by A. Leytush - Score Only
Orchestre
By Claude Debussy. By Claude Debussy (1862-1918). Arranged by Arkady Leytush. 20th C…
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By Claude Debussy. By Claude Debussy (1862-1918). Arranged by Arkady Leytush. 20th Century. 11 pages. Arkady Leytush #814837. Published by Arkady Leytush
$25.00
23.33 €
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Orchestre
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Claude Debussy
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C. Debussy - The Complete Preludes, #2
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Arkady Leytush
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SheetMusicPlus
Debussy - "En Blanc et Noir", Orchestra Suite, orchestrated by Leytush, SCORE & PARTS
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1008356 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1008356 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century,Standards,World. Score and parts. 313 pages. Arkady Leytush #4783675. Published by Arkady Leytush (A0.1008356). This virtuoso piano work has been expanded using the full orchestra palette to exploit the beautiful colors of Debussy's Impressionistic style.
$300.00
280.01 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Debussy - "En Blanc et Noir", Orchestra Suite, orchestrated by Leytush, SCORE & PARTS
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Arkady Leytush
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SheetMusicPlus
C. Debussy - "En Blanc et Noir", Orchestra Suite, orchestrated by A. Leytush, Full Score only
Orchestre
Full Orchestra - Digital Download SKU: A0.1008393 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008393 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 111 pages. Arkady Leytush #6207109. Published by Arkady Leytush (A0.1008393). This virtuoso piano work has been expanded using the full orchestra palette to exploit the beautiful colors of Debussy's Impressionistic style.Full Orchestra: Piccolo, 2 Flutes, 2 Oboes, English Horn, 2 Clarinets in B, Bass Clarinet, 2 Bassoons, Contrabassoon, 4 Horns in F, 2 Trumpets in C, 2 Trombones, Bass Trombone, Tuba, Timpani, Xylophone, Triangle, Cymbals, Gong, Tam-Tam, Snare Drum, Bass Drum, Harp, Piano/Celesta, Violins I, Violins 2, Violas, Cellos, D. Basses
$60.00
56 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - "En Blanc et Noir", Orchestra Suite, orchestrated by A. Leytush, Full Score only
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Arkady Leytush
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SheetMusicPlus
Claude Debussy: Le Roi Lear Suite for orchestra, score only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.534682 Composed by Claude Debus…
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Full Orchestra - Level 4 - Digital Download SKU: A0.534682 Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 45 pages. Musik Fabrik Music Publishing #6133659. Published by Musik Fabrik Music Publishing (A0.534682). A seven-movement suite of Debussy's music for King Lear, completed and orchestrated by Dr. Robert Orledge. Scored for 2.1CA22/4311/timp/1perc/2hps/strings. Score only, parts on rental from the publisher
$25.95
24.22 €
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Orchestre
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Claude Debussy/Robert Orledge
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Scored for
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Claude Debussy: Le Roi Lear Suite for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
C. Debussy - IMAGES, Book I, #3. Mouvement, Orchestra Suite, Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008373 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008373 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 30 pages. Arkady Leytush #4847875. Published by Arkady Leytush (A0.1008373). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans lâeau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00
23.33 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - IMAGES, Book I, #3. Mouvement, Orchestra Suite, Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
C. Debussy - Prelude #4 (II) Les fées sont d'exquises da, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1218366 By Claude Debussy. By C…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1218366 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 30 pages. Arkady Leytush #814839. Published by Arkady Leytush (A0.1218366).
$25.00
23.33 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - Prelude #4
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Arkady Leytush
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SheetMusicPlus
C. Debussy - IMAGES, Book I, #2. Hommage à Rameau, Orchestra Suite, Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008371 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008371 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 20 pages. Arkady Leytush #4847873. Published by Arkady Leytush (A0.1008371). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans lâeau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00
23.33 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - IMAGES, Book I, #2. Hommage à Rameau, Orchestra Suite, Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
C. Debussy - IMAGES, Book I, #1.Reflets dans l'eau, Orchestra Suite, Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008370 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008370 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 29 pages. Arkady Leytush #4847871. Published by Arkady Leytush (A0.1008370). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans lâeau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00
23.33 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - IMAGES, Book I, #1.Reflets dans l'eau, Orchestra Suite, Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
Rêverie for Orchestra - Claude Debussy - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1114943 By Tiziano de Felice. B…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1114943 By Tiziano de Felice. By Claude Debussy. Arranged by Tiziano de Felice. 19th Century,20th Century,Classical,Romantic Period. 23 pages. Tiziano de Felice #716781. Published by Tiziano de Felice (A0.1114943). Orchestration of Debussy's famous piano piece Rêverie. Scored for: 2 fl. / 2 ob. / eng. h. / 2 Bb cl. / 2 bsn / 4 Horns in F / 2 tr. in C / harp & strings.
$25.00
23.33 €
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Orchestre
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Tiziano de Felice
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Tiziano de Felice
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strings.
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Rêverie for Orchestra - Claude Debussy - Score Only
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Tiziano de Felice
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SheetMusicPlus
C. Debussy - Prelude #5 (II) Bruyères, Heather, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1218369 By Claude Debussy. By C…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1218369 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 13 pages. Arkady Leytush #814842. Published by Arkady Leytush (A0.1218369).
$25.00
23.33 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - Prelude #5
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Arkady Leytush
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SheetMusicPlus
C. Debussy - Prelude #7 (II) La Terrasse des Audiences du, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1223678 By Claude Debussy. By C…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1223678 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 15 pages. Arkady Leytush #814845. Published by Arkady Leytush (A0.1223678).
$25.00
23.33 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - Prelude #7
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Arkady Leytush
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SheetMusicPlus
C. Debussy - The Complete Preludes, #8 (II) "Ondine", Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1218374 By Claude Debussy. By C…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1218374 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 22 pages. Arkady Leytush #814848. Published by Arkady Leytush (A0.1218374).
$25.00
23.33 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - The Complete Preludes, #8
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Arkady Leytush
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SheetMusicPlus
C. Debussy: The Complete Preludes, #3(II), Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008399 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008399 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 20 pages. Arkady Leytush #6237205. Published by Arkady Leytush (A0.1008399). While creating the orchestral version of this Debussy prelude, two things stood before my eyes -
$20.00
18.67 €
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Orchestre
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Claude Debussy
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A
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C. Debussy: The Complete Preludes, #3(II), Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
C. Debussy - Prelude #10 (I), "La cathédrale engloutie", Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008409 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008409 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 21 pages. Arkady Leytush #6320745. Published by Arkady Leytush (A0.1008409).
$20.00
18.67 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - Prelude #10
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Arkady Leytush
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SheetMusicPlus
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