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Vous avez sélectionné:
Declaration March
Partitions à imprimer
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Declaration March
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1302912 By Kyle L. McKinzey. By K…
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Concert Band - Level 2 - Digital Download SKU: A0.1302912 By Kyle L. McKinzey. By Kyle L. McKinzey. Arranged by Kyle L. McKinzey. Contest,Festival,March. Score and Parts. 32 pages. KyleMac Music #892525. Published by KyleMac Music (A0.1302912). Declaration March is a vibrant and spirited concert march specially crafted for young bands. With a Grade 1 level of difficulty, this two-minute musical gem is the perfect addition to your ensemble's repertoire for both contest performances and concerts. This exhilarating march features a full concert band instrumentation, ensuring that every section of your band gets a chance to shine. Only the trumpets and clarinets are split but are rhythmically unison. Meanwhile, the low brass and woodwinds play in unison, creating a powerful and unified sound that will resonate throughout the concert hall.The percussion section plays a crucial role in adding rhythmic depth and excitement to Declaration March. These percussion elements work in harmony with the winds and brass to create a lively and energetic atmosphere that will have your audience tapping their feet and clapping along.Declaration March embodies the essence of a spirited and joyful musical journey, providing your young band with an opportunity to showcase their musicianship and teamwork. Its catchy melodies, lively rhythms, and dynamic contrasts make it an excellent choice for young musicians looking to make a lasting impression on their listeners.
$45.00
40.76 €
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Orchestre d'harmonie
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Kyle L
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Kyle L
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Declaration March
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KyleMac Music
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SheetMusicPlus
Trumbull Sketches
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1023992 Composed by Kyle Wernke…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publishing #2121501. Published by Kyle Wernke Publishing (A0.1023992). Commissioned by the Fort Smith Symphony - John Jeter, Conductor John Trumbull (June 6, 1756 - November 10, 1843) is perhaps the most overlooked of the Founding Fathers of The United States. Born and raised in Connecticut, John Trumbull was the son of Jonathan Trumbull (October 12, 1710 - August 17, 1785), Governor of Connecticut from 1769 to 1784, the only Royal Governor to side with the Americans during the Revolutionary War. Trumbull fought in the revolution, witnessing Bunker Hill and using his artistic abilities to sketch the British Works at Boston. Later, he was appointed second personal aide to General Washington, and in June 1776 he served as deputy adjutant-general to General Horatio Gates. Trumbull resigned from the army in 1777 over a dispute about the dating of his commission. In 1780 Trumbull traveled to London to study under Benjamin West: It was West who urged Trumbull to paint small pictures of the War of Independence, the works which would make him famous (he painted around 250 during his lifetime). In September of 1780, Continental troops captured British agent Major John Andre, after news of this reached Great Britain, Trumbull was arrested in retaliation. He was imprisoned for seven months. After the War, Trumbull again traveled to London, and then to Paris. It was here that Trumbull began work on two of the works depicted in this piece. He made sketches for the Surrender of Lord Cornwallis and, with the help of Thomas Jefferson, the US minister to France, he began working on The Declaration of Independence. In addition to paintings depicting the revolution, Trumbull painted numerous portraits, including those of George Washington, George Clinton (Governor of New York), Alexander Hamilton (the source of the $10 bill), and John Adams. I was tasked with composing a piece which would be educational for the students in attendance. I ended up writing a piece that would have educational material both in its musical construction and its subject matter. Trumbull's use of color, especially darker hues, and the structure of his paintings informed the construction of the piece. Three specific paintings influenced the work: The Capture of the Hessisans at the Battle of Trenton, The Declaration of Independence, and The Surrender of Lord Cornwallis. A recurring theme in the work of Trumbull is how the central act is always depicted at the center, with opposing groups on either side. The piece derives its form from this trait, casting the two large battle sections on the outsides, with the central act of the Revolutionary War in the center (The Declaration of Independence). The only percussion in the piece are drums, lending a certain militaristic feeling to the work, and evoking images of marching armies. Extended techniques are used repeatedly, casting a shade of uncertainty around the military campaigns (Washington's famous crossing of the Delaware and the seige at Yorktown), while The Declaration of Independence is scored in strict time and with more traditional harmonies, solidifying the event as the central moment of American history.
$60.00
54.35 €
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Orchestre
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Kyle Wernke
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Trumbull Sketches
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Kyle Wernke Publishing
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SheetMusicPlus
Holy Spirit, Ever Dwelling — SATB voices, organ
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1461385 Compos…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1461385 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1040138. Published by Con Spirito Music (A0.1461385). “Holy Spirit, Ever Dwelling” are the opening words to a text written by the Welsh Anglican bishop Timothy Rees (1874-1939). Throughout, Rees employs the adverb “ever” to point to both the immanence and transcendence of the Holy Spirit in its timeless and perpetual activities:Holy Spirit, ever dwelling in the holiest realms of light,Holy Spirit, ever brooding o'er a world of gloom and night,Holy Spirit, ever raising those of earth to thrones on high,living, life-imparting Spirit, you we praise and magnify.Holy Spirit, ever living as the Church's very life,Holy Spirit, ever striving through us in a ceaseless strife,Holy Spirit, ever forming in the Church the mind of Christ,you we praise with endless worship for your gracious gifts unpriced.Holy Spirit, ever working through the Church's ministry,teaching, strength'ning, and absolving, setting captive sinners free,Holy Spirit, ever binding age to age and soul to soulin communion never ending, you we worship and extol.Mostly unison, with limited SATB voicing in verses 2 and 3, “Holy Spirit, Ever Dwelling” is quick to rehearse, easy to sing, and a meaningful declaration of praise to the third Person of the Holy Trinity.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.81 €
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Chorale SATB
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Todd Marchand
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Holy Spirit, Ever Dwelling — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
Holy Spirit, Ever Dwelling — SAB voices, organ
Chorale 3 parties
Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1461383 Compose…
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Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1461383 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1040136. Published by Con Spirito Music (A0.1461383). “Holy Spirit, Ever Dwelling” are the opening words to a text written by the Welsh Anglican bishop Timothy Rees (1874-1939). Throughout, Rees employs the adverb “ever” to point to both the immanence and transcendence of the Holy Spirit in its timeless and perpetual activities:Holy Spirit, ever dwelling in the holiest realms of light,Holy Spirit, ever brooding o'er a world of gloom and night,Holy Spirit, ever raising those of earth to thrones on high,living, life-imparting Spirit, you we praise and magnify.Holy Spirit, ever living as the Church's very life,Holy Spirit, ever striving through us in a ceaseless strife,Holy Spirit, ever forming in the Church the mind of Christ,you we praise with endless worship for your gracious gifts unpriced.Holy Spirit, ever working through the Church's ministry,teaching, strength'ning, and absolving, setting captive sinners free,Holy Spirit, ever binding age to age and soul to soulin communion never ending, you we worship and extol.Mostly unison, with limited SAB voicing in verses 2 and 3, “Holy Spirit, Ever Dwelling” is quick to rehearse, easy to sing, and a meaningful declaration of praise to the third Person of the Holy Trinity.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.81 €
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Chorale 3 parties
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Todd Marchand
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Holy Spirit, Ever Dwelling — SAB voices, organ
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Con Spirito Music
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SheetMusicPlus
A Prayer for Every Day — 2-part treble voices (or SA), piano
Chorale 2 parties
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1218833 Composed by Todd Mar…
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1218833 Composed by Todd Marchand. Children,Contest,Festival. Octavo. 9 pages. Con Spirito Music #815256. Published by Con Spirito Music (A0.1218833). An ideal program closer for elementary community choir and honor choir concerts, A Prayer for Every Day is not specifically religious, but expresses the aspirations of the child in whose voice it is written: to be courageous, truthful, caring of others and kind to them, and forgiving. Especially ï¬tting to young choristers is the concluding aspirational declaration: “To all upon my way, day after day, let me be hope, be joy! Let my life sing!†Written for and performed on the 25th anniversary concert of the Azle, Texas, ISD All-City Elementary Choir (2016), newly revised (2023).Two-part treble voices (or SA) and piano. Duration ~3:25©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$2.00
1.81 €
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Chorale 2 parties
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Todd Marchand
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A Prayer for Every Day — 2-part treble voices
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Con Spirito Music
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SheetMusicPlus
Easter Anthem (William Billings) — brass quintet, timpani
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SK…
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1202170 Composed by William Billings (1746-1800). Arranged by Todd Marchand. Christian,Easter,Sacred. Score and parts. 13 pages. Con Spirito Music #800831. Published by Con Spirito Music (A0.1202170). Ideal as a prelude or postlude to Easter Sunday and Eastertide services of worship, “Easter Anthem†originated as a choral work by William Billings (1746-1800) with text excerpted from Night Thoughts on Life, Death, and Immortality, an extensive blank-verse poem by the English poet Edward Young (1683-1765) published in nine parts (or “nightsâ€) from 1742 to 1745.Born in Boston, Billings was self-taught in music — a tanner by trade — and he was renowned as a singing master and proponent of the singing-school tradition of American folk culture. Considered the ï¬rst native-born American composer, his works include hymns, anthems, psalms, and fuging tunes.“Easter Anthem†is exemplary of his compositional style, which is noted for rhythmic vitality and straightforward harmonies. Exuberantly glorious, it celebrates the resurrection of Christ and the salvation of the world from its opening acclamation, “The Lord is risen indeed! Hallelujah!†to its closing declaration, Thine all the glory, man’s the endless bliss!The Lord is risen indeed! Hallelujah!Now is Christ risen from the dead,And become the ï¬rst fruit of them that slept.Hallelujah!And did he rise?Hear, O ye nations! Hear it, O ye dead!He rose! He burst the bars of death,And triumph'd o'er the grave.Then I rose!Then ï¬rst humanity triumphantPass'd the crystal ports of light,And seiz'd eternal youth.Man, all immortal, Hail!Heaven, all lavish of strange gifts to man,Thine all the glory! Man's the boundless bliss!This joyful work, which explores various combinations of choral voices, is well-suited to the sonorities of the brass quintet. In this arrangement, tempo indications, dynamic markings and articulations, as well as a newly composed timpani part, have been added by the arranger.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
13.59 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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William Billings
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Todd Marchand
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Easter Anthem
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Con Spirito Music
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SheetMusicPlus
ON HUMAN RIGHTS (1) for SATB choir and Piano
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.887083 Composed by …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.887083 Composed by Marilena Zlatanou. Contemporary. 35 pages. Marilena Zlatanou #3535215. Published by Marilena Zlatanou (A0.887083). ON HUMAN RIGHTS (1), for SATB choir and piano, written for the UN Human Rights Office celebration of the 70th Anniversary of the Adoption of the Universal Declaration of Human Rights, and as a response to Fondazione Adkins Chiti: Donne in Musica's call for compositions for their Global Call for New Music. The texts used are in English and comprise of six different international famous quotations on the subject of Human Rights, marked in the score. Included in this composition are also two important existing songs: The March of The Women by Ethel Smyth and Bread and Roses (USA, Anon.). The attached file includes score, choir score and piano score. Duration 6 minutes.The mp3 file attached is a converted sibelius file. For more information on the composer, please visit www.zlatanou.net Member of TONO (The Norwegian copyright org.)
$35.00
31.71 €
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Chorale SATB
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Marilena Zlatanou
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ON HUMAN RIGHTS
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Marilena Zlatanou
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SheetMusicPlus
#WeToo
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
1.8 €
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Chorale SATB
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
American Anthem-the Pledge
Small Ensemble - Level 2 - Digital Download SKU: A0.972956 Composed by John W. Fish…
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Small Ensemble - Level 2 - Digital Download SKU: A0.972956 Composed by John W. Fisher. Holiday,Patriotic. Score and parts. 2 pages. John Fisher #3537137. Published by John Fisher (A0.972956). 2nd of a patriotic trilogy which can be used with the banner and or a declaration or can stand alone. This is a direct arrangement of the Pledge of Allegiance with original music and in the second section a hint of America the Beautiful. It is stirring choral music in which your choir members will want to puttheir hand over their heart and march in place.
$4.50
4.08 €
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John W
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American Anthem-the Pledge
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John Fisher
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SheetMusicPlus
Elegie in Eb Minor (Classical Music for Tablet Series)
Piano seul
Instrumental Solo - Level 5 - Digital Download SKU: A0.818281 By Stephen R Dalrympl…
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Instrumental Solo - Level 5 - Digital Download SKU: A0.818281 By Stephen R Dalrymple. By Sergei Rachmaninoff. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Individual part. 18 pages. Stephen R Dalrymple #4966281. Published by Stephen R Dalrymple (A0.818281). Élegié in E Flat Minor for solo piano (Classical Music for Tablet Series) ♫ by Sergei Vasilyevich Rachmaninoff (Opus 3.1) ♫ Rachmaninoff (born in 1873) , Russian composer, virtuoso pianist, and conductor, was considered one of the finest pianists of his day. His compositions belong to the Romantic period of music history. He graduated at the Moscow Conservatory in 1892. After the premiere of his First Symphony in 1897, the negative reaction by an important critic sent him into a tailspin of depression that lasted several years. ♫ In 1909 he performed a series of 26 performances with the Boston Symphony Orchestra in the USA. In 1914 he travelled to England for a concert tour. ♫ In February 1917 on the day the Socialist Revolution began in St Petersburg, he performed a benefit piano recital in Moscow for wounded Russian soldiers. When he returned home, he found that a group of Social Revolutionary Party members had seized his property as their own communal property. He had invested most of his earnings on the estate, but left it behind. Rachmaninoff's concert performance in Yalta on 5 September 1917 was to be his last in Russia. The chaos and tension of the October Revolution was daunting. He composed with the noise of gunshots and rallies in the background. He received an invitation to perform 10 recitals across Scandinavia. He accepted the offer, using it as an excuse to obtain permits so he and his family could flee Russia. ♫ He returned to the USA in November 1918 and America became his home. When he became an American citizen in 1943, Sergei Rachmaninoff said: “This is the only place on earth where a human being is respected for what he is and what he does, and it does not matter who he is and where he came from.†He died in March 1943 from cancer at the age of 70. (condensed from Wikipedia - October 2022) ♫ Rachmaninoff’s Opus 3 contains 5 piano pieces. The first is the Élegié in E Flat Minor, the second is the Prelude in C# Minor (one of his most famous piano compositions). This opus was finished in 1892, when he was 19 years old. The Prelude in C# Minor is loud, explosive, and declarative; the Élegié in E Flat Minor is soft, fluid, and contemplative. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Sequenced by the Editor ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.61 €
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Piano seul
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Stephen R Dalrymple
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Edited by Stephen R Dalrymple
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Elegie in Eb Minor
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Stephen R Dalrymple
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SheetMusicPlus
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