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Derlin Din Din
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Derlin Din Din (for Clarinet Trio)
3 Clarinettes (trio)
Clarinet Trio,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1303195
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Clarinet Trio,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1303195 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber. 11 pages. Andrew Lamb #892794. Published by Andrew Lamb (A0.1303195). Introducing Derlin Din Din - Clarinet Trio Arrangement 🎶🌟 Discover this exquisite arrangement of Émile Pessard's charming composition, Derlin Din Din, expertly crafted for 3 Clarinets.🎼 Level of Difficulty: Intermediate 🎵 Perfect for budding clarinetists looking to enhance their skills and explore the delightful world of classical music.🎯 Potential Uses: 🔸 Concerts: Showcase your ensemble's talent with this enchanting piece that's sure to captivate your audience. 🔸 Recitals: Add a touch of sophistication to your recital program with this beautifully arranged classic. 🔸 Educational Purposes: Ideal for teaching and learning purposes, allowing students to delve into the works of a renowned French composer.â„¹ï¸ About the Composer: Émile Louis Fortuné Pessard (29 May 1843 – 10 February 1917) was a prominent French composer with an illustrious career. He earned accolades at the Conservatoire de Paris and went on to win the Grand Prix de Rome, solidifying his place in music history. Pessard's influence extended to notable students, including the likes of Maurice Ravel and Jacques Ibert.🎶 Embrace the legacy of Émile Pessard and elevate your clarinet trio's repertoire with this arrangement of Derlin Din Din.Don't miss out! This arrangement is your gateway to the world of classical music. 🎵👠Like and Subscribe to stay updated with more musical treasures and enrich your musical journey.Experience the magic of Derlin Din Din today! 🎶✨.
$4.00
3.74 €
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3 Clarinettes (trio)
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Emile Pessard
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Andrew Lamb
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Derlin Din Din
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Andrew Lamb
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SheetMusicPlus
Derlin Din Din (arr. for Trumpet Trio)
Trompette
Trumpet - Level 3 - Digital Download SKU: A0.1305334 By Emile Pessard. By Emile Pes…
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Trumpet - Level 3 - Digital Download SKU: A0.1305334 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century,Chamber. 15 pages. Andrew Lamb #894772. Published by Andrew Lamb (A0.1305334). Introducing Derlin Din Din - Trumpet Trio Arrangement 🎺🌟 Immerse yourself in the timeless melodies of Émile Pessard with this exceptional arrangement of Derlin Din Din, skillfully adapted for 3 Trumpets or Cornets. This arrangement offers additional flexibility with extra parts, including a Tenor Horn in Eb as a substitute for Trumpet 3 and a French Horn part for added versatility.🎼 Level of Difficulty: Intermediate 🎶 Perfect for intermediate trumpet players and ensembles, this arrangement provides a delightful journey through Pessard's secular chorus.🎯 Potential Uses: 🔸 Concerts: Showcase your trumpet trio's talent with this captivating piece, sure to impress your audience. 🔸 Recitals: Add a touch of sophistication to your recital program with this beautifully arranged classic. 🔸 Educational Purposes: Ideal for teaching and learning, allowing students to explore the works of a renowned French composer.â„¹ï¸ About the Composer: Émile Louis Fortuné Pessard (29 May 1843 – 10 February 1917) was a distinguished French composer known for his timeless compositions.🎶 Embrace Pessard's legacy and elevate your trumpet trio's repertoire with this delightful arrangement of Derlin Din Din.Don't miss out on this opportunity to explore the world of classical music through the resounding notes of trumpets and cornets. 🌟👠Like and Subscribe to stay updated with more musical treasures and enrich your musical journey.Experience the magic of Derlin Din Din with your trumpet trio today! 🎺✨.
$4.00
3.74 €
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Trompette
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Emile Pessard
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Andrew Lamb
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Derlin Din Din
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Andrew Lamb
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SheetMusicPlus
Derlin Din Din (arr. for Flute Trio)
Trio de Flûtes: 3 flûtes
Flute Trio,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1303622 By …
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Flute Trio,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1303622 By Emile Pessard. By Emile Pessard. Arranged by Andrew Lamb. 19th Century. 11 pages. Andrew Lamb #893201. Published by Andrew Lamb (A0.1303622). Introducing Derlin Din Din - Enchanting Flute Trio Arrangement 🎵🌟 Immerse yourself in the enchanting world of classical music with this exquisite arrangement of Émile Pessard's masterpiece, Derlin Din Din, thoughtfully crafted for 3 Flutes.🎼 Level of Difficulty: Intermediate 🎶 Designed for flutists looking to elevate their skills, this arrangement offers a delightful journey through Pessard's timeless composition.🎯 Potential Uses: 🔸 Concerts: Captivate your audience with the beauty of three flutes harmonizing in perfect synergy. 🔸 Recitals: Add a touch of elegance to your recital program with this beautifully arranged classic. 🔸 Educational Purposes: Ideal for teaching and learning, allowing students to explore the works of a renowned French composer.â„¹ï¸ About the Composer: Émile Louis Fortuné Pessard (29 May 1843 – 10 February 1917) was a celebrated French composer with an illustrious career, influencing notable students like Maurice Ravel and Jacques Ibert.🎶 Embrace the legacy of Émile Pessard and enhance your flute trio's repertoire with this captivating arrangement of Derlin Din Din.Don't miss out! This arrangement is your key to unlocking the world of classical music for flutes. 🌟👠Like and Subscribe to stay updated with more musical treasures and enrich your musical journey.Experience the magic of Derlin Din Din with three flutes today! 🎵✨.
$4.00
3.74 €
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Trio de Flûtes: 3 flûtes
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Emile Pessard
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Andrew Lamb
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Derlin Din Din
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Andrew Lamb
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SheetMusicPlus
Hölderlin’s Tower for 2 cellos (mp3)
Violoncelle
Cello - Digital Download SKU: A0.1103564 By Ölveti Mátyás and Mády-Sza…
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Cello - Digital Download SKU: A0.1103564 By Ölveti Mátyás and Mády-Szabó Eszter. By David Warin Solomons. Chamber,Contemporary. Full Performance. Duration 194. David Warin Solomons #706833. Published by David Warin Solomons (A0.1103564). Instrumental Duo based on my setting of Marie Keyser's Poem La Tour de Hölderlin Elle est près du fleuve dormeur debout mais le saule incliné toucherait de sa cîme l'eau L'église vieille dit les heures de l'île où la nuit descend Je la vois encore son toit de gris dans le gris de l'eau. pressens dans la tour de bois ma demeure la folie la folie le silence clos clos vigilance Oh Ne pas altérer ce qui reste qui reste, et le doit. Was bleibt aber stiften die Dichter. (It stands by the sleepy river But the bending willow would touch the water with its very top The church - an old church - tells the hours from the island where the night descends I can still see it, its grey roof in the grey of the water I have a presentiment in the tower of wood, of my dwelling place, of madness, of silence Closed in, closed in but keeping watch Oh never change what remains and should remain Was bleibt aber stiften die Dichter.....) [What remains, however, is the stuff of poetry This quote from Hölderlin himself is reflected in the second cello at bars 43 to 45] Performed by Ölveti Mátyás and Mády-Szabó Eszter of Budapest Scoring Cellos.
$5.00
4.67 €
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Violoncelle
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Ölveti Mátyás and Mády-Szabó Eszter
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Hölderlin’s Tower for 2 cellos
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David Warin Solomons
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SheetMusicPlus
Daddy’s Little Girl (The Wedding Song) – Original Recording
Double Bass,Drums,Guitar,Voice - Digital Download SKU: A0.1071251 Composed by Charl…
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Double Bass,Drums,Guitar,Voice - Digital Download SKU: A0.1071251 Composed by Charles A. Gravenhorst. Arranged by Charles A. Gravenhorst. Pop,Wedding. Full Performance. Duration 303. CG Publications #6418745. Published by CG Publications (A0.1071251). Performance of Daddy’s Little Girl (The Wedding Song) as originally recorded in 2014.Two sheet music versions of this song are available here through SMP Press at the following: a:link,a:visited { color: Blue; background-color: #FFFFFF; text-decoration: none; target-new: none; } a:hover { color: #0000FF; background-color: #FFFFC0; text-decoration: underline; target-new: none; } https://www.sheetmusicplus.com/title/daddy-s-little-girl-the-wedding-song-version-1-digital-sheet-music/20504842 a:link,a:visited { color: Blue; background-color: #FFFFFF; text-decoration: none; target-new: none; } a:hover { color: #0000FF; background-color: #FFFFC0; text-decoration: underline; target-new: none; } https://www.sheetmusicplus.com/title/daddy-s-little-girl-the-wedding-song-version-2-digital-sheet-music/20512593 LYRICS:I knew that it was gonna come someday, When I would give my little girl away,
$3.99
3.73 €
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Charles A
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Charles A
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background-color: #FFFFFF
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Daddy’s Little Girl
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CG Publications
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SheetMusicPlus
Borderline
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.508001 By Glee Cast - Mash…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.508001 By Glee Cast - Mashup With Open Your Heart (628400). By Reggie Lucas. Arranged by David Maddux. Contemporary,Pop. Octavo. 13 pages. David Maddux #4573121. Published by David Maddux (A0.508001). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$5.25
4.9 €
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Chorale TTBB
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Glee Cast - Mashup With Open Your Heart
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David Maddux
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Borderline
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David Maddux
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SheetMusicPlus
Borderline
Small Ensemble Drum Set,Electric Bass Guitar,Electric Guitar,Piano,Synthesizer - Level 3 -…
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Small Ensemble Drum Set,Electric Bass Guitar,Electric Guitar,Piano,Synthesizer - Level 3 - Digital Download SKU: A0.573595 By Madonna. By Reggie Lucas. Arranged by David Maddux. Contemporary,Pop. Score and parts. 56 pages. David Maddux #182963. Published by David Maddux (A0.573595). NOTE: This PDF file contains the conductor’s score, individual instrumental parts, and vocal-only part. The piano-vocal is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$50.00
46.71 €
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Madonna
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David Maddux
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Borderline
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David Maddux
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SheetMusicPlus
Music Essences Vol.2 - Romantic Piano Ballads
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Alexander Holz. Movies, Etud…
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Piano Solo - Intermediate - Digital Download Composed by Alexander Holz. Movies, Etudes and Exercises, Repertoire, Technique Training, Wedding. 28 pages. Published by Alexander Holz
ISBN 9783750256606, 8.3 x 11.7 inches, English, German.<br> <br> Music essences were inspired by the idea of developinga piano book that is not a piano school but offers new pieces next to the oldclassics. So you can expand your repertoire for every occasion.<br> <br> The title describes the pieces as very compressedmusic ideas, or even impressions. They can be musically developed and expandedin mind. Even extended interpretations are conceivable, both in playing and interms of instrumental arrangement.<br> <br> Waltz No. 1 <br> <br> This Piano Sonata in G major has a light, liltingmelody and a midsection that underscores the style of a waltz. It is a verylively and dynamic piece. The mood is enhanced by a few diffuse moments, whichsupports the arc of suspense.<br> <br> Impromptu<br> <br> Based on Franz Schubert, this impromptu is inspired bythe trio of the fourth part of Opus 90 from 1827. The style has been expandedand reinterpreted with modern elements. The theme increases to the upperoctaves and culminates in a new theme in the midsection. It ends with a solemnmood.<br> <br> Summer<br> <br> Originally it is the theme of my first symphony forchorus and orchestra, third Movement. In this arrangement for piano, it is themelody that is intensively underlined and expressed.<br> <br> 2nd Intermezzo <br> <br> In the beginning this piece is like a nocturne byFrederic Chopin, But the midsection is based on the midsection of the secondintermezzo, opus 118 by Johannes Brahms from 1893. Mood, harmony and style ofthe midsection are also inspired by the soundtrack from "PearlHarbor" by Hans Zimmer.
$10.95
10.23 €
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Piano seul
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Alexander Holz
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Music Essences Vol.2 - Romantic Piano Ballads
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Alexander Holz
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SheetMusicPlus
Elégie de Marie (Mary's Elegy) (mp3)
Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1310119 By David Warin Solom…
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Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1310119 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary,Singer/Songwriter. Full Performance. Duration 373. David Warin Solomons #899257. Published by David Warin Solomons (A0.1310119). Music composed and performed by David W SolomonsThis setting is the first song that I wrote in Strasbourg in 1976, where I met the poet Marie Keyser, who features in this video.Her poem is about the angst of adolescence. She is a scholar of German poetry and in particular the works of Hölderlin.The poem is as follows Entends mon chant d'exil et comme avec patience ensevelie en terre hostile je désapprends la respiration l'instant et toute presence humainedu royaume au bord du tempsils m'ont arrachée de l'aubeet maintenant le temps sévitle mal de terre est profondjamais la nuit n'atteint l'auroreinachevés abolis nous reposonsmais je me souviensentends mon chant d'exil et le déchirementau royaume lointain au bord du tempss'accomplit la naissance et le premier vertige de voir d'entendre et de de toucher le mondeploie l'adolescence alanguie enclose en ellel'île à fleur de mer au chant d'écume éphemère et renouveléet l'envol s'accomplit vers le point d'aubeoù le premier chant indécis de la grive musiciennedélie les sources dormeuses,le vent et l'envie d'allerles arbres vont en cortège devantentends mon chant de retour et le cheminement....mais pourquoi l'exil revient-il, briser l'allégeancecondamner les jardins et les demeures et dicter à nouveau l'errancej'entends par mes déchiruresles rumeurs humaines et l'arrêt de mort de l'instant convalescentils m'ont arrachée de l'aube....tu dis que le château entre les bouleaux frêles regarde la vallée entièrede l'aube à la nuitet déjà ériges la touroù dormir ou demeurer où vivre déliée de la mélancholiemais les fleurs dorment sous la terresemées par milliers dans le jardin balsamaire.
$4.50
4.2 €
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David Warin Solomons
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Elégie de Marie
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David Warin Solomons
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SheetMusicPlus
October Dawn - Choral Song (SSAATB)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital #3029087. Published by Cool Wind Music Digital (A0.841250). A setting of a very powerful poem by English poet, Ted Hughes, about the onset of autumn in an English (Yorkshire) garden and the surrounding countryside. It is full of pathos and passion, harmony and dissonance, chaos and peace - just like English weather!This is a very individual and innovative choral setting of Hughes' poem which is, itself, rich in 'meaty' metaphor and colour - and the composer is a vegetarian! It evokes a savage Nature within a savage landscape where humans and animals compete for space and for food. It is October, the fields and woods and gardens of rural Yorkshire are readying themselves for the cold and desolation (and despair) of winter which isn't far away in time. 'A glass, half-filled with wine, left out(side) To the dark heaven all night, by dawn Has dreamed a premonition of ice across its eye as if the ice-age had begun its heave.' That is only two and a half stanzas but you see from these lines that there are veiled threats of (Nature's) violence in the heavy tread of the poet's slowly-building angst over what is happening in the surrounding countryside - and his fear grows, and his awe grows, with every line. There is even fear underlining the very last line: 'And now it is about to start.' Winter is creeping closer and closer towards the house and it will not be pleasant to experience!I have tried to instil a little of this in the music which keeps skidding from consonance to dissonance and back to consonance. Sometimes the dissonance piles up, like snow driven by the wind piles up into deep banks; sometimes the music relaxes into stillness and calm (painted in tonal music) like a crisp, mild late autumn or early winter's day when the sun warms the landscape and life appears bearable, tolerable. I hope this adds to the song's 'charm'. It wasn't easy to write: sometimes the right music was elusive. The music ends with the word 'October' repeated three times, with voices overlapping in a little canon. This conjures up the wistful feelings of the poet as he looks out onto a peaceful scene, soon to be filled with all manner of 'natural violence', while his inner peace will soon be shattered by the mayhem about to be unleashed around him.Setting Ted Hughes is no easy task. It is for choirs and choirmasters to judge if I have succeeded in conveying the 'sense and sensibility' of a classic 20th century English poem.The price is for one copy: please purchase a sufficient number of scores if you intend to perform this work. SMP Press offers discounts for multiple-copy purchases.
$3.00
2.8 €
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Chorale SATB
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Chris Gordon
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October Dawn - Choral Song
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Cool Wind Music Digital
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SheetMusicPlus
20 Really Easy Christmas Carols for Alto Saxophone
Saxophone Alto
Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.587799 Composed by Various…
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Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.587799 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. Individual part. 8 pages. David McKeown #4978267. Published by David McKeown (A0.587799). 20 Really Easy Christmas Carols for Alto Saxophone is a collection of your favourite carols arranged simply in the easiest keys and range for early stage players.We all know that tricky period when beginner saxophonists have mastered basic technique and can play a range of around an octave and a half. At this point, I find lots of simple material is ideal to consolidate early successes. Playing simple Christmas carols is usually a big motivation to students. Now, with this collection of carols, students can join in with Christmas music-making and develop those reading skills at the same time.These 20 carols are arranged in easy keys, going no lower than DThe carols are in alphabetical order and are as follows;· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 <!-- /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Calibri; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} a:link, span.MsoHyperlink {mso-style-noshow:yes; mso-style-priority:99; color:blue; text-decoration:underline; text-underline:single;} a:visited, span.MsoHyperlinkFollowed {mso-style-noshow:yes; mso-style-priority:99; color:#954F72; mso-themecolor:followedhyperlink; text-decoration:underline; text-underline:single;} p.MsoListParagraph, li.MsoListParagraph, div.MsoListParagraph {mso-style-priority:34; mso-style-unhide:no; mso-style-qformat:yes; margin-top:0in; margin-right:0in; margin-bottom:0in; margin-left:.5in; margin-bottom:.0001pt; mso-add-space:auto; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Calibri; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} p.MsoListParagraphCxSpFirst, li.MsoListParagraphCxSpFirst, div.MsoListParagraphCxSpFirst {mso-style-priority:34; mso-style-unhide:no; mso-style-qformat:yes; mso-style-type:export-only; margin-top:0in; margin-right:0in; margin-bottom:0in; margin-left:.5in; margin-bottom:.0001pt; mso-add-space:auto; mso-pagination.
$7.99
7.46 €
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Saxophone Alto
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Various
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David McKeown
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20 Really Easy Christmas Carols for Alto Saxophone
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David McKeown
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SheetMusicPlus
Paregamutiun [cello solo] (suite of 4 pieces)
Violoncelle (partie séparée)
Cello Solo - Level 2 - Digital Download SKU: A0.596489 Composed by Juan MarÃa So…
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Cello Solo - Level 2 - Digital Download SKU: A0.596489 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards,World. Individual part. 12 pages. Juan Maria Solare #3088085. Published by Juan Maria Solare (A0.596489). Paregamutiún (Friendship): Four melodies of Armenian connotations for cello solo.I am not Armenian, but these melodies could be: it is an invented folklore. Nevertheless, I never wanted to compose an imitation of real Armenian music; for that I should live in Armenia a few years, learn the language, soak in a couple of millennia of culture and impregnate myself with the current problems. And yet it would be doubtful that the result would sound authentic. Neither I was interested in composing some sounding touristic postcards. These melodies reflect, yes, how a thankful being sees the Armenian from outside. And this is what grants them legitimacy.About the titles:The general title of the piece, Paregamutiún, is translatable as friendship. Sometimes it is transliterated Baregamutyun (as a certain station of the subway in Yerevan). The single titles of each piece refers to a lake, a mountain, a mythical patriarch and a tree of Armenia:1) Sevanavank: Monastery of the Black Lake, founded in 874. The name Sevan means literally Black Van, referring to a lake called Van. It is said that long ago the Armenians came from areas next to the lake Van towards the lake Sevan, they noticed that its waters were dark, almost black, but they reminded them of the lake Van, and therefore called it black Van: Sevan.2) Hayk is the patriarch of the foundational myth of the Armenian nation, and the original name of the country (Hayastán: land of the Armenians); some sources affirm that he was great great grandson or great-great-great grandson of Noah.3) Dziranà Dzar: apricot tree, the Armenian national fruit. Dzar is tree and dzirán is apricot, the obvious phonetic similitude seems to underline a strong semantic proximity between both concepts. The letter Dz is a complex phoneme similar to a smooth th.4) Masis is the Armenian name of mount Ararat, where -according to the Bible- ended up Noah's Arch after the Flood (Genesis 8:4).www.JuanMariaSolare.com
$10.00
9.34 €
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Violoncelle (partie séparée)
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Juan MarÃa Solare
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Paregamutiun [cello solo]
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Juan Maria Solare
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SheetMusicPlus
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835…
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Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and parts. 39 pages. Musik Fabrik Music Publishing #45421. Published by Musik Fabrik Music Publishing (A0.532835). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$22.05
20.6 €
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Therese Brenet
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Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th…
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String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95
24.24 €
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Orchestre à Cordes
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Therese Brenet
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Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Two Songs
Voix Soprano, Piano
Soprano voice and piano - Digital Download SKU: S9.Q40373 After poems by Friedri…
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Soprano voice and piano - Digital Download SKU: S9.Q40373 After poems by Friedrich Hölderlin. Composed by Detlev Mueller-Siemens. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q40373. Published by Schott Music - Digital (S9.Q40373). German.Two poems of Friedrich Hölderlin bearing almost the same title form the basis of the text for 'Zwei Lieder' (Two Songs): 'Die Aussicht' and 'Aussicht'. Unlike as with common musical settings of poems, Detlev Müller-Siemens has split the vocal part in two levels. On the one hand, Hölderlin's text is recited, on the other hand, fragments of the poems are sung at a lower, contemplative level. 'Like vague memories, ascending from the inside from afar. An idyll that becomes entangled in its own images.'.
$16.99
15.87 €
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Voix Soprano, Piano
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Detlev Mueller-Siemens
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Two Songs
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Schott Music - Digital
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SheetMusicPlus
Mamma mia dammi cento lire
Chorale SATB
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1354521 By Traditio…
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1354521 By Traditional Song. By Traditional Song. Arranged by Bacco Baccanels. A Cappella,Folk,Multicultural,Traditional,World. 7 pages. Bacco Baccanels #939239. Published by Bacco Baccanels (A0.1354521). Italiano--------La versione originale di questa canzone di emigranti è abbastanza semplice: la stessa melodia si ripete per tutta la canzone e gli arrangiamenti vocali esistenti che mi è capitato di ascoltare sono abbastanza privi di ritmo.Ho cercato di aggiungere movimento. C'è un'introduzione musicale, con poco testo e poi si passa al tema principale, in cui il basso da' ritmo alla melodia principale. Poco dopo, con una variazione ispirata ai Queen di Bohemian Rapsody si modula in tonalità vicina, per sottolineare il cantato dei fratelli della triste protagonista e subito dopo il tema si addolcisce per lasciare spazio alla madre triste che preannuncia la tragedia. Tragedia che si canta subito dopo in minore per poi tornare sulla melodia principale fino al finale, dove dopo una frase corale si torna al ritmo e al tema principale.English--------The original version of this emigrant song is quite simple: same melody repeats throughout the song. More, the existing vocal arrangements I've heard are quite steady and not so rhythmic.So I tried to add some movement: there is a musical introduction with little lyrics and then we move on to the main theme, where the bass gives rhythm to the main melody.Shortly after, with a Queen-inspired variation coming from Bohemian Rhapsody the score modulates in a close key, to underline the singing of the brothers of the song's sad heroin and immediately after the theme softens to leave room to the sad mother heralding the coming tragedy.A tragedy that is sung immediately afterwards, in minor, and then returns to the main melody until the finale, where after a choral phrase we return to the main theme.
$2.50
2.34 €
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Chorale SATB
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Traditional Song
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Bacco Baccanels
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Mamma mia dammi cento lire
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Bacco Baccanels
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SheetMusicPlus
DE PROFUNDIS MAGNIFICAT
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1284329 By E…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1284329 By EAM. By Eduardo Andrés Malachevsky. 21st Century,A Cappella,Contemporary,Latin,Sacred. 20 pages. Eduardo A. Malachevsky #875498. Published by Eduardo A. Malachevsky (A0.1284329). «DE PROFUNDIS, MAGNIFICAT» (Out of the depth my soul magnifies the Lord)- Awarded with the 3° PRIZE at the KOMPOSITIONSWETTBEWERB DES BERLINES DOMES (100 Anniversary of the Berlin’s Cathedral International Composition Competition / Berlin, GERMANY – 2004 ).  Contest's Jury: Uwe GRONOSTAY (Germany), Ulrike GROSCH (Germany), Jörg STRAUBE (Germany), Wolfgang DINGLINGER (Germany) Voicing: SSAATTBB a capella  |  Durata Circa: 6 min 30  |  Language: Latin  | Score's pages: 8  |  Score's meassures: 64 Score Preview & info  |  Video Excerpt 1 |  Video Excerpt 2 |  Video  | YouTube's Composer Channel 'This piece aims to underline the very narrow link between the prayer of deliverance and the prayer of praise so particularly present all along the Holy Bible and especially on the book of the Psalms. Having this in mind I have chosen to develop at once, beside the main verses of the Psalm De Profundis (130) the first verse of the Magnificat (Lc. 1:47). Heartbreaking cry of supplication the first one, Ecstatic shout of joy the second one, both conveys together, little by little, more and more, until to become a profound sole expression of faith and gratitude: ‘De Profundis, Magnificat!’, 'Out of the deep, my soul magnifies the Lord!’, Out of the deep, my soul magnifies You, my Lord!'.  The composer
$4.75
4.44 €
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Chorale SATB
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EAM
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DE PROFUNDIS MAGNIFICAT
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Eduardo A. Malachevsky
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SheetMusicPlus
Songs
Voix moyenne, Piano
Medium voice and piano - intermediate - Digital Download SKU: S9.Q46013 Composed by…
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Medium voice and piano - intermediate - Digital Download SKU: S9.Q46013 Composed by Max Kowalski. This edition: Sheet music. Downloadable. Op. 2. Duration 28 minutes. Schott Music - Digital #Q46013. Published by Schott Music - Digital (S9.Q46013). German.Max Kowalski (1882–1956) was a full-time lawyer who never gave up on his passion for music: singing lessons during his law studies, conducting and counterpoint classes, among others, at Dr. Hoch’s Konservatorium in addition to his work at his own law office in Frankfurt. While studying, he already published his first works; 15 song cycles were published until 1933. In the years that followed, the Jewish-born Kowalski was restricted in working both as a lawyer and as a composer due to his persecution by the National Socialists. In 1938 he was arrested, deported to the concentration camp of Buchenwald and finally forced to flee into exile in London. Contemporaries called Kowalski a lyricist among the composers. The choice of texts of his songs shows his great knowledge and love of German literature. For example, he set to music texts by Friedrich Hölderlin or Rainer Maria Rilke, but also Indian or Japanese poems. Kowalski left numerous unpublished songs which are published by Schott Music in a two-volume edition: Volume 1 (ED 22586) contains his Jewish songs (1935-37), the Heinrich Heine cycle (1937) and all English-language songs (1941-46). Volume 2 (ED 22587) contains Kowalski's late works: the songs based on texts by Friedrich Hölderlin (1950) and the Geisha Lieder according to Klabund (1951).
$21.99
20.54 €
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Voix moyenne, Piano
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Max Kowalski
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Songs
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Schott Music - Digital
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SheetMusicPlus
Songs
Voix moyenne, Piano
Medium voice and piano - intermediate - Digital Download SKU: S9.Q46010 Composed by…
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Medium voice and piano - intermediate - Digital Download SKU: S9.Q46010 Composed by Max Kowalski. This edition: Sheet music. Downloadable. Op. 1. Duration 28 minutes. Schott Music - Digital #Q46010. Published by Schott Music - Digital (S9.Q46010). German • English.Max Kowalski (1882–1956) was a full-time lawyer who never gave up on his passion for music: singing lessons during his law studies, conducting and counterpoint classes, among others, at Dr. Hoch’s Konservatorium in addition to his work at his own law office in Frankfurt. While studying, he already published his first works; 15 song cycles were published until 1933. In the years that followed, the Jewish-born Kowalski was restricted in working both as a lawyer and as a composer due to his persecution by the National Socialists. In 1938 he was arrested, deported to the concentration camp of Buchenwald and finally forced to flee into exile in London. Contemporaries called Kowalski a lyricist among the composers. The choice of texts of his songs shows his great knowledge and love of German literature. For example, he set to music texts by Friedrich Hölderlin or Rainer Maria Rilke, but also Indian or Japanese poems. Kowalski left numerous unpublished songs which are published by Schott Music in a two-volume edition: Volume 1 (ED 22586) contains his Jewish songs (1935-37), the Heinrich Heine cycle (1937) and all English-language songs (1941-46). Volume 2 (ED 22587) contains Kowalski's late works: the songs based on texts by Friedrich Hölderlin (1950) and the Geisha Lieder according to Klabund (1951).
$21.99
20.54 €
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Voix moyenne, Piano
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Max Kowalski
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Songs
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Schott Music - Digital
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SheetMusicPlus
Harvest For The World
Rhythm Section Voice - Level 2 - Digital Download SKU: A0.1409472 By The Isley Brot…
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Rhythm Section Voice - Level 2 - Digital Download SKU: A0.1409472 By The Isley Brothers. By Chris Jasper, Ernest Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley. Arranged by Hollywood Charts. Pop,R & B,Soul. 7 pages. Hollywood Charts #992101. Published by Hollywood Charts (A0.1409472). This vocal arrangement is scored for rhythm section and includes a single 'Master Rhythm' part with the important figures for guitar, keys, and bass. This ensures your entire band will be on the same page, literally!Immerse yourself in the rich musical tapestry of the Isley Brothers with our rhythm section transcription of 'Harvest For The World.' This essential piece of sheet music is a treasure for musicians seeking to explore the intricate blend of soul, funk, and R&B that defines this timeless classic.Our transcription meticulously captures the essence of each instrument in the rhythm section, providing the important figures for guitar, keys, and bass. It's an essential tool for bands, ensembles, or individual musicians aiming to faithfully recreate the harmonious and dynamic sound that the Isley Brothers masterfully crafted.'Harvest For The World,' known for its powerful message and captivating melody, is underlined by a rhythm section that combines complex grooves with a smooth, flowing style. This sheet music offers an in-depth look into how each instrument contributes to the song's overall feel, allowing musicians to understand and replicate the nuanced interplay that makes this track so special.Whether you are a professional seeking to perfect your performance or an enthusiast eager to explore the layers of this genre-defining song, this transcription provides the perfect guide. The sheet music is formatted to be clear and easy to read, accommodating players of various skill levels.Playing 'Harvest For The World' offers a unique opportunity to delve into the musical genius of the Isley Brothers, understanding how their rhythm section's subtle intricacies come together to create a song that resonates with listeners across generations. Perfect for practice, performance, or personal enjoyment, this rhythm section transcription is a must-have for anyone passionate about the art of great music.Add the Isley Brothers' 'Harvest For The World' rhythm section transcription to your collection today and experience the joy of bringing this profound and soul-stirring piece to life.
$24.99
23.34 €
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The Isley Brothers
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Hollywood Charts
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Harvest For The World
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Hollywood Charts
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SheetMusicPlus
Fanfare for the Uncommon Student
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.958075 Composed by David B…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.958075 Composed by David Berlin. 20th Century,Graduation,Instructional,Standards. Score and parts. 44 pages. David Berlin #2988815. Published by David Berlin (A0.958075). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #1255cc} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; color: #232323; min-height: 15.0px} span.s1 {text-decoration: underline} In collaboration with the Philadelphia Classical Symphony and director, Karl Middleman and Partners in Distance Learning, a music composition project was launched in 2005 for students in Pennsylvania. I created an instructional web site called HOW TO WRITE A FANFARE. Students from around the state worked through the program and sent us their final projects. The committee selected the best ones submitted and we brought the students and their families to Philadelphia where the Philadelphia Classical Symphony performed their pieces on a public concert. The web site is still on line and the student's pieces can be heard. at: http://tozier.net/dberlin/fanfare/index.htm/ Please feel free to use this website in conjunction with my printed score and recording for yourself, students or your circle of friends. This score and recording was my contribution to the concert. It is 90 seconds long at 120 BPM.
$3.99
3.73 €
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Ensemble de Percussions
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David Berlin
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font: 12.0px Helvetica
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Fanfare for the Uncommon Student
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David Berlin
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SheetMusicPlus
The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
40.16 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Der fliegende Holländer
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. …
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
44.83 €
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
ALÈH STAVì
Difficult - Digital Download SKU: S9.Q557341 For violoncello solo. Composed …
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Difficult - Digital Download SKU: S9.Q557341 For violoncello solo. Composed by Heinz Holliger. Downloadable, Separate edition. Duration 5 minutes. Schott Music - Digital #Q557341. Published by Schott Music - Digital (S9.Q557341). Hanna Gaifman, with whom ties of friendship have linked me for over 30 years, was a piano student of Eliška Klein in in Prague. Unlike her brother Gideon Klein, who was murdered in Auschwitz-Fürstengrube, Eliška Klein survived the concentration camp. Thanks to Eliška, the wonderful, brilliant music of her brother Gideon, murdered at age 25, survived. My “fall leaf†traces Gideon Klein’s lifeline, which was shortened by unspeakable violence; starting at Přerov, the place of his birth, continuing via Prague to Therienstadt and ending in Auschwitz-Fürstengrube. Echoes of Gideon Klein’s music (the Fantasy and Fugue “one half of life†{Hölderlin} and the Hebrew lullaby «numa, numa schan») overlay my fall leaf, like the shadows of remembrance. Heinz Holliger.
$4.99
4.66 €
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Heinz Holliger
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ALÈH STAVì
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Schott Music - Digital
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SheetMusicPlus
Hallelujah
Chorale 3 parties
Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1389486 By Leonard C…
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Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1389486 By Leonard Cohen. By Leonard Cohen. Arranged by Justin Matthew Starr. Contemporary,Pop,Rock,Standards. 16 pages. J M Starr Music #973074. Published by J M Starr Music (A0.1389486). “Hallelujah†was originally released by Canadian singer/songwriter Leonard Cohen in 1984 on his album Various Positions. This composition, however, is one of the few in history that may be more well-known due to covers of the song than the original version. In 1991, John Cale did a cover of the song that removed the synthesizers, gospel choir, full band, and low, borderline-talking bass voice from Cohen’s original; and replaced it all with a bare-bones piano and tenor voice. It is not difficult to argue that this arrangement of the composition became the definitive version that all future covers would be based on: from Jeff Buckley’s stripped-down guitar and voice 1994 version, to Rufus Wainright’s piano and voice 2001 cover for the soundtrack to the motion picture Shrek, to k.d. lang, the a cappella group Pentatonix, and many, many more.When I first arranged this song in 2010 for my 8th grade SAB choir, I did not know the John Cale version existed; rather, I started by transcribing the Rufus Wainright recording and then made it my own from there. My arrangement is melodically akin to the Wainright, but I added harmonies in various places throughout. Lyric selection was also a choice I had to me, as each version of the song contains a different number of verses. Cohen’s 1984 original had four, and then in 1988 he sang a live version with seven (supposedly he drafted over 80 different verses!). I decided to go with five. This allowed me to structure the song in a way that got feature and give the melody to: a Soloist(s) (verse 1), the Baritones (verse 2), the Altos (verse 3), the Sopranos (verse 4) and then the entire choir (verse 5). Over the years that I have performed this with my students, I couldn’t help myself from rocking out with little bluesy fills and licks in the final choruses, so I decided to write it in. I hope you, your students, and accompanist have fun with that!
$2.50
2.34 €
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Chorale 3 parties
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Leonard Cohen
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Justin Matthew Starr
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Hallelujah
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J M Starr Music
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SheetMusicPlus
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