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Dialogues
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Dialogues
2 clarinets in Bb - Digital Download SKU: S9.Q22488 9 Duets. Composed by Bar…
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2 clarinets in Bb - Digital Download SKU: S9.Q22488 9 Duets. Composed by Barbara Heller. This edition: performance score. Clarinet Library. Downloadable, Performance score. Schott Music - Digital #Q22488. Published by Schott Music - Digital (S9.Q22488). The clarinettist Irith Gabriely was inspired by her love of Barbara Hellerâs Dialogues (for violin and viola) to arrange these duets for two Bb clarinets. The result is a set of varied concertante dialogues that present clarinettists with a few challenges, requiring stamina, breath control, intense and contrasting dynamics, chromatic passages, whole tone passages, sensitive tone production, leaps across wide intervals, fast playing, disciplined rhythmic control and listening to one another closely. In this edition all tempo indications and dynamic markings are intended for guidance: these duets may equally well be interpreted in other ways. This edition therefore also includes a second section where all the pieces are reproduced without such markings, ready for individual interpretation. The Dialogues lend themselves very well to chamber performances; they are also short enough to serve as brief interludes at readings or exhibitions. Their expressive qualities, brevity and range of musical and technical demands make them highly suitable material for youth music competitions. A flute or oboe might well be played with the clarinet as alternative instrumentation for these duets (ED 22017).
$16.99
15.98 €
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Barbara Heller
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Dialogues
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Schott Music - Digital
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SheetMusicPlus
"Dialogues" - for Soprano and Percussion [Performance Score]
Small Ensemble High Voice,Multi-Percussion - Level 5 - Digital Download SKU: A0.976035
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Small Ensemble High Voice,Multi-Percussion - Level 5 - Digital Download SKU: A0.976035 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 18 pages. Lior Navok Music #4719301. Published by Lior Navok Music (A0.976035). DIALOGUES - for Soprano and Percussion (1999) DURATION: 11 Minutes TEXT BY: Lior Navok / Vocalize MOVEMENTS: 1. Talking Doll 2. Sargam 3. Twinkles 4. Shadowphobia LANGUAGE: English PROGRAM NOTES: The composer writes about his work: Dialogues for soprano and percussion was composed as a semi-theatrical composition, not to be acted. Talking Doll is a short satire about humans who act like machines for the sake of formality. The word Sargam in Indian means Solfège. The syllables sa, re, ma, ga, pa, dha (not used here) and ni are equal to our do, re, mi. Shadowphobia, as the name implies, deals with the relationship between a person and his/her shadow. INFO: Item: Full Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 18 Ink: Black & White Paper Size: DIN B4 / Ledger.
$21.00
19.75 €
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Lior Navok
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"Dialogues" - for Soprano and Percussion [Performance Score]
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Lior Navok Music
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SheetMusicPlus
PHLEGMATIC _ 1st part of Dialogues for cello duo
Violoncelle (partie séparée)
Cello Solo - Digital Download SKU: A0.1022650 Composed by Pavel Kopecky. 20th Centu…
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Cello Solo - Digital Download SKU: A0.1022650 Composed by Pavel Kopecky. 20th Century,Contemporary. Individual part. 2 pages. Pavel Kopecky #1910359. Published by Pavel Kopecky (A0.1022650). PHLEGMATIC _ 1st part of Dialogues for cello duo____https://youtu.be/mepPzhqvpcQ.
$2.50
2.35 €
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Violoncelle (partie séparée)
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Pavel Kopecky
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PHLEGMATIC _ 1st part of Dialogues for cello duo
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Pavel Kopecky
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SheetMusicPlus
Dialogues with Shostakovich
Orchestre
Orchestra - Digital Download SKU: S9.Q6198 Symphonic Etudes. Composed by Rod…
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Orchestra - Digital Download SKU: S9.Q6198 Symphonic Etudes. Composed by Rodion Shchedrin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q6198. Published by Schott Music - Digital (S9.Q6198). Many of Rodion Shchedrinâs compositions are distinguished by deeply Slavonic feeling and thrilling virtuoso displays. Even though Shchedrin has won recognition all over the world for his work, he remains an essentially Russian composer who has not broken off his ties to Russian musical folk traditions and poetry. It is thus not surprising to learn of his profound admiration for his compatriot Shostakovich (Shchedrin writes: âHe is like a God to me.â) The âdialoguesâ in this one-movement orchestral piece give expression to this admiration; they describe and offer a musical commentary on the character of Shostakovichâs music and of the man himself.2 Picc. · 2 · 2 · 1 Engl. Hr. · Es-Klar. · 2 · 2 · Kfg. - 4 · 3 · 3 · 1 - P. S. (I: hg. Crot. Mil.-Tr. [hoch], Choclo; II: Tamt., Mil.-Tr. [mittel], Troika-Schellen, Pfeife; III: 2 Tomt. [mittel/mitteltief]; IV: Beckenpaar, Gr. Tr.) (4 Spieler) - Str. (18 · 16 · 14 · 12 · 10).
$27.99
26.33 €
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Orchestre
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Rodion Shchedrin
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Dialogues with Shostakovich
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Schott Music - Digital
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SheetMusicPlus
Dialogues and Fancies
Harpe, Flûte (duo)
Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.872…
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.872663 Composed by Philip Orem. Contemporary. Score and parts. 39 pages. Philip Orem #3626199. Published by Philip Orem (A0.872663). There are three dialogues in this set, which are conversations between the flute and harp. Each is followed by a fancy, a pretty lyrical piece. Written for my friends Ed and Marcia to play at nursing homes. The recording is of the first fancy, The Bird Outside My Window.For further information contact me at po4musik@aol.com orhttps://po4musik.wixsite.com/website
$20.00
18.81 €
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Harpe, Flûte (duo)
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Philip Orem
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Dialogues and Fancies
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Philip Orem
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SheetMusicPlus
SANGUINIC - 2nd part of Dialogues for cello duo
Violoncelle (partie séparée)
Cello Solo - Digital Download SKU: A0.1022651 Composed by Pavel Kopecky. Contempora…
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Cello Solo - Digital Download SKU: A0.1022651 Composed by Pavel Kopecky. Contemporary. Individual part. 4 pages. Pavel Kopecky #1910343. Published by Pavel Kopecky (A0.1022651). SANGUINIC - 2nd part of Dialogues for cello duo ____https://youtu.be/J3A6gQYNZzw.
$2.50
2.35 €
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Violoncelle (partie séparée)
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Pavel Kopecky
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SANGUINIC - 2nd part of Dialogues for cello duo
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Pavel Kopecky
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SheetMusicPlus
MELANCHOLIC _ 3rd part of Dialogues for cello duo
Violoncelle (partie séparée)
Cello Solo - Digital Download SKU: A0.1022652 Composed by Pavel Kopecky. Contempora…
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Cello Solo - Digital Download SKU: A0.1022652 Composed by Pavel Kopecky. Contemporary. Individual part. 3 pages. Pavel Kopecky #1910349. Published by Pavel Kopecky (A0.1022652). MELANCHOLIC _ 3rd part of Dialogues for cello duo ___ https://youtu.be/w6wkROps9FQ.
$2.50
2.35 €
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Violoncelle (partie séparée)
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Pavel Kopecky
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MELANCHOLIC _ 3rd part of Dialogues for cello duo
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Pavel Kopecky
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SheetMusicPlus
CHOLERIC _ fourth part of Dialogues for cello duo
Violoncelle (partie séparée)
Cello Solo - Level 3 - Digital Download SKU: A0.1022653 Composed by Pavel Kopecky. …
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Cello Solo - Level 3 - Digital Download SKU: A0.1022653 Composed by Pavel Kopecky. Contemporary. Individual part. 5 pages. Pavel Kopecky #1910351. Published by Pavel Kopecky (A0.1022653). CHOLERIC _ fourth part of Dialogues for cello duo ___.
$2.50
2.35 €
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Violoncelle (partie séparée)
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Pavel Kopecky
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CHOLERIC _ fourth part of Dialogues for cello duo
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Pavel Kopecky
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SheetMusicPlus
"Temptations" Dialogues for clarinet and viola
Clarinette et Alto
Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0…
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Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.886702 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 27 pages. Panagiotis Theodossiou #3582629. Published by Panagiotis Theodossiou (A0.886702). Temptations, Dialogues for clarinet and viola (2004)The work written for the duo: Giannis Sabrovalakis-Andreas Georgotas in a programmatic character, is a series of variations in a concertante style. The exposition of intervallic and motivic elements in the introduction (In the Desert), leads suddenly and unexpectedly (as it fits to a temptation) to 9 short appearances - disguises (Apparitions) - the 5th is a prayer and the 8th a Devilâs Dance. Finale (Flames) is in the peak of technical and expressional demands. Large intervals growing high like a cry to the listener between the two instruments and the strict contrapuntal writing suggest an interchange of roles between the tempting one and the other being tempted. Devilâs Dance and Finale rearranged later as parts of the String Quartet (2006). .
$15.00
14.11 €
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Clarinette et Alto
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Panagiotis Theodossiou
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"Temptations" Dialogues for clarinet and viola
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Panagiotis Theodossiou
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SheetMusicPlus
Interior Dialogues
Piano Facile
Piano Solo - Early Intermediate - Digital Download By Max Richter. Arranged by Musi…
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Piano Solo - Early Intermediate - Digital Download By Max Richter. Arranged by Musikeo. Score. 2 pages. Published by Musikeo
This is the piano score with full detail of the song "Interior Dialogues" , included in the OST of the TV Series "My Brilliant Friend", by the well-known film and TV series composer Max Richter. Enjoy playing it on your piano!
$4.99
4.69 €
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Piano Facile
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Max Richter
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Musikeo
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Interior Dialogues
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Musikeo
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SheetMusicPlus
Conflusion - Suite - Woodwind Ensemble - Score Only
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By T…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$10.00
9.41 €
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.48 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Conflusion - Suite - Wind Ensemble
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 Sätzen für GroÃes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heiÃt ein Ort in Lyon an dem 2 Flüsse zusammen flieÃen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone â Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchflieÃen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenflieÃenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und gröÃeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schlieÃlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es flieÃt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
75.24 €
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Orchestre de chambre
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ensemble
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Conflusion - Suite - Woodwind Ensemble - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas G…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für GroÃes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heiÃt ein Ort in Lyon an dem 2 Flüsse zusammen flieÃen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone â Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchflieÃen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenflieÃenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und gröÃeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schlieÃlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es flieÃt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00
9.41 €
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Orchestre de chambre
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Music for Multiple Violas or Viola Quartet: Book 2
Quatuor à cordes : 4 altos
String Ensemble Viola - Level 4 - Digital Download SKU: A0.1153215 Composed by Scot…
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String Ensemble Viola - Level 4 - Digital Download SKU: A0.1153215 Composed by Scott Slapin. 19th Century,20th Century,Chamber,Classical,Religious. 135 pages. Violacentric Publications #753454. Published by Violacentric Publications (A0.1153215). Music for viola ensemble (4-part) or viola quartet. Includes 4 pieces: Fanfare for Cremonus, Cremonus in Italy (4 mvts), Dialogues, and A Viola Audition). Intermediate/Advanced. Parts and scores included. For more info on specific pieces, visit http://www.scottslapin.com VIDEOS: Cremonus in Italy: https://youtu.be/993TZHPTvFY Fanfare for Cremonus: https://youtu.be/I5rBnOOn-yw A Viola Audition: https://youtu.be/0SonshOoD0I Dialogues: https://youtu.be/7L3nc9oDIK0.
$40.00
37.62 €
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Quatuor à cordes : 4 altos
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Scott Slapin
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Music for Multiple Violas or Viola Quartet: Book 2
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Violacentric Publications
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SheetMusicPlus
Conflusion - Suite - Woodwind Ensemble
Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - Digital Downl…
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Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas Graf. Classical. 212 pages. Thomas Graf - the-hit-factory.com #717711. Published by Thomas Graf - the-hit-factory.com (A0.1115986). Phantasie in 3 Sätzen für GroÃes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heiÃt ein Ort in Lyon an dem 2 Flüsse zusammen flieÃen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone â Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchflieÃen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenflieÃenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und gröÃeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schlieÃlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es flieÃt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
75.24 €
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind Ensemble
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Dialogues
Harpe
Harp - Digital Download Composed by Traditional. Arranged by Cynthia A. Boener. Early Mu…
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Harp - Digital Download Composed by Traditional. Arranged by Cynthia A. Boener. Early Music, Sacred, Repertoire, Funeral, Recital. Score. 4 pages. Published by Cynthia Boener
I fell in love with a tune I heard on the radio, searched and searched, finally found it (a traditional tune called "Dialogue between Death and a Sinner"), and did a harp arrangement of it! (with just a hint of New Britain {Amazing Grace}.
$5.95
5.6 €
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Harpe
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Traditional
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Cynthia A
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Dialogues
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Cynthia Boener
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SheetMusicPlus
As freezing fountains
Vocal Solo,Voice - Digital Download SKU: A0.1040572 Composed by Pelham Humphrey. Ar…
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Vocal Solo,Voice - Digital Download SKU: A0.1040572 Composed by Pelham Humphrey. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #645368. Published by Early Music Scores (A0.1040572). Voice and continuo: Pelham Humphrey (1647-1674). From Choice Ayres, Songs & Dialogues, Third Book, London, 1681. Edited by Felipe Dias. 1 page.
$4.99
4.69 €
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Pelham Humphrey
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Early Music Scores
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As freezing fountains
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Early Music Scores
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SheetMusicPlus
The appointed hour of promis'd bliss
Vocal Solo,Voice - Digital Download SKU: A0.791757 Composed by John Weldon. Arrange…
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Vocal Solo,Voice - Digital Download SKU: A0.791757 Composed by John Weldon. Arranged by Early Music Scores. Baroque,Classical. 1 pages. Early Music Scores #6363075. Published by Early Music Scores (A0.791757). Voice and continuoComposed by John Weldon (1676-1736). From A collection of the choicest songs & dialogues, No. 145. Baroque Period. Edited by Felipe Dias. 1 page.
$4.99
4.69 €
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John Weldon
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Early Music Scores
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dialogues, No
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The appointed hour of promis'd bliss
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Early Music Scores
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SheetMusicPlus
Adieu to the Pleasures and Follies of Love
Vocal Solo,Voice - Digital Download SKU: A0.791752 Composed by James Hart. Arranged…
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Vocal Solo,Voice - Digital Download SKU: A0.791752 Composed by James Hart. Arranged by Early Music Scores. Baroque,Classical. 2 pages. Early Music Scores #6350389. Published by Early Music Scores (A0.791752). Voice and continuoComposed by James Hart (1647-1718). From Choice Ayres, Songs & Dialogues, London, 1676. Baroque period. Edited by Felipe Dias. 2 pages.
$5.99
5.63 €
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James Hart
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Early Music Scores
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Dialogues, London, 1676
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Adieu to the Pleasures and Follies of Love
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Early Music Scores
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SheetMusicPlus
Voice Fragments
Chorale SSAATTBB
SSAATTBB chorus - Digital Download SKU: BJ.1335 Composed by Cecilia Franke. Secular…
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SSAATTBB chorus - Digital Download SKU: BJ.1335 Composed by Cecilia Franke. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1335. Published by Bo Ejeby Forlag - Digital (BJ.1335). 8.27 x 11.7 inches.In my interpretation, the poem Voice Fragments is about the communication between a you and a me - dialogues that are intimately tied to the relationship between voices and words or speaking and listening. With regard to myself, listening also involves paying attention to the tone of voice and body language of the speaker, and not only the words. If I choose not to listen, I would be compromising my ability to empathize, which would cause me to forfeit my voice and also make the world a poorer place. The piece begins with sounds - a-ah, n-ng, s -, fragments that are also building blocks for words, units used and reused in various combinations to convey meaning. The same principle applies to music, where simple elements are used to build compositions, and they can also alter the meaning of the piece. - Cecilia Franke.
$4.80
4.51 €
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Chorale SSAATTBB
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Cecilia Franke
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Voice Fragments
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
I'm So Excited
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.985448 By The Pointer Sist…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.985448 By The Pointer Sisters. By Anita Pointer, June Pointer, Ruth Pointer, and Trevor Lawrence. Arranged by Matthias Neuburger. Contemporary,Dance. Octavo. 5 pages. Matthias Neuburger #5800015. Published by Matthias Neuburger (A0.985448). This version is part of the series Die Aufnahmeprüfung with German text passages and dialogues. In this fictional story, the performing ensemble faces a jury in order to be accepted at the Music Academy. Not everything goes as planned, and the project comes to a surprising end.
$4.95
4.66 €
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Chorale TTBB
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The Pointer Sisters
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Matthias Neuburger
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I'm So Excited
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Matthias Neuburger
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SheetMusicPlus
Conflusion - Suite - Wind Ensemble - Clarinet 2 in Bb
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.567878 Composed by Thomas Gr…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.567878 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Score and parts. 8 pages. Thomas Graf - the-hit-factory.com #1986061. Published by Thomas Graf - the-hit-factory.com (A0.567878). Conflusion Phantasy in 3 mouvements for large wind ensemble, double bass and percussion 1. Movement: Deux Caractères 3â59ââ 2. Movement: Dialogues 3â18ââ 3. Movement: Dance de Conflusion 4â24ââ Find all infoâs on Youtube: https://youtu.be/Qa4uoTTQ2-o Tatl duration 10â41ââ Instrumentation: 3 flutes (with Piccolo), 3 Clarinets (including bass clarinet), 2 Oboes, cor anglais, 2 Bassoons, contra-bassoon, 3 trumpets, 3 trombones, tuba, double bass, 2 percussion I'm looking for an open-minded Orchestra for a recording, as well as partner(Orchestra and/or conductor) for an arrangement for symphonic wind band. Thomas H. Graf.
$3.00
2.82 €
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Orchestre de chambre
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ensemble - Clarinet 2 in Bb
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
As I walked forth one Summer's day
Vocal Solo,Voice - Digital Download SKU: A0.791824 Composed by Robert Johnson. Arra…
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Vocal Solo,Voice - Digital Download SKU: A0.791824 Composed by Robert Johnson. Arranged by Early Music Scores. Baroque,Classical,Renaissance. 1 pages. Early Music Scores #6614369. Published by Early Music Scores (A0.791824). Voice and continuoComposed by Robert Johnson (c.1583 - 1633). From Select Musicall Ayres and Dialogues, First Book, Playford, 1652. Baroque period. Edited by Felipe Dias. 1 page.
$4.99
4.69 €
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Robert Johnson
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Early Music Scores
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As I walked forth one Summer's day
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Early Music Scores
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SheetMusicPlus
Where the bee sucks there suck I
Vocal Solo,Voice - Digital Download SKU: A0.1040577 Composed by Pelham Humphrey. Ar…
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Vocal Solo,Voice - Digital Download SKU: A0.1040577 Composed by Pelham Humphrey. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #645373. Published by Early Music Scores (A0.1040577). Voice and continuo: composed by Pelham Humphrey (1647 - 1674). From Choice Ayres, Songs & Dialogues, First Book, London, 1675. Edited by Felipe Dias. 1 page.
$4.99
4.69 €
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Pelham Humphrey
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Early Music Scores
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Where the bee sucks there suck I
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Early Music Scores
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SheetMusicPlus
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