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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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Wind 5tet - Intermediate-Advanced - Digital Download SKU: F2.FM826 Composed by Denn…
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Wind 5tet - Intermediate-Advanced - Digital Download SKU: F2.FM826 Composed by Dennis Wickens. Programmatic piece in a modern style. Score and Parts. 29 pages. Forton Music - Digital #FM826. Published by Forton Music - Digital (F2.FM826). ISBN 9790570487257.
$14.95
13.67 €
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Dennis Wickens
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Discourse
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Forton Music - Digital
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SheetMusicPlus
Unaccompanied Tuba Suite #1 in B-flat Major
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baro…
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Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
9.13 €
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Tuba
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Jason Allie
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Unaccompanied Tuba Suite #1 in B-flat Major
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Joaba LLC
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SheetMusicPlus
Frieden für Trompete, Schlagwerk, Pauken, Streichquartett und Streichorchester
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1511108 Composed by Claus Wo…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1511108 Composed by Claus Woschenko (*1979). 21st Century,Classical,Contemporary. 72 pages. Claus Woschenko #1086320. Published by Claus Woschenko (A0.1511108). Claus Woschenko: Frieden (Peace) - Trumpet Concerto (2023)- Orchestral parts -In view of the many actual wars and crises worldwide, my concert “Frieden” (“Peace”) for trumpet, percussion, timpani, string quartet and string orchestra from 2023 represents my explicit commitment to humanity, democracy and discourse instead of hate, dictatorship and intolerance . At the center of the work is a great music of sorrow including a passacaglia. And I chose this particular very old musical form because war has for centuries accompanied people and always causes suffering and misery. But as I am an optimist a cautiously positive finale should not be missing from my concert.A full score also available for sale!Claus Woschenko: Frieden - Trompetenkonzert (2023)- Stimmenmaterial -Mein Konzert „Frieden“ in der reizvollen Besetzung von Trompete, Schlagwerk, Pauken, Streichquartett und Streichorchester aus dem Jahr 2023 stellt angesichts der vielen Kriege und Krisen weltweit mein ganz ausdrückliches Bekenntnis zu Menschlichkeit, Demokratie und Diskurs statt Hass, Diktatur und Intoleranz dar. Im Zentrum des Werkes steht eine große Trauermusik samt Passacaglia. Diese sehr alte musikalische Form habe ich gewählt, da der Krieg die Menschen seit Jahrhunderten begleitet und immer wieder nur Leid und Elend hervorruft. Aber da ich Optimist bin, darf auch ein vorsichtig positives Finale in meinem Konzert nicht fehlen.Die Partitur ist ebenfalls käuflich erhältlich! keywords: Trompetenkonzert, trumpet concerto, nie wieder Krieg, no more war, Solidarität mit der Ukraine und allen anderen Opfern von Krieg, solidarity with Ukraine and all other victims of war.
$60.00
54.85 €
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Claus Woschenko
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Frieden für Trompete, Schlagwerk, Pauken, Streichquartett und Streichorchester
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Claus Woschenko
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SheetMusicPlus
Frieden für Trompete, Schlagwerk, Pauken, Streichquartett und Streichorchester
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1511104 Composed by Claus Wo…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1511104 Composed by Claus Woschenko (*1979). 21st Century,Classical,Contemporary. 56 pages. Claus Woschenko #1086314. Published by Claus Woschenko (A0.1511104). Claus Woschenko: Frieden (Peace) - Trumpet Concerto (2023)- Full score -In view of the many actual wars and crises worldwide, my concert “Frieden” (“Peace”) for trumpet, percussion, timpani, string quartet and string orchestra from 2023 represents my explicit commitment to humanity, democracy and discourse instead of hate, dictatorship and intolerance . At the center of the work is a great music of sorrow including a passacaglia. And I chose this particular very old musical form because war has for centuries accompanied people and always causes suffering and misery. But as I am an optimist a cautiously positive finale should not be missing from my concert.Orchestral Parts are also available for sale!Claus Woschenko: Frieden - Trompetenkonzert (2023)- Partitur -Mein Konzert „Frieden“ in der reizvollen Besetzung von Trompete, Schlagwerk, Pauken, Streichquartett und Streichorchester aus dem Jahr 2023 stellt angesichts der vielen Kriege und Krisen weltweit mein ganz ausdrückliches Bekenntnis zu Menschlichkeit, Demokratie und Diskurs statt Hass, Diktatur und Intoleranz dar. Im Zentrum des Werkes steht eine große Trauermusik samt Passacaglia. Diese sehr alte musikalische Form habe ich gewählt, da der Krieg die Menschen seit Jahrhunderten begleitet und immer wieder nur Leid und Elend hervorruft. Aber da ich Optimist bin, darf auch ein vorsichtig positives Finale in meinem Konzert nicht fehlen.Stimmenmaterial ist ebenfalls käuflich erhältlich!keywords: Trompetenkonzert, trumpet concerto, nie wieder Krieg, no more war, Solidarität mit der Ukraine und allen anderen Opfern von Krieg, solidarity with Ukraine and all other victims of war.
$20.00
18.28 €
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Claus Woschenko
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Frieden für Trompete, Schlagwerk, Pauken, Streichquartett und Streichorchester
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Claus Woschenko
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SheetMusicPlus
FAUVY – Choralenti | Choir SAT(B) | PDF
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1458171…
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1458171 Composed by Maël Fauvy. 21st Century,A Cappella,Classical,Contemporary,Sacred. 8 pages. Mfp Éditions #1037143. Published by Mfp Éditions (A0.1458171). Composer : Maël FauvyLevel : Medium - Grades II & IIIFrom six voices : 2 Soprani, 2 Alti/Mezzos, 2 Tenors, Bass ad lib. — 8 pagesChoralenti is a vocal work for choir from six voices: 2 Sopranis, 2 Alti or Mezzos, 2 Tenors and Bass ad lib. ; each music stand can accommodate additional singers.Written in homage to the Norwegian composer Knut Nystedt, the work blurs the listener's relationship to time by working on the tiling of voices outside the notion of pulsation. Through these tiles, the tonal writing is saturated with delays and enrichments of chords opening up different perspectives of interpretation of the harmonic discourse. Furthermore, the vocalizations sculpt the harmonic space by asking each chorister to gently modulate their phonemes in their own time, creating the echo of a second distant choir.
$30.00
27.43 €
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Chorale SATB
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Maël Fauvy
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FAUVY – Choralenti | Choir SAT(B) | PDF
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Mfp Éditions
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SheetMusicPlus
Fuse
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1456619 By Marcos Fernand…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1456619 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 20th Century,21st Century,Chamber,Classical,Contemporary. Score and part. 33 pages. Marcos Fernandez-Barrero #1035694. Published by Marcos Fernandez-Barrero (A0.1456619). Work commissioned by the Rose-Gibbs Duo (Benita Rose and Tony Gibbs) – Prescott (Arizona, USA). This is a work ideal for both, professional performers as well as students of the year before College level (ie. 17 years old)In the past, I had the chance to experience how performing with a musician who is also your personal partner (wife, girlfriend, etc.) can ease the process of merging together, enhancing the performance as if it were by a single musician rather than two separate individuals. So, when I was asked to write a piece for a duo in such circumstances, like the Rose-Gibbs Duo, I saw it as a great opportunity to explore the possibilities of blending, fusing, and merging musical content, sound, and other parameters into a cohesive whole.Therefore, this work explores the concept of musical discourse produced by the interaction of both instruments, which often have to align their accents, timbre, or dynamics to become one entity; as if melting together, as if two solids became liquid and fused to form a new alloy. The form and structure of the work are also influenced by this constant idea of blending, integrating the various sections into a single, unified movement.Written in Barcelona on July 2023______________________________________Obra encargada por el Rose-Gibbs Duo (Benita Rose y Tony Gibbs) – Prescott (Arizona, EE. UU.). Ideal para tanto músicos profesionales así como tamién para alumnos del curso antes del nivel Universitario de Superior (17 años aproximadamente)En el pasado, tuve la oportunidad de experimentar cómo el hecho de tocar con un músico que también es tu pareja personal (esposa, novia, etc.) puede facilitar el proceso de fusionarse, mejorando la actuación como si fuera realizada por un solo músico en lugar de dos individuos. Así que, cuando me pidieron componer para un dúo en tales circunstancias, como el Rose-Gibbs Duo, lo vi como una gran oportunidad para explorar las posibilidades de mezclar, fusionar e integrar el contenido musical, el sonido y otros parámetros en un todo cohesivo.Por lo tanto, esta obra explora el concepto del discurso musical producido por la interacción de ambos instrumentos, que a menudo deben alinear sus acentos, timbre o dinámicas para convertirse en una sola entidad; como si se fundieran juntos, como si dos sólidos se convirtieran en líquido y se fusionaran para formar una nueva aleación. La forma y la estructura de la obra también están influenciadas por esta idea constante de mezcla, integrando las diversas secciones en un solo movimiento unificado.Escrita en Barcelona en Julio 2023
$17.95
16.41 €
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Saxophone Alto et Piano
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Marcos Fernandez-Barrero
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Marcos Fernandez-Barrero
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Fuse
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Marcos Fernandez-Barrero
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SheetMusicPlus
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Clarinet and Piano
Bassoon,Clarinet,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426546 Composed b…
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Bassoon,Clarinet,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426546 Composed by Johann Sebastian Bach. Arranged by Kamada,Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007246. Published by ACORDO Sheet Music (A0.1426546). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for oboe and clarinet. The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60
3.29 €
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Johann Sebastian Bach
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Kamada,Mikio
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Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Clarinet and Piano
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ACORDO Sheet Music
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SheetMusicPlus
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Flute, Clarinet and Piano
Level 3 - Digital Download SKU: A0.1426547 Composed by Johann Sebastian Bach. Arran…
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Level 3 - Digital Download SKU: A0.1426547 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007247. Published by ACORDO Sheet Music (A0.1426547). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for flute and clarinet. The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60
3.29 €
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Johann Sebastian Bach
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Kamada, Mikio
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Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Flute, Clarinet and Piano
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ACORDO Sheet Music
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SheetMusicPlus
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for two Clarinets and Piano
Bassoon,Clarinet,Piano - Level 3 - Digital Download SKU: A0.1426548 Composed by Joh…
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Bassoon,Clarinet,Piano - Level 3 - Digital Download SKU: A0.1426548 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007248. Published by ACORDO Sheet Music (A0.1426548). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for Clarinets. The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60
3.29 €
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Johann Sebastian Bach
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Kamada, Mikio
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Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for two Clarinets and Piano
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ACORDO Sheet Music
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SheetMusicPlus
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Cor Anglais and Piano
English Horn,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426549 Composed by Jo…
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English Horn,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426549 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007249. Published by ACORDO Sheet Music (A0.1426549). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for Oboe and Cor Anglais. The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60
3.29 €
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Johann Sebastian Bach
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Kamada, Mikio
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Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Cor Anglais and Piano
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ACORDO Sheet Music
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SheetMusicPlus
" Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Flute and Piano "
Bassoon,Flute,Oboe,Piano - Level 3 - Digital Download SKU: A0.1422054 Composed by J…
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Bassoon,Flute,Oboe,Piano - Level 3 - Digital Download SKU: A0.1422054 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1003395. Published by ACORDO Sheet Music (A0.1422054). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for oboe and flute.  The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60
3.29 €
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Johann Sebastian Bach
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Kamada, Mikio
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" Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Flute and Piano "
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ACORDO Sheet Music
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SheetMusicPlus
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Violin and Piano
Cello,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.1417698 Composed by Jo…
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Cello,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.1417698 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #999237. Published by ACORDO Sheet Music (A0.1417698). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The cello part is the same as the piano's left hand and is optional.
$3.60
3.29 €
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Johann Sebastian Bach
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Kamada, Mikio
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Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Violin and Piano
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ACORDO Sheet Music
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SheetMusicPlus
Tyrant
Baritone Horn TC,Cello,Piccolo,Soprano voice,Viola,Violin - Level 5 - Digital Download …
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Baritone Horn TC,Cello,Piccolo,Soprano voice,Viola,Violin - Level 5 - Digital Download SKU: A0.1404089 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. 49 pages. Barabba Music #987269. Published by Barabba Music (A0.1404089). A Micro-opera by Jason V. BarabbaLibretto by Jason V. Barabba and Annie Jankowski after The Wolf and the Lamb by Aesop for Soprano, Baritone, Flute, Violin, Viola and CelloIt feels like our national political and social discourse has plummeted to new depths of dysfunction. No matter what your opinions are, you cannot fail to notice that we’ve lost something in our nation when our leaders cannot find a way to disagree with one another with civility. It is hard to feel optimistic, or even know what to do in the face of such petty ugliness that passes for political thought in this nation.For Tyrant I turned to the basic lessons found in Aesop’s fables, which are at heart lessons on being a good member of civil society…lessons that unfortunately I believe our nation needs to re-learn. Soon. The Wolf and the Lamb focuses on someone who consciously makes up lies to justify what he wants to do and feels alarmingly relevant today. Only lightly edited to turn the story into a dramatic scene, it is a very old story intended for the people of 2017.
$96.30
88.04 €
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Jason V
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Tyrant
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Barabba Music
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SheetMusicPlus
Method of Harmony and Musical Composition with Exercises
Chorale SATB
Choral Choir (Mixed) - Digital Download SKU: A0.518051 Composed by Santino Cara. In…
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Choral Choir (Mixed) - Digital Download SKU: A0.518051 Composed by Santino Cara. Instructional. Octavo. 251 pages. Santino Cara #3068463. Published by Santino Cara (A0.518051). This method is under the old rules, that are related to the purity and simplicity. Harmony and tonality, intervals, movement of sounds, major and minor chord , construction and conjunction of the chords, cadences, exceptional motions of the dominant, concatenation of the chords, direct agreement and revolt, harmonization of the bass, tonal progressions, dissonant arrangements, modulation, modulating progressions, agreement of seventh dominant, agreement of ninth dominant, natural and artificial agreements, modulation to the distant tones, the exchange, harmonic artifices, pedal, harmonnization of the given song, etc ... While reading you will find images of scores such as reference to a particular discourse that at that moment he was doing, and so on. They're all examples targeted aimed at better understanding.
$32.40
29.62 €
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Chorale SATB
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Santino Cara
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Method of Harmony and Musical Composition with Exercises
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Santino Cara
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SheetMusicPlus
9.28.85
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
7.3 €
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Trombone
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
That All May Be One
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1316200 By James Ga…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1316200 By James Gardner. By James Gardner. 21st Century,Christian,Easter. 8 pages. James Gardner #904937. Published by James Gardner (A0.1316200). That All May be One was the prayer that Jesus offered in his last discourse in the upper room. Â This is an anthem version of the choral song written for choir, assemble and cantors that can be found under the title All May Be One. Â SATB parts are simple and easy to learn. Â The anthem version here is intended for choir solo.
$3.50
3.2 €
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Chorale SATB
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James Gardner
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That All May Be One
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James Gardner
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SheetMusicPlus
Telemann Concerto a 4 TWV 43:d2
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.890777 Composed by Georg Phi…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.890777 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque. Score and parts. 20 pages. Sneakwood Editions #5321931. Published by Sneakwood Editions (A0.890777). Another jewel of this four-part writing appears in the Concerto a 4 in D minor TWV 43:d2, dated around 1720 and found in Dresden and Darmstadt. The contrast between the lavishness of the slow movements and the rhythmic richness of the fast movements is masterful. While the slow movements offer a melodic and harmonic discourse of overwhelming beauty, the rhythmic resources of the fast movements are astonishingly forceful. To mention just a couple of examples, the fugal beginning with three parts in unison at a distance of one quaver in the second movement, or the impetuous syncopated rhythms of the final Allegro. From the booklet of the CD TELEMANN.Chamber music treasures from Dresden and Darmstadt Les Esprits Animaux. Musica Ficta MF8029 , 2018. Texts by Javier Lupiáñez.
$16.00
14.63 €
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Orchestre de chambre
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Georg Philipp Telemann
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Sneakwood Editions
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Telemann Concerto a 4 TWV 43:d2
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Sneakwood Editions
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SheetMusicPlus
Antillas
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1008993 Composed by William …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1008993 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 252 pages. William Ortiz #6036805. Published by William Ortiz (A0.1008993). Antillas for Chamber Orchestra is a work consisting of two movements: Alborada antillana and Nocturno antillano. The piece is a reflective soundscape on the diversity and magic of the archipelago of islands in the Caribbean known as the Antilles. The rich, colorful and mysterious musical energy is depicted through out these two movements. The first at daybreak and the second at night.The fusion of the distinct musical elements is recognized through the evolving musical discourse eventually connecting to its essential roots. The polyphony of timbres and rhythms, at the same time calm and restless, manifests the natural habitat that gives birth to this sound world. Â
$43.00
39.31 €
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Orchestre de chambre
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William Ortiz
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Antillas
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William Ortiz
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SheetMusicPlus
La Décima Musa
Voix duo, Piano
Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.1009002 Composed …
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Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.1009002 Composed by William Ortiz. 20th Century,Contemporary. 39 pages. William Ortiz #6369967. Published by William Ortiz (A0.1009002). The text for “La Décima Musa†(2016) for Soprano, Mezzo and Piano, written by Amaya E. Ortiz, is inspired and influenced by the life and work of the Mexican poet Sor Juana Inés de la Cruz. Sor Juana Inés (1651-1695) was a controversial figure that defended women’s rights to education and was censured. Her defiance towards the Catholic Church at the time, led to all her books being confiscated. She has been since named “La Décima Musa†and has also been known as “El Phoenix de Méxicoâ€. The work is divided musically into ten sections of different character, each one preceded by a vocalized or brief instrumental interlude introducing each verse of the poem. The piece begins with a subtle, serene and contemplative vocalize in the tonality of F mayor and continues it’s musical discourse through modulations, rhythmic changes and imitative polyphony. The music reflects to a certain degree the neo baroque styling of the text, which in turn mirrors Sor Juana’s muse. The text transmits to me a phantasmagorical message that contains a great variety of metaphors and profound sentiment. I try to transform those words and thoughts into emotions and sensibilities through the miracle of what is music.
$9.95
9.1 €
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Voix duo, Piano
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William Ortiz
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La Décima Musa
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William Ortiz
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SheetMusicPlus
Interiores
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.994728 Composed by Darian Stavans. …
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Piano Solo - Level 4 - Digital Download SKU: A0.994728 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score. 47 pages. Music Studio #4331355. Published by Music Studio (A0.994728). Interiores.Interiores - Piano Music / Album Interiores by Darian Stavans.Interiors is an album that speaks about the wonder of our interior life. Outside, everything is technical, and therefore every one of our movements begins in our interior world. What makes us distinct as human beings? It is our capacity to feel and our awareness of that capacity; later we act, we work, we pray and go about the tasks that provide for us and illuminate us. Light and shadow exist inside us in an infinite erotic discourse immersed in continuous scenes and encounters. Time and space are also values of our main existential conflicts and as such live within us. As we come to terms with this existential sense that sustains thought in our interior world, we touch upon the exact and reliable force of our own existence. Once we are familiar with it we can tap the credibility of our interior world, its immense wealth and the generosity with which it nurtures our every step.1.- Interiores I2.- Luz y Sombra3.- Erótica4.- MelodÃas de Amor y Desamor5.- Escenas / Encuentros6.- Tiempo y Espacio7.- Nostalgia8.- Interiores II45 pages.Piano Music work.Duration: 50:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1.
$19.99
18.28 €
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Piano seul
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Darian Stavans
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Interiores
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Music Studio
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SheetMusicPlus
Invisible Walls
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.793372 Composed by Minni K. A…
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.793372 Composed by Minni K. Ang. Christian,Rock,Sacred,Spiritual. 4 pages. Dr Minni Ang #4758441. Published by Dr Minni Ang (A0.793372). This song depicts the writer's deep personal discourse with God. Its lyrics speak for itself:Invisible walls surround me Reflections of my own mind The moments they just slip by me And I lose track of time Wond' ring what you got in store now Sometimes I'm out of my head Knowing you're loving me more now Feeling neglected instead CHORUS And I will run to you coz I need your love No matter how I feel inside You know I can't get by without feeling your touch I gotta have you deep in my life And I will run to you in spite of the walls The walls that keep us apart Feeling trapped within invisible walls Breaking through with you is a start Invisible walls surround me Illusions in my head The mem'ries they just drift by me As I lay down in my bed Thinking of days that have long gone Knowing just how I survived Struggling to overcome It's your love that has kept me alive (Chorus) To freedom from these Invisible Walls To freedom from these Invisible Walls To freedom from these Invisible Walls I need your love to set me free (Chorus)
$2.29
2.09 €
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Minni K
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Invisible Walls
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Dr Minni Ang
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SheetMusicPlus
The Hourglass
Afl/fl - Intermediate-Advanced - Digital Download SKU: F2.FM394 Composed by Mark Wh…
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Afl/fl - Intermediate-Advanced - Digital Download SKU: F2.FM394 Composed by Mark Whitefield. Solo Alto Flute (or concert flute). Score. 11 pages. Forton Music - Digital #FM394. Published by Forton Music - Digital (F2.FM394). ISBN 9790570482931.Solo Alto Flute (or concert flute) - The Hourglass is a piece cast in four movements. It draws its inspiration from the myth and legend of the romantic ruined fortress of Tintagel on the Cornish coast. Musically speaking the four movements are mainly tonal in character with a slight undercurrent of a melancholic longing which ebbs and flows as the music progresses. Rhythmically the music has a certain syncopated feel, which adds elements of apprehension, excitement and anticipation to the musical discourse.
$9.95
9.1 €
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Mark Whitefield
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The Hourglass
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Forton Music - Digital
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SheetMusicPlus
Carson Cooman - Cantus II (Into Unknowing Light) (2011) for piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.775947 Composed by Carson Cooman. C…
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Piano Solo - Level 4 - Digital Download SKU: A0.775947 Composed by Carson Cooman. Contemporary,Spiritual,Standards. Score. 6 pages. Musik Fabrik Music Publishing #2033573. Published by Musik Fabrik Music Publishing (A0.775947). But darkness is Light, That doesn’t know it’s Light yet. - Stuart Saunders Smith Cantus II (Into Unknowing Light) (2011) for piano was written for and is dedicated to Julia Scott Carey, in memory of her mother, Harriet Stolmeier Carey (1951–2011). The work is marked tranquil, yet passionate. It is a memory space in which a gentle tolling texture pushes the discourse to an enormous climax, before dying away in peace and light.
$9.05
8.27 €
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Piano seul
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Carson Cooman
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Carson Cooman - Cantus II
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Little Poppet (2009) mute music for solo trumpet
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.533577 Composed by Carson Cooman.…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.533577 Composed by Carson Cooman. Concert,Contemporary,Instructional,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #3024999. Published by Musik Fabrik Music Publishing (A0.533577). Little Poppet (2009) mute music for solo trumpet was written for Colby Cooman.It is a brief piece that inflects a single musical line with the sound of the various trumpet mutes. Themusical discourse moves between scherzando gestures and searchingly lyrical ones.The “physical display†of the mute changes may call to mind a marionette on strings.
$7.75
7.09 €
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Trompette
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Carson Cooman
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Carson Cooman: Little Poppet
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman - Lullaby (after Rameau) for piano
Piano seul
Piano Solo - Digital Download SKU: A0.775934 Composed by Carson Cooman. Contemporar…
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Piano Solo - Digital Download SKU: A0.775934 Composed by Carson Cooman. Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2033027. Published by Musik Fabrik Music Publishing (A0.775934). Lullaby (after Rameau) (2009) for piano was composed in honor of the birth of Goldie Celeste Hunka and is also dedicated to her parents: pianist Marilyn Nonken and playwright George Hunka. The substrate of the music is an E–D tolling figure, whose continuous changes in placement and temperament drive the discourse. The overall tone is tender and gentle, even as the music continually tries to burst its confines. (Jean-Philippe Rameau’s harpsichord piece L' Entretien des Muses served as a template for a number of structural and textural aspects.).
$9.05
8.27 €
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Piano seul
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Carson Cooman
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Carson Cooman - Lullaby
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Musik Fabrik Music Publishing
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SheetMusicPlus
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