English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
148
Partitions
Numériques
45
Librairie
Musicale
105
Matériel
de Musique
187
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
16
PIANO & CLAVIERS
Piano seul
10
Piano, Voix
3
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
GUITARES
VOIX
Voix seule
1
VENTS
Hautbois
1
Hautbois (partie séparée)
1
Clarinette
1
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
CORDES
2 Violons (duo)
2
Violon et Piano
1
PERCUSSIONS & ORCHESTRES
Orchestre
4
Orchestre d'harmonie
1
AUTRES
Vous avez sélectionné:
Distant
CLASSIQUE - BAROQUE - ROMANTIQUE
Partitions à imprimer
45 partitions trouvées
<
1
26
Streabbog Louis : Premières Etudes des jeunes Pianistes, Opus 63 - N° 6 Distant Bells
Piano seul
Téléchargez la partition Piano Premières Etudes des jeunes Pianistes,…
(+)
Téléchargez la partition Piano Premières Etudes des jeunes Pianistes, Opus 63 - N° 6 Distant Bells de Streabbog Louis. Partition pour Piano seul -- Classique
3.99 €
#
Piano seul
#
Streabbog Louis
#
Premières Etudes des jeunes P
#
Tomplay
An die ferne Geliebte (To the Distant Beloved) English Version
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1094717 Composed by Ludwig v…
(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1094717 Composed by Ludwig van Beethoven. Arranged by Abigail Dyer. 19th Century,Classical,Romantic Period. Score. 15 pages. Schubertiade #698791. Published by Schubertiade (A0.1094717). Beethoven's To the Distant Beloved (An die ferne Geliebte) in clear, singable English translation.
$7.95
7.24 €
#
Piano, Voix
#
Ludwig van Beethoven
#
Abigail Dyer
#
An die ferne Geliebte
#
Schubertiade
#
SheetMusicPlus
Gretchaninov : Suite miniature, Opus 145 – VII. Souvenir de l'Ami Lointain
Clarinette
Téléchargez la partition Clarinette Suite miniature, Opus 145 – VII. Souve…
(+)
Téléchargez la partition Clarinette Suite miniature, Opus 145 – VII. Souvenir de l'Ami Lointain de Gretchaninov. Partition pour Duo (Clarinette-Piano) -- Classique
4.99 €
#
Clarinette
#
Gretchaninov
#
Suite miniature, Opus 145 –
#
Tomplay
Traditionnel : Dans la forêt lointaine
Piano seul
Téléchargez la partition Piano Dans la forêt lointaine de Traditionnel…
(+)
Téléchargez la partition Piano Dans la forêt lointaine de Traditionnel. Partition pour Piano seul -- Classique
2.99 €
#
Piano seul
#
Traditionnel
#
Dans la forêt lointaine
#
Tomplay
Gretchaninov : Suite miniature, Opus 145 – VII. Souvenir de l'Ami Lointain
Piano seul
Téléchargez la partition Piano Suite miniature, Opus 145 – VII. Souvenir d…
(+)
Téléchargez la partition Piano Suite miniature, Opus 145 – VII. Souvenir de l'Ami Lointain de Gretchaninov. Partition pour Duo -- Classique
4.99 €
#
Piano seul
#
Gretchaninov
#
Suite miniature, Opus 145 –
#
Tomplay
Distant Bells II: for left and right hand (Grade 1, list B, ABRSM Piano Syllabus 2025 & 2026)
Piano seul
Piano Solo - Level 1 - Digital Download SKU: HX.1456046 Composed by Louise Drewett.…
(+)
Piano Solo - Level 1 - Digital Download SKU: HX.1456046 Composed by Louise Drewett. This edition: scorch. Classical. Score. 2 pages. ABRSM (Associated Board of the Royal Schools of Music) #PEPs_25_OH_G1_B_DB2. Published by ABRSM (Associated Board of the Royal Schools of Music) (HX.1456046).
$1.99
1.81 €
#
Piano seul
#
Louise Drewett
#
Distant Bells II: for left and right hand
#
ABRSM
#
SheetMusicPlus
Distant Bells: for left hand only (Grade 1, list B, from the ABRSM Piano Syllabus 2025 & 2026)
Piano seul
Piano Solo - Level 1 - Digital Download SKU: HX.1456047 Composed by Louise Drewett.…
(+)
Piano Solo - Level 1 - Digital Download SKU: HX.1456047 Composed by Louise Drewett. This edition: scorch. Classical. Score. 1 pages. ABRSM (Associated Board of the Royal Schools of Music) #PEPs_25_OH_G1_B_DB. Published by ABRSM (Associated Board of the Royal Schools of Music) (HX.1456047).
$1.99
1.81 €
#
Piano seul
#
Louise Drewett
#
Distant Bells: for left hand only
#
ABRSM
#
SheetMusicPlus
Bantock-Folksong,O'er the distant lonely mountains(Dalekaya i blezkaya),in g minor,for Voice and Pia
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.670385 Composed by Bantock. …
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.670385 Composed by Bantock. Arranged by MSM. Classical,Romantic Period. Score. 5 pages. Open Cloud #4576297. Published by Open Cloud (A0.670385). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Bantock (Bantock Granville), 1868-1946, for Voice and Piano.
$2.99
2.72 €
#
Piano, Voix
#
Bantock
#
MSM
#
Bantock-Folksong,O'er the distant lonely mountains(Dalekaya i blezkaya),in g minor,for Voice and Pia
#
Open Cloud
#
SheetMusicPlus
...From A Distant Shore...
Hautbois (partie séparée)
Oboe Solo - Digital Download SKU: HX.366544 By Robert Saxton. This edition: scorch.…
(+)
Oboe Solo - Digital Download SKU: HX.366544 By Robert Saxton. This edition: scorch. Classical. Individual part. 7 pages. Hal Leonard Europe #60620. Published by Hal Leonard Europe (HX.366544).
$2.99
2.72 €
#
Hautbois (partie séparée)
#
Robert Saxton
#
...From A Distant Shore...
#
Hal Leonard Europe
#
SheetMusicPlus
A Distant Star in the Stillness (Grade 5, list C3, from the ABRSM Piano Syllabus 2023 and 2024)
Piano seul
Composed by David A T Önaç. This edition: scorch. Classical. Score. 2 pages. ABRSM (A…
(+)
Composed by David A T Önaç. This edition: scorch. Classical. Score. 2 pages. ABRSM (Associated Board of the Royal Schools of Music) #PEPs_23_G5_C3. Published by ABRSM (Associated Board of the Royal Schools of Music)
$2.99
2.72 €
#
Piano seul
#
David A T Önaç
#
A Distant Star in the Stillness
#
ABRSM
#
SheetMusicPlus
Debussy: Piano Preludes Bk.2 No.5 "Bruyères" - symphonic wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.13666…
(+)
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. RayThompsonMusic #950991. Published by RayThompsonMusic (A0.1366668). Debussy: Piano Preludes Bk.2 No.5 Bruyères (Heather) - symphonic wind dectetArranged double wind quintet/bassDebussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.This is from the 2nd Book.I have arranged all of these preludes from both books:Book 1Danseuses de DelphesVoilesLes sons et le parfums…..Des pas sur le neige La fille aux cheveux de linLa Cathédral engloutieMinstrelsBk.2BruyèresGeneral LevineHommage à S.Pickwick EsqCanopeAs if by magic, we are transported to heather covered V it shows that this shepherd is a distant cousin of ‘la fille heathland with a piece much reminiscent of la Fille aux cheveux de lin’. The same calm, the same purityaux Cheveux de Lin from book one. Nature and innocence demand a spontaneous and laidback approach to those delicate and poetic riffs to match the colour and aroma of fragrant purple shrubs. Birds may be heard calling, accompanied by the distant refrain of a shepherd’s flute in this harmonious and homogeneous prelude — an admirable contrast to numbers IV and VI.In direct connection with this prelude, Marguerite Long mentions a Debussy souvenir pairing the scent of sea mist and coastal pines, and if she is correct this would take us to Arcachon in south west France. It is possible that the young composer first went there in 1880 with the baroness Nadejda Von Meck and later in 1904 when he stayed with the uncle of Emma Bardac (neÌe Moyse), his future bride.The pastoral and familiar poetry of a woodland scene where the earth’s pervasive scent mingles with the subdued display of patches in purple.— CortotA peaceful melody on a shepherd's pipe, resonating on the silent moorland. With its Celtic pentatonic structureand the same diatonic transparency, time-signature and tempo provide a clear link.— Harry Halbreich
$14.95
13.61 €
#
Claude Debussy
#
Ray Thompson
#
Debussy: Piano Preludes Bk.2 No.5 "Bruyères" - symphonic wind dectet
#
RayThompsonMusic
#
SheetMusicPlus
Air on the G String, for 4 solo contrabasses
Small Ensemble Double Bass - Level 5 - Digital Download SKU: A0.977047 Composed by …
(+)
Small Ensemble Double Bass - Level 5 - Digital Download SKU: A0.977047 Composed by Johann Sebastian Bach. Arranged by Paul SanGregory ï¼ˆæ¡‘ç£Šæ ¢ï¼‰. Baroque. Score and parts. 9 pages. Distant Engraver Music #5723341. Published by Distant Engraver Music (A0.977047). In this arrangement of J. S. Bach’s famous Air, the four parts of the original string orchestra are played by four solo contrabasses. The two upper bass parts take turns playing the soaring primary melody while the two lower parts alternate in playing the famous bass line. With only slight modifications and an occasional omission, all of Bach’s original counterpoint is used in a way that preserves clarity and lightness even though the overall range has been compressed for the basses. Both the 1st and 2nd bass parts require performers to play in the high solo register, playing up to high Eb and D respectively. The original key of D major has been transposed to F major for this arrangement.
$5.00
4.55 €
#
Johann Sebastian Bach
#
Air on the G String, for 4 solo contrabasses
#
Distant Engraver Music
#
SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
(+)
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
INITIATE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
And They Were Friends From That Day On
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1495488 By Damien Gauci. By Damien …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1495488 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 7 pages. Damien Gauci #1072005. Published by Damien Gauci (A0.1495488). Whiskers and Pippin had left the abandoned house behind, but they carried with them something far more valuable than anything they could have found within its dusty walls—a new friendship. As they journeyed through the woods, they discovered that they had more in common than just their fur colour. Their shared curiosity led them to explore new paths, while their cautious natures kept them safe from danger. Every rustle of the leaves, every flicker of movement in the underbrush, became an adventure when they were together.Day after day, Whiskers and Pippin would meet at the edge of the forest, eager to explore each other’s favourite spots. Whether it was a hidden grove full of the sweetest acorns or a quiet stream perfect for reflection, they found joy in sharing these special places with each other. The once lonely woods now felt alive with the warmth of their companionship. They would chase each other up trees, playfully darting between branches, and when the day grew late, they would sit side by side, watching the sun dip below the horizon.The fear and hesitation that once filled their first encounter was now just a distant memory. In its place was a deep bond, forged through shared experiences and a mutual understanding. Whiskers and Pippin might have been cautious, but together, they found the courage to explore a world that felt much less daunting with a friend by their side. And so, from that day on, they were inseparable—two squirrels who had found in each other a lifelong companion, proving that sometimes, the best adventures begin when you least expect them.
$6.00
5.46 €
#
Piano seul
#
Damien Gauci
#
And They Were Friends From That Day On
#
Damien Gauci
#
SheetMusicPlus
Six Violin Duets, Op. 1
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William…
(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
65.56 €
#
2 Violons (duo)
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 1
#
Artaria Editions
#
SheetMusicPlus
Six Violin Duets, Op. 2
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William…
(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
65.56 €
#
2 Violons (duo)
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 2
#
Artaria Editions
#
SheetMusicPlus
Piano Trio in E flat major, Op. 2
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed…
(+)
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
33.69 €
#
Piano Trio: piano, violon, violoncelle
#
Ferdinand Ries
#
Dianne James
#
Piano Trio in E flat major, Op. 2
#
Artaria Editions
#
SheetMusicPlus
Witch of November (for contrabass clarinet and vibraphone)
Instrumental Duet Bass Clarinet,Instrumental Duet,Vibraphone - Level 5 - Digital Download …
(+)
Instrumental Duet Bass Clarinet,Instrumental Duet,Vibraphone - Level 5 - Digital Download SKU: A0.1100100 Composed by Ian Deterling. Classical. Score and parts. 29 pages. Ian Deterling #703966. Published by Ian Deterling (A0.1100100). Conjure the destructive power of the Great Lakes with the Witch of November. This impressionistic duet is full of bewitched wind chimes and turbulent waters illuminated by shimmers of distant lighthouses.
$12.00
10.93 €
#
Ian Deterling
#
Witch of November
#
Ian Deterling
#
SheetMusicPlus
Witch of November (for clarinet and vibraphone)
Instrumental Duet Clarinet,Instrumental Duet,Vibraphone - Level 5 - Digital Download SK…
(+)
Instrumental Duet Clarinet,Instrumental Duet,Vibraphone - Level 5 - Digital Download SKU: A0.1100099 Composed by Ian Deterling. Classical. Score and parts. 29 pages. Ian Deterling #703965. Published by Ian Deterling (A0.1100099). Conjure the destructive power of the Great Lakes with the Witch of November. This impressionistic duet is full of bewitched wind chimes and turbulent waters illuminated by shimmers of distant lighthouses.
$12.00
10.93 €
#
Ian Deterling
#
Witch of November
#
Ian Deterling
#
SheetMusicPlus
Witch of November (for bass trombone and vibraphone)
Instrumental Duet Bass Trombone,Instrumental Duet,Vibraphone - Level 5 - Digital Download …
(+)
Instrumental Duet Bass Trombone,Instrumental Duet,Vibraphone - Level 5 - Digital Download SKU: A0.1100097 Composed by Ian Deterling. Classical. Score and parts. 29 pages. Ian Deterling #703963. Published by Ian Deterling (A0.1100097). Conjure the destructive power of the Great Lakes with the Witch of November. This impressionistic duet is full of bewitched wind chimes and turbulent waters illuminated by shimmers of distant lighthouses.
$12.00
10.93 €
#
Ian Deterling
#
Witch of November
#
Ian Deterling
#
SheetMusicPlus
Debussy: Piano Preludes Bk.2 No.10 "Canope" - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.13639…
(+)
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1363966 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Classical. 19 pages. RayThompsonMusic #948289. Published by RayThompsonMusic (A0.1363966). Claude Debussy: Piano Preludes Bk.2 No.10 Canope arranged wind dectet/bassDebussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.One of Debussy’s most mysterious and enigmatic pieces, is also one of his most prophetic. The entire piece unfolds in a hieratic, strangely distant atmosphere, engendering a sensation of infinite solitude reinforced by a cadence that is not an ending — we remain suspended in the void. Once again, Debussy has fused space and time.— Harry HalbreichThe meditative and gentle lines of this piece have the nobility and the stately form of the antique funerary urn* which serves as a symbol. * A Canopic Jar: used in sets of four by the ancient Egyptians as containers for the internal organs of embalmed bodies.I have arranged all of these preludes from both books:Book 1Danseuses de DelphesVoilesLes sons et le parfums…..Des pas sur le neige La fille aux cheveux de linLa Cathédral engloutieMinstrelsBk.2BruyèresGeneral LevineHommage à S.Pickwick EsqCanope
$9.95
9.06 €
#
Claude Debussy
#
Ray Thompson
#
Debussy: Piano Preludes Bk.2 No.10 "Canope" - wind dectet
#
RayThompsonMusic
#
SheetMusicPlus
Amigo Lejano
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1168307 Composed by Mudiwa W…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1168307 Composed by Mudiwa Williams. Arranged by Mudiwa Williams. Classical. Score. 8 pages. Mudiwa Music #768637. Published by Mudiwa Music (A0.1168307). EMAIL ME FOR PARTS: mudiwamusic@gmail.com“Distant Friend†is a piece I dedicated to my best friend, Ivan. We went to high school together, played music together, worked together, and still have an amazing friendship even being hundreds of miles apart. I was very inspired by Trio Ellas’ version of “La Brujaâ€as that song really reminded me of Ivan. The lyrics are a simple declaration that although we are far apart, and we love in different ways, we will always be connected. The last line translates to “And when I look up at the moon, I know you are looking at the same moon too.†I love you Ivan, and no matter how far apart we are physically, we will always be connected by the moon.
$12.00
10.93 €
#
Piano, Voix
#
Mudiwa Williams
#
Mudiwa Williams
#
Amigo Lejano
#
Mudiwa Music
#
SheetMusicPlus
Witch of November (for bassoon and vibraphone)
Instrumental Duet Bassoon,Instrumental Duet,Vibraphone - Level 5 - Digital Download SKU…
(+)
Instrumental Duet Bassoon,Instrumental Duet,Vibraphone - Level 5 - Digital Download SKU: A0.1100098 Composed by Ian Deterling. Classical. Score and parts. 29 pages. Ian Deterling #703964. Published by Ian Deterling (A0.1100098). Conjure the destructive power of the Great Lakes with the Witch of November. This impressionistic duet is full of bewitched wind chimes and turbulent waters illuminated by shimmers of distant lighthouses.
$12.00
10.93 €
#
Ian Deterling
#
Witch of November
#
Ian Deterling
#
SheetMusicPlus
Witch of November (for flute and vibraphone)
Instrumental Duet Flute,Instrumental Duet,Vibraphone - Level 5 - Digital Download SKU: …
(+)
Instrumental Duet Flute,Instrumental Duet,Vibraphone - Level 5 - Digital Download SKU: A0.1100101 Composed by Ian Deterling. Classical. Score and parts. 29 pages. Ian Deterling #703967. Published by Ian Deterling (A0.1100101). Conjure the destructive power of the Great Lakes with the Witch of November. This impressionistic duet is full of bewitched wind chimes and turbulent waters illuminated by shimmers of distant lighthouses.
$12.00
10.93 €
#
Ian Deterling
#
Witch of November
#
Ian Deterling
#
SheetMusicPlus
Witch of November (for bass clarinet and vibraphone)
Instrumental Duet Bass Clarinet,Instrumental Duet,Vibraphone - Level 5 - Digital Download …
(+)
Instrumental Duet Bass Clarinet,Instrumental Duet,Vibraphone - Level 5 - Digital Download SKU: A0.1100095 Composed by Ian Deterling. Classical. Score and parts. 29 pages. Ian Deterling #703961. Published by Ian Deterling (A0.1100095). Conjure the destructive power of the Great Lakes with the Witch of November. This impressionistic duet is full of bewitched wind chimes and turbulent waters illuminated by shimmers of distant lighthouses.
$12.00
10.93 €
#
Ian Deterling
#
Witch of November
#
Ian Deterling
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
