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Do I Hear A Waltz?
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Vous avez sélectionné:
Do I Hear A Waltz?
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4 partitions trouvées
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Do I Hear A Waltz?
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Chorale SATB
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FACILE
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Comédie Musicale
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Richard Rodgers and Stephen So
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Anastasio Rossi
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Stephen Sodheim
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Do I Hear A Waltz?
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Anastasio Rossi
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1241435 Composed by Richard Rodgers and Stephen Sondheim. Arranged by Anastasio Rossi. Broadway,Musical/S...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1241435 Composed by Richard Rodgers and Stephen Sondheim. Arranged by Anastasio Rossi. Broadway,Musical/Show. 16 pages. Anastasio Rossi #836679. Published by Anastasio Rossi (A0.1241435). Title Song from the Broadway Musical, Do I Hear A Waltz? by Richard Rodgers & Stephen Sodheim. Arranged for SATB, One Piano, Four Hands. For optional waltzing couple, contains cues points for exits, entrances, and bows.Piano accompaniment and learning tracks are available at no cost from the arranger: AAR@prodigy.net.
$1.99
Dreams - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062...
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Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
Diasporic Dances
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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AVANCÉ
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Patrick Prejean
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Diasporic Dances
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Patrick Prejean
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patric...
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String Quintet Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patrick Prejean #906523. Published by Patrick Prejean (A0.1317853). These dances where written at the request of the executive director of CityMusic Cleveland. They are based and inspired by North and Sub-Saharan African Dances in addition to a reimagining of fairy tales. There are 8 movements making this the biggest project I've ever composed. This quintet may also be performed as a String Orchestra ensemble. I - There is a story about a man named Alexander Dynis (Deniz) who is believed to have ended up in Ruthenia (modern day Ukraine) as a PoW when the Ottomans invaded the Polish-Lithuanian Commonwealth. Not much is known about his early life but we do know is that eventually afterwards he was granted the position of Starosta (town mayor/landlord) of Kozieglowy (Poland) by the Bishop of Krakow. He is the only Black starosta that we know of to this day. His story is interesting and is the basis of this movement and was inspired by the soundtrack of a game called Hellish Quart. II - This movement is a dance of ritual which emphasizes the different pitch intonations of the human voices hence the dissonant harmonies. Imagine walking through the savannah and hearing these voices but you are unsure of their intentions. This dance is heavy and percussive. III - This movement is of a young woman who is kidnapped by the Vikings and dreams of escaping captivity. IV - There are 3 distinct motives for this movement which combine to create a battle - like scene, those being the 6 quarter note triplets, the rhythmic motive, and the driving 16th notes.  V - I wanted to create the sounding of the natural horns of the Ancient and Classical Eras and to combine them with a retelling of the Little Red Riding Hood. Her journey begins upon hearing these horns and prompted to ride out to begin her quest.VI/VII/VIII - These movements where edited from my Death Waltzes for the Living. There are hidden titles for number 6 and 7: Loss of Mind and Hospital. These waltzes are a reimagining of Cinderella's life but instead of her story playing out as we know it, she suffers a psychotic break and is transported into our world and rushed to the hospital. The final movement concludes the piece with a Dance of Death. I have had many close encounters with permanent oblivion and the result of this is what I call Hitchcock Horror harmonic language. These encounters supplimented with the dreams of the unconscious realm create an uneasy dance that ends almost as abruptly as they begin.
$100.00
2023/4: 11. 123123
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Piano seul
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FACILE
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Matthew Colson
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una corda) at your discretion
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2023/4: 11. 123123
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Matthew Colson
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1408332 Composed by Matthew Colson. 21st Century,Classical,Contemporary,Romantic Period. Score. 4 pages. Matthew Colson #...
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Piano Solo - Level 2 - SKU: A0.1408332 Composed by Matthew Colson. 21st Century,Classical,Contemporary,Romantic Period. Score. 4 pages. Matthew Colson #990916. Published by Matthew Colson (A0.1408332). 2023/4 is a collection of 11 pieces for solo piano. They are all written in ¾ time and were composed throughout 2023.“123123 is the eleventh and final piece from 2023/4. 123123 represents the date 12/31/23 which was Waltz Day 123 123. The final piece of 2023/4 wanted to reflect a year of waltzing through life and personal steps taken.I generally do not put pedal markings in my music - please use pedals (sustain & una corda) at your discretion. About the composer:Matthew Colson is a hobby composer from New England. He began writing little piano pieces in 2003. Since then, he has written several pieces, ranging from piano to orchestral. His music has been performed live in the United States and Australia. To listen to his original compositions, please visit his YouTube page: EmceeMusic42If you perform my music, I’d love to hear it! For any business or personal correspondence: emceemusic42@gmail.com.
$2.50
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Do I Hear A Waltz?
