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Do These Tears Know
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CLAIRON
CLARINETTE
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Vous avez sélectionné:
Do These Tears Know
Partitions à imprimer
14 partitions trouvées
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1
Do These Tears Know
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Chorale SATB
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Gospel Spirituel
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Jazz
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Judah Ha-Levi
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Joel Phillips
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Do These Tears Know
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Transcontinental Music
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SheetMusicPlus
Choral Choir,Choral,Voice (SATB) - SKU: HX.369325 By Judah Ha-Levi. Arranged by Joel Phillips. This edition: scorch. Choral. Spiritual. Octavo. 11 pages...
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Choral Choir,Choral,Voice (SATB) - SKU: HX.369325 By Judah Ha-Levi. Arranged by Joel Phillips. This edition: scorch. Choral. Spiritual. Octavo. 11 pages. Transcontinental Music #TMP_993320D. Published by Transcontinental Music (HX.369325).
$2.25
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Joel Phillips: Do These Tears Know - choir (SATB: soprano, alto, tenor, bass)
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Chorale SATB
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INTERMÉDIAIRE
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Joel Phillips
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Virtualsheetmusic
Instantly printable sheet music by Joel Phillips for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / spiritual
Instantly printable sheet music by Joel Phillips for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / spiritual
$6.23
Song of the Childless
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Contemporain
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David Warin Solomons
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Song of the Childless
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 4 pages. David Warin Solomons #15653. Published by David Warin Solomons (A0.576279). This song was inspired by my initial reactions to the realization that I am infertile. In my case this was due to Kallmann's syndrome I am now perfectly happy with my infertility, after all, there is much else to do in the world and Dawkins' selfish gene can simply go spin its plot elsewhere: my children are my compositions, and they populate the world in their own way with joy, humour and thoughtfulness... wherever they will... ... However, I know there are many who are not happy with childlessness, so I dedicate this song to them ....and to my past self. The sound sample is my own performance. Here are the words: Learn this my child, who never hears my word Your luck is out, you are but but a poem deaf to change You are a romantic ramble on absurd round which the childless brain desires to range Hear this my daughter, blind to loveliness Your love is mine, untouchable, unknown to all Save to a song befitting her distress Whom Sappho loved but answered not her call See this my eunuch, watching others` joy Your luck was in, your luck was in You threw it far away, too far away for its return Save to another and another boy while I look on, unmoved as from a star Taste this my tears grown cold Resigned and pure Your love is his I know not whose nor do I care Yet love I would, and yet cannot be sure that another`s love could now be mine to share Warm this my heart These strings beget my child Their luck is in Their love is mine So close, my son! My daughter`s breath sings Through my fingers styled Sings to herself All other children shun © David W Solomons Video:https://www.youtube.com/watch?v=NOB34ds34Tk
$11.00
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
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Piano seul
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Contemporain
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). ...
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Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00
"Three Labe Sonnets" for mezzo-soprano and piano
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Contemporain
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Jason A
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"Three Labe Sonnets"
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Call of the Wild Publishing
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SheetMusicPlus
Small Ensemble Piano,Vocal,Voice - Level 5 - SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265...
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Small Ensemble Piano,Vocal,Voice - Level 5 - SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets. TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain. Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too. Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.
$4.50
You Make A Difference In My Life
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Ensemble Jazz
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INTERMÉDIAIRE
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Michael Drake
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Kevin Carberry
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You Make A Difference In My Li
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Michael Gene Drake
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1516446 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Film/TV,Musical/Show,Re...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1516446 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Film/TV,Musical/Show,Reggae,Singer/Songwriter,Wedding. 139 pages. Michael Gene Drake #1090612. Published by Michael Gene Drake (A0.1516446). You Make A Difference In My Life Is a song from my CD “No Tan Lines” 1997 and is a big Band version which features a Vocal.michaeldrakemusic@outlook.com https://drakemusic.com/https://www.youtube.com/watch?v=nA1K4NkfqlsYou Make A Difference In My Life Wo Wo WoYou Make A Difference to me, don’t you know, don’t you know You Make A Difference In My Life Wo Wo WoYou Make A Difference to me. You Make A Difference to me. You Make A Difference to me. You Make A Difference to me. As life takes it’s turns we might wish for another, or a different road we could take.It’s the road that we travel and the bumps that we take,and the swerves that we need to handle.Writing songs and playing music is what I got to do.Gets me through the day, what I want is quite different I beg of you,I need to find the way.I have browsed these rooms many times before,And never found the key.It’s the hardest of hards and that emp-ty fee-lin’,that you get when you lost your love.Your fears are revealed and your tears seem to tumbleas I search through the ruins in my heart, my heart!Just to find in the corner of that lone-ly room,a teacup filled with you.
$35.00
OF LIGHT AND SHADOW (A NEW YEAR)
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Contemporain
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Monica Bergo
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OF LIGHT AND SHADOW
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Moni Bergo
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SheetMusicPlus
Small Ensemble Drums,Flute,Piano,Violin - SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Publis...
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Small Ensemble Drums,Flute,Piano,Violin - SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Published by Moni Bergo (A0.1012752). Music and song composed by meOF LIGHT AND SHADOW (A new year) Lights that shine On these days of mine Shadows that kill My enthusiasm but there is A whole journey that has been written for me Like a novel, its plot will unveil Another year on me And new days to be invented Find out what will happen It's a good reason to fight The light will illuminate me Or there will be new pain Find out what will happen It's a good reason to stay And I always run so strong For fear of falling Maybe this year I will learn How to do walk And I never slow down my pace Back I can not come back Because I would meet myself And inside me I should look I will fill with light and shadow This my eternal emptiness That I can not placate A thousand songs I will invent If there will be someone who will want to listen In connection with the world singing of fairies, magicians, elves, witches and intrigues always uncomfortable in my time looking for a place, a role in this year new I know that nothing will change yet Of light and shadow I will live I steal from the moon her mysteries I will give them to the sun In exchange for the eternal heat in the heart And like a witch burning at the stake I fire, I melt And born again And the alignment of Jupiter in Pluto The lunar eclipse gives me protection I wish the night would go down fast When my pain never finds peace I wish the sun would shine forever In every season, summer and winter A new year here Before me I mess up his days The gray of November With the warmth of September with lights and shadows I will confuse I will steal the sun in June and my Christmas will heat up and the January ice at Easter I will donate I will confuse the night and the day always mistress of my time in that mirror I will look happy with what I will see and new trips and experiences and emotions on the skin I will live with joy and intensity the light and the shadow that will come how many smiles on my lips will form new wrinkles happy with my age it's a nice finish line to be here and how many tears again will come down on my face will be joy or pain of light and shadow I will live It will be a new year of joys and sorrows of light and shadow of cold and heat ... .. Monica Bergo
$5.00
The House We Build
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Lukas C Jaeger
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The House We Build
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Lukas C Jaeger
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger #882681. Published by Lukas C Jaeger (A0.1292341). As a creator, something I value above all else is the ability to do so with others. There’s a beauty found where minds meet that no one person can achieve alone.   So, in search of that beauty, before I even started to work on this piece, I met with the students of Waukesha North High School at the end of their 2023 school year. And we talked. We talked about how life was going. The good and bad. The ups and downs. Things lost. Things found… They shared some laughs and even some tears… The conversations we had were unexpectedly poignant and stuck with me throughout the writing process.   School is a time of great change in our lives and often we are so focused on “getting through†that we don’t really stop to appreciate it until later. This piece celebrates that part of the process. The way we build onto ourselves- acknowledging and accepting that our experiences we have during this time, both good and bad, are crucial to our identity and our ability to move forward in life. They are the cornerstones of who we are and who we become… Inspired by these experiences we shared, I wrote this text. It’s about building a house. The “house†being our self.
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Le streghe
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Piano seul
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Monica Bergo
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I find again
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Le streghe
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976872 Composed by Monica Bergo. Children,Contemporary,Halloween. Score. 8 pages. Monica Bergo #3240587. Published by Monica Bergo ...
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Piano Solo - SKU: A0.976872 Composed by Monica Bergo. Children,Contemporary,Halloween. Score. 8 pages. Monica Bergo #3240587. Published by Monica Bergo (A0.976872). 2017 Holiday Contest Entry♫ *'¯` * • .¸¸. ♫ ♫ Witches *'¯` * • .¸¸. ♫ It seemed a day so, like many others, I wake up and commitments already there are pressing who asks, who call, they have all need leave me alone want my dream Today, I'm sorry, but is not the day from these chains I feel disconnected and run happy in the thick of the wood I reach my nest my hidden place I never afraid in the woods at night With they I find again the right atmosphere and there, around the fire there is my family the only, the true that resembles me the most And in my reflection are barefoot and shabby but just so , I feel myself and while we wait something to happen dolls in hand we look for a prey if in the Middle Ages they had burned us stronger and bad now we are back Between 1000 potions between powders and concoctions we here manufacture the strange mixtures And dance around the fire Of us, cares little to you we are ugly, we are ungainly we are dirty and unkempt and turned, turned around, there is a place in the world where it does not matter the look and appearance. And while we intone the chants to the moon a strange mantra to bring good luck I feel observed because there hidden he's , he followed me in the thick of wood I stop petrified and now I'm afraid because he knows nothing of my dark half and I see the contempt I can see it in his face and I have a heavy heart tears soaked-.... What I could say I would tell him do not go while time seems to stop a moment seems eternal.... But who cares half woman half witch If really you're interested maybe you love me the same.... and I look at you go away in my eyes nostalgy and a tear goes I think of what will not be strange actress consumed identity lost I try wherever my part always change my fate. And watch you disappear something inside me dies I would like an elixir of love it gives you back &n.
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WITCHS
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Piano seul
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Contemporain
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Monica Bergo
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I find again
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WITCHS
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012708 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5742971. Published by Moni Bergo (A0.1012708). ...
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Piano Solo - SKU: A0.1012708 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5742971. Published by Moni Bergo (A0.1012708). Music and song composed by me♫ *'¯` * • .¸¸. ♫ ♫ Witches *'¯` * • .¸¸. ♫ It seemed a day so, like many others, I wake up and commitments already there are pressing who asks, who call, they have all need leave me alone want my dream Today, I'm sorry, but is not the day from these chains I feel disconnected and run happy in the thick of the wood I reach my nest my hidden place I never afraid in the woods at night With they I find again the right atmosphere and there, around the fire there is my family the only, the true that resembles me the most And in my reflection are barefoot and shabby but just so , I feel myself and while we wait something to happen dolls in hand we look for a prey if in the Middle Ages they had burned us stronger and bad now we are back Between 1000 potions between powders and concoctions we here manufacture the strange mixtures And dance around the fire Of us, cares little to you we are ugly, we are ungainly we are dirty and unkempt and turned, turned around, there is a place in the world where it does not matter the look and appearance. And while we intone the chants to the moon a strange mantra to bring good luck I feel observed because there hidden he's , he followed me in the thick of wood I stop petrified and now I'm afraid because he knows nothing of my dark half and I see the contempt I can see it in his face and I have a heavy heart tears soaked-.... What I could say I would tell him do not go while time seems to stop a moment seems eternal.... But who cares half woman half witch If really you're interested maybe you love me the same.... and I look at you go away in my eyes nostalgy and a tear goes I think of what will not be strange actress consumed identity lost I try wherever my part always change my fate. And watch you disappear something inside me dies I would like an elixir of love it gives you back
$5.00
Etude in C, Le Couppey-Nolte
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Piano seul
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AVANCÉ
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. ...
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Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99
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Do These Tears Know
