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Do What Is Right - easy piano duet
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Sonata in C major K545 "Facile" for piano solo
Orgue, Piano (duo)
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - Digital Down…
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.862682 Composed by Wolfgang Amadeus Mozart. Arranged by Michael Bomier. Classical,Concert,Instructional,Standards. Score and parts. 15 pages. Michael Butkus-Bomier #3689769. Published by Michael Butkus-Bomier (A0.862682). This music, along with Fur Elise and Ellmenreich's Spinning Song, are the three most common teaching pieces from the long history of piano pedagogy. Our edition here uses doubled rhythms in the first and second movements, to make sure that lotsa flags do NOT frighten the youngsters, of whatever age! Chord symbols for some of the arpeggios are included for ease of playing AND a bit' o theory instruction!The second movement goes one step further, and divides each measure into three, giving the triple meter a three-phrase look rather than a single measure chock fulla notes, pun intended! Each movement is five pages long, which will make for a four-page music rack spread with only ONE pageturn required. The third movement is only three pages. These conveniences, along with our readable notational changes, combine with this Super-Bargain price to make our edition just right for every age and teacher. Our editions of Fur Elise and Spinning Song will be out soon. Look for them. MBB.
$3.99
3.62 €
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Orgue, Piano (duo)
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Wolfgang Amadeus Mozart
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Michael Bomier
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Sonata in C major K545 "Facile" for piano solo
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Michael Butkus-Bomier
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SheetMusicPlus
Yuki-Onna (piano 4-hands)
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1127872 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. Philip Le Bas #728481. Published by Philip Le Bas (A0.1127872). Incidental music composed for piano duet (4-hands) in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This piano duet developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99
5.44 €
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1 Piano, 4 mains
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
Hautbois, Piano (duo)
Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann…
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Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00
18.16 €
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Hautbois, Piano (duo)
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Robert Schumann
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Zellev
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3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Zellev Music
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SheetMusicPlus
Poor Max! (for mezzo-soprano/alto voice and piano) (Folk/Rock)
Instrumental Duet Instrumental Duet,Medium Voice,Piano - Digital Download SKU: A0.84127…
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Instrumental Duet Instrumental Duet,Medium Voice,Piano - Digital Download SKU: A0.841273 Composed by Chris Gordon. Arranged by Chris Gordon. Folk,Rock. Score and parts. 10 pages. Cool Wind Music Digital #3220995. Published by Cool Wind Music Digital (A0.841273). This is a folk/rock ballad with a twist as the 'story' it tells comes straight out of a novel by German author Günter Grass', Local Anaesthetic (1969). Phillipp (Flip) Scherbaum, a 17-year old Berlin high school student, wants to do something, anything to protest what he has been reading in newspapers has been happening to the people of Vietnam. (Remember this is 1967!) He comes up with an idea: he has a little Dachshund puppy called Max. Flip decides to burn Max right outside the most famous café in Berlin, Kempinski's (it is still there), to shock complacent Berliners into paying attention to what is happening in Vietnam. His history teacher, Eberhard (Hardy) Starusch, agrees to Flip's protest idea but draws the line firmly against killing an innocent animal. Hardy sets out to dissuade his student from carrying out this doggiecide. Instead, he resolves to steer Flip to less harmful ways of protesting. The effort drives Hardy to a lot of hard thinking and hard drinking and a lot of trips to the dentist!Poor Max is a realisation of one of Hardy's suggestions to Flip: to write and perform a protest song outside Kempinski's - and elsewhere in Berlin, too. You will not be surprised to hear that head-strong Flip rejects this suggestion but I have taken up Hardy's idea and written my own protest song for Flip. The words and the music are my own: I have not borrowed either from anyone else (except for one little phrase which I discovered I had unconsciously borrowed from Robert Schumann)!
$6.50
5.9 €
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Chris Gordon
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Chris Gordon
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Poor Max!
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Cool Wind Music Digital
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SheetMusicPlus
Do You Hear What I Hear
Instrumental Duet Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.913209
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Instrumental Duet Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.913209 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by William R Parker III. Christian,Gospel,Rock. Score and parts. 3 pages. William Parker #4978641. Published by William Parker (A0.913209). This is a duet designed for 1 piano and 2 players.Working together, the lines bring the excitement and wonder of this Christmas classic. This is piece is fun to play and will brighten up your holidays!
$4.99
4.53 €
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Carrie Underwood
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William R Parker III
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Do You Hear What I Hear
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William Parker
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SheetMusicPlus
In the Bleak Midwinter
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1125813 By Michael Swedberg. By Gus…
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Piano Solo - Level 5 - Digital Download SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726553. Published by Niska Music Publishing (A0.1125813). Another arrangement that had its genesis as a vocal chart for Five By Design. However, this piece went on to be performed in our holiday show, “A Winter’s Evening.†I have always loved the Gustav Holst melody to Christina Rossetti’s poem, subsequently it was that setting that I chose to arrange for our group. When I was selecting pieces for my second collection of Christmas Preludes, I knew this would be among them. The piece starts out quite gently, and in my mind’s ear I hear a cello and oboe establishing a mood of utter serenity and calm as the snow gently falls outside the frost-covered window. Soon the oboe is joined by a clarinet as they play a duet while the cello continues the gentle sway of eighth notes. For the pianist, there must be great control of the left hand to keep it as calm as possible while the melody floats above, just as the snow falls to the earth. As the second verse begins, the right hand now plays a triplet pattern beneath the melody. It is a gentle breeze, stirred by the wings of angels and cherubim, upon which the crystalline flakes swirl and dance in the cold night air. All the while the left hand continues its steady motion of eighth notes. Halfway through the triplet pattern moves to the left hand and the right hand takes up the eighth notes while still keeping the melody above all. The verse comes to a close with a slowing of the tempo to emphasize the importance of what the poet states in the last lines of the poem: “Yet what I can I give Him, — Give my heart.†It is all that any of us can do, and all that we are asked to do.
$3.99
3.62 €
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Piano seul
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Michael Swedberg
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Terrence Niska
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In the Bleak Midwinter
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Niska Music Publishing
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SheetMusicPlus
Gloria
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1147453 By Michael W. Smith. By Mic…
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Piano Solo - Level 4 - Digital Download SKU: A0.1147453 By Michael W. Smith. By Michael W. Smith. Arranged by Amy J. Snyder. Christian,Christmas,Contemporary,Holiday,Praise & Worship. Score. 7 pages. Amy J. Snyder #747690. Published by Amy J. Snyder (A0.1147453). A contemporary classic Christmas song, Gloria, by Michael W. Smith, for advanced intermediate piano solo. This exciting Christmas tune is arranged to hear the cool instrumental riffs on piano. Perfect for church preludes, offertories, special music or postludes. Can be used as accompaniment for singing. Arranged by Amy J. Snyder. Visit Amy at: www.facebook.com/amyjsnyder7/. If you enjoy this Christmas arrangement, check out Amy's other Christmas arrangements such as : Mary Did You Know, White Christmas, Noel, That's Christmas to Me, I Heard the Bells on Christmas Day (Casting Crowns version), We Need Christmas, Believe, Have Yourself a Merry Little Christmas, Do You Hear What I Hear, and more! Several duets available also. Copyright © 1989 Sony/ATV Music Publishing LLC All Rights Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219.
$5.25
4.77 €
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Piano seul
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Michael W
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Amy J
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Gloria
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Amy J. Snyder
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SheetMusicPlus
The Hammer and the Nail - in bass clef - A Good Friday Song
Small Ensemble Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.801045…
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Small Ensemble Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.801045 Composed by Connie Boss. Easter,Sacred. Score and parts. 4 pages. Connie Boss #4285309. Published by Connie Boss (A0.801045). A song for Good Friday. I have one out there in treble clef. This one is in bass clef for men to sing it. It has piano accompaniment and guitar chords as well as written in duet. The ending is unique (my mp3 doesn't show it because I couldn't get it to play it right) but after Pound # 11 I'm no longer breathin', it ends in complete silence at that point.The attached video is in SA and cello. Questions or requests, email cdboss@cvalley.netLyrics:Refrain: How can it be, the pain that I feel, pounding through my hands be from the hammer and the nail? When as a child, so young, but aware, I watched Joseph use the hammer and the nail. To create things that were so beautiful. How can this pain be from the hammer and the nail? Verse Pound #1 What have I done Pound #2 They know not what they do Pound #3 I’m shaking in my knees Pound #4 Leads to many more Refrain: Verse Pound #5 I’m barely alive Pound #6 They poke me with a stick Pound #7 Soon I’ll be in heaven Pound #8 I’m feeling faint Refrain: Pound #9 I’m dying inside Pound #10 Father please forgive them Pound #11 I’m no longer breathin’.
$5.50
5 €
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Connie Boss
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The Hammer and the Nail - in bass clef - A Good Friday Song
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Connie Boss
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SheetMusicPlus
Love Wedding Engagement and Anniversary
Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.13…
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Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1362623 Composed by Connie Boss. Arranged by Connie Boss. Wedding. 132 pages. Connie Boss #947050. Published by Connie Boss (A0.1362623). This is a book of 14 songs that can be used for weddings or engagement or anniversary or all three. They range from duets to trios, but can be sung as solo or duets instead. Parts are written in treble clef, but tenor or bass could sing as well. Almost all of them have an optional instrument part for either flute or violin or cello and with piano accompaniment. There are original songs as well as public domain songs in the book. No copyright music is allowed in a collection. It's a great deal to buy the whole book, but you can look on here for a specific song if you prefer just to purchase a song or two.I couldn't put all the songs on the mp3 - you can hear them all in the YouTube link below.For questions or requests, email cdboss@cvalley.netSongs included in this book are1. Ave Maria - both Latin and English lyrics included2. At Last, Our Day is Here - wedding reception song3. Beautiful Dreamer4. Bless Our Love5. Do You Remember - Anniversary6. For Always7. How Beautiful (is the Love Between the Two of Us)8. How Can I Keep From Singing - new lyrics in parts and melody in part9. Lost and Found10. My Love, Our Love11. Pachelbel Canon Wedding Version - lyrics for wedding added12. Some Day Soon - Engagement or Wedding13. The Lord’s Prayer14. What Wondrous Love is This - Wedding lyrics added.
$15.00
13.62 €
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Connie Boss
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Connie Boss
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Love Wedding Engagement and Anniversary
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Connie Boss
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SheetMusicPlus
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